Lai

Lai — marelibri

1930réf. 049568New Deutscher Verlag / Willi Munzenberg 1930. 1st Edition . Soft cover. Fair. Pp 121-136 Including Covers. Original Complete Issue. Printed In Red And Black Many Cartoons Caricatures Illustrations. Quite Scarce Paper Browned Fragile But Not Particularly Brittle Although Requires Handling With Care No Casual Reading!. Chipping At Edges Loss Of A Few Words Of Text On Pp 122 And 136. The Eulenspiegel Was A German Satirical Magazine 1928-1933 At First By The "Eulenspiegel-Verlagsgesellschaft" From Issue 10/1929 By The " Neuen Deutsche Verlag " Of Willi Münzenberg's Newspaper Group. Munzenberg's Declared Goal Was To Provide Bourgeois Press Groupswith A Communist Counterweight. The Berlin Painter Otto Nagel Acted As Publisher And Editor-In-Chief Of The Monthly Issue ; The Journalist Bruno W. Reimann Was Responsible For The Articles From The Second Issue Until His Death In December 1929 . After That Nagel Also Took Over Reimann's Part. The Title And Back Of The Twelve-Page Booklet Were Designed In Two Colors. In The Years That Followed The Paper Quality Format Printing Technique And Size Of The Magazine Changed Several Times Until In July 1930 It Had Shrunk To A More Manageable 23.5 × 31.5 Cm And Expanded To 16 Pages Eight Of Them In Color. The Structure Of The Individual Issues Did Not Follow A Fixed Scheme. In Quantitative Terms The Caricature Slightly Dominated The Text Contributions With A Share Of 60 To 75 Percent. It Published Poems Commentaries Short Stories And Jokes As Well As Pertinent Articles Sometimes As A Series. On The Picture Level Illustrations Picture Stories And Caricatures Played A Role. The Magazine Saw Itself As Political Proletarian Party Satirical "The Only German Magazine That Openly Fights For The Interests Of The Working Proletariat ". "Reaction And Philistineism " Were Named As Opponents "Eulenspiegel" 8/1928. The Berlin Painter Otto Nagel Editor And Editor Until October 1931 Was Largely Responsible For The Design. The Main Authors Are Slang Erich Weinert And F. Bernhard ; The Most Frequently Represented Draftsmen Otto Bittner "Bi" Alfred Beier-Red Josef Sauer Alois Erbach Charles Girod Günter Wagner "Gü" Karl Holtz Kurt Werth And Heinrich Zille. In Addition Especially In The First Year There Were Caricatures From China Russia France Hungary England And Other Countries Which Preferably Appeared In The "Eulenweltspiegel" Series. In Addition To Käthe Kollwitz George Grosz And Rudolf Schlichter And In The Literary Field Kurt Tucholsky Under The Pseudonym Arno Nadel From Whom Contributions From The "Weltbühne" Were Mainly Taken Were Among The Already Prominent Employees With Johannes R. Becher And Oskar Maria Graf Arthur Holitscher Kurt Kläber Mynona Di Salomo Friedländer And Ernst Toller . New Deutscher Verlag / Willi Munzenberg paperback