Steinbeck KateBiblio.com
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réf. 9814374032.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. JD29181NY Ringling Bros. Barnum & Bailey Circus Magazine 1954 first edition wrappers. Softcover. Pages 6-7 this is the lead article preceded by a giant photo of Steinbeck by Philippe Halsman the only photographer who could make Steinbeck look handsome this item wasn't in the Adrian Goldstone collection but see Goldstone & Payne C112 not recorded by Morrow. Fine. NY, Ringling Bros. Barnum & Bailey Circus Magazine, 1954, first edition, wrappers. Softcover. paperback
1954réf. 08773CIRCUS in Ringling Bros and Barnum & Bailey Circus Magazine & Program 1954 first edition fine in wraps as issued. Ringling Bros and Barnum & Bailey 1954 paperback
1954réf. 08773CIRCUS in Ringling Bros and Barnum & Bailey Circus Magazine & Program 1954 first edition fine in wraps as issued. Ringling Bros and Barnum & Bailey 1954 paperback books
1795réf. 56383BBGera, bey Gottlieb Heinrich Jllgen. 1795. Folio. Gestochener Titel mit Titelvignette, 109 (recte 111) S. Schlichter Pappband der Zeit.
réf. 40569Jena, in der Göpferdtschen Verlagsbuchhandlung 1813, 350x220mm, 2 Bl. 110Seiten, demi-veau à coins, dos muet, quelques rousseurs.
1813réf. 40569Jena : in der Göpferdtschen Verlagsbuchhandlung 1813. STEINBECK Christoph Gottlieb.Chronologischer Hand-Kalander für die Vorzeit Gegenwart und Zukunst. Dem ganzen teutschen Publicum vorzüglich aber den Gerichtshöfen Geschichtsforschern Diplomatikern Archivivarien Advocaten und Handlungscomtoiren ausserst nützlich. Zweite verbesserte Auflage. Jena in der Göpferdtschen Verlagsbuchhandlung1813 350x220mm2 Bl. 110 Seiten demi-veau à coins dos muet quelques rousseurs. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance in der Göpferdtschen Verlagsbuchhandlung unknown
1945réf. 13049Paris Editions De Minuit 1945 In-8 136 pp, partiellement insolé, coupures sur mors et manques en tête et queue. textes de Vercors, paul Eluard, Charles Vildrac, J. Rivière, Henri Heine, John Steinbeck.
1945réf. 29590Paris Editions de Minuit 1945 3 vol. broché Série complète de ces Cahiers destinés à promouvoir une nouvelle littérature engagée, sur le modèle des "Chroniques interdites" parues sous l'Occupation. Textes, entre autres, de Eluard, Paulhan, Steinbeck, Thimerais, Vercors, Vildrac, etc. - Epuisés chez l'éditeur. Vignes, p. 351. Bon état général, le premier cahier non coupé.
1945réf. 29590Paris Editions de Minuit 1945 3 vol. broché Série complète de ces Cahiers destinés à promouvoir une nouvelle littérature engagée, sur le modèle des "Chroniques interdites" parues sous l'Occupation. Textes, entre autres, de Eluard, Paulhan, Steinbeck, Thimerais, Vercors, Vildrac, etc. - Epuisés chez l'éditeur. Vignes, p. 351. Bon état général, le premier cahier non coupé.
2019réf. BN5681302019. 2019. Christian Education' in Tansania Christian Education' in Tansania Lukas Steinbeck unknown
réf. 3847108751.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2018réf. 1051891V&R unipress 2018. 1st. hardcover. New. 99x14x148. V&R unipress hardcover
1971réf. 213071971. Simmen Edward editor. The Chicano: From Caricature to Self-Portrait 1971 traces changing literary portrayals of Mexican Americans from externally imposed stereotypes to fiction grounded in Chicano experience and authorship. Published during the Chicano Movement's assertion of political cultural and linguistic identity the anthology brings Anglo and Mexican American writers into deliberate comparison allowing readers to examine how narrative authority affects portrayals of ethnicity labor family discrimination assimilation and community. Its organizing movement from "caricature" to "self-portrait" makes the volume particularly useful for studying representation in American literature and the growing visibility of Chicano voices within the national publishing market. Simmen Edward ed. The Chicano: From Caricature to Self-Portrait. New York: New American Library 1971. First edition. English language. The collection presents short fiction spanning different periods and authorial perspectives including work by John Steinbeck Jack London Ray Bradbury Nick C. Vaca Philip D. Ortega and Genaro González. Simmen's introduction frames the selections around what the publisher described as the "pain and promise of the Mexican-American experience" while the anthology's structure permits comparison between depictions created by writers outside the community and narratives in which Chicano authors define their own characters environments and cultural values. The volume also includes a selected bibliography of short fiction extending its usefulness as an early guide to Mexican American literary study. One volume. 318 pages. Paperback in orange-toned printed wrappers. Octavo. The anthology appeared amid a broader renaissance of Chicano cultural pride and political organization associated with figures and movements addressing farm labor educational inequality land rights and community self-determination. Simmen's editorial arrangement places literary representation within that contemporary struggle over who possessed the authority to describe Mexican American life. Rather than treating all selections as equally authentic the book exposes the historical progression from sentimentalized or derogatory types toward narratives shaped by Chicano memory language and social experience. Light wear to wrapper edges and corners visible spine creasing without loss of structural integrity light page toning and a small crease at the upper-right corner of the front wrapper; contents otherwise unmarked. Very good. An important Chicano Movement-era anthology documenting the transition from outsider representation to Mexican American literary self-definition. unknown books
1971réf. 213071971. Simmen Edward editor. The Chicano: From Caricature to Self-Portrait 1971 traces changing literary portrayals of Mexican Americans from externally imposed stereotypes to fiction grounded in Chicano experience and authorship. Published during the Chicano Movement's assertion of political cultural and linguistic identity the anthology brings Anglo and Mexican American writers into deliberate comparison allowing readers to examine how narrative authority affects portrayals of ethnicity labor family discrimination assimilation and community. Its organizing movement from "caricature" to "self-portrait" makes the volume particularly useful for studying representation in American literature and the growing visibility of Chicano voices within the national publishing market. Simmen Edward ed. The Chicano: From Caricature to Self-Portrait. New York: New American Library 1971. First edition. English language. The collection presents short fiction spanning different periods and authorial perspectives including work by John Steinbeck Jack London Ray Bradbury Nick C. Vaca Philip D. Ortega and Genaro González. Simmen's introduction frames the selections around what the publisher described as the "pain and promise of the Mexican-American experience" while the anthology's structure permits comparison between depictions created by writers outside the community and narratives in which Chicano authors define their own characters environments and cultural values. The volume also includes a selected bibliography of short fiction extending its usefulness as an early guide to Mexican American literary study. One volume. 318 pages. Paperback in orange-toned printed wrappers. Octavo. The anthology appeared amid a broader renaissance of Chicano cultural pride and political organization associated with figures and movements addressing farm labor educational inequality land rights and community self-determination. Simmen's editorial arrangement places literary representation within that contemporary struggle over who possessed the authority to describe Mexican American life. Rather than treating all selections as equally authentic the book exposes the historical progression from sentimentalized or derogatory types toward narratives shaped by Chicano memory language and social experience. Light wear to wrapper edges and corners visible spine creasing without loss of structural integrity light page toning and a small crease at the upper-right corner of the front wrapper; contents otherwise unmarked. Very good. An important Chicano Movement-era anthology documenting the transition from outsider representation to Mexican American literary self-definition. unknown
réf. JD29453Bronxville privately printed 1952 first edition wrappers. Softcover. First separate printing of this chapter from Steinbeck's big rambling flawed masterpiece Steinbeck writes beautifully how there is only one story -- the struggle between good and evil one of 125 copies printed on the hand-press by Valenti Angelo bound in limp buff wrappers this is variant 2 with the title page containing a red and black rectangular design of leafy and bare branches between the title and "PRIVATELY PRINTED 1952" with the limitation notice on page 10 although the pages are unnumbered the variants are believed to be trial copies no priority has been determined Goldstone & Payne A32d not recorded by Morrow this was John DePol's copy with his spare bookplate DePol 1913-2004 was an artist and one of America's foremost printmakers and wood engravers his prints can be found in the permanent collections of many libraries and museums he contributed to publications by the Allen Press Red Ozier Press Stone House Press and others The Book Club of California recently produced a major work on him John DePol A Catalogue Raisonne of His Graphic Work 1935-1998. The usual age-toning else fine. Bronxville, privately printed, 1952, first edition, wrappers. Softcover. paperback
2021réf. KIBO68033Iletisim Yayinlari 2021. n/a Iletisim Yayinlari unknown
2017réf. PREF36804Sel Yayincilik 2017. n/a Sel Yayincilik unknown
réf. feb59468Used. For more details please contact me unknown
1953réf. 114936London: Cassell & Company Limited 1953. Early printing of Cassell's French-English English-French Dictionary from the library of American literary master John Steinbeck and his wife Elaine Steinbeck. Octavo original cloth. Signed and dated by Steinbeck’s wife Elaine Steinbeck on the front free endpaper "Elaine Steinbeck Paris 1954." In very good condition. One of the first female stage managers on Broadway American actress Mary Elaine Steinbeck studied drama at the University of Texas Austin where she met her first husband Zachary Scott. The couple divorced in 1950 and within a week of their divorce Elaine married John Steinbeck on December 28 1950. A powerful force in John's life Elaine accompanied him on his many international trips and the couple remained married until John's death in December 1968. Cassell & Company, Limited hardcover
1990réf. 70606Covelo CA: The Yolla Bolly Press 1990. Paperback. Near fine. Very thin quarto 29.5 cm in fibrous handmade paper wraps with sewn binding. Prospectus for the limited edition of Zapata issued in November 1991. With one full-page illustration reproducing the artwork of San Francisco artist Karin Wikström. The Yolla Bolly Press paperback books
réf. RO60081097STEINBERG VERLAG. NON DATE. In-12. Relié toilé. Etat d'usage, Couv. légèrement passée, Coiffe en tête abîmée, Intérieur frais. 256 pages. Texte en allemand.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
1974réf. RO60005179Pan Books. 1974. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 156 pages.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
réf. JD29396n.p. NY n.p. The Viking Press n.d. 1944 first edition wrappers. Softcover. Advance copy an uncorrected galley proof bound in plain unprinted tannish wrappers printed on rectos only a very scarce advanced state of this minor or not so minor Steinbeck masterpiece whose themes of death and loneliness are masked by its surface layer of humor all the more rare in that this is an Author Presentation Copy Inscribed by Steinbeck to the best man at his second marriage Howard O. Hunter who was the Works Progress Administration WPA commissioner in the early 1940s under the FDR administration Steinbeck and his second wife Gwen Conger were married March 29 1943 just 11 days after receiving his final divorce decree from his first wife Carol Steinbeck has Inscribed the first preliminary as follows "For Howard/who really/belongs in/Cannery Row/John Steinbeck/last night in New York 1944" this galley lacks all the preliminaries found in the 1945 published version such as half titles title page copyright page dedication page etc. although not specifically cited in Goldstone & Payne there is a notation under G&P A22a that "a copy of the unrevised galley proofs is in the Humanities Research Center at the University of Texas" see Morrow 172 that copy with a yellow label on front giving publication date and price that is not on this copy--the Morrow copy was not signed or inscribed now housed in a beautiful custom clamshell case with leather spine laid in loosely is a letter of provenance from Ellen Leonard who was given this proof by Hunter's wife Edna. This was bound for in-house use by Viking and not for sale thus it was never meant to be in great condition even when new spine ends are chipped there is offsetting from printed pages onto the previous verso some pages are becoming dis-bound. n.p. (NY), n.p. (The Viking Press), n.d. (1944), first edition, wrappers. Softcover. paperback books
1945réf. 172832New York: Viking Press 1945. First Edition. First Edition. Second issue with canary yellow cloth. One of the author's best-loved works a nostalgic view of the residents of Monterey CA set during the Great Depression. About Fine with a bright navy topstain in a Near Fine lightly toned dust jacket. Viking Press unknown books
