[Derain]Livre Rare Book
423 risultati
1953rif. 21449Lyon, Cercle Lyonnais du Livre (Paris, Fequet et Bardier, imprimeurs typographes ; Mourlot Frères pour les lithographies) ; 1953 ; petit in-4° en feuilles sous couverture crème rempliée de papier fait main avec titre en noir et blanc, chemise demi velin-parchemin ivoire, titre doré à la japonaise, étui (emboitage éditeur).
1785rif. 23485Parma: Bodoni 1785. Hardcover. Contemporary marbled paper over pasteboard with paper spine label. Very good in red cloth clam shell box. 6 LXXXII 103 1. 30.5 x 23 cm. Engraved title followed by a second page with engraved vignette at head the entire work printed in capital letters. Wide text margins. Latin commentary followed by Greek text. Commentary written by P. Paciaudi. DIBDIN Vol. I p.151. "There is a copy in the British Museum. It was the author's intention to have embellished the work with suitable engravings. but the plates were stolen by some person he employed." BROOKS. COMPENDIOSA BIBLIOGRAFIA DI EDIZIONI BODONIANE. 287. Bookplate of Bibliotheca Giuliari. Interior very fresh and clean joints rubbed but firm backstrip head lacks two centimeters. Bodoni hardcover
1785rif. 23485Parma: Bodoni 1785. Hardcover. Contemporary marbled paper over pasteboard with paper spine label. Very good in red cloth clam shell box. 6 LXXXII 103 1. 30.5 x 23 cm. Engraved title followed by a second page with engraved vignette at head the entire work printed in capital letters. Wide text margins. Latin commentary followed by Greek text. Commentary written by P. Paciaudi. DIBDIN Vol. I p.151. "There is a copy in the British Museum. It was the author's intention to have embellished the work with suitable engravings. but the plates were stolen by some person he employed." BROOKS. COMPENDIOSA BIBLIOGRAFIA DI EDIZIONI BODONIANE. 287. Bookplate of Bibliotheca Giuliari. Interior very fresh and clean joints rubbed but firm backstrip head lacks two centimeters. Bodoni hardcover books
1683rif. 006686Oxford: L. Lichfield 1683 Nicely rebound with leather spine and corners with marbled panels. The pages have been trimmed with good margins left. A few passages are marked with ink brackets. A small worm made it to page 98 before losing interest. There is a plate on the front pastedown and a date on the ffep. L. Lichfield hardcover
1692rif. RANALES00twGeorge Gallet 1692. Very Good. Anacreon. Les Oeuvres D'Anacreon et de Sapho Contenant leurs Poesies & les galanteries de l'ancienne Grece. Sapho Sappho. Amsterdam: George Gallet 1692. 398pp. 12mo. Blind embossed vellum with hand titled spine. Book condition: Very good with subtle soiling. Small paper repair to recto of frontispiece. Pages are clean with occasional light foxing and offsetting. Greek and French. George Gallet hardcover
1692rif. RANALES00twGeorge Gallet 1692. Very Good. Anacreon. Les Oeuvres D'Anacreon et de Sapho Contenant leurs Poesies & les galanteries de l'ancienne Grece. Sapho Sappho. Amsterdam: George Gallet 1692. 398pp. 12mo. Blind embossed vellum with hand titled spine. Book condition: Very good with subtle soiling. Small paper repair to recto of frontispiece. Pages are clean with occasional light foxing and offsetting. Greek and French. George Gallet hardcover books
1813rif. 3644London: B.R. Howlette / John Murray 1813. Second edition. Good. 8vo. 2 130 pp. Printed in Greek throughout on fine paper. Contemporary English red diced russia calf rubbed and worn tooled in blind outer frame of gilt palmette rolls all edges gilt drab endpapers. Front endpaper waterstained; second blank leaf with paper flaw; outer margins of final pages darkened from turn-ins. With faults and priced accordingly. THE ONLY KNOWN ILLUSTRATIONS BY MRS. LAVINIA FORSTER. Our copy bears learned MS annotations in Greek and Latin. Beautifully printed in a Greek font created especially for William Bulmer by William Martin. Dibdin described the 1802 first edition as an "elegant work that confers great credit on the printer." Our copy belongs to the second edition which was printed in the same Greek font and retains the 20 fine engraved head- and tailpiece vignettes designed by Lavinia Banks Forster 1774-1858 wife of the present editor Edward Foster. Two of the vignettes are signed in absolutely miniscule lettering "Publ. by W. Miller Old Bond Street 1802." Mrs. Lavinia Banks Forster was the only child of the sculptor Thomas Banks and his wife Elizabeth. She married the Reverend Edward Forster in 1799 and from 1815 lived in Paris with her husband who was at that time Chaplain to the British Embassy. There they provided a social center for artists. Her lively and fully accomplished illustrations for her husband's Anacreon represent the only published examples by her that we have been able to trace. "Few of Anacreon's works survive but those that do focus on wine love homosexual and heterosexual and the overall pleasures of the legendary Roman symposium. Anacreon used various techniques in his writings including self-deprecation and irony. The collection of miscellaneous Greek poems from the Hellenistic Age and beyond known as the Anacreontea was 'mistakenly labeled' with Anacreon's name" see William and Mary Law Library online exhibit. The annotator of our copy was one George Houstoun on title: "Ex libris Georgii Houstoun." Given the lavishness of the binding and the fact that the book itself was printed on fine paper perhaps this individual was George Houstoun 1743-1815 4th Laird of Johnstone Renfrew Scotland. Subsequently signed in pencil inside the lower cover: "R. Bradford." Dibdin Greek and Latin Classics vol. I pp. 266-267 1802 edition. See DNB under Edward Forster. B.R. Howlette / John Murray unknown
1813rif. 3644London: B.R. Howlette / John Murray 1813. Second edition. Good. 8vo. 2 130 pp. Printed in Greek throughout on fine paper. Contemporary English red diced russia calf rubbed and worn tooled in blind outer frame of gilt palmette rolls all edges gilt drab endpapers. Front endpaper waterstained; second blank leaf with paper flaw; outer margins of final pages darkened from turn-ins. With faults and priced accordingly. THE ONLY KNOWN ILLUSTRATIONS BY MRS. LAVINIA FORSTER. Our copy bears learned MS annotations in Greek and Latin. Beautifully printed in a Greek font created especially for William Bulmer by William Martin. Dibdin described the 1802 first edition as an "elegant work that confers great credit on the printer." Our copy belongs to the second edition which was printed in the same Greek font and retains the 20 fine engraved head- and tailpiece vignettes designed by Lavinia Banks Forster 1774-1858 wife of the present editor Edward Foster. Two of the vignettes are signed in absolutely miniscule lettering "Publ. by W. Miller Old Bond Street 1802." Mrs. Lavinia Banks Forster was the only child of the sculptor Thomas Banks and his wife Elizabeth. She married the Reverend Edward Forster in 1799 and from 1815 lived in Paris with her husband who was at that time Chaplain to the British Embassy. There they provided a social center for artists. Her lively and fully accomplished illustrations for her husband's Anacreon represent the only published examples by her that we have been able to trace. "Few of Anacreon's works survive but those that do focus on wine love homosexual and heterosexual and the overall pleasures of the legendary Roman symposium. Anacreon used various techniques in his writings including self-deprecation and irony. The collection of miscellaneous Greek poems from the Hellenistic Age and beyond known as the Anacreontea was 'mistakenly labeled' with Anacreon's name" see William and Mary Law Library online exhibit. The annotator of our copy was one George Houstoun on title: "Ex libris Georgii Houstoun." Given the lavishness of the binding and the fact that the book itself was printed on fine paper perhaps this individual was George Houstoun 1743-1815 4th Laird of Johnstone Renfrew Scotland. Subsequently signed in pencil inside the lower cover: "R. Bradford." Dibdin Greek and Latin Classics vol. I pp. 266-267 1802 edition. See DNB under Edward Forster. B.R. Howlette / John Murray unknown books
1950rif. 59077Un des 25 exemplaires hors commerce numérotés en chiffres romains, réservés aux collaborateurs et signés de l'éditeur (n° H.C. X), avec en frontispice un lavis original et une dédicace de Decaris, Traduites en Français par Remy Belleau & Illustrées par Albert Decaris, 1 vol. in-folio reliure plein cuir mauve, dos à 4 nerfs, Les Editions Henri Javal, 1950, 212 pp. et 4 ff. avec un lavis original signé, un frontispice et 20 planches hors texte
1953rif. 37891953 Lyon: Cercle lyonnais du livre, 1953. En feuilles sous chemise et étui: 21 x 29 cm, 80-[5] pp., [7] pp. pour la liste des sociétaires. Édition illustrée de 50 lithographies originales d'André Derain tirées par Mourlot. Tirage limité à 200 exemplaires. Celui-ci, un des 70 chiffrés en lettres romaines (no. II). Chemise en demi-parchemin, titre en doré au dos, plat recouverts de papier imitant le tissu, étui assorti. Étui fatigué, dos légèrement sali, intérieur en parfait état.
1556rif. 049815Paris: Robertum Stephanum Guil. Morelium Henri Estienne; Robert Estienne; Guillaume Morel 1556. First Edition. Hardcover. Very Good Condition. In a makeshift binding of bonded or simulated leather with added plain endpapers. Very good or better internally with a touch of chipping to a few page edges very minor browning to edges heavier with some discoloration to Greek title page. 54 blank 122 blank. With both blanks at D2 and H6 and two more added from a previous binding. Page edges gilt. Adams A1003. Bound with the Latin version first usually found the other way around. The first edition of Anacreon was published by Henri Estienne his first work as a publisher in 1554 in a Latin edition and then a Greek edition likely printed by Morel with which it is usually bound. Like the 1554 edition this is set in Claude Garamond's "grecs du roi" type and thought to be more likely printed by Morel than Henri's father Robert. Little is known of the Anacreon manuscript Henri ran into it around 1551 and translated it into Latin. It's publication caused a sensation of playful Anacreontic imitations in Europe. Size: Octavo 8vo. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Antiquarian & Rare; Poetry. Inventory No: 049815. Robertum Stephanum, Guil. Morelium (Henri Estienne; Robert Estienne; Guillaume Morel) hardcover
1773rif. 38330Chez Le Boucher | à Paphos & se trouve à Paris 1773 | 14 x 22.20 cm | relié
1785rif. 2936Parmae, ex Regio Typographeco, s.d. (1785) ; in-4 ; plein veau havane moucheté, dos à nerfs, caissons décorés, pièce de titre rouge, triple filet doré d’encadrement des plats, toutes tranches dorées, roulette décorative dorée d’intérieur (reliure de l’époque) ; (2) ff. de titre et dédicace, XCIV pp., 100 pp., (1) f. d’achevé d’imprimer, portrait gravé d’Anacréon à la page de titre et vignette gravée par Cagnoni en tête de la dédicace.
1773rif. 38330à Paphos & se trouve à Paris: Chez Le Boucher 1773. Fine. Chez Le Boucher à Paphos & se trouve à Paris 1773 14 x 22.20 cm relié First edition of this translation by Moutonnet de Clairfonds and first issue of the illustration which comprises a frontispiece 12 headpieces and 13 tailpieces by Eisen engraved by Massard and Duclos. Title page in red and black. Full red morocco binding late 19th century signed Pickering. Jansenist spine with raised bands. Wide inner decorative border. Edges gilt. Small brown stains on upper cover. Despite the minor defects noted a very fine copy. Cohen rightly cites this work as ""one of the most elegantly illustrated books of the 18th century""; Eisen's contribution is indeed delicate and inspired and the headpiece engravings are superbly executed. Chez Le Boucher hardcover
1773rif. CLL-112Paris, Le Boucher, 1773-1774 In-8 de (2) ff., IV, 280 pp. - XVI, 104 pp., veau porphyre, triple filet doré en encadrement, dos à nerfs orné de caissons de fleurons dorés, pièce de titre de maroquin vert, coupes et bordures décorées, tranches dorées sur marbrure (reliure de l'époque).
1773rif. 84751773 A Paphos, Et se trouve à Paris, Chez Le Boucher, 1773. A Syracuse, et se trouve à Paris: Chez Costard, 1775. In-8: 14 x 21 cm, 1 front., 2 ff. n. chiff., iv-280 pp., 1 f. n. chiff., xvi-104 pp. [Idylles] + 1 pl. grav. Traduction de Moutonnet de Clairfons. Élégante édition illustrée dun frontispice, de 25 vignettes den-tête et culs-de-lampes, et dune figure hors-texte daprès Eisen. Reliure de lépoque en basane marbrée. Dos à nerfs avec pièce de titre en maroquin rouge. Bon exemplaire.
rif. 396Ouvrage composé de 2 volumes in-4 , avec figures coloriées ou non coloriées, dessinées d'après des statues & des monuments authentiques. Tome premier. Paris, Pierre Rémy, peintre et J. B. G. Musier, libraire, 1785. Grand in-4 (32.5 cm) pagination multiple de (1),16, 8, 12, 5, 6, 16, 15, 12, 8, 4, 16, 9, et 7 p., ill. de 12 bois hors-texte colorés à la main et gravés par Le Coeur d'après Desrais et Defraisne. Reliure plein veau jaspé, dos lisses complètement orné d'étoiles et filets dorés, pièce de titre rouge, dentelle entourant les plats, tranches mouchetées. Reliure d'époque solide. Quelques rousseurs, charnières légèrement fendues, petites égratignures sur les plats, coins et coupes très légèrement frottés. Exemplaire à très grandes marges sur papier vélin. Semble complet, malgré l'indication du titre, l'ouvrage prévu n'a probablement jamais été complété. Aucune mention de l'ouvrage dans Brunet, Colas, Cohen, Quérard, Bibliothèque nationale, British Library, N.U.C. et Graesse. Exemplaire acheté et décrit chez Marc Loliée, libraire à Paris, qui n'avait pas trouvé de références bibliographiques. [ Série de livraisons sur Homère, Anacréon, les Amazones, la femme spartiate, les gladiateurs, etc.]
1953rif. 3539Lyon Cercle lyonnais du livre 1953 in-4 en feuilles Lyon, Cercle lyonnais du livre, 1953. 28 x 19,5 cm, in-4, 3 ff. bl. - 80 (17) pp. - 3 ff. bl., 50 lithographies originales en noir dont 1 en frontispice et 8 à pleine page, en feuilles sous couverture de fort papier vergé antique crème rempliée et imprimée, chemise et étui.
1953rif. 22242Sans lieu Cercle Lyonnais du L 1953 In-8, demi-maroquin rouge coins, plats de papier mouchet, dos sans nerfs entirement mosaqu de fleurons en maroquin noir encadrs de jeux de filets dors; doublures et gardes de papier mouchet, tte dore, non rogn, couverture imprime (Ch. Septier).50 lithographies originales in texte d'Andr Derain. Tirage unique limit 200 exemplaires numrots sur vlin.
1793rif. 139954Parma: Bodoni 1793. contemporary calf gilt borders on covers black and red leather spine labels gilt leather turn-ins marbled pastedowns and endsheets. Bodoni Giambattista. small 8vo. contemporary calf gilt borders on covers black and red leather spine labels gilt leather turn-ins marbled pastedowns and endsheets. viii 100 pages. Printed by Giambattista Bodoni in Parma Brooks 503. Minor shelf wear else a near fine copy. Pages 73-100 contain the "choice of poems mostly not complete which are published under the name of Anacreon". There were 6 copies on parchment. A lovely copy. Anacreon one of the most celebrated Greek lyric poets was born at Teos in Ionia. He lived in Samos and Athens where his patron was Hipparchus. His poetry is know for it's grace and elegabce and it's celebration of the joys of wine and love. Bodoni unknown
1793rif. 139954Parma: Bodoni 1793. contemporary calf gilt borders on covers black and red leather spine labels gilt leather turn-ins marbled pastedowns and endsheets. Bodoni Giambattista. small 8vo. contemporary calf gilt borders on covers black and red leather spine labels gilt leather turn-ins marbled pastedowns and endsheets. viii 100 pages. Printed by Giambattista Bodoni in Parma Brooks 503. Minor shelf wear else a near fine copy. Pages 73-100 contain the "choice of poems mostly not complete which are published under the name of Anacreon". There were 6 copies on parchment. A lovely copy. Anacreon one of the most celebrated Greek lyric poets was born at Teos in Ionia. He lived in Samos and Athens where his patron was Hipparchus. His poetry is know for it's grace and elegabce and it's celebration of the joys of wine and love. Bodoni unknown books
1773rif. ST16314Paris: Chez Le Boucher 1773. First Edition with these Illustrations. 214 x 136 mm. 8 3/4 x 5 1/2". 2 p.l. iv 280 pp. without "Héro et Léandre" as usual.Translated by Julien Jacques Moutonnet de Clairfons. LOVELY RED MOROCCO GILT BY CHAMBOLLE-DURU stamp-signed on front turn-in covers with French fillet border raised bands spine gilt in compartments with rose sprig at center curling floral cornerpieces gilt titling densely gilt turn-ins marbled endpapers all edges gilt. Engraved frontispiece and 25 charming and delicate engraved illustrations by Jean Massard after Charles Eisen. Cohen-de Ricci 79; Brunet I 254; Graesse I 113. For the binding: Flety 40. ◆Lower half-inch of joints just starting to show wear three minor stains and one short scratch to upper board but a fine and pretty copy the text fresh and smooth with deep impressions of the type with rich impressions of the engravings with ample margins and with a lustrous binding. This is a very attractive copy of the first printing of an anthology of French versions of classical poetry described by Cohen-de Ricci as "one of the most elegantly illustrated books of the 18th century." Charles Eisen 1720-78 was Louis XV's court painter as well as drawing master to Madame de Pompadour. Bryan says that "almost all the important books published in France in his time contain his exquisite plates" which "he engraved with a light point and with striking originality." He "took his inspirations direct from nature but added something of the ideal after the manner of Watteau and Boucher." The text contains biographies of and works by four important Greek poets: Anacreon sixth century B.C. Sappho b. ca. 612 B.C. Bion third century B.C. and Moschus second century B.C. The binding here is a perfect example of the kind of handsomely done French classical work produced for an extended period under the name of Chambolle. A rough contemporary of and certainly the equal in technique to binders like Trautz Marius Michel père Lortic and Cuzin the elder Chambolle served his apprenticeship under Hippolyte Duru and later formed a partnership with him as is clear from the stamped signature on our volume. Chambolle's son continued the business when his father retired in 1898 and in her "Modern Bookbindings" Sarah Prideaux says of her contemporary "Chambolle most worthily continues the traditions associated with the name of his father. . . . To him are confided the classics of former times which he clothes in the styles appropriate to them keeping to a simplicity of ornamentation which reveals great taste and feeling for composition.". Chez Le Boucher unknown
1773rif. ST16314Paris: Chez Le Boucher 1773. First Edition with these Illustrations. 214 x 136 mm. 8 3/4 x 5 1/2". 2 p.l. iv 280 pp. without "Héro et Léandre" as usual.Translated by Julien Jacques Moutonnet de Clairfons. LOVELY RED MOROCCO GILT BY CHAMBOLLE-DURU stamp-signed on front turn-in covers with French fillet border raised bands spine gilt in compartments with rose sprig at center curling floral cornerpieces gilt titling densely gilt turn-ins marbled endpapers all edges gilt. Engraved frontispiece and 25 charming and delicate engraved illustrations by Jean Massard after Charles Eisen. Cohen-de Ricci 79; Brunet I 254; Graesse I 113. For the binding: Flety 40. ◆Lower half-inch of joints just starting to show wear three minor stains and one short scratch to upper board but a fine and pretty copy the text fresh and smooth with deep impressions of the type with rich impressions of the engravings with ample margins and with a lustrous binding. This is a very attractive copy of the first printing of an anthology of French versions of classical poetry described by Cohen-de Ricci as "one of the most elegantly illustrated books of the 18th century." Charles Eisen 1720-78 was Louis XV's court painter as well as drawing master to Madame de Pompadour. Bryan says that "almost all the important books published in France in his time contain his exquisite plates" which "he engraved with a light point and with striking originality." He "took his inspirations direct from nature but added something of the ideal after the manner of Watteau and Boucher." The text contains biographies of and works by four important Greek poets: Anacreon sixth century B.C. Sappho b. ca. 612 B.C. Bion third century B.C. and Moschus second century B.C. The binding here is a perfect example of the kind of handsomely done French classical work produced for an extended period under the name of Chambolle. A rough contemporary of and certainly the equal in technique to binders like Trautz Marius Michel père Lortic and Cuzin the elder Chambolle served his apprenticeship under Hippolyte Duru and later formed a partnership with him as is clear from the stamped signature on our volume. Chambolle's son continued the business when his father retired in 1898 and in her "Modern Bookbindings" Sarah Prideaux says of her contemporary "Chambolle most worthily continues the traditions associated with the name of his father. . . . To him are confided the classics of former times which he clothes in the styles appropriate to them keeping to a simplicity of ornamentation which reveals great taste and feeling for composition.". Chez Le Boucher unknown books
1773rif. CLL-834A Paphos et se trouve à Paris, chez Le Boucher, 1773 In-8 de (2) ff., IV, 280 pp., maroquin rouge, triple filet doré en encadrement sur les plats avec fleurons aux angles, dos lisse orné de caissons de fleurons dorés, pièce de titre de maroquin olive, double filet doré sur les coupes, roulette intérieure dorée, tranches dorées (reliure de l'époque).
1785rif. 6702Parma: Ex Regio Typographeio i.e. Giambattista Bodoni 1785. Very Good. Quarto 32 cm; 4. xciv 100 2 pages. Engraved title vignette engraved vignette of the arms of Don José Nicolás de Azara by Domenico Cagnoni. Text in Latin and Greek. Printed in capitals on blue paper. In contemporary dark green-brown speckled calfskin ruled in gilt and bordered with a frond and flower tool all edges gilt. Spine in six compartments titled in gilt and gilt stamped with "Greek pavilion" tool. Greek key turn-ins. Pink marbled endleaves. The whole preserved in recent custom slipcase. Spine fading to brown and beginning to split slightly near head and tail. Few abrasions on boards. Text effectively unblemished. References: Brooks 287 "Magnificamente stampato in caratteri maiuscoli"; Giani Catalogo delle autentiche edizioni bodoniane 3 "Certo questa seconda edizione è più attraente della prima."; De Lama II 35 "bella edizione". Much admired edition in a large quarto format of a text Bodoni had printed in octavo the previous year. Intended in part to show off his new Greek capital letters he printed the entire text on tinted paper in caps and small caps in sharp distinction to any prior edition. Bodoni was actively trying to expand his commercial market and his reputation into Spain during this period hence the dedication to Azara a Spanish noble and sometime resident of Parma. Ex Regio Typographeio [i.e., Giambattista Bodoni] hardcover
