Anon

Anon — marelibri

Karitaku zensei kurabe Popularity & Comparison of Beauties in the Temporary Quarters

ref. 7716Seven double-page one of which has flaps & folds out into a four-panel scene and two single-page woodcuts all finely color-printed and nine double-page black & white woodcuts. One color-printed title-page pasted down on inner upper wrapper 24 folding leaves. Small 8vo orig. color-printed upper wrapper with embossing decorated lower wrapper new stitching. Edo: Preface dated 1864. First edition and very rare; we find no copy in WorldCat. The Preface was written by Tanekiyo Ryusuitei 1823-1907 using his pen name "Insuitei." Following one of the frequent fires in the famous pleasure quarters of Yoshiwara often started by the prostitutes in an effort to free themselves many brothels temporarily re-established themselves in other locations throughout Edo. This book was issued as sort of a guide to the newly relocated brothels and very much reflects the changes that shunga books were going through during the end of the Edo period. The first double-page woodcut depicts the exterior of a thriving brothel in Edo with many prostitutes within looking out to the numerous passing men and women on the bustling street. This opens up into a four-panel image of the interior of the brothel showing men being entertained and engaging in several sexual activities. The following six double-page woodcuts depict the "star" prostitutes all engaged in sex with the names of the brothels where they worked. All the rooms shown are very luxuriously furnished with silk screens ornate fabrics and beautiful furniture. These woodcuts are all printed in richly saturated colors including silver and gold pigments and with complex embossing. The cult of sex organs where phalluses are objects of veneration and worship is also exhibited here in a most uncommon image. The final color-printed woodcut - single-page - depicts an altar inside the brothel where a phallus is the center of worship. Envelopes containing cash left by clients are piled in front. See Suzuki Kenko's most fascinating "Popular Cults of Sex Organs in Japan: Guardian Deities Auspicious Objects and Votive Paintings" in Timothy Clark et al. eds. Shunga. Sex and Pleasure in Japanese Art British Museum: 2013 pp. 364-67. The text section contains nine very interesting double-page black-and-white woodcuts showing elaborate scenes of entertainment men and women having "intimate moments" the aftermath of sex with copious dribbling secretions used napkin wipes on the floor etc. These scenes can be described as "action-packed." Fine and fresh copy. One black-and-white woodcut has two small holes. unknown

Jonathan A. Hill, Bookseller, Inc. · Estados UnidosUS$ 4.250,00≈ € 3.789,57

EROTICA, ANONABAA

Karitaku zensei kurabe Popularity & Comparison of Beauties in the Temporary Quarters

Jonathan A. Hill, Bookseller, Inc. · Estados UnidosUS$ 4.250,00≈ € 3.789,57

[ANON]Biblio.com

Plain Astronomy. Manuscript volume of notes on practical astronomy and mathematics

1780ref. 5309N.p.: N.p. 1780. A fascinating manual of astronomy particularly as it relates to the form of the motions of the heavens. The manuscript is in three parts: the first part covers the elementary parts of 'spherical astronomy' the second and third parts are more advanced covering sections of the Principia dealing with lunar theory and the inverse-square law of attraction. . EIGHTEENTH-CENTURY MANUSCRIPT NOTEBOOK ON ASTRONOMY. A fascinating manual of astronomy particularly as it relates to the form of the motions of the heavens dating from the period 1780-1825 probably from the beginning of that range. It is in a single hand with the exception of one page though with some variations indicating that different parts of the MS were written at different times. The MS could have been prepared for personal use or as part of public tuition probably the former. The writer summarizes the subject matter of the manual on the first leaf: 'Astronomy is that part of Natural Philosophy which treats of the Phenomena of the heavenly Bodies. It is divided into 2 Parts Physical and Plain: by the latter we discover their Motions from the Apparent Motions; by the former the Causes of these real Motions.' The MS is in three parts which are distinct in terms of subject matter. The first part covers the motion of the Earth around the Sun and its rotation about its axis with the consequences for the apparent motions of the Sun and the heavens; with the Moon and its phases and motion; and with lunar and solar eclipses. There are several references to John Keill's An Introduction to the True Astronomy London 1721 and subsequent editions. The second part principally consists of a discussion of section 11 of Newton's Principia 1713 or later editions in particular as it relates to the motion of the moon. This part ends with a short section on algebra particularly polynomials which seems to have been composed more haphazardly than the remainder of the text. The third part which runs backwards starting from the end of the notebook gives demonstrations of various results in Book I of Principia notably the theorem that the orbits of the bodies in the solar system do not precess if and only if the central attractive force operating on them is exactly inverse-square. This is an important result not only for Newton's system of universal gravitation but also for the observational astronomy of the solar system which is discussed in the opening section of the book. Between the end of the second part and that of the third there are a few blank leaves and others have been torn out but the text appears complete. The MS appears to be a working through of at least two different texts beginning with Keill's on astronomy. The first part of the MS refers particularly to the material in chapters 7-14 of Keill. It begins with the geometry of the sphere of the Earth and its orbit great circles and poles the plane of the ecliptic equinoctial points and the Tropics of Cancer and Capricorn. Then comes a section on the different systems of the world Ptolemaic Tychonic and Copernican illustrated by a diagram. The arguments supporting each system are given including the aberration of the fixed stars discovered by James Bradley in 1729 which supports Copernicus. It is noted that the Sun's apparent diameter varies according to the time of year which is explained by the fact that the Earth's distance from the Sun is not constant. Kepler's laws are stated with a long discussion of the area law and a statement that the Earth's orbit is an ellipse. The consequences of the fact that the plane of the Earth's orbit is inclined at an angle to the plane of the ecliptic are discussed the seasons. There is a section devoted to the precession of the equinoxes - the author notes that "Sir Isaac Newton has demonstrated that it arises from the broad spheroidal figure of the Earth." The author then turns to sunspots and the arguments for and against their being on the surface of the Sun. Then comes a long discussion of the planets: the planes and periods of their orbits phases conjunctions retrograde motions apparent brightness and their distances from the Sun. Special attention is given to the phases of Venus the varying appearances of Mars and Saturn's rings. This is followed by an extensive discussion of the Moon: its phases and motion and the fact that the same face is always turned to the Earth which implies that the Moon turns on its axis in the same time as it takes to orbit the Earth. This first part concludes with a fairly detailed account of lunar and solar eclipses. The second and third parts are notably more mathematical in nature than the first. The second works through Section 11 Prop. 66 of Principia and its corollaries which presents the perturbations of a remote body on a two-body system such as the Sun on the Earth-Moon system. This is one of the most difficult parts of Principia and one with which Newton was never completely happy and which is not entirely correct. The language used by the author of the notebook is reminiscent of the Principia but is primarily directed at following through Newton's working. There is a reference to a numbered figure '80' which does not appear to be numbered in any edition of the Principia. But it seems likely that the language and form of this discussion derives from familiarity with Robert Thorp's edition of Book 1 of the Principia 1777; cf. the notes published in Latin in 1765: pp. 266-90 in 1777 although Thorp is not referenced explicitly as Keill is. Thorp does have a figure 80 but it is not clear that he is the author being used at that particular point. There is then a discussion of algebra and the solution of equations which is fragmentary and incomplete followed by a number of blank and torn-out pages. The third part of the manuscript consists of a reading of various sections of Newton's Principia 1713 or later editions. Again it appears to take the form of working through and in some cases repeating the proofs of Newton's work rather than representing a translation or paraphrase. It is not based on Motte's translation nor does it correspond with the partial translation and edition of Thorp. It does not appear to be based on any other intermediary between Newton and the writer e.g. Pemberton but to rely on Newton's Latin original here rendered in places pretty exactly into English. It renders propositions 43 to 59 of section 9 of book 1 of the Principia which concern the motion of bodies in moveable orbits and the motion of the apsides. This is a topic which is still of some considerable interest to astronomers and historians of astronomy. Here Newton introduces what has come to be called Newton's 'rotating ellipse proposition' in which a rotating or precessing ellipse is described by a body for which the central force includes a term proportional to the cube of the distance from the focus; this rotating ellipse is compared with a similar stationary ellipse in which another similar body rotates about the same centre of force. Careful analysis leads to expressions for the extra inverse cube force depending on the number of upper and lower apses found in the moving ellipse. This part of the notebook includes the demonstration of the important proposition that the extra inverse cube force is absent i.e. the central force is exactly inverse-square if and only if the orbits of the bodies in the solar system do not precess. From the hand which seems constant throughout the book although with some considerable variation which might indicate a second writer or more likely the same writer at a different time or with a different pen and the paper we can with some confidence date the notebook to the period 1750-1825. If our supposition that it was Thorp's edition of Principia which was being used we might be able to narrow its date down to 1780-1825. The section of the planets in the first part does not mention Uranus Georgium sidus discovered by William Herschel in 1781 which appears to place this as an upper bound. This would therefore suggest a composition date in the late 1770s. We are indebted to Scott Mandelbrote for his assistance with the description of this notebook. 4to 196 x 162 mm manuscript in ink on Dutch paper with Maid of Dort watermark without countermark. 101 and 26 leaves of text and diagrams 39 blank leaves in the middle last 26 leaves reversed illustrated with several astronomical and mathematical diagrams including one of a solar system. Late 18th century half calf marbled sides. N.p. unknown

SOPHIA RARE BOOKS · DinamarcaUS$ 5.000,00≈ € 4.458,31

ALLIX, Susan Anon, old or unknownBiblio.com

Nonsense & Nonsense. A collection of verses and extracts by Mr. M. Prior Dr. S. Johnson Mr. E. Lear Mr. L. Carroll the Sphinx Mr. or Mrs. Anon. etc. with logical or nosensical Typographic arrangements and visual promptings.

2008ref. 48605London.: Susan Allix. 2008. Full burgundy crushed morocco excised sections with curvilinear edges reveal a checkerboard pattern of gilt pink and café crème paper front board with three applied sections of white paper with monochrome drawings and four colour paintings see below mounted to squares or rectangles of burgundy crushed morocco with magnetic fastenings single painting mounted to rectangle of burgundy morocco affixed to centre of rear board smooth spine with tooled title in black cream handmade patterned paper doublures bronze free endpapers burgundy velvet-lined oatmeal drop-back box with morocco label to spine with title in black. Folio. 290 x 230 mm. Printed text in various types and illustration in various media all on various paper stock in various formats final leaf with justification and colophon. The édition de tête in the deluxe magnetic binding of one of Susan Allix's most extraordinary inventive capricious and whimsical artist books.From the edition limited to 24 numbered copies signed and numbered by Allix in pencil with this one of 8 from the édition de tête in the deluxe binding.Allix's detail regarding the book taken from the colophon is instructive: 'Authors: old or unknown. / Typefaces: various but including Grotesque Gill Granby and Gallia with Caslon ENgravers Roman & altered and un-altered wood letter. / Papers: various including Arches Somerset Zerkall. / Printing: by hand by letterpress; with new intaglio plates and lino-cuts and old printer's blocks.'Also included inserted loose is the prospectus for the book a sheet folded in three 210 x 98 mm folded with printed text recto only together with the price list which also gives detail of the price for 'Pagoda Memories'. 'On a nonsensical scale this book is not deeply nonsensical. It looks like a book; it has pages that turn conventionally and its contents are not gibberish. Most of the words have been around for many years some so long their authors have been forgotten. But they are set in a variety of arrangements using more typefaces than are usually expected in one book. There is a new piece of punctuation I invented some woodletter I altered and some old printers' blocks reprinted . The initial idea . was for the reader to be able to do more than turn the pages; to be able to move or change images. Small pictures on the binding would be turned or re-located over others by the use of magnets. As the results of this were not intended to be serious they would be accompanied by some nonsensical words . The different sizes shapes and tones of the various papers used sustain a vitality in the flow of pages while the limited colour scheme of terracotta red and cream unifies the collection of odd puzzling or humorous verses and extracts.' From Susan Allix's text from the prospectus for the book. (Susan Allix). unknown

Sims Reed Rare Books · Reino Unido£ 4.000,00≈ € 4.760,32

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