32 118 résultats
1985réf. 625092London: The Pali Text Society 1985. Paperback in very good condition. Reading crease front side. Cover edges and corners are slightly bumped and rubbed. Light marks on the inside covers. Binding is sound and pages are clear. LW. Paperback. Very Good. Used. The Pali Text Society Paperback
1999réf. 625069San Diego CA: Junction Press 1999. Paperback in very good condition. Cover corners are slightly bumped and rubbed. Binding is sound and pages are clear. LW. Paperback. Very Good. Used. Junction Press Paperback
1946réf. 625134London: John Lehmann Ltd 1946. Hardcover in good condition. Removable plastic covered unclipped dust jacket in acceptable condition. Gift inscription from Felix Braun on half-title page. Jacket is marked and sunned. Edges are creased and torn including chips. Board edges are faded. Corners and spine ends are bumped and rubbed. Tanning and light foxing to the page block and endpapers. Binding is sound and pages are clear. LW. Hardcover. Good/Acceptable. Used. John Lehmann Ltd Hardcover
1984réf. 625132Rochester MI: Katydid Books Oakland University 1984. Paperback in very good condition. Covers and spine are scuffed and sunned with some surface colour loss. Edges spine ends and corners are bumped and rubbed with upper corner bumps leading slightly into the pages. Page block is lightly tanned and blemished. Binding is sound and pages are clear. LW. Paperback. Very Good. Used. Katydid Books Oakland University Paperback
1962réf. 625229London: Macdonald & Co Publishers Ltd 1962. First edition hardcover in very good condition. Clipped dust jacket with removable plastic cover in good condition. Paintings by Sidney Nolan. Jacket is sunned. Edges are creased and nicked including small tears and chips. Board edges corners and spine ends are bumped and rubbed. Page block is tanned. Binding is sound and pages are clear. LW. First Edition. Hardcover. Very Good/Very Good. Illus. by Nolan Sidney. Used. Macdonald & Co (Publishers) Ltd Hardcover
1910réf. 625212Melbourne: Thomas C. Lothian 1910. Tiny hardcover with soft suede boards no dust jacket gilt lettering to spine and gilt edged page block head in good condition. Boards are marked and sunned with a crease to the rear upper corner. Tears and chips at the spine ends. FEP has separated from the spine at the lower edge to approximately midway. Gift inscription on FEP. Binding is sound and pages are clear. LW. Hardcover. Good/No Dust Jacket. Used. Thomas C. Lothian Hardcover
1977réf. 625257New York: The Viking Press 1977. Hardcover in very good condition. Second printing 1977. Unclipped jacket with minor edgewear. Some wear and sunning to the hardcover. The binding is sound and all text is clear. CM. Hardcover. Very Good. Used. The Viking Press Hardcover
1965réf. 625274London: MacGibbon and Kee 1965. Hardcover in good condition. Unclipped dust jacket in acceptable condition. Jacket is marked and sunned with a closed rear on the rear inner flap fold. Edges are creased and torn including chips. Board corners and spine ends are bumped and rubbed. Page block is lightly tanned and blemished. Binding is sound and pages are clear. LW. Hardcover. Good/Acceptable. Used. MacGibbon and Kee Hardcover
1964réf. 625273London: MacGibbon and Kee 1964. Hardcover with clipped dust jacket in good condition. From the collection of Tom Lowenstein whose name has been clipped from the upper corner of FEP. Jacket is marked and sunned with a small closed tear on the rear inner flap fold. Edges are creased and nicked including small chips. Board spine ends are bumped. Page block and endpapers are lightly tanned. Binding is sound and pages are clear. LW. Hardcover. Good/Good. Used. MacGibbon and Kee Hardcover
1951réf. 625271London: MacGibbon and Kee 1951. Second impression hardcover in good condition. Unclipped dust jacket in acceptable condition. From the collection of Tom Lowenstein ownership label attached to FEP. Jacket is marked and sunned. Edges are creased and torn including small chips. Closed tears on the rear inner flap fold and rear spine side is torn almost all the way through. Board edges corners and spine ends are bumped and rubbed. Page block is tanned and blemished. Staple rust residue on the upper edge of the front pastedown and first few pages. Binding is sound and pages are clear. LW. Second Impression. Hardcover. Good/Acceptable. Used. MacGibbon and Kee Hardcover
1963réf. 625272London: MacGibbon and Kee 1963. Hardcover with unclipped dust jacket in good condition. From the collection of Tom Lowenstein ownership pencilled on FEP. Jacket is marked and sunned with a closed tear on the front inner flap fold. Edges are creased and nicked including small chips. Board edges corners and spine ends are bumped and rubbed. Page block is tanned and blemished. Binding is sound and pages are clear. LW. Hardcover. Good/Good. Used. MacGibbon and Kee Hardcover
1952réf. 621263London: The Fortune Press 1952. Slender hard cover no dust jacket in very good condition. From the collection of Ian Angus former librarian at King's College London and deputy librarian at University College London ownership pencilled to FEP. Light shelf and handling wear only minor sunning to pageblock head. Black card boards are slightly bowed otherwise in fine condition. Rough-cut leaves are tightly bound and content unmarked. CN. Hardcover. Very Good/No Dust Jacket. The Fortune Press Hardcover
1996réf. 621857London: The Harvill Press 1996. Hard cover with clipped dust jacket both in very good condition. Previous owner has penned a gift dedication to FEP. Light shelf and handling wear including minor colour loss to jacket folds and tanning to pageblock. Red cloth boards have gilt book details to spine and are in fine condition. Within pages are tightly bound content unmarked. CN. Hardcover. Very Good/Very Good. The Harvill Press Hardcover
1988réf. 622741Newcastle Upon Tyne: Bloodaxe Books Ltd 1988. Hardcover without dust jacket in very good condition. This edition limited to 40 hand-bound copies of which this is number 25 signed by the author. A few spots of foxing on the title and copyright page. Binding is sound and pages are clear. LW. Signed by Author. Limited Edition. Hardcover. Very Good/No Dust Jacket. Used. Bloodaxe Books Ltd Hardcover
1985réf. 618808Devon: The Celandine Press 1985. Quarter-bound hardcover with marbled boards no dust jacket in very good condition. Three paintings by Paul Nash. This edition limited to 300 copies of which this is number 198. Printed for the Celandine Press by Sebastian Carter at the Rampant Lions Press Cambridge on Hahnemuhle mould-made paper and bound by Woolnough Fine Bindings. No notable faults. LW. Hardcover. Very Good/No Dust Jacket. Illus. by Nash Paul. Used. The Celandine Press Hardcover
1996réf. 614756Seaham: Amra Imprint 1996. String bound paperback 4 pages in very good condition. This signed edition is limited to 25 copies of which this is number 14. A few light marks to the covers. No other notable faults. LW. Signed by Author. Limited Edition. Paperback. Very Good. Used. Amra Imprint Paperback
1996réf. 614757Seaham: Amra Imprint 1996. String bound paperback 2 pages in very good condition. This signed edition is limited to 25 copies of which this is number 14. A few light marks to the covers. No other notable faults. LW. Signed by Author. Limited Edition. Paperback. Very Good. Used. Amra Imprint Paperback
1996réf. 614759Seaham: Amra Imprint 1996. String bound paperback 2 pages in very good condition. This signed edition is limited to 25 copies of which this is number 15. A few light marks to the covers. No other notable faults. LW. Signed by Author. Limited Edition. Paperback. Very Good. Used. Amra Imprint Paperback
1985réf. 615379London: Faber and Faber Limited 1985. Paperback in very good condition. Signed by Ted Hughes dedicated to 'Nina' and dated 5 May 94. Photographs throughout by Peter Keen. Covers are slightly marked. Binding is sound pages are clear and colours vivid. LW. Signed and Dedicated By Author. Paperback. Good. Used. Faber and Faber Limited Paperback
1984réf. 615378London: Martin Secker & Warburg Limited 1984. Oversized hardcover with unclipped dust jacket in very good condition. Illustrated by Arthur Boyd. Jacket and page edges are lightly tanned. Jacket edges are creased. Boards are clean binding is sound and pages are clear. LW. Hardcover. Very Good/Very Good. Illus. by Boyd Arthur. Used. Martin Secker & Warburg Limited Hardcover
1981réf. 059479Los Angeles: Anthony & Elizabeth Duquette Foundation 1981. First Edition . Decorated Wrappers. Near Fine/No Dust Jacket. 11 1/2" Square. Profusely Illustrated with Color Plates of Tony Duquette's Sculptures Tapestries and Altars. World Renowned Los Angeles Artist Created The Bicentennial Celebrational Environment Entitled The City Of Our Lady Queen Of The Angels And Exhibited At The California State Museum Of Science And Industry At Exposition Park." Inscribed "Happy Birthday Floy" And Signed By Duquette On Title Page. Unpaginated. Near New Faint Small Bump To Upper Tip With Brochure For Exhibition At Califonria Museum Of Science And Indistrty And A Large Npostcard Of The Exhibit. O With A Clipping Of Jack Smith's Review In The L A Times. Ony Duquette 1914 - 1999 Was An American Artist. After Graduating From Chouinard He Began Working In Advertising Creating Special Environments For The Latest Seasonal Fashions. He Also Began To Free-Lance For Designers. In The Early 1940S Duquette's Parents And Siblings Moved Permanently To Los Angeles Where Duquette Had Been Living Since 1935 And Where He Became Friends With Horace Okey. Duquette Was Discovered By Designer And Socialite Elsie De Wolfe. Through The Patronage Of De Wolfe And Her Husband Sir Charles Mendl Duquette Established Himself As One Of The Leading Designers In Los Angeles. He Worked Increasingly For Films Including Many Metro Goldwyn Mayer Productions Under The Auspices Of Producer Arthur Freed And Director Vincente Minnelli. Duquette Designed Costumes And Settings For The Movies Interiors For Mary Pickford And Buddy Rogers Jewelry And Special Furnishings For Lady Mendl As Well As Numerous Night Clubs And Public Places. He Served In The United States Army For Four Years During The Second World War And Received An Honorable Discharge. He Presented His First Exhibition At The Mitch Liesen Gallery In Los Angeles And Shortly Thereafter Was Asked To Present His Works At The Pavilion De Marsan Of The Louvre Museum Paris. Duquette Was The First American Artist To Have A One-Man Show At The Louvre. Returning From A Year In France Where He Received Design Commissions From The Duke And Duchess Of Windsor And The Alsatian Industrialist Commandant Paul Louis Weiller Duquette Held A One-Man Showing Of His Works At The Los Angeles County Museum Of Art. There Followed Other One-Man Exhibitions Of Duquette's Works Including At The M. H. De Young Museum And Palace Of The Legion Of Honor In San Francisco The California Museum Of Science And Industry And Municipal Art Gallery In Los Angeles The El Paso Museum Of Art The Santa Barbara Museum Of Art The Museum Of The City Of New York As Well As One-Man Exhibitions In Dallas Chicago Rio De Janeiro And Phoenix Arizona. Duquette Created Interiors For Doris Duke Norton Simon And J. Paul Getty A Castle In Ireland For Elizabeth Arden And A Penthouse In The Hawaiian Islands. He Also Designed Interiors For Commercial And Public Spaces Like The Hilton Hawaiian Village Sheraton Universal Hotel And Sculptures And Tapestries For The Ritz Carlton Hotel In Chicago As Well As The Los Angeles Music Center And The University Of California At Los Angeles. Designs For Film And Theatre Include Yolanda And The Thief Lovely To Look At Kismet And Ziegfeld Follies For Mgm As Well As Jest Of Cards Beauty And The Beast And Danses Concertantes For The San Francisco Ballet. Operas For Which Duquette Designed Both Costumes And Settings Include Der Rosenkavelier The Magic Flute And Salome. His Designs For The Original Broadway Production Of Camelot Won Duquette The Tony Award For Best Costume Design. His Monumental Work Of Environmental Art Our Lady Queen Of The Angels Was Created As A Gift To The People Of Los Angeles. This Hugely Successful Multi-Sensorial Exhibit Was Seen By Hundreds Of Thousands Of Visitors Over A Three-Year Period At The California State Museum Of Science And Industry At Exposition Park. Anthony & Elizabeth Duquette Foundation unknown
1904réf. 059540Boston: Richard G Badger 1904. First Edition First Printing . Hardcover. Near Fine/No DJ. B/W Illustrations By Elizabeth M Hallowell Saunders. 45 Pp. White Cloth Over Green Boards. A Very Nice Example No Wear To Paper Covered Boards Contents As New. Charles Francis Saunders 1859-1941 Was Born To Quaker Parents In Bucks County Pennsylvania. He And His First Wife Elisabeth Hallowell Saunders D. 1910 Were Both Avid Naturalists; Charles Began Publishing Essays On Botany As Early As The 1890S. Charles And Elisabeth Also Collaborated On A Number Of Publications He As Author She As Illustrator. After A Honeymoon Trip To California And The Southwest In 1902 The Couple Moved Permanently To California In 1906 And Settled In A Craftsman Bungalow On North Lake Avenue In Pasadena Where Charles Devoted Himself Full Time To Writing. He Eventually Published More Than A Dozen Books Inspired By California And The Southwest. Both Charles And Elisabeth Were Amateur Photographers And Many Of Their Photographs Were Used To Illustrate Saunders' Books The Indians Of The Terraced Houses 1912 And Under The Sky In California 1913. In 1921 Saunders Married Mira Barrett Culin D. 1968 Whom He Had Met At The Pasadena Garden Club. Also A Writer Mira Shared Saunders' Interest In Gardens Botany And Photography. For Many Years Mira Published Articles On Pasadena Gardens Parks And Trees In The Pasadena Star News For Which She Took Dozens Of Photographs. First With Elisabeth And Then With Mira Saunders Travelled Extensively Throughout California And The Southwest Photographing All Of The California Missions The Regions' Natural Wonders Native Americans And Flora Among Other Things. These Interests Became The Subjects Of 18 Books And Numerous Essays And Articles Saunders Published In His Lifetime. Many Of These Books Were Illustrated With Photographs Taken By Their Author On His Many Excursions. Saunders' Collection Of Native American Pottery And Crafts Is Now In The Collection Of The Southwest Museum Los Angeles And His Botanic Library Is In The Possession Of The Santa Barbara Botanic Gardens. Source: Apostol Jane. "Southern California Through The Lens Of Charles Francis Saunders" Southern California Quarterly Volume 81 Spring 1999: 1-88. Richard G Badger hardcover
1904réf. 059545Boston: Richard G Badger 1904. First Edition First Printing . Hardcover. Near Fine/No DJ. B/W Illustrations By Elizabeth M Hallowell Saunders. 45 Pp. White Cloth Over Green Boards. A Very Nice Example No Wear To Paper Covered Boards Slight Discoloration In White Area On Left Side Of Front Cover Contents As New. Charles Francis Saunders 1859-1941 Was Born To Quaker Parents In Bucks County Pennsylvania. He And His First Wife Elisabeth Hallowell Saunders D. 1910 Were Both Avid Naturalists; Charles Began Publishing Essays On Botany As Early As The 1890S. Charles And Elisabeth Also Collaborated On A Number Of Publications He As Author She As Illustrator. After A Honeymoon Trip To California And The Southwest In 1902 The Couple Moved Permanently To California In 1906 And Settled In A Craftsman Bungalow On North Lake Avenue In Pasadena Where Charles Devoted Himself Full Time To Writing. He Eventually Published More Than A Dozen Books Inspired By California And The Southwest. Both Charles And Elisabeth Were Amateur Photographers And Many Of Their Photographs Were Used To Illustrate Saunders' Books The Indians Of The Terraced Houses 1912 And Under The Sky In California 1913. In 1921 Saunders Married Mira Barrett Culin D. 1968 Whom He Had Met At The Pasadena Garden Club. Also A Writer Mira Shared Saunders' Interest In Gardens Botany And Photography. For Many Years Mira Published Articles On Pasadena Gardens Parks And Trees In The Pasadena Star News For Which She Took Dozens Of Photographs. First With Elisabeth And Then With Mira Saunders Travelled Extensively Throughout California And The Southwest Photographing All Of The California Missions The Regions' Natural Wonders Native Americans And Flora Among Other Things. These Interests Became The Subjects Of 18 Books And Numerous Essays And Articles Saunders Published In His Lifetime. Many Of These Books Were Illustrated With Photographs Taken By Their Author On His Many Excursions. Saunders' Collection Of Native American Pottery And Crafts Is Now In The Collection Of The Southwest Museum Los Angeles And His Botanic Library Is In The Possession Of The Santa Barbara Botanic Gardens. Source: Apostol Jane. "Southern California Through The Lens Of Charles Francis Saunders" Southern California Quarterly Volume 81 Spring 1999: 1-88. Richard G Badger hardcover
1904réf. 059544Boston: Richard G Badger 1904. First Edition First Printing . Hardcover. Near Fine/No DJ. 45 Pp. White Cloth Over Green Boards. A Very Nice Example No Wear To Paper Covered Boards Small Discoloration On White Area Of Front Cover To Left Of Title Contents As New. Charles Francis Saunders 1859-1941 Was Born To Quaker Parents In Bucks County Pennsylvania. He And His First Wife Elisabeth Hallowell Saunders D. 1910 Were Both Avid Naturalists; Charles Began Publishing Essays On Botany As Early As The 1890S. Charles And Elisabeth Also Collaborated On A Number Of Publications He As Author She As Illustrator. After A Honeymoon Trip To California And The Southwest In 1902 The Couple Moved Permanently To California In 1906 And Settled In A Craftsman Bungalow On North Lake Avenue In Pasadena Where Charles Devoted Himself Full Time To Writing. He Eventually Published More Than A Dozen Books Inspired By California And The Southwest. Both Charles And Elisabeth Were Amateur Photographers And Many Of Their Photographs Were Used To Illustrate Saunders' Books The Indians Of The Terraced Houses 1912 And Under The Sky In California 1913. In 1921 Saunders Married Mira Barrett Culin D. 1968 Whom He Had Met At The Pasadena Garden Club. Also A Writer Mira Shared Saunders' Interest In Gardens Botany And Photography. For Many Years Mira Published Articles On Pasadena Gardens Parks And Trees In The Pasadena Star News For Which She Took Dozens Of Photographs. First With Elisabeth And Then With Mira Saunders Travelled Extensively Throughout California And The Southwest Photographing All Of The California Missions The Regions' Natural Wonders Native Americans And Flora Among Other Things. These Interests Became The Subjects Of 18 Books And Numerous Essays And Articles Saunders Published In His Lifetime. Many Of These Books Were Illustrated With Photographs Taken By Their Author On His Many Excursions. Saunders' Collection Of Native American Pottery And Crafts Is Now In The Collection Of The Southwest Museum Los Angeles And His Botanic Library Is In The Possession Of The Santa Barbara Botanic Gardens. Source: Apostol Jane. "Southern California Through The Lens Of Charles Francis Saunders" Southern California Quarterly Volume 81 Spring 1999: 1-88. Richard G Badger hardcover
1981réf. 058450Los Angeles: Anthony & Elizabeth Duquette Foundation 1981. First Edition . Decorated Wrappers. Near Fine/No Dust Jacket. 11 1/2" Square. Profusely Illustrated with Color Plates of Tony Duquette's Sculptures Tapestries and Altars. World Renowned Los Angeles Artist Created The Bicentennial Celerationall Environment Entitled The City Of Our Lady Queen Of The Angels And Exhibited At The California State Museum Of Science And Industry At Exposition Park." Signed By Duquette On Title Page. Unpaginated. Near New Faint Small Bump To Lower Tip1/8" Tear At Bottom Of Rear Panel. Ony Duquette 1914 - 1999 Was An American Artist. After Graduating From Chouinard He Began Working In Advertising Creating Special Environments For The Latest Seasonal Fashions. He Also Began To Free-Lance For Designers. In The Early 1940S Duquette's Parents And Siblings Moved Permanently To Los Angeles Where Duquette Had Been Living Since 1935 And Where He Became Friends With Horace Okey. Duquette Was Discovered By Designer And Socialite Elsie De Wolfe. Through The Patronage Of De Wolfe And Her Husband Sir Charles Mendl Duquette Established Himself As One Of The Leading Designers In Los Angeles. He Worked Increasingly For Films Including Many Metro Goldwyn Mayer Productions Under The Auspices Of Producer Arthur Freed And Director Vincente Minnelli. Duquette Designed Costumes And Settings For The Movies Interiors For Mary Pickford And Buddy Rogers Jewelry And Special Furnishings For Lady Mendl As Well As Numerous Night Clubs And Public Places. He Served In The United States Army For Four Years During The Second World War And Received An Honorable Discharge. He Presented His First Exhibition At The Mitch Liesen Gallery In Los Angeles And Shortly Thereafter Was Asked To Present His Works At The Pavilion De Marsan Of The Louvre Museum Paris. Duquette Was The First American Artist To Have A One-Man Show At The Louvre. Returning From A Year In France Where He Received Design Commissions From The Duke And Duchess Of Windsor And The Alsatian Industrialist Commandant Paul Louis Weiller Duquette Held A One-Man Showing Of His Works At The Los Angeles County Museum Of Art. There Followed Other One-Man Exhibitions Of Duquette's Works Including At The M. H. De Young Museum And Palace Of The Legion Of Honor In San Francisco The California Museum Of Science And Industry And Municipal Art Gallery In Los Angeles The El Paso Museum Of Art The Santa Barbara Museum Of Art The Museum Of The City Of New York As Well As One-Man Exhibitions In Dallas Chicago Rio De Janeiro And Phoenix Arizona. Duquette Created Interiors For Doris Duke Norton Simon And J. Paul Getty A Castle In Ireland For Elizabeth Arden And A Penthouse In The Hawaiian Islands. He Also Designed Interiors For Commercial And Public Spaces Like The Hilton Hawaiian Village Sheraton Universal Hotel And Sculptures And Tapestries For The Ritz Carlton Hotel In Chicago As Well As The Los Angeles Music Center And The University Of California At Los Angeles. Designs For Film And Theatre Include Yolanda And The Thief Lovely To Look At Kismet And Ziegfeld Follies For Mgm As Well As Jest Of Cards Beauty And The Beast And Danses Concertantes For The San Francisco Ballet. Operas For Which Duquette Designed Both Costumes And Settings Include Der Rosenkavelier The Magic Flute And Salome. His Designs For The Original Broadway Production Of Camelot Won Duquette The Tony Award For Best Costume Design. His Monumental Work Of Environmental Art Our Lady Queen Of The Angels Was Created As A Gift To The People Of Los Angeles. This Hugely Successful Multi-Sensorial Exhibit Was Seen By Hundreds Of Thousands Of Visitors Over A Three-Year Period At The California State Museum Of Science And Industry At Exposition Park. Anthony & Elizabeth Duquette Foundation unknown
