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1841réf. 27507Paris: Gide 1841. First printing. Print. Very good condition. A wonderful lithographic view looking over Sydney Harbor from Bennelong Point. Printed for the official account of the French voyage by Abel du Petit-Thouars "Voyage Autour du Monde sur La Venus 1836-1839" one of the rarest French voyages including Australia. R.G. Menard was the artist on board the Frigate Venus and spent November and December 1838 at Sydney and his name appears in the image as the artist. However an article written by Kenneth Binns published in the Royal Australian Historical Society Journal in 1920 points out that Charles Rodius was the original artist of this view published in London in 1834. Menard only replacing the aboriginals in Rodius' image with French sailors in the 1838 version. This is Pl. no. 65 from "Voyage autour du monde sur la fregate Venus Atlas pittoresque Abel du Petit-Thouars. The SLNSW Rex Nan Kivell copy NK2127; Libraries Australia ID 8136839. Image size 16.5 x 11 inches on paper 21 x 13.5". Central image in fine condition with margins browned. Paper browning is common in this work. This image has never been framed. Gide unknown
réf. 62062514Edward Elgar Publishing Limited . Hardback. New. Edward Elgar Publishing Limited hardcover
2005réf. __184064382XEdward Elgar Pub 2005. Hardcover. New. illustrated edition. 4280 pages. 14.25x9.75x8.75 inches. Edward Elgar Pub hardcover
réf. 206934Paris, Hugues-Daniel Chaubert, Claude Hérissant fils, 1750-1758 7 vol. in-4, avec 55 planches et cartes, basane fauve écaille, dos à nerfs cloisonnés et fleuronnés, tranches marbrées (reliure de l'époque). Coiffes et coins usés.
1909réf. 659Paris, Durel, 1909 ; in-4 de [3] ff. xxxvi-180 pp., [2] ff., reliure de l'époque maroquin janséniste noisette, doublures de maroquin bordeaux avec filet doré, gardes de soie brochée dorée, doubles gardes, dos à nerfs, tranches dorées sur témoins, couverture (Marius Michel).
réf. 227732Paris, Hugues-Daniel Chaubert, Claude Hérissant, 1759 2 parties en 3 vol. in-4, à pagination multiple, demi-basane brune marbrée, dos à nerfs orné, tranches citron (reliure de l'époque). Début de fente aux mors des tomes 1 et 2, petits manques aux coiffes supérieures des tomes 2 et 3.
1759réf. 652883 vol. in-4 reliure de l'époque plein veau marbré, Chez Hugues-Daniel Chaubert, Claude Herissant, Paris, 1759, viij-136-384-165 pp. ; iii-20-16-56-352-144 pp. ; 2 ff., 24-32-40-68-56-72-48-24-60-214 pp.
2009réf. 835185Actes Sud. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 408 pages; 426 illustrations. -- with a bonus offer--; The pioneers of ecological architecture today are necessarily researchers as much as architects in any conventional sense of the term. Sustainability is the key criterion in this field and ecologically sound solutions for the designs of homes are the key challenge homes the most commonly built structure. Ecological Living assesses a selection of some recently built ecological habitats collecting several built examples from a variety of French architects examining precursors such as Frank Lloyd Wright Alvar Aalto and Pierre Lajus plus proposals for European architects and architecture students and inquiries into the ecological viability of detached housing and tower blocks. The book is structured in thematic chapters such as "Why is Action So Urgent" "The Precursors of Eco-Responsible" "An International Panorama of the State of the Art" and "Into Action!" . 2009. 2742783229 . Actes Sud hardcover
1923réf. 55640Paris France: Librairie Armand Colin. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 76 pages including 72 black and white plates. -- with a bonus offer-- . 1923. Librairie Armand Colin paperback
réf. 207911Nîmes, Typographie Clavel-Ballivet, 1873-1875 7 vol. gr. in-8, frontispice pour chacun des volumes, demi-chagrin brun, dos à nerfs orné de filets et fleurons dorés, couvertures conservées (reliure de l'époque). Traces blanches sur quelques volumes. Coins usés. Rousseurs. Premiers feuillets du tome VII sont rongés en marge extérieure sans gravité. Bon exemplaire
1876réf. 783L5Paris: Alphonse Lemerre 1876. First edition. Paperback. Very Good. 6.5" by 4". None. A very scarce first edition of Louis Menard's 'Reveries d'un Paien Mystique'. An anthology of sonnets philosophical dialogues and stories. Extremely scarce in the original paper wraps even more so with the glassine wrap. In the original French. Louis Menard is best remembered for his early discoveries on collodion. He wrote works on chemistry painting poetry and history. He also published translations under the pseudonym of L de Senneville. A lovely first edition of this important author's work. In the original paper wraps. Externally bright. The front wrap has detached from textblock. Chip to the top right edge of the front wrap. With original glassine dust wrapper. Dust wrapper has spot to the bottom. Internally binding is tender with some gatherings loosening due to binding type. Pages are bright with just the occasional light spots. Very Good Alphonse Lemerre paperback
1897réf. 73906Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mai 1897 33 x 24.50 cm une feuille Rare original color lithograph executed by René Ménard for L'Estampe Moderne series number 1 published in May 1897. One of 50 deluxe proofs printed on Japan paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered stamp of the deluxe issue on the verso. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other periodicals such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the review. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was produced in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print in a handsome format is superbly printed in colors on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its ink absorption quality and its affinity with colors also make it the ideal support for these very fine lithographs. The interest of French collectors in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and pasted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the symbolist style of the artist. Imprimerie Champenoispour CH. MassonH. Piazza unknown
2009réf. SBBIH-YIVCTXVKMZDQPhidal Publishing Incorporated/Editions Phidal Incorporated 2009. paperback. Acceptable. Please see the condition note after this for details if this is missing please consider Acceptable to mean poor quality that could include major staining water damage writing missing dustjacket etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Phidal Publishing, Incorporated/Editions Phidal, Incorporated paperback
réf. 15277Two plates forming a continuous panorama from: Voyage autour du monde sur la frégate la Vénus pendant les années 1836-1839 … atlas pittoresque. Paris : Gide 1841. Tinted lithographs 170 x 420 mm; pale foxing to the margins of the first plate else in fine condition. Custom framed in museum timber measures 422 x 1138 mm. The voyage of the Vénus under the command of Abel du Petit-Thouars was critical to the establishment of a French colonial presence in the Pacific as well as for the promotion and protection of French commercial activities around the globe. It achieved its primary objective of establishing a French protectorate over Tahiti and the Marquesas. The Frenchmen arrived in Sydney in 1838 this magnificent panorama shows the harbour from perspective of Pinchgut Island Fort Denison with the Venus sailing in the foreground This is a large framed artwork and may attract additional shipping charges. unknown
1873réf. 13661873 Typographie Clavet-Ballivet, Nîmes, 1873-74-75. 7 volumes demi-chagrin noir, dos ornés.Frontispice photo au premier volume, frontispices gravés aux volumes suivants
1897réf. 73906Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Mai 1897) | 33 x 24.50 cm | une feuille
réf. 158070Nîmes, Typographie Clavel-Ballivet, 1873-1875 7 vol. in-8, frontispice pour chacun des volumes, demi-basane rouge, dos lisse orné de larges filets à froid (reliure de l'époque). Usure d'usage. Rares rousseurs.
1838réf. 70587Paris: Firmin-Didot frères 1838. 8vo pp. xvi 315 3; woodcut vignette on title page woodcut tail-pieces 17 hand-colored lithographs signed: Ar. Rivera; publisher's elaborate blind-tooled red paneled calf double gilt rule borders on covers smooth gilt-decorated spine gilt-lettered direct a.e.g.; spine slightly sunned but generally a very good sound and clean copy printed on pink paper. Neither OCLC nor Mills mention the pink paper. Mills College Check List 1231; Riedel-Horatiana A-303. OCLC locates 11 copies only Yale Berkeley and Northwestern in the U.S. Mills adds Newark Public. Firmin-Didot frères unknown
1838réf. 70587Paris: Firmin-Didot frères 1838. 8vo pp. xvi 315 3; woodcut vignette on title page woodcut tail-pieces 17 hand-colored lithographs signed: Ar. Rivera; publisher's elaborate blind-tooled red paneled calf double gilt rule borders on covers smooth gilt-decorated spine gilt-lettered direct a.e.g.; spine slightly sunned but generally a very good sound and clean copy printed on pink paper. Neither OCLC nor Mills mention the pink paper. Mills College Check List 1231; Riedel-Horatiana A-303. OCLC locates 11 copies only Yale Berkeley and Northwestern in the U.S. Mills adds Newark Public. Firmin-Didot frères unknown books
réf. 24633A.Durel, Librairie 1909, In-8 relié de 182 pages au format 18,5 x 27,5 cm. Elégante reliure demi-maroquin avec pats en papier marbré. Dos rond avec pièce de titre. Couverture non conservées. Double état du portait de l'auteur, gravé à l'eau-forte par G. Noyon, et situé en frontispice. Infimes frottis aux coins. Intérieur frais. Superbe état général. Longue préface inédite de Maurice Barrès à ce recueil de contes, dialogues et poèmes, teintés de mysticisme philosophique, mettant en scène Dieu et le Diable. Exemplaire nominatif sur chine, non justifié, spécialement imprimé pour René Ménard, frère de l'auteur. Le tirage de cette ouvrage étaient limité à 250 exemplaires, dont 20 sur chine. Edition originale de la préface de Maurice Barrès. De toute rareté.
réf. 27115Paris, A. Durel, 1909. With engraved portrait. [6, portrait included], xxxv, [1], 182, [2] pp. 8vo (15,5 x 22,5 cm). Brown jansenist style morocco, spine with raised bands and gilt lettering, all edges gilt, gilt inside dentelles, original covers and spine preserved, binding signed "David." Maitron, DBMOF, iii, pp. 78-79; Sandra W. Dolbow, Dictionary of Modern French Literature, p. 203; Carteret, Trésor du Bibliophile, vol. ii, p. 127 for the 1876 and 1895 edition but not listing this one; Talvart & Place, Bibliographie des Auteurs modernes, xiv, 172. Rare edition "de luxe", with a nice engraved portrait and a nice preface by Maurice Barrès. This is number 74 of 200 copies printed, "petit in 8vo, numérotés à la presse (1 à 200) sur beau papier velin d'Arches, fabriqué spécialement pour cette édition." "Ecrivain d'un talent universel", Ménard was a poet, inventor, philosopher and historian of religions, political pamphleteer and painter. He was a student with Baudelaire at the Lycée Louis-le-Grand, and active supporter of the 1848 revolution: his Prologue d'une Révolution is very rare and an important work dealing with this revolution and its causes. It was published in Proudhon's Le Peuple in 1848-1849 and earned him 15 months in prison. On his release he went into exile in London and Brussels where he found his friends Louis Blanc and Blanqui again and where he befriended Marx and Engels. After the amnesty of 1859 he returned to Paris and from then on devoted himself primarily to the arts.He found in polytheism a social and moral guide, a union of order and liberty in which reason, imagination, art, religion, and politics could flourish. His best known work is the present work: a mixture of mystical poetry, philosophical dialogues and a number of much admired tales. The work exercised a profound influence on among others Barrès, R. de Montesquiou, Anatole France, Leconte de Lisle, etc. - Exlibris Georges Vandaele on free front end paper, a beautiful copy with its original covers and spine preserved, printed on beautiful paper with large margins.
1873réf. 9556Nîmes Typographie Clavel-Ballivet 1873-1875 7 vol in-8 (16 X 24 cm) demi chagrin, dos à nerfs surlignés d'une roulette dorée, fleurons dorés, plats de percaline rouge. (Reliure de l'époque).
1760réf. 101280Paris: Jean rue Jean de Beauvais nd ca. 1760. Folio. Engraved title and 46 plates two folding. 11 7 6 8 8 6 pp. Contemporary half calf and marbled boards spine titled in gilt; sporadic foxing plate 4 part 5 cropped with some loss to text. Illustrated treatise on stonecutting for builders and architects with descriptions of doorways arches vaults squinches cellar stairwells and stairs. An attractive tall copy. Jean, rue Jean de Beauvais hardcover
réf. 9781634849333NOVA SCIENCE PUBLISHERS INC
