PAZ, OctavioABAA
2 779 résultats
1963réf. 595108Bloomington: Indiana University Press 1963. Hardcover. Very Good. First American edition. Translated by Muriel Rukeyser. Slight offsetting along the topedge of the boards very good or better lacking the dust jacket. Bilingual edition. Indiana University Press hardcover books
1967réf. RWOOBAJ00kwSierra Club 1967. Very Good. Krutch Joseph Wood. Baja California and the Geography of Hope. Porter Eliot; Stegner Wallace; Paz Octavio. San Francisco: Sierra Club 1967. 170pp. Illustrated. Folio. Book condition: Very good. Dust Jacket Condition: Very good with a few chips and short tears. In DJ protector. Sierra Club unknown books
1991réf. UPAZOTH01fpHarcourt Brace Jovanovich c1991. Fine. Paz Octavio. The Other Voice : Essays On Modern Poetry. New York: Harcourt Brace Jovanovich c1991. 1st edition. 160pp. 8vo. Hardcover. Book condition: Near fine. Dust Jacket Condition: Near fine. Harcourt Brace Jovanovich hardcover books
1990réf. UPAZALT00fpArcade Publishing 1990. Very Good. Paz Octavio. Alternating Current. Lane Helen. New York NY: Arcade Publishing 1990. 215pp. Indexed. 8vo. Paperback. Book condition: Very good. Edges lightly rubbed. Arcade Publishing paperback books
1974réf. 536619Cambridge Massachusetts: Harvard University Press 1974. Hardcover. Fine/Very Good. First edition. Translated by Rachel Phillips. Octavo. 186pp. Trifle worn else fine in modestly worn very good or better dust jacket with a small interior dampstain at the spine base that doesn't show through. Signed by Paz on the title page. The Charles Eliot Norton Lectures 1971-72. Harvard University Press hardcover books
1991réf. UPAZSIR00NJUniversity of Texas Press 1991. Very Good. Paz Octavio. Siren and the Seashell and Other Essays on Poets and Poetry. Austin: University of Texas Press 1991. 188pp. Indexed. 12mo. Paperback. Book condition: Very good. Light rubbing to extremities. University of Texas Press paperback books
1970réf. 52798Ithaca:: Cornell University Press. Very Good in Very Good dust jacket. 1970. Hardcover. 0801405769 . Translated from the Spanish by J. S. Bernstein and Maxine Bernstein. First edition thus. Previous owner's name on front free endpaper else very good in a very good sun faded along the spine minor shelf wear dust jacket. . Cornell University Press, hardcover books
2000réf. 55316Buenos Aires: Centro de Arte Moderno 2000. b/w plates illus. pict. wrps. with collage on rear wrp. Photocopy production. Leading visual poetry serial in Argentina by two founding proponents of the artist book movement in Argentina: Juan Carlos Romero and Hilda Paz. Full run sold as set. Centro de Arte Moderno unknown books
1978réf. 66140México: Fondo de Cultura Económica 1978. former owner's name in ink on front paste down endpaper. frontis b/w plates draws ports. illus. wrps. A study of poet and artist Xavier Villaurrutia by Octavio Paz. Illustrations by Juan Soriano. Fondo de Cultura Económica unknown books
2004réf. 78239Buenos Aires: Hilda Paz; Juan Carlos Romero 2004. photocopy b/w illus. some issues with laid-in or tipped-in material. Visual Poetry periodical by two leaders in Visual Poetry in Argentina of the 1970s Hilda Paz and Juan Carlos Romero. Contains contributions from a variety of artists in Argentina. This is a continuation of the previous serial "Dos de Oro". Sold as set only. Only one copy in OCLC Germany. Hilda Paz; Juan Carlos Romero unknown books
1959réf. 022019New York: Andre Emmerich Gallery 1959. First Edition. Hardcover. Minor wear to spine tips and corners. Near Fine. Bound in original green leather-backed marbled boards. A collection of poems paired with photographs of Pre-Columbian artifacts edited by Dore Ashton with photographs by Lee Boltin. Of a total of 1500 copies printed this is copy XXV of only 50 SIGNED by each of the 15 contributing poets on separate blank pages bound at the beginning of the book. The poets are Barbara Howes James Wright Louise Bogan Theodore Roethke John Malcolm Brinnin I. A. Richards William Carlos Williams W. S. Merwin Stanley Kunitz C. Day Lewis St.-John Perse William Jay Smith Richard Wilbur Jean Garrigue and Octavio Paz. A superb collection of autographs of some of the most important modern poets. Laid in is a small INSCRIBED card from the gallery owner and his wife stating "Fifteen poets join us in wishing you all the best of the season." Andre Emmerich Gallery hardcover books
réf. 115914Santiago de Chile: Editorial Lord Cochrane 1975. Light marginal wear and chipping to edges of cover o/w in vg. b/w plates pict. wrps. First photobook by noted photographer Paz Errazuriz. Inspiring photo-book of the National Plastic Arts Awardee the renowned photographer Paz Errázuriz who reveals the everyday life of a house from the perspective of a hen called Amalia. Paz Errázuriz's b. Chile 1944 career has spanned more than 30 years. Her career began under Pinochet's dictatorship in the 1970s. Co-founder of the Independent Photographer's Association AFI she used black and white portraits to denounce the dictator as well as the social dictates which condemned individuals and groups to a marginalization that rendered them invisible. During the Pinochet dictatorship censorship and burning of books and free access to culture. In this scenario the then young primary school teacher Paz Errázuriz faced with forced confinement and limited access to books for her children dedicated herself to photographing a silky hen from Japan in her house to make a book for the children. A reflection of the dominant patriarchal system a renowned photographer a friend of her family stated that a housewife can never become a photographer. However Paz Errázzuriz was encouraged by the writer Isabel Allende then director of Paula magazine to finish and write the book herself. From the beginning her work which is in the social documentary genre expressed a creative energy and an insatiable curiosity for the human race. Her works broke many of the taboos of the society deprived of liberty that Chile was before the restoration of democracy. Over the years P. Errázuriz has turned her gaze to the most marginal who often have less access to power or even to the means to voice their discontent. Her candid yet poetic black-and-white photographs often take the form of a series at limes accompanied by the writings of other women. RARE. Only one copy in OCLC Tate. REF: https://www.academia.edu/12734527/_Amalia_de_Paz_Errázuriz_aproximación_a_un_fotolibro_infantil_durante_la_dictadura_chilena_1973_1989_. Editorial Lord Cochrane unknown books
2007réf. 86352Matanzas: Ediciones Vigía 2007. b/w plates hand illuminated color plates frontis. illus. bio. ind. facs illus. endpapers cartuline wrps. assemblage with tipped cut-out pieces of hand illuminated pieces of paper and tipped-in string in front cover. Handmade and illustrated bibliographic catalogue of all the titles published by the editorial workshop the last two decades 1985-2006. With the collapse of much of the regular publishing industry in the early 90s since recovered Vigia became even more important as a publishing source for writers not only of Matanzas but other regions of Cuba. It was one of the few publishing houses still working on a regular basis. LIMITED EDITION OF 200. Ediciones Vigía unknown books
1994réf. 017972New York: Limited Editions Club 1994. First Edition. Hardcover. Fine in a Very Good folding box with dampstaining. Balthus. Nearly square large folio 22" x 24" bound with a tan goatskin spine and linen boards. Illustrated with three large multicolor woodcuts by Balthus printed on handmade Japanese paper and tipped in. This poem presented in Spanish French and English is dedicated to the artist. Copy #5 of 300 numbered copies SIGNED by the artist and by the Nobel Laureate author. Limited Editions Club hardcover books
réf. 007841New York: Limited Editions Club 1988. hardcover. Fine copy in Near Fine original clamshell box with light wear. Robert Motherwell. Large folio 18-1/2" x 22" bound in full Irish linen. Illustrated with 27 original lithographs by Robert Motherwell ranging in size from 8" square to 14" x 10" and with an original lithograph recessed into the front cover. The lithographs were pulled at Trestle Editions of New York on handmade Japanese paper of various contrasting colors and hand-mounted upon the same Magnani Italian mould-made paper used for the text. Copy #457 of 750 numbered copies of this massive book SIGNED by the artist and by the Nobel Laureate. One of the poems is a tribute by Paz to Motherwell. Monthly Letter laid in. With original shipping box. Limited Editions Club hardcover books
réf. 1311111994. Signed. BALTHUS Balthazar Klossowski de Rola PAZ Octavio. Sight and Touch. New York: Limited Editions Club 1994. Large folio 22-1/2 by 24 inches publisher's tan cloth with tan morocco spine publisher's matching slipcase. $2500.Limited edition number 127 of only 300 copies of Mexican poet Octavio PazÕs poem ÒSight and TouchÓ illustrated with multicolor woodcuts executed by the great Franco-Polish artist Balthus signed on the limitation page by both of them.Nobel laureate Octavio Paz whose work the Swedish Academy has said ""seems to incorporate interpret and reconstrue major existential questions"" dedicated his poem Sight and Touch to Balthus one of the great figurative artists of the 20th century. Balthus reciprocated with three illustrations after Paz's poem exclusively for the Limited Editions Club. The subjects are a female nude a still life and a landscape. The woodcuts have been printed in color and on handmade Kozo Uwazen paper from Japan. With LEC newsletter laid in.Book fine one small mark to publisher's clamshell box. hardcover books
1979réf. 90278London: Penguin Books 1979. First edition. 207 pp. Near fine in illustrated wrappers. Original Spanish poems with facing English translations. Edited by Charles Tomlinson with his introduction. London: Penguin Books unknown books
1963réf. 87453Bloomington: Indiana University Press 1963. First edition. 171 pp. Fine in very near fine dust jacket with two short tears to the bottom edge of the rear panel. Original Spanish poems with facing English translations by Muriel Rukeyser who also provides a preface. Bloomington: Indiana University Press, unknown books
1974réf. 82693Cambridge: Harvard University Press 1974. First edition. 186 pp w/index. Near fine in near fine dust jacket with a small sticker scar to the front panel. Cambridge: Harvard University Press, unknown books
1970réf. 83654NY: Grossman 1970. First US trade paperback printing. 62 pp. Near fine in glossy illustrated wrappers. Translated from the original Spanish by Donald Gardner. NY: Grossman, paperback books
1980réf. 74886San Francisco: Kosmos 1980. First edition. 248 pp. Small bump to one upper corner else near fine in near fine dust jacket that is lightly rubbed. Works by Paz along with contributions by Honig Esteban Cage Bonnefoy Fuentes Rexroth Hirschman and many others. San Francisco: Kosmos, unknown books
1990réf. 58939Tuscaloosa: Parallel Editions / University of Alabama 1990. First edition. 26 pp. Fine in decorated boards. Translated from the original Spanish by Eliot Weinberger. Illustrated with two wood engravings by John DePol. One of 75 numbered copies on dampened Frankfurt mouldmade paper SIGNED by Paz Weinberger and DePol. Paz was awarded the Nobel Prize in Literature this same year. Tuscaloosa: Parallel Editions / University of Alabama, hardcover books
1991réf. 45480NY: Harcourt Brace Jovanovich 1991. First US edition. 68 pp. Very near fine in glossy illustrated wrappers; a trade paperback original. English translation by Anthony Stanton followed by the original Spanish text. NY: Harcourt Brace Jovanovich paperback books
1985réf. 39115NY: Grove 1985. First trade paperback printing. 213 pp w/notes. Near fine in glossy illustrated wrappers. Translated from the Spanish by Samuel Beckett. NY: Grove paperback books
1985réf. 32829NY: Harcourt Brace Jovanovich 1985. First US edition. 213 pp. Fine in very near fine dust jacket. Translated by Helen R. Lane. NY: Harcourt Brace Jovanovich unknown books
