Lang, AndrewMareMagnum
226 resultados
1910Small format hardback: 4 3/4"w x7"h. 51 pages. Tan cloth boards with black title and decoration. Previous owner has written the date on the front endpaper. Decorative title page with red lettering. Originally published in 1887, this is a reprint from 1910. Deckle edges. Printed on heavy, creamy paper.
2018ref. Gyan-9789361683435Facsimile Publisher 2018. Hardcover. New. 22.59 x 14.34 x 3.41 cm. English Facsimile Publisher hardcover
2018ref. Gyan-9789361683435Facsimile Publisher 2018. Hardcover. New. 22.59 x 14.34 x 3.41 cm. English Facsimile Publisher hardcover
1942ref. 13946Flammarion 1942 223 pages in8. 1942. broché. 223 pages. L'arbre des Fées est un roman de Paul Fort publié en 1942 chez Flammarion. Il évoque un univers enchanté où l'arbre des fées symbolise un lien entre le réel et le mythique reflétant l'intérêt de l'auteur pour le folklore et la poésie populaire
ref. 1276685017.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 0484441906.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1998Fine English Paperback. çok remiz durumda, Roy. 8vo. (24 x 17 cm). In Turkish. [vii], 836, [1] p. Halkedebiyati verileri zemininde Türk kimligi II. Vol. 2 of 4.
Very Good Fine German Original decorated cloth. A bookseller label. Foolscap 8vo. (18 x 12 cm). In German. 122, [3] p. Das türkische Liederbuch: Das türkische Liederbuch Nachdichtungen türkischer Lyrik. The Turkish songbook. 7.-10. thousand.
ref. 7461Publisher and date not stated. Circa 1840. Printed on one side of a piece of wove paper roughly 280 x 95 mm. Aged creased and spotted with chipping to extremities but with text and illustration clear and entire. Curious small roughly 40 x 65 mm crude illustration at head showing dove with olive branch and acorn. Forty-line poem arranged in five stanzas. Interestingly-garbled nineteenth-century folk song with ancient antecedents. First stanza reads 'There was a young squire in the north country we hear Was courting a nobleman's daughter so dear Now for to marry her it was his intent All friends and relations did give their consent. The time was appointed for the wedding-day The farmer was sorry to give her away; Instead of being married she went to her bed And the thoughts of the farmer still ran in her head.' The lady puts on 'A coat and blue trousers' and goes 'a-hunting with her dog and her gun'. She converses with the farmer who unaware of her true identity declares his love for her. She gives the farmer a glove full of gold goes home and declares that she has lost her glove and will marry the man who finds it. Last lines: 'I'll be the mistress of the dairy and milking of the cows While my jolly young farmer goes whistling at the plough.' Several copies of items with this title on COPAC but none exactly corresponding to this one and most with the first line reading 'A wealthy young squire of Tamworth we hear'. See Image. Publisher and date not stated. [Circa 1840?] unknown
ref. 7460Date circa 1840 and publisher not stated. On one side of a piece of thin wove paper roughly 260 x 95 mm. Aged and creased with internal 25 mm closed tear affecting four words of text all of which can be completed from the context repaired on blank reverse with archival tape. Otherwise text and illustration clear and entire. Small 30 x 40 mm woodcut at head showing two early nineteenth-century country coves outside a cottage. The poem consists of ten four-line stanzas. The first stanza reads 'When I was young I was much beloved By all young men in the country; When I was blooming in all my blossom A false young lover deceived me.' Last stanza: 'Its time will soon put an end to all things And love will soon put an end to me And sure there is a place of torment To punish my lover for slight'ing me.' A touching poem of betrayed love: 'Its turn you round you wheel of fortune Its turn you round and smile on me For young men's words they're quite uncertain For sad experience teaches me.' Scarce. No copy on COPAC or in the British Library. Image on application. Date [circa 1840?] and publisher not stated. unknown
ref. 7459Date and publisher not stated. London; circa 1840. Printed on one side of a piece of wove paper roughly 230 x 90 mm. On pitted aged paper. Text complete. Approximate 30 x 50 mm piece torn away from top right-hand corner causing loss to small illustration at head which appears to be a crude woodcut of a woman lying in a coffin. The poem consists of thirty-six lines arranged in five stanzas. The first stanza reads 'Dear Peggy read this letter its the last one I'll send Our long correspondence is now at an end. I am wounded through the body no surgeon can cure The pain that I feel is hard to endure.' Last stanza reads 'Farewel my dear Peggy farewel for evermore For I never will see you my own native shore.' The narrator appears to have been shot in battle. He stops the 'flow from my wound . for to gain as much time As to write unto Peggy'. Scarce. No item with this title on COPAC or at the British Library. Image on application. Date and publisher not stated. [London; circa 1840?] unknown
1868ref. 96509Kensington Gardens January 27th 1868. 1868. Very good. - Approximately 32 words penned on his 7 inch high by 4-1/2 inch wide stationery embossed with his monogram and Kensington Gardens address. Replying to a request for his autograph Reeves writes "I have to apologize for the delay in answering your polite note requesting me to send my autograph." Signed "Sims Reeves" with the date penned within his signature's flourish. Once folded the letter is mounted with glue from the verso onto heavier stock clipped from an album. Very good. Considered the foremost English operatic oratorio and ballad tenor vocalist of the mid Victorian era John Sims Reeves 1821-1900 received his early music education from his father who was a bass soloist in the Royal Artillery Band. He was appointed organist and choirmaster of North Gray church at the age of 14. He trained under Thomas Simpson Cooke first as a baritone and then a tenor while also learning to play several instruments. Kensington Gardens, January 27th, 1868. unknown
2006ref. 17002JLos Angeles: Netflix 2006. First Edition. Small format paperbound 5 1/2” x 8 1/2” 112 pages. Specially printed for distribution to members of the Academy of Motion Pictures Arts & Sciences in consideration for nomination of the Best Adapted Screenplay. Shooting script for the film The Ballad of Buster Scruggs written and directed by Joel Coen and Ethan Coen from a story by Jack London starring Tim Blake Nelson Willie Watson Clancy Brown and James Franco. A perfectbound book looking like a trade paperback. The film was nominated for 3 Oscars; Best Adapted Screenplay Best Costume Design and Best Original Song ‘When a Cowboy Trades His Spurs for Wings’ by David Rawlings and Gillian Welch. Paperbound. A little rubbing to covers otherwise a fine copy Netflix paperback
ref. 1210K374191Hardcover. Very Good. Good on the outside Very Good inside "Sixth Thousand" 1865 printing. Stamped gilt titling slight fading to spine though still legible brighter gilt on front cover with balladeer and lyre in gilt circle cameo Edgewear at extrems moder. scuffing 1/4" loss crown of spine. Hardcover. Back hinge starting slightly. Vignette on title page and also in gilt on front cover by PATTON and engraved by JEENS. 393 pps. plus ads for more PALGRAVE books forthcoming. MARTIN's circa 1860s signature on title page at top; no other reader's marks. hardcover
187084 p. Poems in German and English. XLib stamp on title and elsewhere. Blind XLib stamp on title page. Dropsie College Library label on paste down. Mayer Sulzberger' label also on paste down. Inked ownership of Jacob Sulzberger on first fly leaf. Wide margins. Top edge gilt. 4to. Original full orange buckram binding lettered in gold gilt. Extremities rubbed and slightly worn. First Edition. Very good. **PRICE JUST REDUCED! PA SHELF 04A
2011New French Paperback. Roy. 8vo. (24 x 17 cm). In French. 354, [4] p., 8 numerous color plates, 1 CD. "Les Yayla sont les estives où les yörük, nomades et semi-nomades turkmènes, mènent leurs troupeaux au mois de mai, dans de longues transhumances; et c est plus souvent, désormais, le lieu où ces nomades ont fini par se sédentariser. Ainsi, au sud-ouest de la Turquie, non loin de la Méditerranée, dans quelques yayla du Taurus occidental, des musiciens répètent à l'envi de petites musiques formulaires pour inciter des parents ou amis à danser. Ceux-ci enchaînent les figures bras levés, en tournoyant, sur un cycle de quatre pas, dont un suspendu. La musique du lieu révèle son charme discret, mais irrésistible: une métrique boiteuse omniprésente, des mélodies dont l'ambitus ne dépasse guère une sixte, et qu il est difficile au premier abord de distinguer entre elles, tant les lois combinatoires de leur formation sont subtiles. Ainsi ces anciens nomades suspendent-ils le temps, en l'enfermant dans le cercle de la répétition, de la ritournelle. L'ethnomusicologue, venu là d abord pour apprendre les secrets du bag;lama, petit luth emblématique de cette société, y rencontre l amitié indéfectible des maîtres de musique, derniers témoins de la vie pastorale d antan. Ensemble ils interrogent le devenir et les mutations de cette société, depuis le passé préservé dans les mémoires, jusqu au présent ethnograhique; en s immergeant dans le temps vécu, en épousant ses rythmes, l'ethnomusicologue apprend à capter les vibrations et les intensités qui traversent ce territoire, à saisir les enjeux esthétiques et politiques qui's y expérimentent. La monographie qui en résulte part de ce petit pays de danseurs, de ses conceptions musicales, de ses habitus, en explorant les concepts de rythme, de territoire, de minorité. Interrogeant la nature profonde de ce monde rural qui reste fort peu étudié par l anthropologie, l auteur propose une géomusicologie: car la musique est ici non seulement objet d étude, mais aussi trait d union entre un paysage et les hommes qui l'habitent.".
19236 pages. Sheet music for voice and piano. Openings along coverfold. Name on color-illustrated front cover. A worthy vintage copy. Book
19184 pages. Nice cover illustration of mother with child. Above-average wear. Something peeled from back page resulted in minor bits of loss to music on page 3. Name atop front cover. A worthy vintage copy of this WWI-era composition. Sheet music
ref. 14103ballades, légendes et chants populaires de l’Angleterre et de l’Ecosse Par WALTER SCOTT, Thomas MOORE, CAMPBELL et les anciens poètes publiées et précédés d’une introduction par A. LOEVE-VEIMARS. In 8 reliure demi cuir fauve raciné. 210x135mm. Titre roulette, fers, filets dorés. Faux-titre, frontispice gravé par GODEFROY dessin de DEVERIA., titre, 413 pages, tranches mouchetées. A Paris chez Antoine- Augustin RENOUARD 1825. Très bon état
1826ref. 014495T. Davison, Whitefriars 1826. 1.Auflage Dieser Ausgabe Goldgeprägter Ganzlederband Gut, Schön, Solide
ref. 8731In 8 broché, couverture rempliée illustrée en couleurs. faux-titre, frontispice illustré en couleurs, titre avec vignette en couleurs, 160 pages, soixante deux illustrations en couleurs de DUBOUT dans le texte et pleine page. Gibert Jeune librairie d’amateurs 26 novembre 1954 Edition numérotée sur vélin des papeteries de Condat. Très bon état
ref. 0267876025.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 1343415365.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 13976In 4 broché, couverture à rabats, illustrée. Texte et illustrations gravées à l’eau forte par COURBOULEIX, faux-titre, titre illustré 82 pages, . Ce livre contient 66 planches gravées à l’eau forte et imprimées sur la presse à bras de l’artiste. Exemplaire d’artiste nominatif signature au crayon de papier de l’artiste. Etui cartonné. Exemplaire avec des rousseurs.
1930ref. ZNC-146Paris, Editions à L'Enseigne de La Caravelle, 1930, in-4° en feuillets non chiffrés, chemise.
