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rif. 44100356like new. unknown
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rif. 0266314686.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 44582319like new. unknown
1992rif. G0791411435I3N00State University of New York Press 1992. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. State University of New York Press hardcover
rif. 0332387607.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 24354055like new. unknown
rif. 37729812like new. unknown
rif. 35202087like new. unknown
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rif. 0134566203-11-1-42Pearson. 14. Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. Workbook. Pearson unknown
rif. B9780812277074Hardback. New. hardcover
rif. UJune2019-134552245-485Pearson 2017-03-03. Paperback. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Emailed Tracking Pearson paperback
rif. 62516Bordeaux, Féret, 1994, fort in 8° relié pleine toile bordeaux de l'éditeur, 506 pages ; nombreuses illustrations dans le texte.
rif. 1988595-nnew. unknown
rif. 1988595like new. unknown
rif. 9879065778.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 0364114266.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2009rif. mon0000037551Prentice Hall 2009-08-06. Loose Leaf. Good. 1.5000 in x 10.7000 in x 8.4000 in. Prentice Hall unknown
rif. 1094064157.Gmp3_cd. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
rif. 0656798181.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2025rif. 010385DISTANZ Verlag Berlin 2025 2025. 1st Edition 1st Printing. Hardcover. Fine/No Jacket. 1st ed. 1st printing ; 79 pages : color illustrations; 26 cm 7.87 x 9.96 inches OCLC 1610468090 ISBN 9783954768219 3954768216 ; brown boards ; no dustjacket ; Natia Lemay works across painting and sculpture to consider how atmospheric inheritances shape our relationships to bodies objects space and place. Moving between interior and geographical sites her work attends to the conditions that gather around us and the ways they alter how we perceive occupy and move through space. Light becomes a form of orientation within the work revealing what is present what has been and what might still be there. Black is both material and atmosphere within Lemay's paintings. Built through an evolving collection of more than forty chromatic blacks in oil and acrylic the surfaces shift between matte and gloss opacity and luminosity texture glazes and washes. Colour is largely held within the skin of the figures while black constructs the spaces around them. Rather than functioning as darkness or void black becomes active and mutable absorbing and reflecting light while allowing forms to emerge recede and change according to the viewer's position. ; Xavier Daniels paints against erasure. His work stands as a counterpoint to the persistent misrepresentations and silences surrounding the male experience reclaiming spaces where tenderness vulnerability and full humanity are often denied. His process merges the discipline of traditional realism with the freedom of abstraction. Working in oil and acrylic meticulous figuration fuses with gestural brushwork complex textures and carefully weighted fields of color. Figures emerge from swirls of earthen tones soft pastels and neutral grays punctuated by bursts of royal purple or other saturated hues that act as symbols of inner dignity and resilience. His compositions often place the figure within expanses of negative space using absence as a visual echo an allusion to what has been overlooked unspoken or lost. Daniels draws from his own life from relationships forged in brotherhood and from the communities that raised and sustained him. His paintings are not imagined ideals. They are lived realities that resist the reductive roles society assigns those of athlete absentee or criminal roles that limit both perception and possibility. ; Devon Pryce is an artist currently based in Toronto. He completed his BFA in Drawing and Painting from OCAD University. Devon's work incorporates painting digital concepts and cinematic themes. His work explores issues of anxiety the mundane and displacement. ; Kimberli Grant isCurator of Modern & Contemporary at Brookly Museum. ; FINE DISTANZ Verlag, Berlin, 2025 hardcover
rif. 614426902McFarland & Company Incorporated Publishers . Papeback. New. pp. vii 208 McFarland & Company, Incorporated Publishers unknown
rif. SLIVCN-9782896190379HOPITAL SAINTE JUSTINE (CA)
rif. 64501719State University of New York Press . Papeback. New. pp. 200 Index State University of New York Press unknown