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1900rif. 015271Paris: Imprimerie Paul Dupont 1900. Book measures 23.5x16.cm. viii 197pp illustrated throughout with folding plates and plan of Fremantle original wrapper bound in. Bound in leather backed marble boards vellum corners raised bands gilt lettering marble endpapers. Binding in very good clean firm condition. Internally pages and plates clean throughout. A very nice clean copy. . First Edition. Hardcover. Very Good Plus. 8vo. Imprimerie Paul Dupont Hardcover
1870rif. 015291Sunderland: William Henry Hills 1870. 6 volumes. Books measure 22.5x15.cm. Bound by Waters of Newcastle. Bound in full period calf gilt lines to boards raised bands ornate gilt tooling full gilt edges inner dentells marble endpapers. Calf rubbed scuffed mainly on spines some faded hinge joints rubbed worn but boards attached. Generally very attractive binding. Internally pages and plates clean throughout. A very nice well bound collection of volumes. . Full Calf. Very Good. 8vo. William Henry Hills Hardcover
1865rif. 015314Wien: Waldheim & Forster 1865. Book measures 32.5x25.5.cm. xxxii 256pp 25 plates mostly folding. Bound in period or early cloth backed boards with gilt bands and lettering. Binding rubbed worn on edges paper label on spine. Internally stamp on title page probably a institution stamp. Pages and plates in very good clean condition. A very nice clean book. . Hardcover. Near Very Good. Large Quarto. Waldheim & Forster Hardcover
1801rif. 4678Paris: Chez De Hansy 1801. Hardback in full red morocco. Raised bands to spine with ornate gilt decoration and green title label. Gilt flower decorations to the edges of the boards. All edges gilt. Marbled endpapers. Title vignette and one other engraving. 12 587 pp. 130 x 80 mm 5 x 3¼ inches. . Livre relié en plein maroquin rouge. Dos à nerfs avec décorations dorées et étiquette de titre verte. Décorations florales dorées sur les bords des planches. Toutes les tranches sont dorées. Papiers de garde marbrés. Vignette de titre et une autre gravure. 12 587 pp. 130 x 80 mm Chez De Hansy hardcover
1876rif. 4687London: Published for the Crown Perfumery Company by Hamilton Adams & Co. 1876. First Edition. Hardback in the publisher's original cream cloth binding which is grubby and stained. Crown Perfumery Company advertisements pasted to front endpaper plus more advertisements to the last few pages. Pages clean and fresh. All edges red. Poems in English Sanskrit and Hindustani. vi ii 117 3 pages. 160 x 115 mm 6¼ x 4½ inches. Published for the Crown Perfumery Company by Hamilton Adams & Co. hardcover
1715rif. 015366London: Printed and sold by J. Roberts and Others 1715. Book measures 17x10.cm. 21pp half title present. Bound in modern paper covers. Internally light tanning. Pages clean. A good clean copy. . Second Edition. Very Good. Small 8 Vo. Printed and sold by J. Roberts, and Others unknown
rif. 233186np.: Self published. nd. First edition. . Decorated hard cover. . Fine copy. As new. . Folio. . Illustrated in black white and color. Important reference work. Very scarce in this condition. Self published. hardcover
1979rif. 233247Los Angeles. : Dawson's Book Shop. 1979. First edition. . Gilt decorated hard cover. . Fine copy. . Octavo. . Illustrated. Important reference work. Very scarce in this condition. Limited edition of 150 copies. Dawson's Book Shop. hardcover
1888rif. 82711London: James Hogg and Sons 1888. First Edition. 12mo 18cm. Publisher's original grey cloth covered boards titled and decorated in polychrome; 63pp. A handsome copy lightly rubbed on covers and with a touch of foxing to pastedowns but still quite bright and clean in the lovely polychrome cloth bidning; Very Good to Near Fine and most unusual thus. The author's rare first book a rollicking bit of railway-based melodrama of a type much beloved of the Victorians published in the year of the London Matchgirls Strike and the reign of Jack the Ripper. Far and away the finest copy we've handled of this early Queen's Quorum title uncommon in any condition. The binding has been recorded in a variety of cloth colours and colour variations with no known priority. QUEENS QUORUM 13. James Hogg and Sons unknown
1985rif. 233293Wolfeboro.: Bowers and Merena. 1985. First edition. . Soft cover. . Near fine copy very light shelf wear. . 4to. Illustrated in black white and color. Important reference work. Very scarce in this condition. Bowers and Merena. paperback
1840rif. 015429London: Printed by James Truscott 1840. Book measures 51x36.cm. Binding worn boards detached. Being sold as a collection of 74 pages/fables each with a hand coloured vignette and accompayning text. No printed date cirac 1840/1850. . Good. Folio. Printed by James Truscott hardcover
2005rif. 233382Indianapolis. : BradyGAMES. 2005. First edition. Full number line. . Decorated hard cover. . Fine copy. As new. . 4to. Illustrated in black white and color. Important reference work. Very scarce in this condition. BradyGAMES. hardcover
1913rif. 161285London: Longmans Green 1913-15. new impression. Very Good. 16 mo. hardbacks in decorated cloth xi 347 x 368pp. frontis.2 illusts. map Inc. many line drawings some hand-coloured. Some wear to decorated salmon boards & small split at spine o/w a very good set & internally very good indeed. Scarce Longmans, Green hardcover
1916rif. 83564Chicago: Izdala RadniÄka Knjižara 1916. 12mo 19cm.; publisher's pale red staplebound card wrappers; 20pp. Minor wear and toning to wrappers; mild toning to text; Very Good or better. Slovak translation of an anonymous Russian Marxist theoretical work issued as Narodna Knjižnica Folk Library no. 9. Includes a chapter on the lumpenproletariat and anarchism. The source is possibly Pavel Rosenthal's "Люмпенпролетариат и революциÑ" "Lumpenproletariat & Revolution." St. Petersburg 1906. One copy located in OCLC Michigan as of 2024. Izdala RadniÄka Knjižara unknown
1911rif. 015491Macclesfield: Claye Brown & Claye 1911. Book measures 21.5x14.cm. 37pp. Bound in original publishers limp cloth with paper title label. Binding in very good clean condition. Internally pages clean. A very good clean copy. . Softcover. Very Good Plus. 8vo. Claye, Brown & Claye
1900rif. 015495Great Britain 1900. Book measure 18x12.5.cm. 18pp illustrated. Bound in original publishers softcover. Covers lightly rubbed dust marked. Oblong crease line where the book has been folded. Binding in good condition. Internally pages clean. A good copy. . Soft Cover. Good Plus. 8vo. Paperback
rif. 4742London: T. Nelson and Sons 1867. First edition. Complete with 12 high quality colour lithographs and text. One of the "Nelsons' Pictorial Guide-Books for Tourists" series. Lilac covered blind and gilt stamped hardback with a colour lithograph pasted to the centre of the front cover. This is one of the 12 lithographs. Pale blue end papers. Blind stamped booksellers embossed with "W.H. Smith & Co" to the front end paper. The work is complete with 11 lithographs inside and 32 pages of accompanying text. There were other publications by Nelson at the same time. One was a portfolio with loose plates and 16 pages of text. Another with 24 plates combines the Interior and Exterior illustrations. Condition is excellent. A little fading to the front cover and spine but clean and with minimal handling. Internally clean and tidy throughout. 11cm x 17cm. 32 pages. Conforms to FirstSearch / WorldCat OCLC: 1152920294. See Also Gascoigne Bamber. How to identify prints. New York : Thames and Hudson 1986.; 30. . Première édition. Complète avec 12 lithographies en couleur de haute qualité et le texte. Fait partie de la série "Nelsons' Pictorial Guide-Books for Tourists". Reliure cartonnée à couverture lilas estampillée à l'aveugle et dorée avec une lithographie en couleur collée au centre de la couverture. Il s'agit de l'une des 12 lithographies. Papiers de garde bleu pâle. La première page de garde porte le cachet du libraire "W.H. Smith & Co". L'ouvrage est complet avec 11 lithographies à l'intérieur et 32 pages de texte d'accompagnement. Nelson a publié d'autres ouvrages à la même époque. L'une d'entre elles était un portfolio avec des planches détachées et 16 pages de texte. Une autre avec 24 planches combinant les illustrations intérieures et extérieures. L'état de l'ouvrage est excellent. La couverture et le dos sont un peu décolorés mais l'ouvrage est propre et n'a subi qu'un minimum de manipulations. L'intérieur est propre et bien rangé. 11cm x 17cm. 32 pages. Conforme à FirstSearch / WorldCat OCLC : 1152920294. Voir aussi Gascoigne Bamber. Comment identifier les estampes. New York : Thames and Hudson 1986 ; 30. T. Nelson and Sons hardcover
1910rif. 4403Paris: Imp. Eblagon Halluin 1910. Attractive and apparently quite rare children's story. One one library holding on FirstSearch - surprisingly in Cambridge UK. No copies for sale currently and no auction records. First edition. Illustrated covers and 10 unnumbered pages 6 full page colour lithographs. Red buckram spine and soft covers. The covers are a little darkened and marked. Internally clean but with some darkening to the parges. Light creasing only. Overall a quite decent copy. No covered in clear archival cover. 300 by 250mm 11¾ by 9¾ inches. . Une histoire pour enfants attrayante et apparemment assez rare. Une seule bibliothèque sur FirstSearch - étonnamment à Cambridge Royaume-Uni. Aucun exemplaire n'est actuellement en vente et aucune vente aux enchères n'a été enregistrée. Première édition. Couvertures illustrées et 10 pages non numérotées. 6 lithographies en couleur pleine page. Dos et couvertures souples en bougran rouge. Les couvertures sont un peu assombries et marquées. L'intérieur est propre mais les pages sont un peu plus sombres. Légers froissements seulement. Dans l'ensemble un exemplaire tout à fait décent. Non recouvert d'une couverture d'archivage transparente. 300 x 250 mm Imp. Eblagon, Halluin paperback
1894rif. 014794Guildhall Library and the Art Gallery 1894. Book measures 22x18.cm. 41pp frontis illustrated folding seating plan original menu pasted to free endpaper. Bound in original publishers cream hardcover with gilt crest and lettering. Binding lightly rubbed age darkened. Binding in good condition. Internally pages clean. A nice copy. . Hardcover. Near Very Good. 8vo. Guildhall Library and the Art Gallery Hardcover
2005rif. 014876Istanbul: Sakip Sabanci Muzesi 2005. Book measures 26.5x23.5.cm. 311pp illustrated throughout. Bound in original publishers illustrated softcover. Binding in good clean condition. Internally pages clean throughout. A nice clean copy. . Soft Cover. Very Good. Quarto. Sakip Sabanci Muzesi Paperback
1875rif. 014884London: George Edward Eyre and William Spottiswoode 1875. Complete in 2 volumes. Books measure 36x27.cm. Pages bound in sections. Bound in period half calf calf corners cloth boards raised bands gilt lines title label coloured endpapers. Bindings rubbed. scuffed with abrasion wear on edges corners. Generally both bindings in good clean firm condition. Internally previous owners bookplate. Pages in good clean condition. A nice set. . Half Calf. Very Good. Small Folio. George Edward Eyre and William Spottiswoode Hardcover
1980rif. mon0003526869Pentax 1980-01-01. Hardcover. Good. 1.1102 9.1299 6.5709. General shelf wear.rn Pentax hardcover
1783rif. 014893London 1783. 3 reports bound in 1 volume. First 24th December 1783. Second 1st March 1784.Third 23rd March 1784. Collation 60pp many folding appendix 49pp folding appendix 57pp. Bound in later full leather raised bands gilt lines leather title label. Leather rubbed scuffed faded. Binding in good clean firm condition. Internally a few pages with light browning. Pages clean throughout A very nice copy. F. Full Calf. Very Good. Quarto. Hardcover
1980rif. 014923Great Britain: Rampant Lions Press. 1980. Limited to 80 copies.This copy not numbered. Book measures 39x28.cm. 50pp. From an edition limited to 80 copies signed by Prince Philip Duke of Edinburgh at end of Foreword. Bound in full blue leather raised bands gilt lines leather label blind dentells. Binding in near fine condition. Colopone/number page states bound by Morrell this copy bound later in a none issue binding. Internally pages clean and bright throughout. A very nice attractive copy.F. Signed by Author. Limited Edition. Leather. Very Good Plus Near Fine. Folio. Rampant Lions Press.
1901rif. 33815London: Aldine Publishing Co 1901. 1st Edition. 1st Edition. TRUE BLUE LIBRARY. Published Every Saturday. 32 pages per issue. THE HUG OF THE BEAR plus 11 other titles. A Story Of Russian Despots. London: Aldine Publishing Co. c. 1903. 4to. blue cloth backed untitled plain beige boards. Original coloured wrappers bound-in. Illustrated throughout in black & white. A run of 12 issues: Nos 222 223 230 231 232 243 245 247 249 259 260 261 262. In very good antiquarian condition. TRUE BLUE weekly magazine was published for boys just prior to the turn of the 19th century & featured one complete & patriotic adventure story per issue set. Intended to celebrate Britain 's glorious national past in a creative range of historical periods each issue had a full colour illustrated themed wrapper with black & white drawings inside. Each issue generally ran 32 pages. Extremely popular in their day these junior magazines had a lengthy run waning only as alternative forms of entertainments gradually took over their audience's attention. Penny Dreadful Dime Novels were the American version was a term applied to nineteenth century British fiction publications usually lurid serial stories appearing in parts over a number of weeks each part costing a penny. The term however soon came to encompass a variety of publications that featured cheap sensational fiction such as story papers and booklet "libraries." The Penny Dreadfuls were printed on cheap pulp paper and were aimed primarily at teenage boys from the working class though there is some evidence that many girls read them as well. Penny Parts The penny part stories got underway in the 1830s originally as a cheaper alternative for the working class adults but by the 1850s the serial stories were aimed exclusively at teenagers. The stories themselves were reprints or sometimes rewrites of Gothic thrillers such as The Monk or The Castle of Otranto as well as new stories about famous criminals. Some of the most famous of these penny part stories were The String of Pearls which ostensibly introduced Sweeney Todd The Mysteries of London inspired by the French serial The Mysteries of Paris and Varney the Vampire. Highwaymen were popular heroes. Black Bess or the Knight of the Road outlining the largely imaginary exploits of real-life highwayman Dick Turpin continued for 254 episodes. Working class boys who could not afford a penny a week often formed clubs that would share the cost passing the flimsy booklets from reader to reader. Other enterprising youngsters would collect a number of consecutive parts then rent the volume out to friends. Penny Dreadfuls In 1866 Boys of England was introduced as a new type of publication an eight page magazine that featured serial stories as well as articles and shorts of interests. It was printed on the same cheap paper though sporting a larger format than the penny parts. Numerous competitors quickly followed with such titles as Boys Leisure Hour Boys Standard Young Men of Great Britain etc. As the price and quality of fiction was the same these storypapers also fell under the general definition of Penny Dreadfuls also known as Penny Bloods or Blood and Thunders in their early days. American dime novels were edited and rewritten for a British audience. These appeared in booklet form such as the Boys First Rate Pocket Library. Frank Reade Buffalo Bill and Deadwood Dick were all popular with the Penny Dreadful audience. Half-penny Dreadful In the mid-1890s a publisher Alfred Harmsworth decided to do something about what was widely perceived as the corrupting influence of the Penny Dreadfuls. He issued new story papers The Half-penny Marvel The Union Jack and Pluck all priced at one half-penny. At first the stories were high-minded moral tales reportedly based on true experiences but it was not long before these papers started using the same kind of material as the publications they competed against. A.A. Milne once said 'Harmsworth killed the penny dreadful by the simple process of producing the ha'penny dreadfuller. '. 1st Edition. TRUE BLUE LIBRARY. Published Weekly. 4to. 32 pages per issue. THE SAUCY ARETHUSA plus 11 other titles. London : Aldine Publishing Co. 1901. 4to. tan cloth backed untitled plain beige boards. Original coloured wrappers bound-in. Illustrated throughout in black & white. A run of 12 issues: Nos 66 85 130 141 152 159 160 171 172 190 191 and 193. In very good antiquarian condition. TRUE BLUE weekly magazine was published for boys just prior to the turn of the 19th century & featured one complete & patriotic adventure story per issue set. Intended to celebrate Britain 's glorious national past in a creative range of historical periods each issue had a full colour illustrated themed wrapper with black & white drawings inside. Each issue generally ran 32 pages. Extremely popular in their day these junior magazines had a lengthy run waning only as alternative forms of entertainment gradually took over their audience's attention. Penny Dreadful Dime Novels were the American version was a term applied to nineteenth century British fiction publications usually lurid serial stories appearing in parts over a number of weeks each part costing a penny. The term however soon came to encompass a variety of publications that featured cheap sensational fiction such as story papers and booklet "libraries." The Penny Dreadfuls were printed on cheap pulp paper and were aimed primarily at teenage boys from the working class though there is some evidence that many girls read them as well. Penny Parts The penny part stories got underway in the 1830s originally as a cheaper alternative for the working class adults but by the 1850s the serial stories were aimed exclusively at teenagers. The stories themselves were reprints or sometimes rewrites of Gothic thrillers such as The Monk or The Castle of Otranto as well as new stories about famous criminals. Some of the most famous of these penny part stories were The String of Pearls which ostensibly introduced Sweeney Todd The Mysteries of London inspired by the French serial The Mysteries of Paris and Varney the Vampire. Highwaymen were popular heroes. Black Bess or the Knight of the Road outlining the largely imaginary exploits of real-life highwayman Dick Turpin continued for 254 episodes. Working class boys who could not afford a penny a week often formed clubs that would share the cost passing the flimsy booklets from reader to reader. Other enterprising youngsters would collect a number of consecutive parts then rent the volume out to friends. In 1866 Boys of England was introduced as a new type of publication an eight page magazine that featured serial stories as well as articles and shorts of interest. It was printed on the same cheap paper though sporting a larger format than the penny parts. Numerous competitors quickly followed with such titles as Boys Leisure Hour Boys Standard Young Men of Great Britain etc. As the price and quality of fiction was the same these storypapers also fell under the general definition of Penny Dreadfuls also known as Penny Bloods or Blood and Thunders in their early days. American dime novels were edited and rewritten for a British audience. These appeared in booklet form such as the Boys First Rate Pocket Library. Frank Reade Buffalo Bill and Deadwood Dick were all popular with the Penny Dreadful audience. Half-penny Dreadful In the mid-1890s a publisher Alfred Harmsworth decided to do something about what was widely perceived as the corrupting influence of the Penny Dreadfuls. He issued new story papers The Half-penny Marvel The Union Jack and Pluck all priced at one half-penny. At first the stories were high-minded moral tales reportedly based on true experiences but it was not long before these papers started using the same kind of material as the publications they competed against. A.A. Milne once said 'Harmsworth killed the penny dreadful by the simple process of producing the ha'penny dreadfuller. '. Aldine Publishing Co unknown
