5 113 résultats
réf. 52421New York Rimington & Hooper 1930 in 4 (32x24) 1 volume reliure cartonnée de l'éditeur, signature manuscrite de l'auteur en regard de la page de titre, l'étui manque ( lacking the publisher's slipcase), ex-dono manuscrit ancien sur le premier feuillet de garde. Designed and embellished by W. A. Dwiggins. Virginia Woolf, née Adeline Virginia Alexandra Stephen, Londres 1882 - Rodmell 1941, femme de lettres anglaise. First edition, first printing. One of 550 copies printed, signed in purple ink by Virginia Woolf on the reverse of the half title. Bon exemplaire
1985réf. 4000549321985 1985. Virginia Woolf - Beau Brummell et autres essais / Obsidiane 1985
1985réf. 4000571261985 1985.
1985réf. 4000549321985. 1985. Virginia Woolf - Beau Brummell et autres essais / Obsidiane 1985 Bon état unknown
1930réf. 377885New York: Rimington & Hooper printed by William Edwin Rudge 1930. No. 435 of 550 copies signed by the author in the front in purple ink. Drawings and embellishments by W. A. Dwiggins. 6 8 3 pp. 1 vols. Small folio. Original paper boards with pink onlay peacock by Dwiggins maroon cloth spine t.e.g. Some soiling on front cover near spine but near fine in expertly repaired original slipcase. Dwiggins W.A. No. 435 of 550 copies signed by the author in the front in purple ink. Drawings and embellishments by W. A. Dwiggins. 6 8 3 pp. 1 vols. Small folio. Kirkpatrick A15a Rimington & Hooper, printed by William Edwin Rudge unknown
1930réf. 72615New York: Rimington & Hooper 1930. First edition limited to 550 copies this no. 325 signed by Virginia Woolf; folio pp. 6 8 6; original red cloth-backed gray paper-covered boards pink paper label on upper cover; lacking the publisher's slipcase otherwise a very good sound and clean copy. Designed and embellished by W. A. Dwiggins and printed and bound at the Printing House of William Edwin Rudge. Kirkpatrick A15a. Rimington & Hooper unknown
1930réf. 003644New York: Rimington & Hooper 1930. Book. Illus. by Dwiggins W.A. Near Fine. Hardcover. 1st Edition. Copy number 7 of 550 copies published by Rimington & Hooper. This copy is NOT signed by Virginia Woolf. Designed and embellished by W.A. Dwiggins. Printed and bound by The Printing House of William Edwin Rudge. No slipcase present. Approximately 14 pages produced in a large format. Book is protected in a custom cut clear mylar cover. All books are carefully wrapped and shipped in a box. Rimington & Hooper Hardcover
1930réf. 29275NY: Rimington & Hooper. Fine with No dust jacket as issued. 1930. Limited Edition. First Printing. Hard Cover. Signed limited edition No. 55 of an edition of 550. Signed on the verso of the half-title by Virginia Woolf in her characteristic purple ink. Quarter bound in publisher's red cloth over gray boards gilt lettering on spine Dwiggins illustration on paste-down on cover t.e.g. Illustrated with drawings and page decorations by W. A. Dwiggins. Printed and bound by The Printing House of William Edwin Rudge. This is Woolf's celebrated and amusing account of the 19th-century English dandy and arbiter of fashion and his unfortunate end. Woolf's essay was first published in the Nation & Athenaeum a British weekly newspaper on September 28 1929. This is the first edition in book form. In its original green slipcase with a Dwiggins paste-down on cover. . The volume is in perfect pristine condition unmarked tight square and clean. The slipcase is worn and soiled and beginning to separate at some seams but holding. FINE. Drawings and Decoration. 4to 11" - 13" tall. iv 8 2 pp. Signed by Author . Rimington & Hooper hardcover
1930réf. 565424New York: Rimingtom & Hooper 1930. Hardcover. Fine. First edition. Folio. Quarter linen gilt and paper covered boards with paper label on front board. Spine slightly sunned else about fine in fine publisher's batik paper over card slip case with printed applied illustration. Copy number 354 of 550 copies designed by W.A. Dwiggins and Signed by Virginia Woolf. A nicer than usual copy of a fragile volume. Rimingtom & Hooper hardcover
1930réf. 1505807Rimington and Hooper New York 1930. Limited Edition. Hardcover. Near Fine/No Jacket. Folio publisher's cloth-backed boards with printed paper label in publisher's slipcase. First edition; No. 39 of 550 copies signed by Virginia Woolf. Near fine book in a very good publisher's original slipcase and in a new custom-made collector's slipcase. Signed by Virgina Woolf. Number 39. Rimington and Hooper, New York hardcover
1930réf. 377885New York: Rimington & Hooper printed by William Edwin Rudge 1930. No. 435 of 550 copies signed by the author in the front in purple ink. Drawings and embellishments by W. A. Dwiggins. 6 8 3 pp. 1 vols. Small folio. Original paper boards with pink onlay peacock by Dwiggins maroon cloth spine t.e.g. Some soiling on front cover near spine but near fine in expertly repaired original slipcase. Dwiggins W.A. No. 435 of 550 copies signed by the author in the front in purple ink. Drawings and embellishments by W. A. Dwiggins. 6 8 3 pp. 1 vols. Small folio. Kirkpatrick A15a Rimington & Hooper, printed by William Edwin Rudge unknown books
1930réf. 72615New York: Rimington & Hooper 1930. First edition limited to 550 copies this no. 325 signed by Virginia Woolf; folio pp. 6 8 6; original red cloth-backed gray paper-covered boards pink paper label on upper cover; lacking the publisher's slipcase otherwise a very good sound and clean copy. Designed and embellished by W. A. Dwiggins and printed and bound at the Printing House of William Edwin Rudge. Kirkpatrick A15a. Rimington & Hooper unknown books
1930réf. 565424New York: Rimingtom & Hooper 1930. Hardcover. Fine. First edition. Folio. Quarter linen gilt and paper covered boards with paper label on front board. Spine slightly sunned else about fine in fine publisher's batik paper over card slip case with printed applied illustration. Copy number 354 of 550 copies designed by W.A. Dwiggins and Signed by Virginia Woolf. A nicer than usual copy of a fragile volume. Rimingtom & Hooper hardcover books
1930réf. 1505807Rimington and Hooper New York 1930. Limited Edition. Hardcover. Near Fine/No Jacket. Folio publisher's cloth-backed boards with printed paper label in publisher's slipcase. First edition; No. 39 of 550 copies signed by Virginia Woolf. Near fine book in a very good publisher's original slipcase and in a new custom-made collector's slipcase. Signed by Virgina Woolf. Number 39. Rimington and Hooper, New York hardcover books
réf. A9780521414456Hardback. New. This is a study of the process conventionally termed Romanization through an analysis of the experience of Roman rule over the Gallic provinces in the period 200 BC-AD 300. It examines how and why Gallo-Roman civilisation emerged from the confrontation between the cultures of Gaul and the classical civilisation. hardcover
réf. B9780521789820Paperback / softback. New. This is a study of the process conventionally termed Romanization through an analysis of the experience of Roman rule over the Gallic provinces in the period 200 BC-AD 300. It examines how and why Gallo-Roman civilisation emerged from the confrontation between the cultures of Gaul and the classical civilisation. paperback
réf. B9780521414456Hardback. New. This is a study of the process conventionally termed Romanization through an analysis of the experience of Roman rule over the Gallic provinces in the period 200 BC-AD 300. It examines how and why Gallo-Roman civilisation emerged from the confrontation between the cultures of Gaul and the classical civilisation. hardcover
2000réf. x-0521789826Cambridge Univ Pr 2000. Paperback. New. 314 pages. 8.75x6.00x0.75 inches. Cambridge Univ Pr paperback
réf. 6475911Cambridge University Press CUP . Hardback. New. pp. 316 3 Maps Cambridge University Press CUP hardcover
réf. 6537133Cambridge University Press CUP . Papeback. New. pp. 316 3 Maps Cambridge University Press CUP unknown
réf. 60382Cambridge University Press 1998. XV3296p. ills.B&W line drawings. Hard bound with dust wrps. Glue shining through paste-down endpapers near hinges. Still a nice copy. ‘W.’s book is rich and versatile. An introductory chapter explains why the predominant paradigm of ‘Romanisation’ is ‘fundamentally flawed as a heuristic tool’ - and he realises that if the nineteenth-century term ‘Romanisation is suspect then its twentieth-century antithesis ‘resistance’ must also be discarded. W. adopts cultural relativism as ‘the best working hypothesis available’ …. Using a broad definition of Roman and Gallic culture which comprehends the whole range of objects beliefs and practices of those who were Roman and Gallic …. Moreover he is rightly more interested in describing and understanding cultural change than in trying to explain it. Seven main chapters describe successively the impact of Roman power on Gallic society Gallic adoption of roman concepts of civilisation cultural change reflected in epigraphy the creation of Gallo-Roman cities in what had been a country of villages the culture of the countryside outside the cities changes in the scale and patterns of material consumption measured primarily through ceramic evidence and the evolution of a distinctively Gallo-Roman religion. A briefer concluding chapter indicates how Gaul may serve as a model for understanding cultural change elsewhere in the Roman Empire. The book combines an enormous amount of detailed research with a decade of profound reflection.’ T.D. BARNES in The Classical Review New Series 2000 pp.202-203. unknown
réf. 701826-nnew. unknown
réf. 0521789826.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0521414458.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2000réf. Q-0521789826Cambridge University Press 2000-07-31. Paperback. New. New. In shrink wrap. Looks like an interesting title! Cambridge University Press paperback