431 résultats
réf. ST17263-25Market Drayton England: Tern Press 1985. No. 9 OF 75 COPIES signed by the artist. 260 x 270 mm. 10 1/4 x 10 1/2". 6 leaves.Translated into English by Thomas Moore. DYNAMIC DARK BROWN CRUSHED MOROCCO BY ALISON MARTIN five wavy lines of inlaid morocco in yellow orange tan beige and brown emanating from a section near the mid-fore edge of the front cover and radiating out and around the smooth spine three of the lines terminating on the fore edge of the rear cover the other two at the head and tail edges front cover also with a single straight diagonal line of inlaid black calf running from head edge to foot slicing through the color waves paste-paper endleaves made by Martin in an ombré of brown/orange/yellow etched with wavy lines echoing the cover design top edge gilt other edges untrimmed. In a felt-lined black cloth clamshell box black morocco label on spine. With five etchings by Nicolas Parry printed in black and sanguine. Tern Press Check-List 38. As new. This appealing fine press edition of an 1800 translation of odes by the sixth century B.C. lyric poet Anacreon comes in a 1995 binding that symbolically embodies the poems and their author. According to Alison Martin's artist's statement "the design represents the five odes as coloured waves against a dark background. These are the ideas and thoughts behind the formation of the Odes the Muses perhaps travelling across the ether destined to come together at an undefined point. . . The poet is represented by the straight black line . . . The man himself has become merely a shadowy figure in the background of his poetic works . . . yet his presence was a vital catalyst to their formation . . . Hence the design is abstract to express things beyond material existence. The colors reflect those used in the paper and printing of the text." Elected a Licentiate of Designer Bookbinders in 1995 Martin earned a degree in English at Leeds University before taking a Diploma in Fine Bookbinding and Conservation at Guildford College. She also worked and trained with renowned binder James Brockman. Tern Press was founded by artist and printer Nicolas Parry and his wife Mary in 1973. In "Matrix 5" Parry said: "Our initial aims were to relate each subject to a relative set of materials to think of the book as an overall work of art rather like an opera with a body stage - props - paper - binding intellect thoughts - words - libretto and feelings music - color - prints to try as in all art to produce a form that lives and breathes. Thus our books are not conceived designed produced through process but are perceived arranged and produced through craft.". Tern Press unknown
1554réf. CLL-24Paris, [Guillaume Morel pour ?] Henri Estienne, 1554 Petit in-4 de (4) ff., 110 pp., plein chagrin rouge, dentelle dorée en encadrement, dos à nerfs orné de caissons de fleurons dorés, coupes et bordures décorées, tranches dorées (Langlois).
1773réf. CLL-112Paris, Le Boucher, 1773-1774 In-8 de (2) ff., IV, 280 pp. - XVI, 104 pp., veau porphyre, triple filet doré en encadrement, dos à nerfs orné de caissons de fleurons dorés, pièce de titre de maroquin vert, coupes et bordures décorées, tranches dorées sur marbrure (reliure de l'époque).
1773réf. CLL-834A Paphos et se trouve à Paris, chez Le Boucher, 1773 In-8 de (2) ff., IV, 280 pp., maroquin rouge, triple filet doré en encadrement sur les plats avec fleurons aux angles, dos lisse orné de caissons de fleurons dorés, pièce de titre de maroquin olive, double filet doré sur les coupes, roulette intérieure dorée, tranches dorées (reliure de l'époque).
1774réf. 60357Paris, Le Boucher, 1773 & 1774 4to (228 x 156 mm). Bound in a very beautiful, a bit later, light brown full grained morrocoo binding with five raised bands, richly gilt spines, gilt lines to boards, inner gilt dentelles and gilt capitals. All edges gilt. Binding by 'Sture Falks Bogbinderi', Lund, Sweden. Housed in a slipcase. Ex-libris to pasted down front end-paper (Maurice B. Worms) and to front free end-paper (Per Erik & Ludmilla Lindahl). A very nice and clean copy. (4), IV, 280, XVI, 104 pp. + 2 frontispieces, 12 headers and 13 tailpieces by Eisen, engraved by Massard and Duclos.
1554réf. 60114Lutetiae (i.e. Paris), (? Guillaume Morel for) Henri Estienne (II), 1554. 4to. Contemporary limp vellum with remains of ties to boards. Remains of contemporary paper labels to spine and traces of autor in ink in contemporary hand, also to spine.A few smaller worm tracts to boards and a bit of spotting, but overall very nice. A large spot to title-page, presumably erased ink, from the removal of an old owner's name. The spot is in the blank margin, close to the printer's device, but not touching it. Apert from that internally very nice with only light occasional damp staining or browning. Old ink note in Greek characters to front free end-paper and a small note (referring also to ""Lyra"") on A(1)r. A very nice copy with large margins. Woodcut printer's device to title-page, woodcut headpiece and opening initial. Magnificently printed in all three sizes of the famous ""grecs du roi""-type. (8), 110 pp.