Solar Energy and Emerging Technologies in Micro Irrigation
2020rif. DBS-9781774072219Delve 2020. 1ST. Hardcover. New. Delve hardcover
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rif. DADAX1848541031New unknown
2020rif. DBS-9781774073476Delve 2020. 1 ST. Hardcover. New. Delve hardcover
2020rif. DBS-9781774073476Delve 2020. 1 ST. Hardcover. New. Delve hardcover
2020rif. DBS-9781774072219Delve 2020. 1ST. Hardcover. New. Delve hardcover
2020rif. DBS-9781774072219Delve 2020. 1ST. Hardcover. New. Delve hardcover
1956rif. 162874Waterloo IA: Downtown Waterloo Inc 1956. Vintage seven-page promotional investment prospectus from Downtown Waterloo Inc. a local non-profit consortium of local Iowa business owners seeking investors for a campaign to modernize the city's downtown business district during the automobile boom of the 1950s circa 1956. The seven pages of the prospectus includes: An introduction promoting "Centrally located and easily accessible" "Down Town Parking." A Downtown Waterloo Inc. common stock offering $100 a share listing all of the non-profit's officers and directors. A page listing downtown businesses above a page of a map of the area with the locations of the aforementioned businesses labeled numerically. Three two-page spreads illustrating the "Before ." and "After ." of proposed remodeling to include overhead parking with photographs of the area on the top pages and illustrated architectural proposals on the following pages. The areas illustrated include two opposing views of the intersection of West Fourth Street and Jefferson Street and one of the intersection of Commercial Street and West Fifth Street. A reprint of "Let's Keep Business in Downtown Waterloo" a two page ad from the Sunday January 29 1956 Waterloo Sunday Courier proposing overhead parking public restrooms public lockers and a bridge connecting the east and west sides of Commercial Street between West Fourth Street and West Park Ave with a large diagram of the proposed parking in the area. And a page illustrating and describing a double-spiral "Parkit" overhead parking design by Moline Architect M. R. Beckstrom. 9.5 x 14 inches side-stapled with card wrappers. Very Good plus with faint toning to the wrappers. Downtown Waterloo, Inc unknown
2020rif. DBS-9781774072813ARCLER PRESS 2020. 1st. Hardcover. New. ARCLER PRESS hardcover
2020rif. DBS-9781774072813ARCLER PRESS 2020. 1st. Hardcover. New. ARCLER PRESS hardcover
1897rif. 09582THE STORY OF AB Way & Williams 1897 first edition a bright near fine copy of this one of the publisher's finest bindings this one executed by Will Bradley. A wonderful copy of this early man novel. Quite scarce in this condition. Way & Williams unknown
1650rif. 1684Amsterdam 1650. Good. Etching on cream laid paper 5 1/8 x 5 3/4 inches 130 x 147 mm trimmed at the platemark thread margins. Adhered at the left top and bottom corners to a laid paper matrix. A 1/4-inch vertical edge tear at the lower-center sheet unobtrusive. Printed 17th century. Bartsch 19. Early states of this plate were drafted by Jan Ruijscher a pupil of Rembrandt. Waterloo later acquired the plate heavily reworked it with his characteristic dense foliage and darker shadows and published it as his own. unknown
1816rif. 32205678vo pp. 12 2; key consisting of a wood-engraved circular anamorphic-style image on folding plate measuring 40 × 31 cm; apart from a few light marks a clean fresh copy throughout; in recent marbled wraps. At the foot of the key Barker 'respectfully informs the Public that in order to give a correct Representation of the Battle of Waterloo he went to Paris and from the Officers at Headquarters procured every possible Information on the Subject. A set of Eight Etchings from his original Sketches of the Field of Battle is published executed by Mr. J. Burnet; and may be had at the Panorama; price One guinea'. At the end of the main text are proposals by Messrs Boydell & Co. for a 'national print' of the Battle of Waterloo by John Burnet after Atkinson and Devis. [London, J. Adlard],
rif. 3aa2Lange Dortmund um 1830. Nach einem Bild von A. Cooper. 735 cm x 595 cm. Gerahmt. Brauner Holzrahmen der Zeit unter Glas. Dargestellt wird ein Schlachtenpanorama. Im linken Vordergrund verletzter Offizier der von einer Guppe schottischer Soldaten behandelt wird. Rechts im Vordergrund Wellington mit hohen Offizieren zu Pferd. Siehe Bild unknown
rif. 64959Bartsch described this plate as: 'Les planches de bois attachées aux quatre arbres';signed on top right: 'Antoni Waterlo fe. et ex.' lettered on top left corner: 'A'.On verso various collectors' marks like J. M. F. Geissler 1779-1853 L.1072 and three further K.S. J. Schook and M. not in Lugt.Also on verso: 'B.artsch N: 21. Premiére épreuve magnifique'.set: twelve lettered plates.NL Een hek naast een brug. Etching on paper trimmed close to plate; total: 103 x 149 mm; state I/5; small pin hole slightly visible large watermark not identifiable. Some light foxing and traces of previous mounting on verso. Beautiful and extremely rare impression; Hollstein 21. unknown
rif. 64963Lettered on top left: 'h'. The letter actually looks more like a 'b' though this modification might be due to the pressing of the paper against grooves that are inkier than expected. Therefore a migration of ink on the paper is a suitable explanation.On verso three collectors 'marks K.S. J. Schook and M. not in Lugt.set: twelve lettered platesNL Een ruiter en kudde op een brug. Etching on paper trimmed close to plate; total: 100 x 143 mm; state I/2; slightly visible watermark fool's cap. Top left corner thin paper traces of previous mounting on verso. Beautiful and extremely rare impression; Hollstein 28. unknown
rif. 308Etching. Dutuit 75; only state. Watermark: early Amsterdam seal see Dutuit. Rare with no later printings. Image: 4 x 6 . Margins: ½ to ¾ inch. unknown
1850rif. TATLL(WA48Brussels: Gérard c1850. 1850. oblong 4to. folding partly hand-coloured lithographed plan & 12 lithographed plates. 19th century half vellum original printed front wr. bound in. some foxing throughout stain in lower margin of 5 plates. Brussels: Gérard, [c1850]. hardcover
rif. #[60942]To the left the city of Rhenen with two mills and a church in a flat landscape. To the right is a sailing boat in the river. In front is a figure transporting goods on his head. Plate from a late French edition of the series of six landscapes designed and etched firstly by Jan Ruyscher and then edited by Waterloo. Probably end of eighteenth century. Waterloo's address above on the left: 'AW ex.' l Etching burin and drypoint on laid paper with broad margins in passepartout; plate mark: 120 x 208 mm total: 203 x 254 mm; state III/3; in very good conditions; Hollstein 90 Waterloo 15 Ruyscher unknown
rif. elala5776London: 1700-1727. Thomas Bray 1656-1730. The English clergyman and abolitionist helped establish the Church of England in Maryland as well as the Society for the Propagation of Christian Knowledge and the Society for the Propagation of the Gospel in Foreign Parts. He established a scheme for establishing parish libraries in England and America and in 1723 he formed a group of associates to carry on his work. The Waterloo Clerical Lending Library in Waterloo Quebec was founded in 1845; twenty years later the library was moved to the parish of Dunham. The five complete texts are as follows the odd volumes are works by John Conant John Sharp and John Tillotson: NEWTON Robert. A Practical Exposition Of The Church-Catechism; In Twenty Four Lectures Read In the Parish Church of St. Augustine. pp. viii 392. woodcut ornaments & initials. contemporary paneled calf worn front cover detached foxing to outer leaves. London: Printed by J.Willis and T.Pettet for J. and J.Bonwicke… 1727. First Edition. NICHOLS William 1664-1712. A Conference With A Theist; Containing an Answer To all the most usual Objections of the Infidels Against The Christian Religion. 2 Volumes. pp. xvi 516 14; 2 p.l. 486 10. 2 folding engraved plates. woodcut ornaments & initials. contemporary paneled calf spines & corners worn. early ownership entry of William Woldish Cambridge. London: Printed for J.Holland and J.Bowyer… 1723. Third Enlarged Edition with two additional conferences one with a Machiavelian and the other with an Atheist. PARSONS Robert 1546-1610. His Christian Directory Being a Treatise of Holy Revolution… 2 Parts in 1 continuous pagination. pp. 4 p.l. 490 4. contemporary paneled calf rebacked binding worn some browning. early ownership entries of Thomas Spencer Browne & Jonathan Browne. London: Printed for Richard Sare 1700. Wing P567. ST. JOHN Pawlet. Fourteen Sermons On Practical Subjects. pp. 12 p.l. incl list of subscribers & errata 451. woodcut ornaments. contemporary paneled calf worn front joint cracked foxing to outer leaves. London: Printed by J.Bettenham and sold by ABettesworth and C.Hitch 1737. First Edition. SHARP John Archbishop of York 1645-1714. Fifteen Sermons Preached on Several Occasions. pp. 3 p.l. 472. engraved frontis. portrait. contemporary paneled calf worn spine ends chipped some foxing. London: Printed for Walter Kettilby and sold by Richard Wilkin 1709. Third Edition. 5 complete books in 6 volumes enumerated below plus 8 odd volumes. each octavo volume with printed & manuscript bookplate: ‘This book was given by the Associates of the late Rev. Dr. Bray to the Clerical Lending Library of Waterloo In the County of And Diocese of Quebec 1845 52 Hatton Garden’ rubberstamp of the ‘The Library of Dr. Bray’s Associates’ on title & gilt stamp on spines and printed ‘Rules for the Preservation of Dr. Bray’s Lending Libraries’ on rear paste-down. elala5776 London: 1700-1727 unknown
1817rif. 195022London: J. Adlard 1817. The biggest box office hit of its day Second edition related to the stunningly popular panorama of the battle installed at Leicester Square from 1815. The key shows among other incidents Wellington on horseback the Life Guards charging a burning ammunition wagon and the Royal Dragoons capturing the eagle of the French 105th Regiment. The pamphlet gives a detailed breakdown of the battle which Barker assures his readers he researched personally in Paris. Henry Barker 1774-1856 was the son of Robert Barker 1739-1806 the inventor of the panorama. His father designed and built a circular rotunda with walls covered by a continuous painting fully immersing visitors in the scene. It housed two paintings simultaneously each on a separate floor such that one could be replaced while the other was still open for public viewing. The spectacle of Waterloo in the public imagination provided Barker with a perfect opportunity for a panorama which opened to instant success. "He charged 1 shilling admittance yet within a few short months he grossed over £10000 some £500000 in modern terms" Summerville p. 27. It then went on tour through England Scotland and the USA. Visitors could buy keys descriptive pamphlets and etchings as souvenirs. The first edition was published in 1816. Octavo pp. 12; single sheet 381 x 317 mm woodblock illustration on one side only edges untrimmed. Original self-wrappers wire-stitched as issued. Single sheet loose. Pamphlet a little toned and dust-soiled: a near-fine copy; panorama key creased where sometime folded edges soiled and nicked especially left edge light offsetting: a very good copy. Christopher Summerville Who Was Who at Waterloo: A Biography of the Battle 2014. unknown
rif. DADAX1862271186New unknown
rif. K80193Two figures stand by a small bridge.Drawing after Waterloo's etching A man and a woman near a small bridge H 59 in this lot in two states 1st and 2nd.In the drawing some details differ from the etching the clothes of the figure on the left and the one woman with a hat visible just beyond the arm of the man at the center of the composition are missing.Usually Waterloo sketched lines in black chalk and completed the drawings with a grey or brown wash. Some more finished and detailed drawings featuring walking figures or figures on animals are drafted in pen and ink and then enriched with grey or brown wash to determine regions of shadows. See for example Hamburger Kunsthalle Hamburg inv./cat.nr 22688 and Stiftung Weimarer Klassik und Kunstsammlungen Weimar Thüringen inv./cat.nr KK 5624 recto.The first state is signed at the top left: Antoni Waterloo sc. Lettered on the top right: a.; in the second state the address of Ottens is added: R. &. J Ottens ex.NL Twee figuren staan bij een beek in een bos. Over de beek is een smalle brug met een hek afgebeeld. Antieke tekening toegeschreven aan Anthonie Waterloo 1609-1690 en twee etsen in twee verschillende staten. Pen in black and gray ink washed in gray; total: 125 x 145 mm; some light staining on the top margin otherwise in outstanding condition. Etching on laid paper with small margins; total: 136 x 157 mm; state I/3; some rubbing due to handling some minor staining otherwise in good condition. Etching on laid paper with wide margins; total: 211 x 266 mm; state II/3; in good condition. Mounted on cardboard passepartout. Hollstein 59. hardcover
2015rif. 376726Extraordinary Editions London 2015. Hardcover. Fine Condition. The Waterloo Commemorative Anthology. 2015. Limited edition of 1815 copies. Two-volume set comprising the anthology and a matching portfolio of maps in a slipcase. An illustrated account of the Waterloo campaign combining William Mudford’s "An Historical Account of the Campaign in the Netherlands in 1815" with contemporary letters reports and eyewitness recollections from participants of different nationalities and ranks on both sides. These include Wellington’s correspondence immediately before and after the battle together with his first draft of the Waterloo Dispatch reproduced in full with a transcription and explanatory footnotes. The anthology contains over 200 illustrations maps diagrams and facsimile documents drawn from collections in Europe and the United States including some previously unpublished material. These include reproductions from hand-coloured publishers’ proofs; a series of 34 etchings originally published by John Booth; sketches and Napoleonic satires from the Anne S. K. Brown collection; and sketches and diagrams supplied by Siborne’s correspondents. Tipped-in illustrations include Booth’s panorama of the battlefield Jones’s battle plan Mudford’s battle panorama and an etching after Daniel Maclise’s depiction of Wellington meeting Blücher. Smaller campaign maps and battle plans appear within the text. The separate portfolio contains full-size reproductions of all eight of Siborne’s anaglyptograph maps each folding. Vol 1 : 31 pages 470 pages with over 200 prints maps diagrams and facsimile documents. Vol 2 : with 8 maps on 4 fold-outs all in fine condition. The anthology and portfolio are both hand-bound in quarter chocolate calf with gilt spine bands and lettering and scarlet bookbinders’ silk boards. The anthology’s cover design depicts the British and Prussian flags above the fallen French Tricolour; its specially designed endpapers reproduce scenes from Maclise’s cartoons. Both are housed in a chocolate-brown Kashgar-covered slipcase retained in the publisher’s original double-walled foam-lined mailing box. Category: Antiquarian & Rare; New Arrivals;. Extraordinary Editions hardcover
rif. 51-3650Philadelphia: Janentzky & Weber 1883-1884. Portfolio of matted original etchings in various sizes. Mats are 14 x 20 inches. No table of contents or title page. 11 of 12 etchings. Original fabric portfolio. Includes the etching by Meryon: "Bain-Froid Chevrier." Delteil-Wright 44; Schneiderman 93V. Minor foxing in the image and more specks in the margins. May not be OCLC Number: 145382593 which is American prints whereas this one contains European artists. Philadelphia: Janentzky & Weber, [1883-1884] unknown
1816rif. WATERLOO010935Printed by J. Russell Birmingham 1816. Second edition enlarged from the 1814 edition with the account of the Battle of Waterloo. Octavo. 476 pages. Five woodcut plates. Original boards with later leather spine retaining the endpapers.Covers rubbed. Discreet repairs to minor insect damage at bottom edges of first few leaves. Very good. Very scarce; no copies of this edition on Library Hub. Printed by J. Russell, Birmingham, hardcover
1650rif. 5021650. Very good. Etching on thin cream laid paper with a partial "M" or "W" watermark 5 x 5 15/16 inches 126 x 150 mm thread margins. Inscribed in the plate in the upper-right: "Antoni Waterlo fe. et in." In very good condition with light toning in the top right and left corners at the location of a former mount and scattered inscriptions in pencil on the verso. With a charming ovoid beehive collectors stamp in purple ink on the verso Lugt 2732. Because this impression lacks the additional cross hatching and vertical shading on the trunk of the large tree in the left portion of the image and the mound of earth in the left-center sheet it is our opinion is that this is a first state impression of two and before the 1776 publication by Basan. A comparable impression may be found in the collection of the British Museum. Plate six from the series "Six Landscapes." Bartsch 52.1; Hollstein 52. On the collector's stamp taken from Frits Lugt Les Marques de Collections de Dessins & d'Estampes Fondation Custodia: "We have not found the owner of this mark the name of which must probably be related to what it depicts a beehive which could symbolize a concentration of elements around a collection. For us it evokes the words of the great art historian Henri Focillon who wrote in the preface to the catalog Le Dessin français dans les collections du XVIIIe siècle Paris 1935: "It is because the particular genius of the collector consists by the certainty of discernment and by the personality of choice to make with the genius of others a honey that belongs only to him. » In the margin of the copy of Frits Lugt's book The Marks of Collection of Drawings & Prints 1921 from the Galerie Karl & Faber in Munich it is written "Slg. Moran" opposite number L.2732 with a reference to the Supplement 1956 p. 409. In the latter there is indeed a note at the end of the objects section: "Bienenkorb mit und ohne Initial "M": Slg. Moran Berlin". But we have not yet found any information on this Moran collection from Berlin which would perhaps allow us to identify this amateur beekeeper. A landscape drawing attributed to Theodorus Wilkens sold on the art trade at Christie's in Amsterdam on November 14 1984 under number 130 was presented in the auction catalog as coming from a "Moran collection Berlin its mark not mentioned in the Lugt". It reappeared in 2004 in the catalog of the Winterberg house in Heidelberg Meisterzeichnungen aus fünf Jahrhunderten under number 21 and this time noted as coming from "anonymous collection L.2732". The joint presence on several drawings and prints of this mark L.2732 associated with the name "Moran" and of the unidentified mark L.4218 M in capital letter followed by a point both stamped in purple ink encourages us to write that these two brands are linked to the same collection. They are found stamped on several prints: for example on a mezzotint by Wallerant Vaillant sale 1995 November 28 London Christie's n° 336; on an etching by Daniel Chodowiecki sale 2001 June 7 Hamburg Hauswedell & Nolte no. 139; on an engraving by Pieter II de Jode after J. Jordaens sale 2004 November 24 and 25 Haarlem Bubb Kuyper no. 3485; on three burins by Hans Sebald Beham from the series Les Noces de village B. 157 B. 161 B. 162; sale 2016 March 22 London Sotheby's no. 21. They are still together indicated on an etching by Breenbergh bearing in particular the mark of the doubles of the Kupferstichkabinett in Berlin L.2398 archives of the Fondation Custodia January 9 2016. They are also stamped together on the mount of a wash attributed to Bartholomeus Breenberg sale 1998 November 9 Amsterdam Christie's n° 102. The L.2732 mark alone has also been reported on old prints: La Sainte Famille by Bartolommeo Biscaino sale 1987 December 8 and 9 Berlin Bassenge Auktion 50 n° 4044; a Shepherd and his herd walking by Gerrit Claesz Blekker bearing the marks of Cabinet Brentano-Birckenstock L.345 and of J. Pricken L.2049 B. 9; id. n° 4045; Empedocles by René Boyvin after Rosso id. no. 4072; three woodcuts by Albrecht Dürer B. 76 B. 82 and B. 86; sale 2007 March 28 London Christie's nos. 61 62 and 65. It has also been reported alone on drawings: sale 2000 November 24 and 25 Berlin Bassenge Auction 76 n° 5647 as Wilhem F. Schlotterbeck 1777-1819; sale 2014 June 14 Hamburg Hauswedell & Nolte n° 556 as Jan Hackaert. We also do not know why Lugt proposed the name of Zeidler of Nuremberg in the 1921 notice except that the coat of arms of the bibliophile Carl Sebastian Zeidler 1719-1786 presents a beehive and the word 'zeidlerei' being an old name to indicate the collection of honey. unknown
