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rif. PrakashN-9780785294634Harper Muse. Hard Cover. New. ENGLISH Harper Muse hardcover
rif. PrakashN-9780785294634Harper Muse. Hard Cover. New. ENGLISH Harper Muse hardcover
1997rif. 07029UK: The Folio Society 1997. Book. Near Fine. Hardcover. Folio Society Reprint. 8vo - over 7¾ - 9¾" tall. This Folio Society edition contains three volumes of Jane Austen ' Pride and Prejudice ' ' Sense and Sensibility ' and Emma. all are square tight and clean. The cardboard slipcase has light rubbing to the panels but is also very good. Book price includes 2nd class post in UK. The Folio Society hardcover
1986rif. 45792Guild Publishing 1986. 6 vols. 8vo. blue cloth gilt backs a near fine set in illustrated dustwrapper. Each novel is complete and unabridged. Guild Publishing, hardcover
rif. 42255LONDON FOLIO SOCIETY1989. SEVENTH IMPRESSION. 7 VOLUMES IN RED CLOTH IN FINE CONDITION IN A NEAR FINE SLIPCASE. INTRODUCTION BY RICHARD CHURCH. WOOD-ENGRAVINGS BY JOAN HASSALL: NORTHANGER ABBEY PERSUASION SENSE AND SENSIBILITY PRIDE AND PREJUDICE SHORTER WORKS MANSFIELD PARK EMMA. LONDON, FOLIO SOCIETY,1989 hardcover
1979rif. 51471Guild Publishing with Chatto & Windus 1979-1982. 6 vols. 8vo. blue cloth gilt backs a fine set in illustrated dustwrapper. Each novel is complete and unabridged. Please note that additional postage will be required for shipping outside the UK. Guild Publishing [with] Chatto & Windus, hardcover
1934rif. 23767J. M. Dent & Sons / E. P. Dutton 1934. Hardcover. Near Fine in Very Good DJ. Vox Illustrated edition near fine gray cloth hardcover 5 by 71/2 inches with letter and design in dark blue shows just a touch of shelf wear and just a hint of fade to blue top edge of pages in very good dust jacket illustrated with one of the color plates within that is clipped at both corners of front flap and shows exposure darkening and faint staining along spine creasing along middle of spine finishing with closed tears at spine head touch of soil and some other edge wear that includes tiny closed tears and tiny open chips. 211 pages with 8 full page color plates and some small in text black & white illustrations. This remains an attractive copy of this edition of Austen's beloved and arguably funniest novel that features the illustrations by the noted French writer and illustrator. J. M. Dent & Sons / E. P. Dutton hardcover
1975rif. 06510UK: The Folio Society 1975. Book. Very Good. Hardcover. Folio Edition. 8vo - over 7¾ - 9¾" tall. These seven volumes of Jane Austen books are all have grey cloth spines with different decorated boards all are in an unread condition. The slipcase is also covered in a grey cloth there a a few very light marks caused by rubbing. Book price includes postage. UK only. The Folio Society Hardcover
1952rif. 51373Oxford University Press Oxford 1952. 8vo. Best Edition with frontispiece plates and illustrations maps and plans in the text; original brown buckram gilt back a near fine copy in unclipped dustwrapper the latter faintly browned on rear panel. With personal bookplate on front free endpaper. Collected by her finest biographer and editor this outstanding collection of Austen's letters to her beloved sister was first published in two volumes in 1932. In this edition 'a few necessary corrections have been made in the text a lately-discovered letter has been added and a more interesting illustration of Steventon Rectory subsitiuted for one less interesting'. VERY SCARCE IN THIS CONDITION. Gilson G6. Oxford University Press, Oxford, hardcover
rif. 34895Hardback. Very Good. Gerald Howe London. 1928. First edition thus. Colour frontispiece and illustrations throughout by Pearl Binder. Very Good without dust jacket. hardcover
1880rif. RO80122925BENTLEY Richard & SON. 1880. In-12. Cartonnage d'éditeurs. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Quelques rousseurs. 429 pages. Frontispice en noir et blanc. Ouvrage en anglais. Coiffes usées.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
rif. 9991Macmillan and co. Ltd. London. 1904. EARLY THOMSON EDITION. 8vo. 7.8 x 5.4 inches. Illustrated with 40 full page line drawings. Publishers original burgundy cloth with decorative blind stamped floral design to both boards the front board lettered and ruled in gilt. Spine ruled and lettered in gilt. Page edges untrimmed. Internally a fine bright and clean copy throughout. A little rubbing to the binding extremities and just a hint of fading to the spine but overall a very good bright copy. Becoming increasingly difficult to find in collectable condition in the publishers cloth. Macmillan and co. Ltd. London. 1904 hardcover
rif. 9990Macmillan and Co. London. 1903. EARLY THOMSON EDITION. 8vo. 7.8 x 5.4 inches. Illustrated with 40 full page line drawings. Publishers original burgundy cloth with decorative blind stamped floral design to both boards the front board lettered and ruled in gilt. Spine ruled and lettered in gilt. Page edges untrimmed. Internally a fine bright and clean copy throughout. A little rubbing to the binding extremities and just a hint of fading to the spine but overall a very good bright copy. Becoming increasingly difficult to find in collectable condition in the publishers cloth. Macmillan and Co. London. 1903 hardcover
1998rif. 37391Helm Information Robertsbridge 1998. 4 vols. 8vo. First Edition with frontispieces; blue cloth upper boards and backstrips lettered in gilt blue edges blue endpapers a fine set. The set comprises: Vol. I: Biographical Background; Publishing History; Critical History; Nineteenth-Century Response; Writers on Jane Austen; Vol. II: Social Background; Intellectual Background; Twentieth-Century Response; Vol. III: Juvenilia; Lady Susan The Watsons; Letters; Northanger Abbey Sense and Sensibility; Pride and Prejudice; Vol. IV: Mansfield Park; Emma; Persuasion; Sanditon. The publisher's slip-case is not present with this set. Helm Information, [Robertsbridge], hardcover
rif. 6634Macmillan and Co. London. 1908. Reprint. 8vo.7.7 x 5.3 inches. 40 full page line illustrations. A very good copy bound in fine quality early twentieth century leather binding. Half red calf. Spine with raised bands twin brown labels and compartments fully gilt. Red cloth on boards. Red marbled endpapers. Top edge gilt. Binding by Young and Sons of Liverpool. Aside from some minor rubbing to the edges this is a very good clean copy of this classic beautifully illustrated edition in an attractive fine early binding.: Macmillan and Co. London. 1908 hardcover
1938rif. 11680Penguin Books Limited. London. No date. Circa 1938. EARLY ONE VOLUME EDITION. viii 1364pp. Large 8vo. 8.2 x 5.6 inches. Neat school prize presentation dated 1938 on the blank front free endpaper and a couple of pages with spots otherwise a very good copy in early half red sheep binding by Foyles of London. Spine with five raised bands. Black morocco label lettered and ruled in gilt. Compartments decorated with floral gilt centre pieces. Red cloth on boards. Circular gilt stamp of King Henry VIII's School Abergavenny on the front board. Marbled endpapers. Top edge gilt. A few small scratches to the leather but overall this is still a very attractive early leather binding. --- Issued by Penguin in London using the American printed sheets. Although the text pages conform to item E180 published in New York in 1933 in David Gilson's Bibliography of Jane Austen he doesn't list this British Penguin Books variant. Penguin Books Limited. London. No date. Circa 1938 hardcover
1897rif. 11057Macmillan and Co. London. 1897. FIRST HUGH THOMSON EDITION. 8vo. 7.8 x 5.4 inches. Illustrated with 40 full page line drawings. Publishers original burgundy cloth with decorative blind stamped floral design to both boards the front board lettered and ruled in gilt. Spine ruled and lettered in gilt. Fore and lower page edges untrimmed. Aside from some browning to the tissue guard opposite the frontis that has affected the frontis and title page very mildly and also on the blank endpapers this is a very good bright copy internally. The cloth spine is a little faded but overall this is a very good clean and fresh copy of this attractive volume. Macmillan and Co. London. 1897 hardcover
1898rif. 11670Macmillan and Co. London. 1898. EARLY THOMSON EDITION. 8vo. 7.8 x 5.6 inches. Illustrated with 40 full page line drawings. Original tissue guard on frontis illustrations. Finely bound in recent full tan morocco single gilt wavy line border on boards. Spine with five raised bands the compartments ruled and decorated in gilt. Two red labels gilt. Top edge gilt others untrimmed. Publishers adverts at end. Original publishers burgundy cloth front board with blind stamped floral decoration and gilt ruling and lettering bound in at the rear. A lovely copy of this classic illustrated by one of the greatest book artists of the day. This edition with Hugh Thomson illustrations was originally published in 1896. Macmillan and Co. London. 1898 hardcover
1890rif. 32785New York: Frederick A Stokes Company 1890. A very scarce nineteenth century printing. Small 8vo publisher’s original maroon cloth over floral paper covered boards attractively decorated and lettered in gilt on the covers spine lettered and tooled in gilt t.e.g. 446 pp. A handsome copy well preserved. A VERY SCARCE NINETEENTH CENTURY IMPRINT. FROM THE WORKS OF JANE AUSTEN. NORTHANGER ABBEY was written in 1798 but Austen was unable to find a publisher for it. Finally in 1803 she sold it to a bookseller in Bath for Å10. who tucked it away. Eventually it was sold back to the author for the original price and was not actually published until after her death. NORTHANGER ABBEY was one of Sir Watler Scott’s all time favorite novels and he is said to have read chapters of it at his evening gatherings. Both NORTHANGER ABBEY AND PERSUASION were finally issued in 1818. “PERSUASION was not begun until EMMA was finished and it was completed in August 1816 not many months before Miss Austen died. During its progress indeed her health had been slowly failing. Nevertheless she worked at PERSUASION with little abatement of her creative power.” “Recognition came to Miss Austen slowly. But she is now firmly established as an English classic.Miss Austen had always her panegyrists among the best intellects-such as Coleridge TennysonMacaulay Scott Sydney Smith Disraeli and Archbishop Whitely the last of whom may be said to have been her discoverer. Scott’s testimony is often quoted: ‘That young lady had a talent for describing the involvements feelings and characters of ordinary life which is to me the most wonderful I have ever met with. The big bow-wow I can do myself like any one going; but the exquisite touch which renders commonplace things and characters interesting from the truth of the description and the sentiment is denied to me.’” - EB Austen’s popularity seems to never weaken and she is as widely loved today as ever. Nineteenth century editions of her works have become quite elusive and are always in demand. Frederick A Stokes Company hardcover
1620rif. 51344Folio Society 2016-2021. 6 vols. 8vo. with coloured frontispieces and plates; uniformly bound in gold cloth upper boards and backstrips elaborately blocked in white and black backstrips lettered in black stone endpapers a fine set in publisher's board slip-cases each case illustrated with a quotation blocked in gilt. The set comprises: Sense and Sensibility. Introduced by Elena Ferrante. Illustrated by Philip Bannister third impression thus 2021; Pride and Prejudice. Introduced by Sebastian Faulks. Illustrated by Anna and Elena Balbusso fifth impression thus 2021; Mansfield Park. Introduced by Lucy Worsley. Illustrated by Darya Shnykina first edition thus 2017; Emma. Introduced by Fay Weldon. Illustrated by Sam Wolfe Connelly third impression thus 2021; Northanger Abbey. Introduced by Val McDermid. Illustrated by Jonathan Burton third impression thus 2021; Persuasion. Introduced by Siri Hustvedt. Illustrated by Deanna Staffo first edition thus 2016. A FINE SET. COMPLETE SETS OF THIS SPLENDID EDITION ARE SCARCE. Please note that additional postage will be required for shipping outside the UK. Folio Society, hardcover
1896rif. 11595Macmillan and Co. London. 1896. FIRST THOMSON EDITION. 8vo. 7.9 x 5.4 inches. 40 full page line illustrations by Thomson. Finely bound in recent full red morocco leather. Spine with five raised bands the compartments ruled lettered and decorated in gilt. A single gilt wavy line border on both boards. Top edge gilt the others untrimmed. Publishers adverts at end. A lovely copy of this classic illustrated by one of the greatest book artists of the day. Macmillan and Co. London. 1896 hardcover
1897rif. 11671Macmillan and Co. London. 1897. FIRST THOMSON EDITION. 8vo. 7.8 x 5.6 inches. Illustrated with 40 full page line drawings. Original tissue guard on frontis illustrations. Finely bound in recent full tan morocco single gilt wavy line border on boards. Spine with five raised bands the compartments ruled and decorated in gilt. Two red labels gilt. Top edge gilt others untrimmed. Publishers adverts at end. Original publishers burgundy cloth front board with blind stamped floral decoration and gilt ruling and lettering bound in at the rear. A lovely copy of this classic illustrated by one of the greatest book artists of the day. Macmillan and Co. London. 1897 hardcover
1896rif. 11673Macmillan and Co. London. 1896. FIRST HUGH THOMSON EDITION. 8vo. 7.8 x 5.6 inches. Illustrated with 40 full page line drawings. Original tissue guard on frontis illustrations. Finely bound in recent full tan morocco single gilt wavy line border on boards. Spine with five raised bands the compartments ruled and decorated in gilt. Two red labels gilt. Top edge gilt others untrimmed. Publishers adverts at end. Original publishers burgundy cloth front board with blind stamped floral decoration and gilt ruling and lettering bound in at the rear. A neat previous owner inscription dated October 1896 on the half title page. Overall a lovely copy of this classic illustrated by one of the greatest book artists of the day. Macmillan and Co. London. 1896 hardcover
1890rif. 32784New York: Frederick A Stokes Company 1890. A very scarce nineteenth century printing. 8vo publisher’s original maroon cloth over floral paper covered boards attractively decorated and lettered in gilt on the covers spine lettered and tooled in gilt t.e.g. 456 pp. A handsome copy well preserved. VERY SCARCE NINETEENTH CENTURY PRINTING. FROM THE WORKS OF JANE AUSTEN. One of the great novels of the 19th century and all time--a cornerstone of any collection of literature. The second edition appeared the same year as the first. This along with Austen’s first novel Sense and Sensibility mark the beginnings of an entirely new genre of writing and writers. EMMA is considered by many to be Jane Austen’s most accomplished work and it is one which has unquestionably proven itself to be a lasting favorite over time. With the passing of nearly two full centuries the novel is as popular today as ever perhaps even more so. Modern readers seem to have no difficulty relating to Ms. Austen’s characters and situations most probably because Austen’s literary inventions are classic even while being current. Austen rejected the romantic and heroic tradition of such writers as Ann Radcliffe and concentrated on everyday people and typical English home life. In doing so she produced surprisingly modern novels that came impressively close to artistic perfection. In EMMA the last-written of her published works Austen created the most admirable and lovable of her heroines. “Recognition came to Miss Austen slowly. But she is now firmly established as an English classic.Miss Austen had always her panegyrists among the best intellects-such as Coleridge TennysonMacaulay Scott Sydney Smith Disraeli and Archbishop Whitely the last of whom may be said to have been her discoverer. Scott’s testimony is often quoted: ‘That young lady had a talent for describing the involvements feelings and characters of ordinary life which is to me the most wonderful I have ever met with. The big bow-wow I can do myself like any one going; but the exquisite touch which renders commonplace things and characters interesting from the truth of the description and the sentiment is denied to me.’” - EB Austen’s popularity seems to never weaken and she is as widely loved today as ever. Nineteenth century editions of her works have become quite elusive and are always in demand. Frederick A Stokes Company hardcover
1928rif. 11556Heinemann. Ltd. London. 1928. FIRST ONE VOLUME EDITION. Octavo. xviii1421pp. 8.7 x 5.9 inches. A lovely clean copy which has been finely bound in recent full tan Morocco. Spine with five raised bands compartments decorated in gilt. Burgundy title label gilt. Single gilt ruled border on boards. Top edge gilt. Heinemann. Ltd. London. 1928 hardcover
