424 résultats
1904réf. 8838Boston Nathan Haskell Dole 1904 Handsomely bound in gilt ruled 3/4 brown Levant Morocco and linen covered boards. Elaborate gilt tooled spine compartments with gilt scored raised bands.Gilt titles. Top Edges Gilded. Tall 8vo. 6.5"x9". The Adelphi Edition. Number 171 of an Edition Limited to 475 copies printed upon French Handmade paper. Illustrated by monochrome frontispieces and elaborate border decorations to each page of text. Sets is comprised by- The Wisdom of Marcus Aurelius. Translated by Jeremy Collier; The Ecolgues of Vergil. Translated by Baron Bowen; Sayings of Epictetus. Translated by T.W. Rolleston; Selections from Gesta Romanorum. Translated by Rev. Charles Small; Odes of Anacreon Anacreontics and Other Selections from the Greek Anthology. Translated by n/a ; The Satires of Horace. Translated by Various Hands; The Story of Odysseus in the Land of the Phæacians Being the Sixth and a Part of the Seventh Book of the Odyssey. Translated by Andrew Lang and Prof. Butcher; Selections from Aristophanes and Lucian. Translated by F.A. Paley; The Olympic and Pythian Odes of Pindar. Translated by Abraham Moore; Selections from the Koran of Mohammed. Translated by George Sale. Various very mild rubbing to covers.Several extremely mild chips to several caps. Small scuffs to several spinesincluding a short vertical streak to Koran spine. Some corners gently bumped. A gleaming crisp and clean Fine set. Nathan Haskell Dole hardcover
1604réf. 045076Rouen: Jean Berthelin 1604. Later Edition. Hardcover Full Leather. Very Good Condition. 19th century quarter blue morocco over marbled boards. Scattered minor stains corner of one leaf torn with no loss of text a number old marginal paper repairs mostly patching small wormholes. The second volume of Belleau's works containing his translation of Anacreon's odes which first appeared in 1556 following Estienne's publication of the Greek version with Latin translation in 1554 and were included in the first edition of Belleau's works in 1578. It also collects a group of his Anacreon influenced original works sonnets epitaphs and a play La Reconnue. foliated 288-434 plus a 4 leaf table. Graesse B328. Size: duodecimo 12mo. One volume of the 2-volume set. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Antiquarian & Rare. Inventory No: 045076. Jean Berthelin hardcover
1793réf. 139954Parma: Bodoni 1793. contemporary calf gilt borders on covers black and red leather spine labels gilt leather turn-ins marbled pastedowns and endsheets. Bodoni Giambattista. small 8vo. contemporary calf gilt borders on covers black and red leather spine labels gilt leather turn-ins marbled pastedowns and endsheets. viii 100 pages. Printed by Giambattista Bodoni in Parma Brooks 503. Minor shelf wear else a near fine copy. Pages 73-100 contain the "choice of poems mostly not complete which are published under the name of Anacreon". There were 6 copies on parchment. A lovely copy. Anacreon one of the most celebrated Greek lyric poets was born at Teos in Ionia. He lived in Samos and Athens where his patron was Hipparchus. His poetry is know for it's grace and elegabce and it's celebration of the joys of wine and love. Bodoni unknown
réf. elala2357Strassburg: J.H.Heitz 1778. First Edition Edited by Richard François Philippe Brunck 1729-1803. Dibdin 4th Edn. I pp. 264-65. Graesse I 111. Moss I pp. 47-48. 16mo. pp. 128. text in Greek notes in Latin. woodcut ornaments & title vignette. contemporary sheep binding worn but solid Strassburg: J.H.Heitz, 1778 unknown
réf. B9781166196639New. unknown
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réf. 158049London: Gerald Howe 1926 a numbered copy form a limited edition of 105. Hardcover 29pp. Near fine no dust jacket. Bound in vellum and printed on hand-made Fabriano paper. Top edge gilt ribbon page marker. The boards are slightly splayed. Based on the work of Anacreon. Poetry. Gerald Howe Hardcover
1555réf. ST16215gLutetiae Paris: Apud Henricum Stephanum 1554; Paris: Apud Thomam Richardum 1555. First work: EDITIO PRINCEPS; Second Work: First Complete Latin Translation. 198 x 135 mm. 7 3/4 x 5 1/4". 4 p.l. 110 pp. 1 leaf blank; 24 leaves. Two separately published works in one volume. First work: Translated and edited with notes and commentary by Henri Estienne. Second work: Translated by Helias Andreas Élie André. Fine retrospective reddish-brown goatskin in the style of the period French fillet frame on covers raised bands spine compartments formed by double gilt rules endpapers raised exposing laced-in boards as an imitation of an antique binding. Estienne device on title page of first work; Richard's device on title of second. First work: Renouard 115:1; Schreiber 139; Dibdin I 258; Adams A-1001; Brunet I 250. Second work: Schweiger I 26; Adams A-1002. ◆Recently and very expertly washed and resized some leaves with very faint browning otherwise bright and fresh as well as entirely clean in a convincing new period-style binding. The first book to be published by Henri Estienne the initial work here is the original printing of an important collection of classical lyric poetry described by Dibdin as "a beautiful and rare edition." According to Schreiber this collection of Greek poems written in imitation of the sixth century poet Anacreon "became the most influential 'ancient' Greek poetic text during the Renaissance and Estienne's editio princeps virtually caused a poetic revolution." One of the greatest of the scholar-printers of the 15th and 16th centuries Henri Estienne 1528 or 1531-91 found these poems in two old manuscripts compiled the collection and did the Latin translation. The work became the first project released under Henri's imprint by his father Robert's press; Schreiber believes the presswork was done by Guillaume Morel rather than by Henri himself as it used three sizes of Claude Garamond's lovely and renowned "grecs du roi" type. The second work here includes additional odes not in the Estienne edition and is thus the first complete Latin translation of the "Anacreontia." It is a rare work: OCLC finds just two copies in North America while ABPC and RBH record three copies all bound as here with the 1554 Estienne. Apud Henricum Stephanum, 1554; Paris: Apud Thomam Richardum unknown
1773réf. ST16314Paris: Chez Le Boucher 1773. First Edition with these Illustrations. 214 x 136 mm. 8 3/4 x 5 1/2". 2 p.l. iv 280 pp. without "Héro et Léandre" as usual.Translated by Julien Jacques Moutonnet de Clairfons. LOVELY RED MOROCCO GILT BY CHAMBOLLE-DURU stamp-signed on front turn-in covers with French fillet border raised bands spine gilt in compartments with rose sprig at center curling floral cornerpieces gilt titling densely gilt turn-ins marbled endpapers all edges gilt. Engraved frontispiece and 25 charming and delicate engraved illustrations by Jean Massard after Charles Eisen. Cohen-de Ricci 79; Brunet I 254; Graesse I 113. For the binding: Flety 40. ◆Lower half-inch of joints just starting to show wear three minor stains and one short scratch to upper board but a fine and pretty copy the text fresh and smooth with deep impressions of the type with rich impressions of the engravings with ample margins and with a lustrous binding. This is a very attractive copy of the first printing of an anthology of French versions of classical poetry described by Cohen-de Ricci as "one of the most elegantly illustrated books of the 18th century." Charles Eisen 1720-78 was Louis XV's court painter as well as drawing master to Madame de Pompadour. Bryan says that "almost all the important books published in France in his time contain his exquisite plates" which "he engraved with a light point and with striking originality." He "took his inspirations direct from nature but added something of the ideal after the manner of Watteau and Boucher." The text contains biographies of and works by four important Greek poets: Anacreon sixth century B.C. Sappho b. ca. 612 B.C. Bion third century B.C. and Moschus second century B.C. The binding here is a perfect example of the kind of handsomely done French classical work produced for an extended period under the name of Chambolle. A rough contemporary of and certainly the equal in technique to binders like Trautz Marius Michel père Lortic and Cuzin the elder Chambolle served his apprenticeship under Hippolyte Duru and later formed a partnership with him as is clear from the stamped signature on our volume. Chambolle's son continued the business when his father retired in 1898 and in her "Modern Bookbindings" Sarah Prideaux says of her contemporary "Chambolle most worthily continues the traditions associated with the name of his father. . . . To him are confided the classics of former times which he clothes in the styles appropriate to them keeping to a simplicity of ornamentation which reveals great taste and feeling for composition.". Chez Le Boucher unknown
1785réf. ST11935Parmae: Ex Regio Typographeio 1785. ONE OF 50 COPIES ON FINE PAPER of a total of 310 copies. 308 x 216 mm. 12 1/8 x 8 1/2". 2 p.l. xciv 100 pp. 1 leaf. VERY ATTRACTIVE CONTEMPORARY CRIMSON STRAIGHT-GRAIN MOROCCO spine beautifully gilt in compartments between green stylized pentaglyph and metope strips flanked by double raised bands the plain-ruled compartments densely stippled with gold dots surrounding a small central medallion from which emanate a number of wavy vines bearing flowers and small leaves anular dot cornerpieces elaborately gilt turn-ins blue watered silk endpapers the pastedowns framed with elegant gilt garlands and bead-and-lozenge roll free endleaves with cresting gilt frame leather hinges these expertly renewed at top and bottom all edges gilt. In a modern brown cloth chemise and morocco-backed slipcase. Small author portrait tondo on title page large and elaborate armorial vignette on dedication page engraved by Cagnoni. Text of poems in Greek commentary in Latin both printed entirely in majuscules. Front pastedown with morocco monogram bookplate of Charles C. Kalbfleisch engraved bookplate of Hugh Morriston Davies and book label of Charles Whibley see below. Brooks 287; Dibdin I 265; Schweiger 25; Brunet I 252; Graesse I 111. ◆Spine probably a bit sunned though difficult to tell with so much gilt four tiny wormholes to joints extremities with a hint of rubbing but the binding solid lustrous and attractive; A SPECTACULAR COPY INTERNALLY entirely clean fresh and bright and with enormous margins. This is a superb copy of the luxury paper Bodoni printing of the works of the sixth century B.C. lyric poet Anacreon. Imbued with delicacy and grace these works come down to us only in fragments quoted by other authors or in the derived form of imitators and they did not find their way into print until after the middle of the 16th century. Produced by Giambattista Bodoni 1740-1813 the most celebrated European printer of his era this remarkable piece of work is called "magnificent" by Brooks and Dibdin says that a "more elegant and exquisitely finished production . . . cannot be conceived." The appearance of the page printed only with capitals and offered here in a copy with vast margins is simply as stately and powerful as one could ever hope for. Bodoni was not only a great printer but also the most important type designer and punchcutter in Italy during his day. He was responsible for some of the most graceful and immaculate books to be printed during the end of the 18th and beginning of the 19th century and the present item is certainly to be counted among his most beautiful productions. The present copy has a distinguished provenance. Charles C. Kalbfleisch was a discriminating American collector whose library featured a great many beautiful bindings and who was known for choosing only the finest copies available. Parke-Bernet sold much of his collection in January of 1944 in a sale entitled "The Arts of the Book . . . The Splendid Library Formed by the Late Charles C. Kalbfleisch New York." Hugh Morriston Davies 1879-1965 was a pioneering surgeon known as "The Doyen of Thoracic Surgery" who collected fine bindings especially those of the 18th century. Charles Whibley 1859-1930 authored important books and wrote popular periodical columns of literary interest edited a number of works in the substantial and distinguished "Tudor Translations" series was at the center of a British literary circle with links to the Symbolist poets of France and made an enormous contribution to literature by recommending T. S. Eliot to Faber & Faber. Ex Regio Typographeio unknown
1796réf. 15634York: Printed by Wilson Spence and Mawman and sold by C. Dilly…et al. 1796 First edition of this attractively printed translation of Anacreon's Odes by Thomas Gilpin. The odes are translated into simple English prose "designed for the use of those who have made no great progress in Grecian literature." The twenty-ninth odes is not translated as "There are several expressions…which might give offence to a delicate ear. Original boards uncut rebacked in paper with printed spine label laid down. Small octavo. Greek and English text on facing pages. Former owner's bookplate. Some light waterstaining at the beginning otherwise a very good copy. Uncommon. Printed by Wilson, Spence, and Mawman, and sold by C. Dilly…[et al.], hardcover
1827réf. 20942London: Printed by A.J. Valpy for Sherwood Gilbert and Piper 1827. 1st Edition. hardbound. Fair/no dustwrapper. 8vo. 1st Edition of John Broderick Roche's edition of Anacreon's Odes containing the first 28 Odes given in both Greek and English and also in verse and paraphrased into prose accompanied by extensive critical notes and grammatical analysis; also includes a 91 page Lexicon; original boards heavily rubbed and with crude tape-repair to spine; endpapers heavily tanned and with loss to lower corners first three pages - no loss of text scattered foxing occasional pencil marginalia o.w. Good. Printed by A.J. Valpy for Sherwood Gilbert and Piper hardcover
1901réf. 5894New York City: New Amsterdam Book Company. Very Good. 1901. Limited/Numbered Edition. Hardcover. Handsome limited Edition #21/60. Clean brown cloth Brown leather corners & spine decorated with gilt. Text tight clean intact & printed on deckle-edge paper. Top edge gilt. Marbled endpapers. 10 illustrations on plate paper colored by hand. Poetry ; Hand-painted; 8vo 8" - 9" tall; 134 pages . New Amsterdam Book Company hardcover
1864réf. WB16253Paris: Ambroise Firmin-Didot 1864. Hardcover. Near Fine. 24mo 140 x 85mm. Pagination: iii-xlvii 158pp. including table. Signatures: a6 b-44 1-204 including final blank. Title printed with engraved border of muses and signed by engravers H. Catenacci - Hercules Louis Catenacci 18161884 and A. F. Lemaitre - Augustin Francois Lemaitre 17971870. 54 photolithograph plates of Girodets compositions illustrating the odes with fine classical figures and settings. Greek text with French prose translation for 64 odes by Ambrose Firmin-Didot. Text printed within red ruled borders with headings printed in red. Finely bound in a French 19th-century crimson morocco covers gilt with central ornament spine with five raised bands lettered in gilt: ODES DANACREON / F. DIDOT 1864 inner gilt dentelles marbled endpapers edges gilt custom cloth case; only slightest wave to a few leaves otherwise a very good and attractive copy. Front pastedown with the typographic bookplate of Robert Percy Alden an American Gilded Age lawyer and collector hailing from Pennsylvania who died in 1909. Fine French edition of the Odes of Anacreon edited and produced by Ambroise Firmin-Didot 17901876 reusing the illustrations in a reduced scale by the French artist Girodet Anne-Louis Girodet de Roussy-Trioson 17671824. Girodets graceful neoclassic designs were executed in the revived Second Empire style and engraved by his pupil Henri-Guillaume Chatillon 17801856. J. B. de Saint-Victor originally commissioned the Girodet illustrations in 1808 but only two complete designs were published with his translation in 1810. Girodet continued to work on the illustrations privately as well as his own translation of the ancient Greek Odes until his death in 1824. Ambroise Firmin-Didot was an accomplished classicist editor and man of letters within the established line of Didot printers in Paris. This production is an outstanding example of one of the finely printed classics issuing from the renowned Didot press. It maintains the distinctive Didot typographic layout and refined use of red and black inks. The introductory text of a later English edition of the Odes 1869 by Thomas Moore notes that the Firmin-Didot edition was sold at the almost prohibitive price of two pounds. Wonderful copy most likely bound for Robert Percy Aldens American villa-library in the late 19th century. Alden spent several of his Yale post-graduate years in Europe and was married in Paris in 1878 when he likely procured this book. Ambroise Firmin-Didot hardcover
1804réf. AQ16787Yarmouth: Printed by John Beart for B. Crosby and Co. London 1804. 27 1 144pp. With an engraved frontispiece. Contemporary olive green half-morocco marbled boards lettered in gilt. Extremities rubbed. Marbled endpapers later book-label of Ed Grabhorn to FEP offsetting to title-page slight damp-staining to rear blank fly-leaf and RFEP. A provincially published translation by physician and writer Thomas Girdlestone 1758-1822 of the verse of Greek lyric poet Anacreon; first printed in 1803. . Second edition. 8vo. Printed by John Beart, for B. Crosby and Co. London hardcover
réf. a50671Argentorati 1786 apud J. G. Treuttei. Editio nova Locupletior. 12mo. 149pp. in Greek with Latin notes original tooled leather with gilt trim and later paper spine. Several owner signatures. Good leaves lightly soiled and spotted boards worn. . hardcover
