264 results
FIRST EDITION of these newly-discovered works by Chartier. v, [10] pp. Introduction by Chennevieres. Text beautifully printed in red and black in black letter (Gothic type). Edition limited to 120 copies printed on fine handmade laid paper. Squarish 8vo. Original plain wraps, with "Alain Chartier" written in calligraphy on fron cover. Minimal wear and soiling to wraps. Internally uncut, bright, and fine. VERY RARE.
1860ref. 214168Glasgow: Printed for the Booksellers" 1860. No. 20 printed at foot of title. Title with woodcut vigentt of "Fair Rosanna". 8 pp. 1 vols. 12mo. Single sheet folded twice; unopened and unbound. A little dusty and wrinkled otherise very good. No. 20 printed at foot of title. Title with woodcut vigentt of "Fair Rosanna". 8 pp. 1 vols. 12mo. Printed for the Booksellers" unknown
1997ref. 54539Beaux, 1997. 4444 CD CD
1997ref. 54559Beaux, 1997. 4444 CD CD
1931ref. AUB-6230Ed. Stock , Delamain... 1931. Bel exemplaire broché, in-8, 280 pages + planches.
1995ref. 53581Zyx, 1995. 20343-2 CD CD
1966ref. 2091202133001734Hayakawashobo 1966. Soft Cover. Fine. Number of books: 1 Hayakawashobo paperback
1990Fine English Paperback. Pbo. Cr. 8vo. (19 x 12 cm). In Turkish. 127 p. Sivan'in sevdasi. A study on Kurdish minstrel Siwan Perver.
2017New Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 3 volumes set: (1304 p.), musical scores and ills. Sivas ellerinde sazim çalinir: Sivas türküleri ve oyun havalari (Sözlü kirik havalar - Oyun havalari). 3 volumes set. Vol. 1: A-F. Vol. 2: G-Z. Vol. 3: Oyun havalari. A comprehensive inventory on Turkish ballads from Sivas region.
ref. 27560P. Lemerre, 1876. In-8, XXXII-185 pages. Broché. (un petit point brun sur la couverture, sans gravité).
1973ref. 2090502113717296Not Available 1973. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1976Mm 170x250 Volume nella sua brossura originale, paginazione da 1 a 533. Copertina montata al contrario, ma copia paragonabile al nuovo. Spedizione in 24 ore dalla conferma dell'ordine.
19216 pages. Charming cover illustration. Average wear. Faint music store stamps to front cover otherwise unmarked. A sound copy. Sheet music
2013ref. 55263Island, 2013. Auflage: Standard Version CD CD
1933ref. 002794Paris, Librairie Plon (Imprimerie Lahure), 1933
1945103 pages. Map endpapers. Black and white illustrations. "Along the North Atlantic Seaboard the years immediately proceeding the Union of the British Provinces in North America, in 1867, were bedecked with spacious days. The shipyards of Nova Scotia and New Brunswick were busy turning out the windships for which they were famous, and the Civil War in the United States was having golden repercussions in the Maritime Provinces. The horn of plenty was uplifted in the land. The Ballad Tallahassee attempts to picture in broad outline, this period from the vantage ground of Nova Scotia." - from Foreward. Light wear. Prior owner's name atop half-title page. Book
1999Fine English Paperback. çok remiz durumda, Roy. 8vo. (24 x 17 cm). In Turkish. [vii], 622 p. Tas inanis zemininde Türk kimligi III. Vol. 3 of 4.
1983ref. 100133103University of California Press 1983 622 pages 15 4x4 2x22 2cm. 1983. Broché. 622 pages.
2006ref. 17002JLos Angeles: Netflix 2006. First Edition. Small format paperbound 5 1/2” x 8 1/2” 112 pages. Specially printed for distribution to members of the Academy of Motion Pictures Arts & Sciences in consideration for nomination of the Best Adapted Screenplay. Shooting script for the film The Ballad of Buster Scruggs written and directed by Joel Coen and Ethan Coen from a story by Jack London starring Tim Blake Nelson Willie Watson Clancy Brown and James Franco. A perfectbound book looking like a trade paperback. The film was nominated for 3 Oscars; Best Adapted Screenplay Best Costume Design and Best Original Song ‘When a Cowboy Trades His Spurs for Wings’ by David Rawlings and Gillian Welch. Paperbound. A little rubbing to covers otherwise a fine copy Netflix paperback
1991ref. 3119219Cambridge: Harvard University Press 1991. VIII, 317 Seiten. 8° (17,5-22,5 cm). Orig.-Broschur. [Softcover / Paperback].
First and only edition, 12mo, [2], 45, [1]pp., with half-title, some minor spotting, orig. marbled paper wrappers, cont. manuscript notation of title and author on upper cover "The Battle of Newland 1790, By Benjn. Clarkson, Alverthorpe Hall". ESTC fails to attribute this to an any particular author, however, the contemporary inscription on the upper cover does give strong evidence to Benjamin Clarkson as being the writer of these poems. Benjamin Clarkson (d. 1820), a Wakefield attorney, resided at Alverthorpe Hall. "Several well known circumstances which happened some years ago in the town and neighbourhood of Wakefield, gave rise to the following Ballad". (Advertisement leaf). Rare; ESTC locating 4 copies (all in the UK).
1983Undated. Appears to be circa 1980. Recorded versions with notes and tab. Authentic record transcriptions with guitar solos in tablature. Songs include: Before You Go; Breezin; Feel Like Makin' Love; Give Me the Night; In Your Eyes; Lady; Lady Love Me (One More Time); Love Ballad; On Broadway; So This is Love; This Masquerade; Turn Your Love Around; Welcome Into My World; We've got the Love. Average wear. Unmarked. A sound vintage copy of this wonderful compilation. Book
1894ref. j2359aDurham: Thos Caldcleugh. G : in Good condition without dust jacket. Cover rubbed and soiled. 1894. First Edition. Brown hardback boards with blue cloth spine. 260mm x 200mm 10" x 8". 43pp. Line drawings by Rev. N Temple Hamlyn. A poem to celebrate the battle of Hedgely Moor in Northumberland in 1463. Dedicated to the Right Honourable Earl Percy - illustrations undertaken with his Lordship's permission. Illustrations include Alnwick Castle Chillingham wild cattle Eglingham and the armorial bearings of the Percys Nevilles and other noble families recounted in the ballad. . Thos Caldcleugh hardcover
1828ref. 5421London: T. Birt 1828. First edition. Single sheet measuring 250 x 185mm and printed in two columns to recto. Some edgewear to margins not affecting text; a bit of foxing and toning largely confined to margins. A scarce and delicate survivor OCLC documents only one example at the National Library of Scotland. The present is the only example on the market. The Dandy Wife is narrated by a man who aimed "to choose me out a loving wife" at the age of twenty-one but whose experience becomes a warning to "all young men of high renown": "If you want a tidy wife Beware of a boarding school." What unfolds is a satire of how the marriage economy is affected when women have access to knowledge -- intellectual and physical -- and how by meeting a man's superficial expectations a woman can fulfill her own more pressing needs. Thinking that a boarding school girl will have the innocence submissiveness and domestic skill he desires the narrator selects a wife from among their ranks. Thinking only of what he can obtain from such a bargain he is unprepared for what an educated woman brings into his house. The Dandy Wife he describes understands the commodity value of her own beauty and material adornment and that these are her key means for acquiring wealth of her own. "She takes one-half of what I earn In drinking gin and tea; Besides such frills and furbelows My Dandy Wife does wear.Her sleeves upon her dandy gown Oh! Lack they're such a size You'd think they were two balloons that in the air would rise." Aside from staying on par with fashion trends her clothing assists her in avoiding domestic tasks she abhors. She refuses to do laundry more than monthly and through ridiculous cooking failures she rapidly establishes that the kitchen is not a showcase for her skillset. Accustomed to a life of learning she is not trained to conduct domestic business. By the ballad's end it becomes clear that the Dandy Wife was savvier in managing a marriage than her husband was. For not only does her superior intellect help her carve out a more satisfying role but she also has physical knowledge that predates him: "The day that I was married I thought I'd got a charming maid But I was much deceived.For scarce five months we'd married been When she had a darling son. T. Birt unknown
1828ref. 5421London: T. Birt 1828. First edition. Single sheet measuring 250 x 185mm and printed in two columns to recto. Some edgewear to margins not affecting text; a bit of foxing and toning largely confined to margins. A scarce and delicate survivor OCLC documents only one example at the National Library of Scotland. The present is the only example on the market. The Dandy Wife is narrated by a man who aimed "to choose me out a loving wife" at the age of twenty-one but whose experience becomes a warning to "all young men of high renown": "If you want a tidy wife Beware of a boarding school." What unfolds is a satire of how the marriage economy is affected when women have access to knowledge -- intellectual and physical -- and how by meeting a man's superficial expectations a woman can fulfill her own more pressing needs. Thinking that a boarding school girl will have the innocence submissiveness and domestic skill he desires the narrator selects a wife from among their ranks. Thinking only of what he can obtain from such a bargain he is unprepared for what an educated woman brings into his house. The Dandy Wife he describes understands the commodity value of her own beauty and material adornment and that these are her key means for acquiring wealth of her own. "She takes one-half of what I earn In drinking gin and tea; Besides such frills and furbelows My Dandy Wife does wear.Her sleeves upon her dandy gown Oh! Lack they're such a size You'd think they were two balloons that in the air would rise." Aside from staying on par with fashion trends her clothing assists her in avoiding domestic tasks she abhors. She refuses to do laundry more than monthly and through ridiculous cooking failures she rapidly establishes that the kitchen is not a showcase for her skillset. Accustomed to a life of learning she is not trained to conduct domestic business. By the ballad's end it becomes clear that the Dandy Wife was savvier in managing a marriage than her husband was. For not only does her superior intellect help her carve out a more satisfying role but she also has physical knowledge that predates him: "The day that I was married I thought I'd got a charming maid But I was much deceived.For scarce five months we'd married been When she had a darling son. T. Birt unknown books