Menard, Kevin PBiblio.com
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2008réf. DADAX1420053124CRC Press 2008-05-28. 2. hardcover. New. 7.99x10.00x1.85. Buy with confidence. Excellent Customer Service & Return policy. CRC Press hardcover
1895réf. 7275Paris: Librairie de l'Art Indépendant 1895. Fine. Librairie de l'Art Indépendant Paris 1895 14.50 x 23 cm broché First edition of some parts the first published in simplified orthography with no mention of deluxe copies. Handsome and rare copy. Librairie de l'Art Indépendant unknown
réf. 6591Paris, Ve A. Morel et Cie, 1874-1875. Dix volumes in-12, brochés.
1893réf. 76893Librairie de l'Art Indépendant | Paris 1893 | 13 x 20.50 cm | broché
réf. 147979Paris, Morel, 1880-1883 4 forts vol. gr. in-8, demi-chagrin rouge, dos lisse orné, tête dorée (rel. de l'époque). Mors légt usés.
réf. Bloomsbury-9781793650504Lexington Books. Hardback. New. 242 pages Lexington Books hardcover
réf. Bloomsbury-9781793650504Lexington Books. Hardback. New. 242 pages Lexington Books hardcover
1893réf. 76893Paris: Librairie de l'Art Indépendant 1893. Fine. Librairie de l'Art Indépendant Paris 1893 13 x 20.50 cm broché The first edition published in a small number of copies. Spine and boards very lightly and marginally lightened. Rare and handsome copy. Precious signed autograph inscription from Louis Ménard to Judith Gautier: ""Hommage affectueux et soüvenir affectueux."" ""Affectionate homage and fond remembrance."" Librairie de l'Art Indépendant hardcover
1875réf. 41607Administration des Deux Revues Librairie de l'Art Indépendant E. Leroux Hurtau | Paris 1891 & 1898 & 1896 & 1875 & 1897 | 14.50 x 23 cm | 5 volumes reliés en 1
1873réf. 85791873 Nimes Clavel-Ballivet 1873-1874-1875 5 17 x 25 cm (in-8°) Reliure moderne demi chagrin à coins. Tome 1: 400+118 pages, tome 2: 289+45,tome 3: 239+35 pages, tome 4: 383+47pages,tome 5: 563+55 pages. Les 5 premiers volumes de cette importante édition. Chaque volume est orné d'un frontispice : portrait de l'auteur, tome 1, La Tour Magne, tome 2, , planche dépliante représentant le Pont du Gard, tome 3, Plan de Nîmes sous François Premier, tome 4, Vue de Nîmes en 1560, tome 5.
1909réf. 9171909 Paris, A. Durel, 1909. In-8, demi-maroquin brun à coins, dos à nerfs, tête dorée, couv. et dos conservés (Yseux, succ. de Thierry-Simier). Édition de luxe, illustrée d'un portrait de l'auteur gravé à l'eau-forte par G. Noyon. Ce recueil de 30 poèmes et articles parut en 1876 ; selon Maurice Barrès dans sa longue préface pour cette nouvelle édition, cette oeuvre d'un "polythéisme mystique", est cette "haute poésie essentielle, ce triple extrait d'Athènes, d'Alexandrie et de Paris". Chimiste, éminent helléniste, poète, ami de Baudelaire et Leconte de Lisle, Ménard publia dans Le Parnasse contemporain.Tirage à 240 exemplaires ; un des 20 réimposés sur Chine, avec un 2e état, avant à la lettre, du portrait.Ex-libris de Joseph Aslan Cattaui Pacha, industriel et homme politique égyptien (1861-1942).
réf. 1836Ed. Didier et Cie, Paris, 1866. et éditions Wilhelm Engelmann, Leipzig, 1875. In-8 demi-chagrin. (CXI), 302; 58 pages. Texte allemand pour Pietschmann, avec nombreuses illustrations in-texte (hiéroglyphes)
1897réf. 73907Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Mai 1897) | 33 x 24.50 cm | une feuille
2014réf. BN705373Gallimard Jeunesse 2014. 2014. Softcover. Clic clic danger! Clic clic danger! Jeanne Willis Tony Ross et Jean-François Ménard Gallimard Jeunesse paperback
1875réf. 41607Paris: Administration des Deux RevuesLibrairie de l'Art IndépendantE. LerouxHurtau 1875. Fine. Administration des Deux Revues Librairie de l'Art Indépendant E. Leroux Hurtau Paris 1891 & 1898 & 1896 & 1875 & 1897 14.50 x 23 cm 5 volumes reliés en 1 First edition of each volume. Bradel binding in half red cloth smooth spine decorated with double gilt fillets marbled paper boards original wrappers preserved for each volume. Autograph inscriptions signed by the author to Messrs. Ravaisson and Caro at the head of the first cover of the first volume and on the title page of the fourth volume. A handsome and rare set. Administration des Deux RevuesLibrairie de l'Art IndépendantE. LerouxHurtau hardcover
1897réf. 73907Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mai 1897 33 x 24.50 cm une feuille Rare original lithograph executed by René Ménard for L'Estampe Moderne series number 1 published in May 1897. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe issue on the verso some foxing. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other periodicals such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the review. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was produced in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print in a handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too insubstantial owes its reputation not to its own beauty but rather to its particular affinities with printing ink. Its texture smooth and soft at once is more suited than any other to receive a fine impression. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and pasted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the symbolist style of the artist. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1840réf. 6490Paris: Gide 1840. First printing. Engraving from "Voyage autour du monde sur la fregate la Venus pendant les annees 1836-39." Attractive lithograph with sepia block color of the tiny town of Acapulco and surrounding countryside drawn from the Venus at anchor in the bay with two small boats in the foreground. In 1836 Dupetit-Thouars was appointed to command this expedition to the Pacific to look after French commercial and political interests. He visited Hawaii Kamchatka Tahiti California Acapulco Easter Island the Cook Islands Rarotonga New Zealand Australia and Mauritius. In California he anchored at Monterey Bay where supplies were scarce and even water was difficult to obtain after a long summer drought. His survey work continued down the coast down to Acapulco. Drawn by Menard lith. by Sabatier. 38.5 x 19.5 cms plus wide margins. The image is crisp and clean. Gide unknown
réf. 9781634849333NOVA SCIENCE PUBLISHERS INC
1760réf. 101280Paris: Jean rue Jean de Beauvais nd ca. 1760. Folio. Engraved title and 46 plates two folding. 11 7 6 8 8 6 pp. Contemporary half calf and marbled boards spine titled in gilt; sporadic foxing plate 4 part 5 cropped with some loss to text. Illustrated treatise on stonecutting for builders and architects with descriptions of doorways arches vaults squinches cellar stairwells and stairs. An attractive tall copy. Jean, rue Jean de Beauvais hardcover
1873réf. 9556Nîmes Typographie Clavel-Ballivet 1873-1875 7 vol in-8 (16 X 24 cm) demi chagrin, dos à nerfs surlignés d'une roulette dorée, fleurons dorés, plats de percaline rouge. (Reliure de l'époque).
réf. 24633A.Durel, Librairie 1909, In-8 relié de 182 pages au format 18,5 x 27,5 cm. Elégante reliure demi-maroquin avec pats en papier marbré. Dos rond avec pièce de titre. Couverture non conservées. Double état du portait de l'auteur, gravé à l'eau-forte par G. Noyon, et situé en frontispice. Infimes frottis aux coins. Intérieur frais. Superbe état général. Longue préface inédite de Maurice Barrès à ce recueil de contes, dialogues et poèmes, teintés de mysticisme philosophique, mettant en scène Dieu et le Diable. Exemplaire nominatif sur chine, non justifié, spécialement imprimé pour René Ménard, frère de l'auteur. Le tirage de cette ouvrage étaient limité à 250 exemplaires, dont 20 sur chine. Edition originale de la préface de Maurice Barrès. De toute rareté.
réf. 27115Paris, A. Durel, 1909. With engraved portrait. [6, portrait included], xxxv, [1], 182, [2] pp. 8vo (15,5 x 22,5 cm). Brown jansenist style morocco, spine with raised bands and gilt lettering, all edges gilt, gilt inside dentelles, original covers and spine preserved, binding signed "David." Maitron, DBMOF, iii, pp. 78-79; Sandra W. Dolbow, Dictionary of Modern French Literature, p. 203; Carteret, Trésor du Bibliophile, vol. ii, p. 127 for the 1876 and 1895 edition but not listing this one; Talvart & Place, Bibliographie des Auteurs modernes, xiv, 172. Rare edition "de luxe", with a nice engraved portrait and a nice preface by Maurice Barrès. This is number 74 of 200 copies printed, "petit in 8vo, numérotés à la presse (1 à 200) sur beau papier velin d'Arches, fabriqué spécialement pour cette édition." "Ecrivain d'un talent universel", Ménard was a poet, inventor, philosopher and historian of religions, political pamphleteer and painter. He was a student with Baudelaire at the Lycée Louis-le-Grand, and active supporter of the 1848 revolution: his Prologue d'une Révolution is very rare and an important work dealing with this revolution and its causes. It was published in Proudhon's Le Peuple in 1848-1849 and earned him 15 months in prison. On his release he went into exile in London and Brussels where he found his friends Louis Blanc and Blanqui again and where he befriended Marx and Engels. After the amnesty of 1859 he returned to Paris and from then on devoted himself primarily to the arts.He found in polytheism a social and moral guide, a union of order and liberty in which reason, imagination, art, religion, and politics could flourish. His best known work is the present work: a mixture of mystical poetry, philosophical dialogues and a number of much admired tales. The work exercised a profound influence on among others Barrès, R. de Montesquiou, Anatole France, Leconte de Lisle, etc. - Exlibris Georges Vandaele on free front end paper, a beautiful copy with its original covers and spine preserved, printed on beautiful paper with large margins.
1838réf. 70587Paris: Firmin-Didot frères 1838. 8vo pp. xvi 315 3; woodcut vignette on title page woodcut tail-pieces 17 hand-colored lithographs signed: Ar. Rivera; publisher's elaborate blind-tooled red paneled calf double gilt rule borders on covers smooth gilt-decorated spine gilt-lettered direct a.e.g.; spine slightly sunned but generally a very good sound and clean copy printed on pink paper. Neither OCLC nor Mills mention the pink paper. Mills College Check List 1231; Riedel-Horatiana A-303. OCLC locates 11 copies only Yale Berkeley and Northwestern in the U.S. Mills adds Newark Public. Firmin-Didot frères unknown
1838réf. 70587Paris: Firmin-Didot frères 1838. 8vo pp. xvi 315 3; woodcut vignette on title page woodcut tail-pieces 17 hand-colored lithographs signed: Ar. Rivera; publisher's elaborate blind-tooled red paneled calf double gilt rule borders on covers smooth gilt-decorated spine gilt-lettered direct a.e.g.; spine slightly sunned but generally a very good sound and clean copy printed on pink paper. Neither OCLC nor Mills mention the pink paper. Mills College Check List 1231; Riedel-Horatiana A-303. OCLC locates 11 copies only Yale Berkeley and Northwestern in the U.S. Mills adds Newark Public. Firmin-Didot frères unknown books
réf. 158070Nîmes, Typographie Clavel-Ballivet, 1873-1875 7 vol. in-8, frontispice pour chacun des volumes, demi-basane rouge, dos lisse orné de larges filets à froid (reliure de l'époque). Usure d'usage. Rares rousseurs.
