[OREGON -- WATERLOO FALLS EXCURSION].Biblio.com
Physics Of Solar Energy
2020réf. AME_9781774072813ARCLER PRESS 2020. UNKNOWN. Hardcover. New/New. _ ARCLER PRESS hardcover
1 302 résultats
1890réf. 58342Waterloo Falls OR: n.p. June 8 1890. Oblong 8vo. 1 boudoir sized albumen photo sized 8 x 4.5 in. mounted on studio board 8.5 x 5 in. w/ pencil annotations indicating location date and very faintly a few of the participants although without last names indicated minor toning shelfwear still VG bright image. At the time this photo was shot there was a concerted push by business leaders and local citizenry pushing for an electric excursion train to the Waterloo Falls 1889-1890 along the South Santiam River as seen by articles published periodically in the Lebanon Express newspaper. The image is a striking shot with the band members and family members strewn about seated on the rocks next to the river during late Spring runoff and the Falls. Contemporary images of Waterloo Falls and the South Santiam River area are fairly uncommon and the caption refers to Andrew John S.B. Walter and George standing near “me.” n.p., unknown
2020réf. AME_9781774072813ARCLER PRESS 2020. UNKNOWN. Hardcover. New/New. _ ARCLER PRESS hardcover
1997réf. AME_9780387983974Springer 1997. 3Rd. Paperback. New/New. _ Springer paperback
1996réf. AME_9780387945378Springer 1996. 2nd. Paperback. New/New. _ Springer paperback
1997réf. AME_9780387983981Springer 1997. 3rd. Paperback. New/New. _ Springer paperback
1996réf. AME_9780387945361Springer 1996. 2nd. Paperback. New/New. _ Springer paperback
1998réf. x-038798397XSpringer 1998. Paperback. New. 3rd edition. 293 pages. 9.50x7.00x0.75 inches. Springer paperback
1997réf. DADAX038798397XSpringer 1997-12-12. 3rd. paperback. New. 6.90x0.68x9.10. Buy with confidence. Excellent Customer Service & Return policy. Springer paperback
1997réf. DADAX0387983988Springer 1997-12-12. 3rd ed. 1998. paperback. New. 6.69x0.89x9.61. Buy with confidence. Excellent Customer Service & Return policy. Springer paperback
1996réf. x-3540605452Springer 1996. Paperback. New. 289 pages. German language. 9.60x6.60x0.63 inches. Springer paperback
1996réf. x-3540605444Springer Berlin Heidelberg 1996. Paperback. New. 1st edition. 411 pages. German language. 9.61x6.69x0.94 inches. Springer Berlin Heidelberg paperback
1899réf. ABE-1697463828557Herbert S. Stone 1899. Chicago: Herbert S. Stone 1899. 8vo 288 p. original red cloth stamped in black. First edition of this collection of short stories including several science fiction tales. Light crimping to spine tips corners gently rounded else a nice example of a Will Bradley designed binding. 1st Edition. Hardcover. Very Good. Herbert S. Stone Hardcover
1897réf. 893Z27London: Adam and Charles Black 1897. First edition. Cloth. Good Only. 7.5" by 5". Simon Harmon Vedder. The very scarce first UK edition of this illustrated prehistoric fiction novel by Stanley Waterloo. The first UK edition. First published in the U.S the same year by Way and Williams. Illustrated with a monochrome frontispiece nine monochrome plates and a folding map. Collated complete. This work was written by American newspaper owner editor and author Stanley Waterloo. This novel tells the story of Ab a stone age boy as he grows into manhood and navigates the dangers of the prehistoric era. In the publisher's original cloth. In the publisher's original cloth. Externally generally smart with a lean marks to the boards slight cockling to the head of the rear board a two inch closed tear to the head of the front joint with spine lifting slightly rubbing and bumping to the extremities with small closed tears to the head and tail of the spine. Offsetting to the endpapers with scattered spotting. Internally frontispiece tender with the odd plate disbound but present with signs of strain in places. Pages lightly age toned with the odd minor spot heavier to the front and rear. Good Only Adam and Charles Black hardcover
réf. #[70348]A ruined structure partly overgrown with shrubs. Etching on hand laid paper made by Johannes Ruischer and finished by Anthonie Waterloo after the design of Ruischer. Published by Anthonie Waterloo c. 1670. Sheet size 104 x 89 mm. Johannes or Jan Ruischer with numerous spelling variants Franeker 1625 - 1675 Dresden was a Dutch painter draughtsperson and printmaker of mainly landscapes architecture and genre scenes. He was possibly son of the painter Johann Hans Rauscher II who died in 1632 and grandson of Johann Hans Rauscher I who settled in Leipzig in 1589. He was a follower of Hercules Seghers In very good condition. Cropped to or almost to the platemark. References: Trautscholdt 4 iii/3. unknown
1800réf. 13951800. Very good. Etching on cream laid paper 4 x 4 3/4 inches 100 x 120 mm narrow margins. In very good condition with a number of inscriptions in pencil on the verso. Also on the verso there is an unidentified circular collector's stamp in black ink bearing the initials YVB or LVB not in Lugt. A copy printed later evidenced by the lack of the artist's initials which would have appeared in the upper-left image area. A fine 19th century impression. Bartsch 4. unknown
1650réf. 5021650. Very good. Etching on thin cream laid paper with a partial "M" or "W" watermark 5 x 5 15/16 inches 126 x 150 mm thread margins. Inscribed in the plate in the upper-right: "Antoni Waterlo fe. et in." In very good condition with light toning in the top right and left corners at the location of a former mount and scattered inscriptions in pencil on the verso. With a charming ovoid beehive collectors stamp in purple ink on the verso Lugt 2732. Because this impression lacks the additional cross hatching and vertical shading on the trunk of the large tree in the left portion of the image and the mound of earth in the left-center sheet it is our opinion is that this is a first state impression of two and before the 1776 publication by Basan. A comparable impression may be found in the collection of the British Museum. Plate six from the series "Six Landscapes." Bartsch 52.1; Hollstein 52. On the collector's stamp taken from Frits Lugt Les Marques de Collections de Dessins & d'Estampes Fondation Custodia: "We have not found the owner of this mark the name of which must probably be related to what it depicts a beehive which could symbolize a concentration of elements around a collection. For us it evokes the words of the great art historian Henri Focillon who wrote in the preface to the catalog Le Dessin français dans les collections du XVIIIe siècle Paris 1935: "It is because the particular genius of the collector consists by the certainty of discernment and by the personality of choice to make with the genius of others a honey that belongs only to him. » In the margin of the copy of Frits Lugt's book The Marks of Collection of Drawings & Prints 1921 from the Galerie Karl & Faber in Munich it is written "Slg. Moran" opposite number L.2732 with a reference to the Supplement 1956 p. 409. In the latter there is indeed a note at the end of the objects section: "Bienenkorb mit und ohne Initial "M": Slg. Moran Berlin". But we have not yet found any information on this Moran collection from Berlin which would perhaps allow us to identify this amateur beekeeper. A landscape drawing attributed to Theodorus Wilkens sold on the art trade at Christie's in Amsterdam on November 14 1984 under number 130 was presented in the auction catalog as coming from a "Moran collection Berlin its mark not mentioned in the Lugt". It reappeared in 2004 in the catalog of the Winterberg house in Heidelberg Meisterzeichnungen aus fünf Jahrhunderten under number 21 and this time noted as coming from "anonymous collection L.2732". The joint presence on several drawings and prints of this mark L.2732 associated with the name "Moran" and of the unidentified mark L.4218 M in capital letter followed by a point both stamped in purple ink encourages us to write that these two brands are linked to the same collection. They are found stamped on several prints: for example on a mezzotint by Wallerant Vaillant sale 1995 November 28 London Christie's n° 336; on an etching by Daniel Chodowiecki sale 2001 June 7 Hamburg Hauswedell & Nolte no. 139; on an engraving by Pieter II de Jode after J. Jordaens sale 2004 November 24 and 25 Haarlem Bubb Kuyper no. 3485; on three burins by Hans Sebald Beham from the series Les Noces de village B. 157 B. 161 B. 162; sale 2016 March 22 London Sotheby's no. 21. They are still together indicated on an etching by Breenbergh bearing in particular the mark of the doubles of the Kupferstichkabinett in Berlin L.2398 archives of the Fondation Custodia January 9 2016. They are also stamped together on the mount of a wash attributed to Bartholomeus Breenberg sale 1998 November 9 Amsterdam Christie's n° 102. The L.2732 mark alone has also been reported on old prints: La Sainte Famille by Bartolommeo Biscaino sale 1987 December 8 and 9 Berlin Bassenge Auktion 50 n° 4044; a Shepherd and his herd walking by Gerrit Claesz Blekker bearing the marks of Cabinet Brentano-Birckenstock L.345 and of J. Pricken L.2049 B. 9; id. n° 4045; Empedocles by René Boyvin after Rosso id. no. 4072; three woodcuts by Albrecht Dürer B. 76 B. 82 and B. 86; sale 2007 March 28 London Christie's nos. 61 62 and 65. It has also been reported alone on drawings: sale 2000 November 24 and 25 Berlin Bassenge Auction 76 n° 5647 as Wilhem F. Schlotterbeck 1777-1819; sale 2014 June 14 Hamburg Hauswedell & Nolte n° 556 as Jan Hackaert. We also do not know why Lugt proposed the name of Zeidler of Nuremberg in the 1921 notice except that the coat of arms of the bibliophile Carl Sebastian Zeidler 1719-1786 presents a beehive and the word 'zeidlerei' being an old name to indicate the collection of honey. unknown
réf. #[63266]View on a wood landscape with a stream in the foreground. On the left a large stump and towards the right other trees and bushes. Signed on the bottom right: AW F where AW are monogrammed. l Etching on laid paper trimmed to plate; total: 129 x 141 mm; state III/3; mounted on large passepartout. In outstanding condition; Hollstein 58; Bartsch 58 Dutuit 58 Wess. 58. unknown
réf. #[60942]To the left the city of Rhenen with two mills and a church in a flat landscape. To the right is a sailing boat in the river. In front is a figure transporting goods on his head. Plate from a late French edition of the series of six landscapes designed and etched firstly by Jan Ruyscher and then edited by Waterloo. Probably end of eighteenth century. Waterloo's address above on the left: 'AW ex.' l Etching burin and drypoint on laid paper with broad margins in passepartout; plate mark: 120 x 208 mm total: 203 x 254 mm; state III/3; in very good conditions; Hollstein 90 Waterloo 15 Ruyscher unknown
1914réf. P-12329Doubleday Page 1914. Hardcover. Fine/First Edition. Octavo. Doubleday Page hardcover
réf. 1688Rare explanatory guide to Jan Willem Pienemans celebrated painting of the Battle of Waterloo published shortly after the Napoleonic Wars for visitors viewing the monumental canvas. The work is an important document of early nineteenth-century historical memory and Dutch national identity surrounding the victory over Napoleon and the role of the Prince of Orange at Waterloo.Original blue paper binding with smudges octavo edition 18 x 11 cm. NL Zeldzame beschrijvende uitgave bij het beroemde panoramische schilderij van de Slag bij Waterloo door Jan Willem Pieneman uitgegeven te Amsterdam omstreeks 1825 door C.A. Spin. Het werk diende als gids of toelichting voor bezoekers van het monumentale historiestuk dat kort na de Napoleontische oorlogen grote publieke belangstelling trok. Het schilderij was langere tijd een van de belangrijkste werken van het Museum van Levende Nederlandsche Meesters in Haarlem. In 1885 werd het overgebracht naar het indertijd nieuw opgerichte Rijksmuseum in Amsterdam. Daar is het met zijn afmetingen van ruim vijf bij acht meter het grootste schilderij van de collectie. Het schilderij hangt permanent opgesteld in de Waterloozaal op de eerste verdieping.Jan Willem Pieneman 17791853 behoort tot de belangrijkste Nederlandse historieschilders van de negentiende eeuw. Zijn enorme doek De Slag bij Waterloo voltooid in de jaren 1820 verbeeldt het beslissende moment waarop de Prins van Oranje gewond raakt tijdens de slag van 18 juni 1815. Het schilderij groeide uit tot een nationaal icoon van de Nederlandse bijdrage aan de nederlaag van Napoleon.Dergelijke beschrijvingen werden verkocht aan bezoekers van tentoonstellingen en bevatten doorgaans een uitleg van de afgebeelde figuren militaire posities en historische gebeurtenissen op het doek. Ze vormen interessante voorbeelden van vroege negentiende-eeuwse kunst- en tentoonstellingscultuur in Nederland. Napoleon Bonaparte. unknown
réf. 53508285-nnew. unknown
réf. K80193Two figures stand by a small bridge.Drawing after Waterloo's etching A man and a woman near a small bridge H 59 in this lot in two states 1st and 2nd.In the drawing some details differ from the etching the clothes of the figure on the left and the one woman with a hat visible just beyond the arm of the man at the center of the composition are missing.Usually Waterloo sketched lines in black chalk and completed the drawings with a grey or brown wash. Some more finished and detailed drawings featuring walking figures or figures on animals are drafted in pen and ink and then enriched with grey or brown wash to determine regions of shadows. See for example Hamburger Kunsthalle Hamburg inv./cat.nr 22688 and Stiftung Weimarer Klassik und Kunstsammlungen Weimar Thüringen inv./cat.nr KK 5624 recto.The first state is signed at the top left: Antoni Waterloo sc. Lettered on the top right: a.; in the second state the address of Ottens is added: R. &. J Ottens ex.NL Twee figuren staan bij een beek in een bos. Over de beek is een smalle brug met een hek afgebeeld. Antieke tekening toegeschreven aan Anthonie Waterloo 1609-1690 en twee etsen in twee verschillende staten. Pen in black and gray ink washed in gray; total: 125 x 145 mm; some light staining on the top margin otherwise in outstanding condition. Etching on laid paper with small margins; total: 136 x 157 mm; state I/3; some rubbing due to handling some minor staining otherwise in good condition. Etching on laid paper with wide margins; total: 211 x 266 mm; state II/3; in good condition. Mounted on cardboard passepartout. Hollstein 59. hardcover
réf. K80390View of Rhenen on the Rhine with neat fields receding to the horizon the Cunera Tower in left background; from a series of six landscapes; eighteenth-century Basan impression.Basan reworked the plate adding cross-hatching on the bank at lower left; in the foreground between the roads; and in front of the fence at the right. Furthermore most of the rust spots and some of the shading in the sky are burnished out.NL Links ligt Rhenen met twee molens en een kerktoren in een vlak landschap. Rechts ligt een zeilschip in het water. Vooraan loopt een figuur met goederen in zijn hand en op zijn hoofd. Waterloo heeft deze staat niet uitgegeven. Antieke tekening door Jan Ruijscher ca. 1625-ca. 1675 en Anthonie Waterloo 1609-1690. Etching on hand laid paper with narrow margins; nice contrast. total: 121 x 208 mm; state III/3; In very good condition; some light smudges in the top. Hollstein 90. In a paper passepartout total 320 x 350 mm. unknown
réf. K80389Village on a river with a fisherman in the front and three people on the dyke. In the back the river and the fields with mills and church towers.e right. Furthermore most of the rust spots and some of the shading in the sky are burnished out.NL Antieke prent door Jan Ruijscher ca. 1625-ca. 1675 en Anthonie Waterloo 1609-1690. Gezicht op een landschap met bebouwing in vogelperspectief. Vooraan ligt een dorp met een kleine kerk aan een rivier. Op de voorgrond zijn enkele figuren weergegeven. Zelfde prent aanwezig in Rijksmuseum onder nummer RP-P-OB-61.421. Plaat bewerkt door Anthonie Waterloo 1609-1690 met adres linksboven AW ex. .Hollstein L.196.91 IIJan Ruyscher Ruischer Ruijscher Anthonie Waterloo Etching and dry needle on laid paper pasted on some some thicker paper weakness in the paper on the top middle not visible narrow margins; total: 123 x 213 mm; state 91/II; In good condition; Hollstein 91. unknown
réf. K80391Antique etching known as Hamlet in a valley. View from the Cunera tower at Rhenen the Rhine fields in the front and a wooden gate. Eighteenth-century Basan impression.Basan reworked the plate adding cross-hatching.NL De Cuneratoren werd in de periode 1492 1531 gebouwd. De pelgrims kwamen op de relieken van de Heilige Cunera af die vanaf de achtste eeuw werden vereerd. Antieke tekening door Jan Ruijscher ca. 1625-ca. 1675 en Anthonie Waterloo 1609-1690. Etching on aid paper with no margins; total: 122 x 212 mm; state III/3; In good condition; some light smudges in the top some defects in the right and left top. Hollstein Waterloo 93. In a paper passepartout total 320 x 350 mm. unknown
