2,116 results
1940220 p. + Frontis. Original blue cloth binding. Original dust jacket. Dr. John Alfred Brashear was born in 1840 at Brownsville, Fayette, County, Pa., southeast of Pittsburgh. He later moved to the Steel City, and despite the smoky skies so prevalent in his day, Brashear's love of the night sky never waned. Brashear built his first telescope in his South Side home in the early 1870s. His optical prowess is apparent even today - many of the telescopes he made still are in use around the world. Moreover, the one-time John Brashear Co. has evolved to become the Contraves Corp., an internationally known maker of superb optics. In its underground facility near Wampum, Pa., Contraves is working on the completion of the 8-meter mirror for the Subaru Telescope, to be installed in Hawaii. Brashear died April, 1920. His remains and those of his wife Phoebe are interned in the crypt beneath the Keeler Memorial Reflecting Telescope at Allegheny Observatory in Pittsburgh's Riverview Park. Brashear, a one-time director of Allegheny Observatory, is the man most responsible for its construction. The plaque in the observatory's crypt. reads: "We have loved the stars too fondly to be fearful of the night." PA 48 x4
1909ref. 56341(Wien. 1909). 32 Seiten u. ein doppelblattgroßes Programmblatt. Mit Abbildungen u. Werbeanzeigen. Dekorativ illustrierte Originalbroschur. (Gebrauchsspuren. Teils etwas fleckig). 19x15 cm
1990127 pages. Contains words and music for the following songs: Flying in a Blue Dream; The Mystical Potato Head Groove Thing; Can't Slow Down; Headless; Strange; I Believe; One Big Rush; Big Bad Moon; The Feeling; The Phone Call; Day at the Beach (New Rays from an Ancient Sun); Back to the Shalla-Bal Ride; The Forgotten Parts I and II; The Bells of Lal Parts I and II; Into the Light. Includes introduction by Wolf Marshall. Please note: color fold-out not included. Creases and above average wear to glossy covers. Contents unmarked with average wear. Book
ref. RO30095716***. Hiver 1984 - 85. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 50 pages.. . . . Classification Dewey : 784-Les instruments et leur musique
1987ref. RO80141169ENDE. 1987. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 152 pages. Quelques croquis et schémas en noir et blanc, dans le texte. Texte dactylographié polycopié. Quelques traces d'humidité en début d'ouvrage et sur les tranches.. . . . Classification Dewey : 784-Les instruments et leur musique
196115 pages. "By playing and analyzing someone else's ideas, the talented musician can stimulate his own imagination and discover ideas that formerly were beyond his scope." - page 2. Complete and unmarked. Above-average wear. Binding intact. Contents tanned with age. A worthy vintage copy. Book
197056 pages. Completely illustrated. Authors are eminently qualified to produce this serious reference. "We know of no other books on the following chapters to give a guitarist, whether a beginner or an advanced student, or a professional, a clear view into the usage of chords plus examples in a jazz style." - from Preface. Few minor markings. Binding intact. Average wear. A sound copy. Please note: prior to listing this book we seem to recall it contained a convenient rotary guide which indicated which chords go with which. At time of listing it is not present. If we find it we will include it with this book. Book
ref. 92838aafStrassburg i. E., 1907, in-8vo, 42 p., avec 20 illustrations dans le texte, brochure originale illustrée.
Emf. 1996. In-4 Carré. Broché. Etat d'usage. Couv. légèrement passée. Dos satisfaisant. Intérieur acceptable. 62 pages. Partitions. Illustré de nombreuses photos en noir et blanc dans et hors texte. Comment tenir. La respiration. Les notes. Le jeu direct. Oh! Susannah. Sad Man Blues...
1996ref. RO40228785Emf. 1996. In-4. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 62 pages. Partitions. Illustré de nombreuses photos en noir et blanc dans et hors texte.. . . . Classification Dewey : 784-Les instruments et leur musique
1992ref. SMBorCAM90Cambridge MA & London England: Distributed by Harvard University Press 1992. 1992. 4to. pp. 3 p.l. 169. extensive b/w illus. biblio. index. cloth. dw. First Edition. F. Hardcover. Cambridge, MA & London, England: Distributed by Harvard University Press, 1992. Hardcover
Association Française du Haubois. 2000. In-4 Carré. En feuillets. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 17 pages agrafées dans leur pochette d'origine. 28-29 oct. 2000, Bordeaux - Saint-Emilion.
2000ref. RO40213205Association Française du Haubois. 2000. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 17 pages agrafées dans leur pochette d'origine.. . . . Classification Dewey : 784-Les instruments et leur musique
ref. 1592ING. A. Salmoiraghi, Milano, 1894.Un volume broché (18,5 x 26,5 cm) de 41 pp. Très nombreuses illustrations, exemplaire en parfait état quasiment comme neuf.
ref. 1592ING. A. Salmoiraghi, Milano, 1894.Un volume broché (18,5 x 26,5 cm) de 41 pp. Très nombreuses illustrations, exemplaire en parfait état quasiment comme neuf.
2015New English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 464 p. Islam medeniyetinde musiki. Music in Islamic civilization. MUSIC Islamic world Ottoman Empire Umayyad Abbasids Mamluks Andalusia Arab culture.
1970ref. 99339Ancona, Italia, Bèrben 1970 In-8 18 x 12 cm. Agrafé, couverture rouge, titre en noir sur le premier plat illustré, 21 pp., partitions dans le texte. Exemplaire en très bon état.
1995ref. 10987Solibel 1995 In-4, broché, 126pp
ref. 7464Carton d'invitation sur bristol crème de 10, 5 X 13,5 cm, imprimé en noir, 1932.
1960ref. 88992Leonards-on-Sea: by the Author 1960. First Limited Edition. One of a thousand numbered copies this is no. 184. Inscribed and signed by Elgar on limitation page dated March 1961. 12mo 19cm. Original russet cloth; gilt spine and cover titles; 1271pp; text illustrations including 14 tipped-in original photographic plates. Cloth a bit rubbed and faded; slightly over-opened at half-title page; a previous owner has inserted an additional plate by hand and the original invoice from bookseller Oscar Shapiro is tipped on to front endpaper. Overall a Very Good copy. by the Author unknown books
1539ref. ST20126Pavia: Giovanni Maria Simonetta 1539. FIRST EDITION Second Issue. 210 x 147 mm. 8 1/2 x 5 3/4". 215 leaves. Restrained 19th century crimson morocco by Trautz-Bauzonnet stamp-signed on front turn-in raised bands spine with gilt text wide turn-ins gilt marbled endpapers all edges marbled and gilt. A small leather label with the year affixed to the spine. With two woodcuts depicting the "phagotus" instrument. Title with an attractive pictorial woodcut border. Printed in black and red. Occasional early ink marginalia; early ink ownership inscription to lower margin of colophon: "Hieronymi Pinzoni Cantoris Cremonensis et praepositi." An Armenian alphabet is inscribed in ink on the rear flyleaf dated March 28 1540. Mortimer 20; Adams I 957; Brunet I 229; Graesse I 59. Spine and edges slightly darkened joints a bit rubbed but without any cracking and the wear skillfully retouched. Only scattered very minor stains and soiling--quite a clean copy internally the leaves very fresh. This volume features one of the strangest combinations of a gravely serious treatise and an oddball curiosity: it comprises a landmark study of linguistics as the first European work concerning Syriac and Armenian--along with 36 other languages; and incongruously it also describes and pictures a contemporaneous musical instrument whose design was sufficiently peculiar to limit its interest to just one person the book's dedicatee. Our work originated when Teseo Ambrogio degli Albonesi 1469-1540 a lawyer scholar and canon of the church of Saint John of the Lateran was tasked with the publication of a Syriac manuscript psalter brought by a Maronite contingent to the Fifth Lateran Council. This was not merely a minor exercise in church outreach: 16th century scholars believed Syriac as a derivative of Aramaic to be the language of Christ. While the present work is of great interest because of its Syriac and Armenian content Ambrogio did not limit himself to those tongues: the text includes in particular short studies of Samaritan Arabic Coptic Cyrillic and Ethiopic. Of these some alphabets are provided in print in types specifically designed by Ambrogio and others are supplied in manuscript in spaces left in the text for that purpose. Ambrogio's sample texts range from simple alphabets to biblical passages to a letter purportedly from the Devil! In addition to the serious work done by our volume the text here deviates to include a fascinating musical surprise. Dedicated to the author's uncle Afranio degle Albonesi ca. 1465 - ca. 1540 a fellow church canon and apparently something of an eccentric the work includes an illustrated section on the "phagotus" a musical instrument of Afranio's own invention. Described by composer John Pickard as a "remarkable monstrosity" the phagotus combined features of the bagpipe and the bassoon. It never gained widespread popularity though not for lack of trying on Afranio's part--he once even performed with it for the duke of Ferrara Alfonso d'Este at a banquet in Mantua. Our copy in a pleasing though unassuming binding by one of the foremost 19th century French workshops was owned during its early history by yet another prominent churchman--Girolamo Pinzoni d. 1554 canon of the church of San Leonardo in Cremona. Giovanni Maria Simonetta unknown books
1539ref. ST20126Pavia: Giovanni Maria Simonetta 1539. FIRST EDITION Second Issue. 210 x 147 mm. 8 1/2 x 5 3/4". 215 leaves. Restrained 19th century crimson morocco by Trautz-Bauzonnet stamp-signed on front turn-in raised bands spine with gilt text wide turn-ins gilt marbled endpapers all edges marbled and gilt. A small leather label with the year affixed to the spine. With two woodcuts depicting the "phagotus" instrument. Title with an attractive pictorial woodcut border. Printed in black and red. Occasional early ink marginalia; early ink ownership inscription to lower margin of colophon: "Hieronymi Pinzoni Cantoris Cremonensis et praepositi." An Armenian alphabet is inscribed in ink on the rear flyleaf dated March 28 1540. Mortimer 20; Adams I 957; Brunet I 229; Graesse I 59. Spine and edges slightly darkened joints a bit rubbed but without any cracking and the wear skillfully retouched. Only scattered very minor stains and soiling--quite a clean copy internally the leaves very fresh. This volume features one of the strangest combinations of a gravely serious treatise and an oddball curiosity: it comprises a landmark study of linguistics as the first European work concerning Syriac and Armenian--along with 36 other languages; and incongruously it also describes and pictures a contemporaneous musical instrument whose design was sufficiently peculiar to limit its interest to just one person the book's dedicatee. Our work originated when Teseo Ambrogio degli Albonesi 1469-1540 a lawyer scholar and canon of the church of Saint John of the Lateran was tasked with the publication of a Syriac manuscript psalter brought by a Maronite contingent to the Fifth Lateran Council. This was not merely a minor exercise in church outreach: 16th century scholars believed Syriac as a derivative of Aramaic to be the language of Christ. While the present work is of great interest because of its Syriac and Armenian content Ambrogio did not limit himself to those tongues: the text includes in particular short studies of Samaritan Arabic Coptic Cyrillic and Ethiopic. Of these some alphabets are provided in print in types specifically designed by Ambrogio and others are supplied in manuscript in spaces left in the text for that purpose. Ambrogio's sample texts range from simple alphabets to biblical passages to a letter purportedly from the Devil! In addition to the serious work done by our volume the text here deviates to include a fascinating musical surprise. Dedicated to the author's uncle Afranio degle Albonesi ca. 1465 - ca. 1540 a fellow church canon and apparently something of an eccentric the work includes an illustrated section on the "phagotus" a musical instrument of Afranio's own invention. Described by composer John Pickard as a "remarkable monstrosity" the phagotus combined features of the bagpipe and the bassoon. It never gained widespread popularity though not for lack of trying on Afranio's part--he once even performed with it for the duke of Ferrara Alfonso d'Este at a banquet in Mantua. Our copy in a pleasing though unassuming binding by one of the foremost 19th century French workshops was owned during its early history by yet another prominent churchman--Girolamo Pinzoni d. 1554 canon of the church of San Leonardo in Cremona. Giovanni Maria Simonetta unknown
1960ref. 88992Leonards-on-Sea: by the Author 1960. First Limited Edition. One of a thousand numbered copies this is no. 184. Inscribed and signed by Elgar on limitation page dated March 1961. 12mo 19cm. Original russet cloth; gilt spine and cover titles; 1271pp; text illustrations including 14 tipped-in original photographic plates. Cloth a bit rubbed and faded; slightly over-opened at half-title page; a previous owner has inserted an additional plate by hand and the original invoice from bookseller Oscar Shapiro is tipped on to front endpaper. Overall a Very Good copy. by the Author unknown
200580 pages. Features: A talk with Richard Goode; The Richard Burnett Piano Collection of antique instruments; The double-note technique in piano literature; Roger Vignoles on the art of accompaniment; Murray McLachlan on how to improve your chord-playing skills; Recounting the career of Witold Malcuzynski; The highs and lows of piano maker Aeolian; Part 2 of 2 on recordings of Chopin's Ballade in F minor since the 1970s; Vladimir Feltsman's pianistic experiences in Russia and the U.S.; a report from the Gina Bachauer International Junior Piano Competition. Clean, bright and unmarked with light wear. Nice copy. Book
1981ref. BN246009Texas Instruments Inc.U.S. 1981. 1981. Softcover. Interface Circuits Data Book for Design Engineers Interface Circuits Data Book for Design Engineers Texas Instruments Texas Instruments Inc.,U.S. paperback