Virginia WoolfBiblio.com
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1931rif. 196891London: Hogarth Press 1931. First Edition; First Printing. Hardcover. Very Good in a Good dust jacket. 1 inch open tear at bottom of rear flap fold. Thin closed tear nearly the length of spine running down rear spine edge. Chip on front flap fold. Hogarth Press hardcover
1931rif. 1510581931. Rare autograph letter signed by Virginia Woolf. Written in black ink on a single folding sheet with the original envelope. London: 52 Tavistock Square December 1931. "Dear Mr. Leake I am delighted that you are enjoying After the Deluge and entirely agree with you in your admiration of it. I have conveyed your thanks to the author who sends you his kind wishes. We both greatly envy you for spending Christmas at Zennon. Yours Sincerely Virginia Woolf." In very good condition. Matted and framed with the original transmittal envelope and a photograph of Woolf. The entire piece measures inches by inches. One of the most important modernist 20th century authors British novelist Virginia Woolf became a pioneer in the use of stream of consciousness as a narrative device. Woolf became one of the central subjects of the 1970s movement of feminist criticism and her works have since garnered much attention and widespread commentary for "inspiring feminism" an aspect of her writing that was unheralded earlier. Woolf's best known works include Mrs. Dalloway 1925 To the Lighthouse 1927 The Waves 1931. unknown
1922rif. 140943803Richmond: Printed and Published by Leonard & Virginia Woolf at The Hogarth Press 1922. First Edition. Near Fine. First edition first printing and one of only 1200 copies originally published by Virginia and her husband Leonard on their Hogarth Press. An unusually nice copy bound in publisher's goldenrod cloth with title label to spine lacking the scarce dust jacket. Near Fine with light stain to spine and a few small spots to the front cover two roughly opened leaves with loss only to blank margins very skillfully mended with archival tissue else virtually pristine. A difficult book to find in such nice condition. Printed and Published by Leonard & Virginia Woolf at The Hogarth Press unknown
1921rif. 77445Richmond:: Published by Leonard & Virginia Woolf at The Hogarth Press 1921. First edition; one of 1000 copies printed. publisher's cloth-backed boards designed by Vanessa Bell with printed paper label on spine. Tiny 1946 ink ownership signature on the front free endpaper which is slightly tanned; boards a bit rubbed and rear board lightly soiled. The very rare spine label is lightly tanned with a tiny diagonal chip at one end not affecting printing. 12mo. With woodcuts by Vanessa Bell. Woolmer 17. Kirkpatrick A5 Neither Woolmer nor Kirkpatrick mention the printed paper label on the spine. We have never seen it on another copy. Published by Leonard & Virginia Woolf at The Hogarth Press, hardcover
1925rif. 140946015London: The Hogarth Press 1925. First Edition. Very Good. First edition first printing. Bound in publisher's brick red cloth lettered in gilt; lacking the dust jacket. Very Good with fading to spine with chipping ends; uneven sunning to boards. Offsetting to endsheets and contents lightly tanned. Virginia Woolf's best-known works published by Virginia and her husband Leonard at their Hogarth Press. The Hogarth Press unknown
1927rif. 33190New York: Harcourt Brace and Company 1927. First Edition. Vanessa Bell. Vanessa Bell. First Edition. Woolf Virginia. TO THE LIGHTHOUSE. New York: Harcourt Brace and Company's sixth impression of the First Edition of Virginia Woolf's fifth novel. "In writing To The Lighthouse Woolf consciously used her own childhood memories of summer vacations in St. Ives Cornwall at Talland House from where she could see the Godrevy Lighthouse and drew portraits of her parents Leslie Stephen and Julia Prinsep Stephen in the figures of Mr. and Mrs. Ramsay. Woolf noted in her Diary "to have father's character done complete in it; & mother's; & St. Ives; & childhood; & all the usual things I try to put in - life death & c". Hussey Mark. It was named by Modern Library as one of the 100 best English-language novels of the 20th century. This classic was later adapted to film. 8vo. 312 pp.Green green cloth boards gilt titles to the spine in a lovely example of the Vanessa Bell designed dustwrapper showing modest use and slight archival restoration to the crown and slight crease on front panel. The dustjacket is printed in brown and green ink. There were 1500 copies issued on August 24 1948 at $3.00. Overall a wonderful copy of this elusive Woolf Highlight. Kirkpatrick and Clarke A10b. Harcourt, Brace and Company unknown
1922rif. 140943803Richmond: Printed and Published by Leonard & Virginia Woolf at The Hogarth Press 1922. First Edition. Near Fine. First edition first printing and one of only 1200 copies originally published by Virginia and her husband Leonard on their Hogarth Press. An unusually nice copy bound in publisher's goldenrod cloth with title label to spine lacking the scarce dust jacket. Near Fine with light stain to spine and a few small spots to the front cover two roughly opened leaves with loss only to blank margins very skillfully mended with archival tissue else virtually pristine. A difficult book to find in such nice condition. Printed and Published by Leonard & Virginia Woolf at The Hogarth Press unknown books
1925rif. 140946015London: The Hogarth Press 1925. First Edition. Very Good. First edition first printing. Bound in publisher's brick red cloth lettered in gilt; lacking the dust jacket. Very Good with fading to spine with chipping ends; uneven sunning to boards. Offsetting to endsheets and contents lightly tanned. Virginia Woolf's best-known works published by Virginia and her husband Leonard at their Hogarth Press. The Hogarth Press unknown books
1930rif. 72607San Francisco: Westgate Press 1930. Edition limited to 500 copies signed by Woolf this no. 314 and printed at the Grabhorn Press small 8vo p. 4 35 1; pp. fine copy in original quarter green morocco over patterned sage green paper-covered boards; spine sunned else near fine in publisher's green paper-covered slipcase. Kirkpatrick notes: "There is at least one variant of the binding in sage-green paper boards patterned in gold and darker green with an emerald-green leather spine and a green slip-in case. Mr. David McGee bibliographer of the Grabhorn Press states: "The majority of the edition was bound in blue - a ratio of 10 to 1 in favor of blue." Kirkpatrick A13a. Westgate Press unknown
1930rif. 72607San Francisco: Westgate Press 1930. Edition limited to 500 copies signed by Woolf this no. 314 and printed at the Grabhorn Press small 8vo p. 4 35 1; pp. fine copy in original quarter green morocco over patterned sage green paper-covered boards; spine sunned else near fine in publisher's green paper-covered slipcase. Kirkpatrick notes: "There is at least one variant of the binding in sage-green paper boards patterned in gold and darker green with an emerald-green leather spine and a green slip-in case. Mr. David McGee bibliographer of the Grabhorn Press states: "The majority of the edition was bound in blue - a ratio of 10 to 1 in favor of blue." Kirkpatrick A13a. Westgate Press unknown books
1929rif. WOOLFVIR002176Published by Leonard and Virginia Woolf at the Hogarth Press London. 1929. First edition. Small octavo. 172 pages. On the rear pastedown is the small ticket of a New York bookseller. Free endpapers lightly tanned. Spine very slightly faded and slightly bumped. Small bump to bottom corner of each cover. Very good indeed in the very scarce dustwrapper designed by Vanessa Bell which has some spotting a couple of small chips to top edge and a 1cm closed tear to head of spine. The dustwrapper is possibly supplied. Published by Leonard and Virginia Woolf at the Hogarth Press, London. unknown
rif. 126467New York/London: Fountain/Hogarth Press 1929. Hardcover. Very Good. 7x4x0. London and New York: The Hogarth Press / The Fountain Press 1929. First Edition. One of 492 copies this being No.341 SIGNED by the author. The first 100 copies of this title were issued in England by Hogarth the remaining copies this being an example by the Fountain Press in the US. Fine in no jacket as issued. Please email for photos. New York/London: Fountain/Hogarth Press hardcover
1929rif. 100This book is in good condition. There is some fading along the top edge of the outside boards as shown above. There are no bookplates or markings of any kind. The pages are clean and free of foxing. This is a Limited Edition #258/492 signed by Virginia Woolf published by The Hogarth Press / The Fountain Press in 1929. A rare find in any condition. The Hogarth Press / The Fountain Press hardcover
1929rif. 55325London: Published by Leonard and Virginia Woolf at the Hogarth Press 1929. First printing. Near fine in very good jacket. First edition of one of the most influential literary essays of the twentieth century. In 1928 Woolf delivered two lectures about women and fiction at the Cambridge women's colleges Newnham and Girton lectures which she expanded into A ROOM OF ONE'S OWN the following year. In surveying the careers of novelists like Jane Austen and George Eliot Woolf considers the conditions necessary to create art and outlines the limitations of the literal and metaphorical spaces in which women writers have had to work. Playing with the idea of Shakespeare's sister whose talents could not have found similar expression in her time Woolf predicts that a woman writer the equal of Shakespeare will emerge under the right conditions. Constantly referenced this book has become a modern touchstone. 7'' x 4.5''. Original orange cloth spine lettered in gilt. In original light pink pictorial dust jacket designed by Vanessa Bell. 172 pages. Offsetting to endpapers as common. Jacket with small chips at spine ends and corners a few closed tears almost invisibly repaired with archival tissue to verso. Interior clean. Shows well. Published by Leonard and Virginia Woolf at the Hogarth Press unknown
1929rif. 1409429New York NY / London UK: The Fountain Press / Hogarth Press 1929. Limited Edition #408/450. Hardcover. Octavo 159 1 pages. In Good condition. Bound in publisher's red cloth with gilt lettering along the spine. Boards have mild shelving wear water-staining along spine slightly extending onto upper edges of boards. Small water-staining along top edge of first two front free endpages. Paperclip stain to top edge of first two front free endpages. Bookplate to front pastedown detached glue staining present. A few torn top edges from when the book was cut. Signed flat by Virginia Woolf on the half-title page. Limited Edition #408/450. Shelved in Case 2. Adeline Virginia Stephen later Virginia Woolf after her marriage to Leonard Woolf was born January 25 1882 to an affluent family in South Kensington London. She began writing professionally in 1900 and published her first novel in 1915. Woolf's writings would become highly popularized in the 1970's during the rise of Second-Wave feminism. Both Woolf's life and writings became highly regarded under feminist criticism in particular "A Room of One's Own" an extended essay that explores social injustices faced by women. 1409429. Shelved Dupont Bookstore. The Fountain Press / Hogarth Press hardcover
1932rif. 309445Athens 1932. 2 pp. recto and verso of single sheet of blue stationery. Oblong 8vo. Very pale spotting but fine. Matted and framed with photographic portrait. 2 pp. recto and verso of single sheet of blue stationery. Oblong 8vo. In part: "The proofs of my article have reached me here I am returning them corrected. I have checked the verse quotations from memory. I think that they are correct but I have not the books with me & as we shall not be back till May 17th or so I fear I cannot wait to compare them with the text. The names of the authors in order of quotation W.H. Auden/ numbers 123 & 4; John Lehmann 5; Day Lewis 6; W. Empson 7. I do not want the names to be quoted but I see you say that they are only for your own use." The article in question is "Letter to a Young Poet" addressed to John Lehmann which was originally published in the Yale Review for June 1932. It was brought out in a separate edition by the Hogarth Press later the same year. unknown
1929rif. 55325London: Published by Leonard and Virginia Woolf at the Hogarth Press 1929. First printing. Near fine in very good jacket. First edition of one of the most influential literary essays of the twentieth century. In 1928 Woolf delivered two lectures about women and fiction at the Cambridge women's colleges Newnham and Girton lectures which she expanded into A ROOM OF ONE'S OWN the following year. In surveying the careers of novelists like Jane Austen and George Eliot Woolf considers the conditions necessary to create art and outlines the limitations of the literal and metaphorical spaces in which women writers have had to work. Playing with the idea of Shakespeare's sister whose talents could not have found similar expression in her time Woolf predicts that a woman writer the equal of Shakespeare will emerge under the right conditions. Constantly referenced this book has become a modern touchstone. 7'' x 4.5''. Original orange cloth spine lettered in gilt. In original light pink pictorial dust jacket designed by Vanessa Bell. 172 pages. Offsetting to endpapers as common. Jacket with small chips at spine ends and corners a few closed tears almost invisibly repaired with archival tissue to verso. Interior clean. Shows well. Published by Leonard and Virginia Woolf at the Hogarth Press unknown books
1929rif. 1409429New York NY / London UK: The Fountain Press / Hogarth Press 1929. Limited Edition #408/450. Hardcover. Octavo 159 1 pages. In Good condition. Bound in publisher's red cloth with gilt lettering along the spine. Boards have mild shelving wear water-staining along spine slightly extending onto upper edges of boards. Small water-staining along top edge of first two front free endpages. Paperclip stain to top edge of first two front free endpages. Bookplate to front pastedown detached glue staining present. A few torn top edges from when the book was cut. Signed flat by Virginia Woolf on the half-title page. Limited Edition #408/450. Shelved in Case 2. Adeline Virginia Stephen later Virginia Woolf after her marriage to Leonard Woolf was born January 25 1882 to an affluent family in South Kensington London. She began writing professionally in 1900 and published her first novel in 1915. Woolf's writings would become highly popularized in the 1970's during the rise of Second-Wave feminism. Both Woolf's life and writings became highly regarded under feminist criticism in particular "A Room of One's Own" an extended essay that explores social injustices faced by women. 1409429. Shelved Dupont Bookstore. The Fountain Press / Hogarth Press hardcover books
1932rif. 309445Athens 1932. 2 pp. recto and verso of single sheet of blue stationery. Oblong 8vo. Very pale spotting but fine. Matted and framed with photographic portrait. 2 pp. recto and verso of single sheet of blue stationery. Oblong 8vo. In part: "The proofs of my article have reached me here I am returning them corrected. I have checked the verse quotations from memory. I think that they are correct but I have not the books with me & as we shall not be back till May 17th or so I fear I cannot wait to compare them with the text. The names of the authors in order of quotation W.H. Auden/ numbers 123 & 4; John Lehmann 5; Day Lewis 6; W. Empson 7. I do not want the names to be quoted but I see you say that they are only for your own use." The article in question is "Letter to a Young Poet" addressed to John Lehmann which was originally published in the Yale Review for June 1932. It was brought out in a separate edition by the Hogarth Press later the same year. unknown books
1960rif. 739L50None: None c1960. Unbound. Very Good Indeed. N/A. None. A fantastic selection of Bloomsbury Group letters. All addressed to one Miss Monica Young from Vanessa Bell Leonard Woolf Naomi Michison and Duncan Grant. A fantastic selection of letters from some of the most noted figures in art and literature during 20th century Britain. The recipient of these letters was the ceramicist Monica Young 1929-2004. Young was for a time based in Sussex but moved to Yorkshire in 1974. It is possibly Young was associated with the Bloomsbury Group in Sussex. and also knew them from the arts scene. It seems that from the letters she was also an avid painter. Comprising four letters total and an envelope addressed to Miss young dated 1962 with Leonard's signature on the front. The first letter dated only 'Apr 25' is from Vanessa Bell. It is on headed paper from Bell's country home Charleston Firle Sussex. The letter reads ' Dear Miss Young Thank you very much for your letter and the nice thing you say about my show at Agnew's. I am glad to say that your Dutch friend did so see it and write to Mr Grant. I hope that you and she are able to get some painting done but I know how difficult it is to combine it either with marriage or any other work. Dieppe is a wonderful place to paint I think and I am glad you managed to go there. My son is very much pleased at your liking his book - I too found it very amusing! Yours sincerely Vanessa Bell'. The letter is in reference to the show that Bell and Grant organised at the 'Coronation Exhibition of Contemporary British Artists at Agnew and Sons London in 1937'. The letter is written in blue ballpoint pen. The second letter is dated Sep 11 and is also sent from Charleston Firle in Sussex and is from Duncan Grant. 'Dear Miss Young thank you for your letter. I would like to meet you and your Dutch friend. But I think if you don't mind it might be for a part of your visit till October. I am going to Paris in a week till Oct 8 & until then am painting out of doors as long as this lovely weather lasts. Will you write later and tell me when it would suit you to come over Yours sincerely Duncan Grant'. The third letter is typed from Leonard Woolf dated 1963 and states 'Dear Monica it was very nice of you to write. I have never had any animal quite like Troy and naturally miss him a great deal. Yours Leonard'. There is a hand-written envelope from Woolf with Young's address 'Miss M young 11 Toronto Terrace Lewes Sussex'. The final letter is from Naomi Mitchison and is also a typed letter 'Dear Miss Young How nice of you to write - one always wonders who at all reads one's books. Lpis is now in Oxford 32 Park town with her two little girls. The marriage broke up and she has been very unhappy; the divorce not through yet and her husband behaving pretty badly. The real difficulty is that she doesn't at all like her job teaching at a polytechnic in Reading. I wish she could hear of something else. Val is in London with five children and an increasing interest in education finds herself having to run all sorts of committees. The grand-daughters are a lively lot and bully me but quite nicely! yours Naomi Mitchison.' Here she is referring to her daughter Lois Michison. All letters are very smart. Some minor creasing to the edges of the Grant and Bell letters. Small tape repair to the rear of the Vanessa Bell letter. A few light spots to the Grant and Bell letters owing to their age. Very Good Indeed None unknown
1922rif. 10314London: Leonard and Virginia Woolf at the Hogarth Press 1922. A superb Bloomsbury association copy owned and inscribed by David Garnett who published an influential review of this novel in 1923 describing Woolf as 'the most interesting of the younger writers now living as well as the best of them.' Jacob's Room was the first full length work published by the Hogarth Press Woolf's first fully experimental novel and a landmark in 20th century fiction. A prominent member of the Bloomsbury group the writer and publisher David Garnett married Woolf's niece Angelica Garnett in 1942 living at Hilton Hall in Cambridgeshire. Bound in mustard yellow cloth; good colour to the boards a little rubbing to the spine; one tiny chip at the left edge of the spine label; bumps to corners and a scratch across the top of the text block. pp 290 pp14 adverts. David Garnett has written his name at the head of the front flyleaf and below is tipped in an envoy from a letter on blue paper by Woolf herself: 'Your truly Virginia Woolf'. Opposite is Garnett's Hilton Hall bookplate - he and Angelica lived there from the 1940s-1960s. Provenance: from the estate of Garnett's wife Angelica Bell/ Garnett her library dispersed by Angus O'Neill of the Omega Bookshop. Please contact Christian White Rare Books Ltd for more information or images of this item 1922 Leonard and Virginia Woolf at the Hogarth Press hardcover
1927rif. 22408The Hogarth Press Printed & Engraved By Herbert Reiach Limited UK 1927 1927 Hard Cover. No Jacket. Signed by Author. HB NODustJacket 1927 Limited NUMBERED Edition #120/500 Copies Third English Edition & 1st Illustrated Edition Brown white green grey decorated Illustrated Boards lettered in Brown slightly Warped Cover & with chips tears to Extremities Spinestrip MISSING but tiny Spine Piece still there unattached VG-/G00D- SOLD AS-IS NODJ Light soil Back Corner cover tiny ding Tear Interior Relatively Nice tight light wear Fox with tiny corner DINGS to bottom edge pgs Unpaginated INNER Hinges Starting causing LOOSENESS to some PAGES . This story was first Originally published by the Hogarth Press in 1919 & was Woolfs First Individual Volume Published . Signed by Author. F. Hard Cover. The Hogarth Press, Printed & Engraved By Herbert Reiach, Limited , UK, 1927 hardcover
1927rif. 143769London: The Hogarth Press 1927. Signed limited edition number 172 of 500 numbered copies signed by Virginia Woolf and Vanessa Bell in purple ink. Quarto original illustrated paper boards text printed within woodcut borders designed by Woolf's sister Vanessa Bell. From the library of publisher editor and literary agent Donald Friede and with his Miguel Covarrubias-designed book-plate on front paste-down. In very good condition with the spine largely perished. Rare and desirable. The Hogarth Press hardcover
1925rif. 140941189London: The Hogarth Press 1925. First Edition. Near Fine. First edition first printing. Bound in publisher's brick red cloth; lacking the dust jacket. Near Fine with light wear at extremities slight fading to cloth at spine. Pages lightly toned. Front and rear free endsheets offset from binder's glue and light tape burns there as well. A lovely copy of one of Virginia Woolf's best-known works published by Virginia and Leonard at their Hogarth Press. The Hogarth Press unknown
1925rif. 140941189London: The Hogarth Press 1925. First Edition. Near Fine. First edition first printing. Bound in publisher's brick red cloth; lacking the dust jacket. Near Fine with light wear at extremities slight fading to cloth at spine. Pages lightly toned. Front and rear free endsheets offset from binder's glue and light tape burns there as well. A lovely copy of one of Virginia Woolf's best-known works published by Virginia and Leonard at their Hogarth Press. The Hogarth Press unknown books
