Woolf, VirginiaBiblio.com
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1921rif. 150917002New York: Harcourt Brace and Company 1921. First Edition. Hardcover. Very Good. First American edition first printing. About Fine in a price-clipped dust jacket. Bound in variant dark green cloth with paper label on spine Kirkpatrick A5b. Small patches of light wear to cloth at upper board. Book plate from previous owner on front paste down. Dust jacket shows light edge wear and toning to the spine panel. One of 1500 copies. Harcourt, Brace and Company hardcover
1921rif. 150917002New York: Harcourt Brace and Company 1921. First Edition. Hardcover. Very Good. First American edition first printing. About Fine in a price-clipped dust jacket. Bound in variant dark green cloth with paper label on spine Kirkpatrick A5b. Small patches of light wear to cloth at upper board. Book plate from previous owner on front paste down. Dust jacket shows light edge wear and toning to the spine panel. One of 1500 copies. Harcourt, Brace and Company hardcover books
1933rif. 140949378London: The Hogarth Press 1933. First Edition. Near Fine/Near Fine. First edition first printing. v 1 7 - 163 pp. printed on laid paper. Bound in publisher's buff cloth lettered in gilt on spine. Near Fine with light toning and soiling to covers. Binding starting at p. 97. In a Near Fine unclipped dust jacket "Large Paper Edition 7/6 net" on front panel with light toning and soiling adhesive residue and small abrasion to spine panel verso. Kirkpatrick & Clarke A19.a. A superlative copy of Virginia Woolf's creative biography of Elizabeth Barrett Browning's pet dog Flush a cosseted little Cocker Spaniel through whose eyes Woolf examines the contradictions of the 19th century. The Hogarth Press unknown books
1927rif. 1785Great condition. No writing inside tight binding small stains on boards some foxing on outside of pages. Has very small previous bookseller's ticket on front pastedown. Tight binding good blue colors. Definitely great condition. Hogarth Press hardcover
rif. 10833Collection complète, du n° 1 (été 1924) au n° 29 (printemps 1932). Nous joignons l'Index des années 1924-1928, paru sous forme de tiré-à-part joint au n° 22 (Hiver 1929). TOUS LES NUMEROS FONT PARTIE DU TIRAGE SUR VELIN PUR FIL LAFUMA (2e papier dont le nombre d'exemplaires est compris entre 150 et 300) et sont tous en bon ou très bon état. // Le n° 1 porte la mention manuscrite " Exemplaire sur Lafuma ", apposée par Auguste Morel qui a également signé cet exemplaire de ses initiales ; ce détail fait de cet exemplaire une belle pièce joycienne puisque dans ce premier numéro de " Commerce " paraît la première traduction en français d'un extrait d'ULYSSE de Joyce - traduction justement due au même Auguste Morel et à Valery Larbaud. // Rare et belle collection sur grand papier.
1929rif. 79287Sous coffret toilé. Reliure bradel plein papier d'aluminiun froisé, teinté et verné. Dos lisse muet. Décor mosaiqué sur les plats. Doublures et gardes en agneau velour. Couverture et dos conservés. Reliure signée Sophie QUENTIN 2020.
2000rif. 9177Northampton MA: Oxingale Press 2000. Limited Edition. Hardcover. Fine in Near Fine Archival Box. Limited Edition. Hardcover. The innaugural publication of the Oxingale Press. A musical collaboration with cellist Matt Haimovitz and composer Luna Woolf performed by soprano Eileen Clark and Haimovitz. The music of the album inspired the book of poems featuring original color etchings by Kuch whose interpretations create a visual counterpoint to the compositions. Very minor shelf/edge wear and a hit of sun else tight bright and unmarred. Quarterbound gold cloth spine blue paste paper boards red and black ink label copperplate etching onlay; drop spine clamshell box audio cd fits into space in box. 4to. Illus color and b/w plates. Numbered limited edition this being 53 of 70. Signed by the artists. Publisher's prospectus laid in. Oxingale Press hardcover
2000rif. 9177Northampton MA: Oxingale Press 2000. Limited Edition. Hardcover. Fine in Near Fine Archival Box. Limited Edition. Hardcover. The innaugural publication of the Oxingale Press. A musical collaboration with cellist Matt Haimovitz and composer Luna Woolf performed by soprano Eileen Clark and Haimovitz. The music of the album inspired the book of poems featuring original color etchings by Kuch whose interpretations create a visual counterpoint to the compositions. Very minor shelf/edge wear and a hit of sun else tight bright and unmarred. Quarterbound gold cloth spine blue paste paper boards red and black ink label copperplate etching onlay; drop spine clamshell box audio cd fits into space in box. 4to. Illus color and b/w plates. Numbered limited edition this being 53 of 70. Signed by the artists. Publisher's prospectus laid in. Oxingale Press hardcover books
1927rif. 018496Leonard & Virginia Woolf at the Hogarth Press 1927. 1st Edition 1st Printing. Hardcover. Very Good. 1st Edition Blue Hardcover. Book Condition: Spine ends rubbed and slightly darkened. Corners bumped missing light foxing throughout Missing Half Title page. To the Lighthouse is at once a vivid impressionistic depiction of a family holiday and a meditation on marriage on parenthood and childhood on grief tyranny and bitterness. For years now the Ramsays have spent every summer in their holiday home in Scotland and they expect these summers will go on forever; but as the First World War looms the integrity of family and society will be fatally challenged. The novel's use of stream of consciousness reminiscence and shifting perspectives gives it an intimate poetic essence and at the time of publication in 1927 it represented an utter rejection of Victorian and Edwardian literary values. Leonard & Virginia Woolf at the Hogarth Press hardcover
1931rif. 141454London: The Hogarth Press 1931-39. The psychology of man as a social animal First edition first impression of Woolf's psychological study of the growth of democracy in the 18th and 19th centuries seldom seen with the dust jackets. "Woolf's main theme is the contrast between the structure of society and the 'communal psychology' of Europe before and after the Revolution of 1789. His argument was that before this crucial date political power was a form of personal property. Woolf's conclusion was that by 1832 the idea of political equality had been temporarily and de facto rejected" Wilson p. 218-9. 2 vols octavo. Original orange cloth spines lettered in gilt. With dust jackets. Extremities rubbed and gently bumped marks to edges foxing to vol. II; jackets unclipped chips and short closed tears to extremities panels toned vol. II foxed: a very good set in like jackets. Luedeking A27 & A31; Woolmer 278. hardcover
1931rif. 193649London: The Hogarth Press 1931. A Bloomsbury association copy First edition second impression from the library of Roger Senhouse a Bloomsbury Group member who was the last lover of Lytton Strachey. Senhouse's thoughtful pencilled inscription on the front free endpaper is dated October 1931 the same month as the first and second impressions. Senhouse's inscription reads: "I prefer this 2nd Imp as proof that V.W. is at last recognised by the buying of now culture-snob & not culture conscious merely crowd. Is it 2 yrs or more since she began it and with what physical pains & ectasies." In a letter to Vita Sackville-West of 8 March 1927 Woolf wrote that there had been "no parties except one which Lytton gave to seduce me into liking a pink boy of his - a new pink boy - called Roger Senhouse. I got slightly tipsy and chattered at the Ivy: came home and chattered. The pink boy said he must apologise for being so dull" Letters III p. 343. Educated at Eton and Oxford Senhouse 1899-1970 was the co-owner of Secker & Warburg during the period it published George Orwell's Nineteen Eighty-Four and Animal Farm. Senhouse also translated French works by writers such as Colette and Simone de Beauvoir. Octavo. Original purple cloth spine lettered in gilt. With dust jacket by Vanessa Bell. Spine ends faded foxing to edges; jacket unclipped spine and edges toned light foxing a few small chips long closed tear and associated crease to foot: a very good copy in like jacket. The Letters of Virginia Woolf Volume III 1923-1928 1975. hardcover
1931rif. 1334The jacket is the same as for 1st print. The condition is superb. It has some foxing and some small close teard aswell as some very small loss in places on spine. What appears to be a faint blue stain under Woolf on front of cover which is hard to see well. The jacket is completely unrestored but has some foxing on inner-side of it. The book has a small stain or moisturedamage on lower part of spine which is now dry. The book also has a small inscription on inner-side of front-board and some foxing inside and on the outside of pages. The book is in great condition though and the colors are very vibrant which is really rare on this book. It is very hard to find the jacket in this good condition. Hogarth Press hardcover
rif. 72063London: Duckworth and Co. 1915. Modern Literature FIRST EDITION first impression. Octavo 19 x 13cm pp.538 2. Publisher's dark grey lettered in pale blue to spine and front cover. Contents clean some minor toning/soiling to fore-edge. No inscriptions inside paper joints discreetly tightened cloth shows light handling only. A near fine copy. Author's second novel. 2000 copies published. Set in Edwardian London 'Night and Day' contrasts the daily lives of two friends Katharine Hilbery and Mary Datchet examining the relationships between love marriage happiness and success. Kirkpatrick A2a. London: Duckworth and Co., 1915 unknown
rif. NE5Hogarth Book. Good. Hardcover. First Edition. Decorations by Vanessa Bell. 4to pictorial boards; spine-ends and joints repaired generally clean and sound internally. ONE OF 500 NUMBERED COPIES First Edition Thus. First fully illustrated edition third overall copy 436 of a limited 500 hand-numbered by Virginia Woolf in her distinctive purple ink. Hogarth Hardcover
1921rif. 77554Richmond:: Published by Leonard & Virginia Woolf at The Hogarth Press 1921. First edition; one of 1000 copies printed. publisher's cloth-backed boards designed by Vanessa Bell. A very good copy with a little of the usual use to the edges of the boards and some slight soiling to the rear panel. 12mo. With woodcuts by Vanessa Bell. Woolmer 17. Kirkpatrick A5 Published by Leonard & Virginia Woolf at The Hogarth Press, hardcover
1921rif. 71916New York:: Harcourt Brace and Company 1921. First American edition. publisher's cloth-backed decorated paper-covered with printed paper label on spine in dust jacket. A very near fine copy in a near fine jacket with the slightest of use to the top of the backstrip. . 12mo. Kirkpatrick A5b. Harcourt, Brace and Company, hardcover
1927rif. 34222London: Duckworth 1927. Early Edition. Hardcover. Very Good Plus/Very Good Plus. Early Edition. Hardcover. Woolf Virginia. THE VOYAGE OUT. In Dustwrapper. London: Duckworth 1927. 8vo. 375pp. Early Edition 2nd impression of Woolf's first novel in dustwrapper. Original navy blue cloth with gilt titles to spine and debossed logo on the back. From the Doran sheets printed in the United States. In a very good example of the rarely seen dustwrapper showing minor loss. Binding near fine text block tight & clean signature of "Lloyd L Rollins London 1929". An excellent copy. Kirkpatrick & Clarke A1c - The sheets were supplied by Doran 10 March 1927 Harcourt supplied another 1000 & issued June 1927 at 5s. 500 copies were taken over by the Hogarth Press from Duckworth - February 1929 who issued American sheets with a cancel-title as the Third Impression. Duckworth hardcover
1931rif. 140946249London: The Hogarth Press 1931. First Edition. Near Fine/Near Fine. First edition first printing. Bound in publisher's purple cloth with spine lettered in gilt. Near Fine with darkening to spine light bowing to front board. Light wear at extremities with moderate foxing to all edges. In a Near Fine unclipped dust jacket designed by Vanessa Bell with toning light foxing and moderate edge wear and slight chipping. Offsetting and foxing to verso with small patches of bleed from purple dye. Woolf's surreal and most experimental novel tracing six friends lives' spanning from youth to old age told through soliloquies interwoven with the arching rise and fall of the sun over the endless waves. The Hogarth Press unknown
1927rif. 140949894London: The Hogarth Press 1927. First Edition. Very Good. First edition first printing. Bound in publisher's blue cloth with spine lettered in gilt; lacking the dust jacket. Very Good with wear and light soiling to cloth spine lightly sunned and with a short crease and droplet stain. Stain to top corner of text block heavy foxing to text block edges often intruding into margins and occasionally affecting text. Offsetting to endsheets ink notation to first page of text. One of Woolf's best-known works a modernist masterpiece that beautifully weaves plot with philosophical introspection. Kirkpatrick A10a. Woolmer 154. The Hogarth Press unknown
1930rif. 565424New York: Rimingtom & Hooper 1930. Hardcover. Fine. First edition. Folio. Quarter linen gilt and paper covered boards with paper label on front board. Spine slightly sunned else about fine in fine publisher's batik paper over card slip case with printed applied illustration. Copy number 354 of 550 copies designed by W.A. Dwiggins and Signed by Virginia Woolf. A nicer than usual copy of a fragile volume. Rimingtom & Hooper hardcover books
19318vo., First Edition, on laid paper; original purple cloth, gilt back, a very good, bright, clean copy in unclipped, lightly browned dustwrapper, the latter with long tear at lower joint and chipped with minor loss (not affecting lettering) at head and tail. Woolf's seventh novel, with dustwrapper designed by Vanessa Bell. SCARCE IN ANYTHING LIKE THIS CONDITION. Connolly 100; Kirkpatrick A16a; Woolmer 279.
1919rif. 140948913London: Duckworth and Company 1919. First Edition. Near Fine. First edition first printing. iv 538 2 ads pp. Bound in publisher's dark gray cloth stamped in light blue; lacking the dust jacket. Near Fine with light bumping to extremities and moderate rubbing and light mottling to cloth. Light foxing to textblock edges endpapers and first and last few pages. Rear hinge exposed several hinges slightly overopened throughout. The author's scarce second novel which contrasts the lives of two Edwardian women a litterateur and a suffragist. Kirkpatrick & Clarke A4. Duckworth and Company unknown
1933rif. 140938227London: The Hogarth Press 1933. New Edition. Very Good. Second printing of the new edition. Signed by Virginia Woolf on the front free endpaper. Bound in publisher's green cloth with spine titled lettered in gilt; lacking the dust jacket. Very Good with light wear at extremities light soiling to cloth and endsheets foxed. While limited editions signed by Virginia Woolf are somewhat common signed trade editions have become quite scarce. The Hogarth Press unknown
1919rif. 140948913London: Duckworth and Company 1919. First Edition. Near Fine. First edition first printing. iv 538 2 ads pp. Bound in publisher's dark gray cloth stamped in light blue; lacking the dust jacket. Near Fine with light bumping to extremities and moderate rubbing and light mottling to cloth. Light foxing to textblock edges endpapers and first and last few pages. Rear hinge exposed several hinges slightly overopened throughout. The author's scarce second novel which contrasts the lives of two Edwardian women a litterateur and a suffragist. Kirkpatrick & Clarke A4. Duckworth and Company unknown books
1933rif. 140938227London: The Hogarth Press 1933. New Edition. Very Good. Second printing of the new edition. Signed by Virginia Woolf on the front free endpaper. Bound in publisher's green cloth with spine titled lettered in gilt; lacking the dust jacket. Very Good with light wear at extremities light soiling to cloth and endsheets foxed. While limited editions signed by Virginia Woolf are somewhat common signed trade editions have become quite scarce. The Hogarth Press unknown books
