3.607 resultados
1947ref. 08770VANDERBILT CLINIC The Presbyterian Hospital 1947 first edition 2 tiny nicks to the front cover else fine in photographic wraps. A very nice copy. Illustrated with photos. Scarce. The Presbyterian Hospital 1947 paperback
2012ref. 78450Berkeley: Heyday 2012. USA 1st printing. INSCRIBED BY AUTHORS: " Thanks for supporting PAN/ Ken Light/ Melane Light" no other markings Near Fine in about Fine dust jacket with top edge not quite crisp. Boards 154pp B&W photos of agricultural workers and laborers in the San Joaquin Valley in California. A heavy book. 3.0 JM HOJ 302/a1. Inscribed By Authors. 1st. Hardcover. Near Fine/Near Fine. 4to - over 9¾" - 12". Heyday Hardcover
2012ref. 98417Heyday. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 176 pp. ; 113 illus. -- with a bonus offer--; Ken and Melanie Light have embarked on a photographic and literary exploration of a region known for its agricultural plenty--and the marginalization of its people. In Valley of Shadows and Dreams they dig deep into the harsh truths of farm workers' daily experience revealing a deep sense of anger and betrayal toward the destructive legacies of politics bureaucracy and control. The Lights show us once-viable farmland transformed into neighborhoods full of empty tract homes that no workers can afford. We are confonted head-on with the devastating results of foreclosure. We stand in the Community Center food line in Mendota we slip magically onto a midnight dance floor with migrant workers in Tulare and we sail out across the San Joaquin River on a rope swing. These photos and stories capture scenes of hardworking people fighting to preserve their livelihoods and traditions. With an introduction by Thomas Steinbeck and impassioned essays by Melanie Light about the importance of recognizing and rectifying the cycle of employers oppressing workers Valley of Shadows and Dreams uncovers the realities of life in this troubled but vital region that are often hidden and difficult to capture. . 2012. 1597141720 . Heyday hardcover
2012ref. 031525-TBerkeley CA.: Heyday Books 2012. Book. Illus. by Ken Light. Fine. Hardcover. Inscribed by Illustrators. 1st Edition. 4to - over 9¾ - 12" tall. 1st. Edition 1st. Printing 2012 Black cloth hardcover with the dust jacket 153 page book. A rare copy that is signed and inscribed by both Melanie & Ken Light on the first title page.Illustrated with Ken Lights extraordinary full page black & white photography. Condition : FINE with light shelf rubs ex-owners name embossed & penned at the first blank page top corner. . Heyday Books Hardcover
ref. 9782253145509LGF
1956ref. 19645Julliard, 1956. In-12 broché, couverture à rabats illustrée par Lars Bo. Tout petits accrocs en tête et en queue.
1956ref. 85331Paris: Juilliard 1956. Cm. 19 pp. 154 6. Bella bross. orig illustrata a colori. Ottimo stato di conservazione. Edizione originale della traduzione francese ed assoluta. Juilliard unknown
1956ref. 540155Paris: Rene Julliard 1956. Softcover. Near Fine. First trade edition with no equivalent American edition. Translated by Jean-Francois Rozan. Octavo. 160pp. Yellow pictorial wrappers. Slight wear at the base of the spine else very near fine. Rene Julliard unknown books
1956ref. 540154Paris: Rene Julliard 1956. Softcover. Near Fine. First trade edition with no equivalent American edition. Translated by Jean-Francois Rozan. Octavo. 160pp. Yellow pictorial wrappers. Very near fine. Rene Julliard unknown books
1956ref. 501732Paris: Rene Julliard 1956. Softcover. Near Fine. First trade edition with no equivalent American edition. Translated by Jean-Francois Rozan. Octavo. 160pp. Yellow pictorial wrappers. Slightly spine cocked else near fine. Rene Julliard unknown books
1956ref. 501731Paris: Rene Julliard 1956. Softcover. Very Good. First trade edition with no equivalent American edition. Translated by Jean-Francois Rozan. Octavo. 160pp. Yellow pictorial wrappers. Small light smudge on front wrap else a very good or better copy. Rene Julliard unknown books
1956ref. 3796Paris: Rene Julliard 1956. First Edition. Original Wraps. Very Good. Smal Octavo. Regular trade issue. Translated from the English edition by Jean Francois Rozen. 1546p. Bound in yellow pictorial wraps lettered and decorated in black and red. A very good copy. Text in French. G&P A35 b. Rene Julliard paperback books
1956ref. 111019Paris: Julliard 1956. Paperback Octavo. Paperback. Good. wraps 154 pp text in French spine creased light stains to the covers. Julliard paperback
1956ref. 501732Paris: Rene Julliard 1956. Softcover. Near Fine. First trade edition with no equivalent American edition. Translated by Jean-Francois Rozan. Octavo. 160pp. Yellow pictorial wrappers. Slightly spine cocked else near fine. Rene Julliard unknown
1956ref. 501731Paris: Rene Julliard 1956. Softcover. Very Good. First trade edition with no equivalent American edition. Translated by Jean-Francois Rozan. Octavo. 160pp. Yellow pictorial wrappers. Small light smudge on front wrap else a very good or better copy. Rene Julliard unknown
1956ref. 2743Paris: Rene Juillard 1956 1956. First edition first printing. 8vo. pp. 154 6. Original pictorial wrappers printed in yellow red and black. Slightly cocked with a bump on the front flap near spine. Spine lightly creased with minor soiling. A very good copy. First edition of the trade issue of this uncommon Steinbeck item for which there is no US or UK equivalent Paris: Rene Juillard 1956 unknown
1956ref. 3796Paris: Rene Julliard 1956. First Edition. Original Wraps. Very Good. Smal Octavo. Regular trade issue. Translated from the English edition by Jean Francois Rozen. 1546p. Bound in yellow pictorial wraps lettered and decorated in black and red. A very good copy. Text in French. G&P A35 b. Rene Julliard paperback
1956ref. 000315Paris: Julliard 1956. First Edition. . Soft cover. Fine/Self Wrappers. Yellow wrappers light soiling otherwise a nice collectible copy of this work which was not published in english. No tears chips creases or blemishes. Size: 12mo Julliard paperback
ref. 0484378201.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 133463887X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 52789956-6Used - Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
ref. 29916N.p. n.d. 25pp. on versos of 25 unruled sheets. 1 vols. 11 x 8-1/2 inches. Very good. From the Estate of Burgess Meredith. Bound with a cover Typed Letter Signed 10/30/69 from Shirley McCurry's secretarial service to BURGESS MEREDITH saying: "Dear Mr. Meredith Gwyn Steinbeck asked that we forward the enclosed poems to you. She will send the material to fill in the blanks as soon as she is able to decipher it . . 25pp. on versos of 25 unruled sheets. 1 vols. 11 x 8-1/2 inches. These are Gwyn's own transcriptions of the love poems written to her by Steinbeck sent to their good friend Burgess Meredith. It is not clear whether the manuscripts have survived although Jackson Benson p. 57 states of the little poetry which Steinbeck wrote "there is a series of love poems written to his second wife Gwyn which has also survived. unknown books
1944ref. 29593N.p. New York 1944. Typescript 3pp. numbered 1-3 on rectos of 3 leaves of duplicated radioplay typescript struck through approximately 600 words. Typed Letter one page. 1 vols. 10-14/ x 7-1/2 inches. Slightly age-darkened but very good overall. Typescript 3pp. numbered 1-3 on rectos of 3 leaves of duplicated radioplay typescript struck through approximately 600 words. Typed Letter one page. 1 vols. 10-14/ x 7-1/2 inches. Evocative Steinbeck story or "mood piece" imagining a decorated black pilot returning to his hometown cheered by his neighbors and welcomed by his father in the house he grew up in with the remark: "Son - every black man in the world is going to fly with your wings." In his cover letter to his friend Burgess Meredith who served in the Air Force during the war he writes: "DEAR BUZZY: A different version of the following was done for overseas broadcast to the troops by O.W.I. This is a different version. I don't know whether you would like to use it or not. It has an odd length. I might be a good idea to use it in some one of your shows. If you want it you are quite welcome to it. It was written against a background of music imagined music I mean. Should you desire to use it I think the story itself will suggest the music. Let me suggest however that the music be soft sustained and all of one piece and that it do not attempt to be directly descriptive of the piece but rather of the spirit of the piece. I would suggest that you yourself read it using the beautiful technique you used in "The Forgotten Village" . the soft reading that seems not to be reading at all. This is pure mood and would have to be delivered like soft music. Anyway there it is and you're welcome to it - if you want it." Office of War Information for which Steinbeck worked during the WW II. UNPUBLISHED until 2014 when the revived Strand Magazine published a version based upon a different typescript from the Steinbeck papers at HRC; a unique draft or variant copy of this moving war-time sketch. From the Estate of BURGESS MEREDITH. unknown books
ref. 29916N.p. n.d. 25pp. on versos of 25 unruled sheets. 1 vols. 11 x 8-1/2 inches. Very good. From the Estate of Burgess Meredith. Bound with a cover Typed Letter Signed 10/30/69 from Shirley McCurry's secretarial service to BURGESS MEREDITH saying: "Dear Mr. Meredith Gwyn Steinbeck asked that we forward the enclosed poems to you. She will send the material to fill in the blanks as soon as she is able to decipher it . . 25pp. on versos of 25 unruled sheets. 1 vols. 11 x 8-1/2 inches. These are Gwyn's own transcriptions of the love poems written to her by Steinbeck sent to their good friend Burgess Meredith. It is not clear whether the manuscripts have survived although Jackson Benson p. 57 states of the little poetry which Steinbeck wrote "there is a series of love poems written to his second wife Gwyn which has also survived. unknown
1944ref. 29593N.p. New York 1944. Typescript 3pp. numbered 1-3 on rectos of 3 leaves of duplicated radioplay typescript struck through approximately 600 words. Typed Letter one page. 1 vols. 10-14/ x 7-1/2 inches. Slightly age-darkened but very good overall. Typescript 3pp. numbered 1-3 on rectos of 3 leaves of duplicated radioplay typescript struck through approximately 600 words. Typed Letter one page. 1 vols. 10-14/ x 7-1/2 inches. Evocative Steinbeck story or "mood piece" imagining a decorated black pilot returning to his hometown cheered by his neighbors and welcomed by his father in the house he grew up in with the remark: "Son - every black man in the world is going to fly with your wings." In his cover letter to his friend Burgess Meredith who served in the Air Force during the war he writes: "DEAR BUZZY: A different version of the following was done for overseas broadcast to the troops by O.W.I. This is a different version. I don't know whether you would like to use it or not. It has an odd length. I might be a good idea to use it in some one of your shows. If you want it you are quite welcome to it. It was written against a background of music imagined music I mean. Should you desire to use it I think the story itself will suggest the music. Let me suggest however that the music be soft sustained and all of one piece and that it do not attempt to be directly descriptive of the piece but rather of the spirit of the piece. I would suggest that you yourself read it using the beautiful technique you used in "The Forgotten Village" . the soft reading that seems not to be reading at all. This is pure mood and would have to be delivered like soft music. Anyway there it is and you're welcome to it - if you want it." Office of War Information for which Steinbeck worked during the WW II. UNPUBLISHED until 2014 when the revived Strand Magazine published a version based upon a different typescript from the Steinbeck papers at HRC; a unique draft or variant copy of this moving war-time sketch. From the Estate of BURGESS MEREDITH. unknown