Livre Rare Book
176 résultats
1978réf. ABE-155320093796430 PAGES-35 CM X 50 CM-LES SCULPTURES D'IPOUSTEGUY DIRE L'HOMME, PAR PAULE-MARIS GRAND-CYCLE MONTEVERDI A ZURICH ENTRE UN CHANT ET SA BASSE, DEMI-PAGE-LE PETIT LIVRE JAUNE DES SEX PISTOLS-UN ENTRETIEN AVEC IPOUSTEGUY LE CHAMP SOMPTUAIRE DU SCULPTEUR, 1P-MARCEL BOUSSAC VEND SES JOURNAUX-COMPLET
1719réf. 32129Editions Cinaffiche / Revue Silence n° 1 à 7 de 1978. In-8 agrafées de 72 à 98 pages au format 21 x 14,5 cm. Couvertures illustrées de photographies en couleurs. Plats et intérieur frais.Ephémère magazine mensuel consacré au rock qui ne connut que 7 numéros. Tous étaient consacrés à la nouvelle scène Rock, Punk, New Wave et à du rock plus classique. On trouve des articles sur les Sex-Pistols, Bijou, John Cale, Clash, Eagles, Les Ramones, Blondie, Davis Bowie, Devo, Iggy Pop, Patti Smith, Queen, les Ramones, Blondie, Little Bob Story, Elvis Costello, etc. Les 5 premiers numéros sont bien complet de leur poster ( Eagles, Sex-Pistols, Bruce Foxton des Jam, Davis Bowie, Freddie Mercury ). Les deux derniers numéros furent édités sans poster. Nombreuses participations. Photographies de Claude Gassian. Rarissime série complète en superbe état de fraicheur, surtout avec les posters. Edition originale.
2014réf. LFA-126738998Un ouvrage de 320 pages, format 260 x 310 mm, illustré, relié cartonnage couleurs, publié en 2014, Librairie Larousse, bon état
réf. 364602United Kingdom 1976. Softcover. Near Fine. Two programs. Octavos. Stapled pictorial wrappers. Near fine or better with only a bit of wear along the spine. Two English football programs from 1976 Manchester City F.C. Match Mag and Ipswich Town that include two of the earliest examples of the Jamie Reid-designed Sex Pistol adverts one full page and one half page for the Pistol's infamous Anarchy in the U.K. tour. Both are dated December 4 1976 just three days after the Pistol's first run-in with the press after famously cursing on a live evening broadcast of Thames Television's Today program. And like that appearance these ads demonstrated the media savvy of both the Pistols and their manager Malcolm McLaren who knew that a concert audience of football hooligans was far more likely to generate press coverage. It is well-established that many of the early instigators of the punk scene were football fans as evidenced by the influence of football zines on music zines and their occasional commingling. At the very least the ads are prima facia evidence of McLaren's brilliant and unusual marketing of the tour that brought punk into the public eye. unknown
réf. 364602United Kingdom 1976. Softcover. Near Fine. Two programs. Octavos. Stapled pictorial wrappers. Near fine or better with only a bit of wear along the spine. Two English football programs from 1976 Manchester City F.C. Match Mag and Ipswich Town that include two of the earliest examples of the Jamie Reid-designed Sex Pistol adverts one full page and one half page for the Pistol's infamous Anarchy in the U.K. tour. Both are dated December 4 1976 just three days after the Pistol's first run-in with the press after famously cursing on a live evening broadcast of Thames Television's Today program. And like that appearance these ads demonstrated the media savvy of both the Pistols and their manager Malcolm McLaren who knew that a concert audience of football hooligans was far more likely to generate press coverage. It is well-established that many of the early instigators of the punk scene were football fans as evidenced by the influence of football zines on music zines and their occasional commingling. At the very least the ads are prima facia evidence of McLaren's brilliant and unusual marketing of the tour that brought punk into the public eye. unknown books
réf. DG-48Good. First Edition. Author signed Inscribed and dated. Lightly aged dust jacket in Mylar. unknown
1995réf. LFA-126742085Revue de 82 pages, format 210 x 285 mm, illustrée, brochée couverture couleurs, bon état
1980réf. LFA-126742048Revue bimestrielle de 102 pages, format 210 x 295 mm, illustrée, brochée couverture couleurs, bon état
1992réf. LFA-126742113Revue de 16 pages, format 290 x 425 mm, illustrée, bon état
2012réf. LFA-126740938Revue d'armes et de tir : 114 pages, format 210 x 295 mm, illustrée, brochée couverture couleurs, bon état
2017réf. LFA-126740939Revue d'armes et de tir : 106 pages, format 210 x 295 mm, illustrée, brochée couverture couleurs, bon état
1978réf. LFA-126720246Un ouvrage de 160 pages, format 175 x 245 mm, illustré, relié cartonnage couleurs, publié en 1978, Editions Garnier, bon état
1978réf. LFA-126746473Un ouvrage de 165 pages, format 175 x 245 mm, illustré, relié cartonnage couleurs, publié en 1978, Editions Garnier, bon état
1993réf. LFA-126743288Une publication de 476 pages, format 215 x 300 mm, illustrée, reliée cartonnage couleurs, publiée en 1993-1994, bon état
2015réf. LFA-126740940Magazine des collectionneurs et des tireurs aux armes anciennes : 66 pages, format 210 x 295 mm, illustré, broché couverture couleurs, bon état
2017réf. LFA-126740941Magazine des collectionneurs et des tireurs aux armes anciennes : 82 pages, format 210 x 295 mm, illustré, broché couverture couleurs, bon état
2001réf. LFA-126741104Une revue de 14 pages, format 220 x 285 mm, illustrée, brochée couverture couleurs, Editions Atlas, bon état
réf. 41240London: n.p. 1976. First Edition. Very good. Original flyer from a series of dates that would help define the legendary and infamous band. Beginning in 1976 The Sex Pistols' took up Tuesday night residency at the 100 Club a venue better known until then for jazz gigs that would be pivotal for the band. As Jon Savage has written in his definitive ENGLAND'S DREAMING: "In the intimate setting of the 100 Club the group could relax enough to take risks with their material and their performances. There they began to master their equipment using the acoustics of the small club to experiment with overload feedback and distortion. Electric amplification had provided much of the excitement of early Rock'n'Roll: pushing their equipment to the limit . the Sex Pistols twisted their limited repertoire into a noise as futuristic as their rhetoric" 177. The club also served as location for the famed 100 Club Punk Special a two-day festival featuring the Pistols The Damned The Buzzcocks The Clash Siouxsie and the Banshees and other unsigned acts an event that was instrumental in bringing punk to the mainstream. It was also at the 100 Club pogoing was first invented a development often attributed to Sid Vicious but more likely simply fans' practical response to poor visibility in the tight confines of the club. Describing the June 29th date of which bootlegs exist Savage writes: "But the 100 Club take is something else. Here the Pistols are wound up to a pitch of impossible tautness: they swoop and drive through their fifteen songs more than half of all they would ever play in their brief life." This performance also almost certainly marked the first public performance of "Flowers of Romance." In addition the July 6 date is significant the first "real" show by The Damned who opened. Together two landmark performances for the group that defined British punk rock. While Reid's more commercial work for the Pistols appears with some regularity early and ephemeral promotional items like this are decidedly more scarce. And after Reid's iconic "God Save the Queen" flyer arguably the defining Sex Pistols handbill perfectly combining the raw energy of the group with Reid's signature punk style. This image was also utilized by Reid in his design of the Sex Pistols' press kit. 8.25'' x 11.75'. Broadside handbill. Offset duplicated recto only. Artwork by Jamie Reid featuring a repeated image of Rotten/Lydon snarling into a mic. Very good with some flattened creases and a 1/3" edge tear on the bottom. n.p. unknown
réf. 41240London: n.p. 1976. First Edition. Very good. Original flyer from a series of dates that would help define the legendary and infamous band. Beginning in 1976 The Sex Pistols' took up Tuesday night residency at the 100 Club a venue better known until then for jazz gigs that would be pivotal for the band. As Jon Savage has written in his definitive ENGLAND'S DREAMING: "In the intimate setting of the 100 Club the group could relax enough to take risks with their material and their performances. There they began to master their equipment using the acoustics of the small club to experiment with overload feedback and distortion. Electric amplification had provided much of the excitement of early Rock'n'Roll: pushing their equipment to the limit . the Sex Pistols twisted their limited repertoire into a noise as futuristic as their rhetoric" 177. The club also served as location for the famed 100 Club Punk Special a two-day festival featuring the Pistols The Damned The Buzzcocks The Clash Siouxsie and the Banshees and other unsigned acts an event that was instrumental in bringing punk to the mainstream. It was also at the 100 Club pogoing was first invented a development often attributed to Sid Vicious but more likely simply fans' practical response to poor visibility in the tight confines of the club. Describing the June 29th date of which bootlegs exist Savage writes: "But the 100 Club take is something else. Here the Pistols are wound up to a pitch of impossible tautness: they swoop and drive through their fifteen songs more than half of all they would ever play in their brief life." This performance also almost certainly marked the first public performance of "Flowers of Romance." In addition the July 6 date is significant the first "real" show by The Damned who opened. Together two landmark performances for the group that defined British punk rock. While Reid's more commercial work for the Pistols appears with some regularity early and ephemeral promotional items like this are decidedly more scarce. And after Reid's iconic "God Save the Queen" flyer arguably the defining Sex Pistols handbill perfectly combining the raw energy of the group with Reid's signature punk style. This image was also utilized by Reid in his design of the Sex Pistols' press kit. 8.25'' x 11.75'. Broadside handbill. Offset duplicated recto only. Artwork by Jamie Reid featuring a repeated image of Rotten/Lydon snarling into a mic. Very good with some flattened creases and a 1/3" edge tear on the bottom. n.p. unknown books
1977réf. 41299Los Angeles: Warner Bros 1977. Very good. Original 1977 promotional poster for the US release of the Sex Pistol's only studio album NEVER MIND THE BOLLOCKS HERE'S THE SEX PISTOLS. Featuring a large B&W image of Rotten with a smaller photo inset of the band and a two line quotation from "No Future" "We're the flowers in the dustbin." the poster lacks the signature Jamie-Reid designed intensity of the Pistols' UK promotional items. Warner Brothers Records signed the Pistols in October 1977 and released BOLLOCKS less than a month later - rushing the album into print in order to capitalize on the various UK Pistols controversies as well as the band's upcoming and ultimately aborted US tour. Scarce. Not in Burgess and Parker but reproduced in Savage's ENGLAND'S DREAMING see color photo inset. 24'' x 33''. Color poster printed verso only. Folded in sixths presumably as issued. Some wear at edges. Warner Bros unknown
réf. 125645N.p.: Matrixbest Production Circa 190. Vintage pre-release promotional poster for the 1980 film featuring Sid Vicious from the film performing "My Way" noted on the bottom banner as "From the forthcoming film." Julien Temple's now-classic mockumentary about an unscrupulous manipulative music manager who takes advantage of a British punk rock band loosely based on the formation rise and fall of the Sex Pistols told from manager Malcolm McLaren's perspective. Set and shot on location in London. 17 x 25 inches. Light wear at the extremities overall Near Fine. Matrixbest Production unknown
1977réf. 41299Los Angeles: Warner Bros 1977. Very good. Original 1977 promotional poster for the US release of the Sex Pistol's only studio album NEVER MIND THE BOLLOCKS HERE'S THE SEX PISTOLS. Featuring a large B&W image of Rotten with a smaller photo inset of the band and a two line quotation from "No Future" "We're the flowers in the dustbin." the poster lacks the signature Jamie-Reid designed intensity of the Pistols' UK promotional items. Warner Brothers Records signed the Pistols in October 1977 and released BOLLOCKS less than a month later - rushing the album into print in order to capitalize on the various UK Pistols controversies as well as the band's upcoming and ultimately aborted US tour. Scarce. Not in Burgess and Parker but reproduced in Savage's ENGLAND'S DREAMING see color photo inset. 24'' x 33''. Color poster printed verso only. Folded in sixths presumably as issued. Some wear at edges. Warner Bros unknown books
réf. 125645N.p.: Matrixbest Production Circa 190. Vintage pre-release promotional poster for the 1980 film featuring Sid Vicious from the film performing "My Way" noted on the bottom banner as "From the forthcoming film." Julien Temple's now-classic mockumentary about an unscrupulous manipulative music manager who takes advantage of a British punk rock band loosely based on the formation rise and fall of the Sex Pistols told from manager Malcolm McLaren's perspective. Set and shot on location in London. 17 x 25 inches. Light wear at the extremities overall Near Fine. Matrixbest Production unknown books
1978réf. 161136London: London Features International 1978. Vintage photograph of the Sex Pistols during the first performance of their 1978 US tour at the Great Southeast Music Hall in Atlanta on January 5 1978. Mimeo snipe and the label of London Features International on the verso. Initially scheduled for nine dates the Pistols' tour was cut short after five shows attributed to Sid Vicious' increasing drug use and the deteriorating relationship between John Lydon and manager Malcolm McLaren. 10 x 8 inches. Minute creasing at the top corners else Fine. London Features International unknown
1978réf. 161136London: London Features International 1978. Vintage photograph of the Sex Pistols during the first performance of their 1978 US tour at the Great Southeast Music Hall in Atlanta on January 5 1978. Mimeo snipe and the label of London Features International on the verso. Initially scheduled for nine dates the Pistols' tour was cut short after five shows attributed to Sid Vicious' increasing drug use and the deteriorating relationship between John Lydon and manager Malcolm McLaren. 10 x 8 inches. Minute creasing at the top corners else Fine. London Features International unknown books
