Anthonie Waterloo (1609-1690)Biblio.com
1225 resultados
ref. 64972Mountainous landscape with watermill on the bottom left. Signed on top left: 'Antoni Waterlo. f.'.On verso collector's mark of J. Shook not in Lugt.set: Six Landscapes.NL Watermolen aan de voet van een berg. Etching on paper trimmed to plate; total: 125 x 210; state II/2; weak corners especially top left which is damaged. Hollstein 94. unknown
ref. 64979Pan son of Hermes and Penelope chasing nymph Syrinx in the woods running through a stream of water.Inscribed on top left: '4 A.W. in et f.' and on bottom right: 'A.W.f.'. On verso collector's marks: Kunsthalle Hamburg L.686 and other two not in Lugt: J. Schook and M.The story is that Syrinx wanted to stay a virgin and prayed to the gods that she would escape from Pan. Her prayers were answered just in time she was transformed into cane. The cane that Pan made his flute Panfluit of.set: Landscape with Ovid's Metamorphoses.NL Pan en Syrinx. Etching on paper with broad margins; plate mark: 297 x 243 mm total: 360 x 292 mm; state II/3; some light foxing. Traces of previous mountings on the verso. Hollstein 128. unknown
ref. 64968Three boys and their dogs on bottom right. A path in the woods on the left.Signed on bottom right: 'AW.' Lettered above on the right: 'c'.set: six lettered landscapes.NL Drie jongens met hun honden. Etching on laid paper with some margins; total: 131 x 144 mm; state II/2; some dirt on left and top margins; traces of previous mounting on verso; Hollstein 61. unknown
ref. 64970Large tree in the middle with a milkmaid walking down the path towards the foreground.Numbered on top right corner: '6'.set: Six Landscapes.NL Het melkmeisje. Etching on laid paper with some margins; plate mark: 131 x 145 mm total: 144 x 157 mm; state III/3; in outstanding condition despite a small stain on top margin; top margin reinforced on the back; Hollstein 70. unknown
ref. 64977A wooded landscape with a path in the middle. Two wanderers in the center of the plate.Signed at bottom right: 'Antoni Waterloo fe.'.Numbered on bottom left: '6'.On verso collector's mark of J. Shook not in Lugt.set: Six numbered plates.NLTwee mannen in een bos. Etching on paper with some margins; plate mark: 227 x 293 mm total: 244 x 309 mm; state II/2; very bright impression. Hollstein 112. unknown
ref. K80390View of Rhenen on the Rhine with neat fields receding to the horizon the Cunera Tower in left background; from a series of six landscapes; eighteenth-century Basan impression.Basan reworked the plate adding cross-hatching on the bank at lower left; in the foreground between the roads; and in front of the fence at the right. Furthermore most of the rust spots and some of the shading in the sky are burnished out.NL Links ligt Rhenen met twee molens en een kerktoren in een vlak landschap. Rechts ligt een zeilschip in het water. Vooraan loopt een figuur met goederen in zijn hand en op zijn hoofd. Waterloo heeft deze staat niet uitgegeven. Antieke tekening door Jan Ruijscher ca. 1625-ca. 1675 en Anthonie Waterloo 1609-1690. Etching on hand laid paper with narrow margins; nice contrast. total: 121 x 208 mm; state III/3; In very good condition; some light smudges in the top. Hollstein 90. In a paper passepartout total 320 x 350 mm. unknown
ref. K80389Village on a river with a fisherman in the front and three people on the dyke. In the back the river and the fields with mills and church towers.e right. Furthermore most of the rust spots and some of the shading in the sky are burnished out.NL Antieke prent door Jan Ruijscher ca. 1625-ca. 1675 en Anthonie Waterloo 1609-1690. Gezicht op een landschap met bebouwing in vogelperspectief. Vooraan ligt een dorp met een kleine kerk aan een rivier. Op de voorgrond zijn enkele figuren weergegeven. Zelfde prent aanwezig in Rijksmuseum onder nummer RP-P-OB-61.421. Plaat bewerkt door Anthonie Waterloo 1609-1690 met adres linksboven AW ex. .Hollstein L.196.91 IIJan Ruyscher Ruischer Ruijscher Anthonie Waterloo Etching and dry needle on laid paper pasted on some some thicker paper weakness in the paper on the top middle not visible narrow margins; total: 123 x 213 mm; state 91/II; In good condition; Hollstein 91. unknown
ref. K80391Antique etching known as Hamlet in a valley. View from the Cunera tower at Rhenen the Rhine fields in the front and a wooden gate. Eighteenth-century Basan impression.Basan reworked the plate adding cross-hatching.NL De Cuneratoren werd in de periode 1492 1531 gebouwd. De pelgrims kwamen op de relieken van de Heilige Cunera af die vanaf de achtste eeuw werden vereerd. Antieke tekening door Jan Ruijscher ca. 1625-ca. 1675 en Anthonie Waterloo 1609-1690. Etching on aid paper with no margins; total: 122 x 212 mm; state III/3; In good condition; some light smudges in the top some defects in the right and left top. Hollstein Waterloo 93. In a paper passepartout total 320 x 350 mm. unknown
ref. K80238View of Rhenen on the Rhine with neat fields receding to the horizon the Cunera Tower in left background; from a series of six landscapes; eighteenth-century Basan impression.Basan reworked the plate adding cross-hatching on the bank at lower left; in the foreground between the roads; and in front of the fence at the right. Furthermore most of the rust spots and some of the shading in the sky are burnished out.NL Links ligt Rhenen met twee molens en een kerktoren in een vlak landschap. Rechts ligt een zeilschip in het water. Vooraan loopt een figuur met goederen in zijn hand en op zijn hoofd. Waterloo heeft deze staat niet uitgegeven. Antieke tekening door Jan Ruijscher ca. 1625-ca. 1675 en Anthonie Waterloo 1609-1690. Etching on hand laid paper with wide margins; total: 194 x 280 mm; state III/3; some staining on the margins otherwise in very good condition; nicely preserved paper. Hollstein 90. unknown
ref. K80193Two figures stand by a small bridge.Drawing after Waterloo's etching A man and a woman near a small bridge H 59 in this lot in two states 1st and 2nd.In the drawing some details differ from the etching the clothes of the figure on the left and the one woman with a hat visible just beyond the arm of the man at the center of the composition are missing.Usually Waterloo sketched lines in black chalk and completed the drawings with a grey or brown wash. Some more finished and detailed drawings featuring walking figures or figures on animals are drafted in pen and ink and then enriched with grey or brown wash to determine regions of shadows. See for example Hamburger Kunsthalle Hamburg inv./cat.nr 22688 and Stiftung Weimarer Klassik und Kunstsammlungen Weimar Thüringen inv./cat.nr KK 5624 recto.The first state is signed at the top left: Antoni Waterloo sc. Lettered on the top right: a.; in the second state the address of Ottens is added: R. &. J Ottens ex.NL Twee figuren staan bij een beek in een bos. Over de beek is een smalle brug met een hek afgebeeld. Antieke tekening toegeschreven aan Anthonie Waterloo 1609-1690 en twee etsen in twee verschillende staten. Pen in black and gray ink washed in gray; total: 125 x 145 mm; some light staining on the top margin otherwise in outstanding condition. Etching on laid paper with small margins; total: 136 x 157 mm; state I/3; some rubbing due to handling some minor staining otherwise in good condition. Etching on laid paper with wide margins; total: 211 x 266 mm; state II/3; in good condition. Mounted on cardboard passepartout. Hollstein 59. hardcover
1962Features: Across the Continent in Model A Fords; AAA Revives Glidden Trophy as 60th Anniversary Feature; Central Division Spring Meet at Waterloo, Iowa; Roamer Speedster Found! - Art Austria's 1921 model; Rambler Familiy Album, 1897-1962 - dozens and dozens of wonderful photos with captions; Paul Grard's 1900 Renault; A few notes on leather upholstery; and more. Front cover a bit faded otherwise average wear. Unmarked. A sound copy. Magazine
1983ref. 111173Hamburg: Christians, 1983. 230 S., Ill. Leinen, gebundene Ausgabe, SU.
Stubbe, Lotte & Wolf: Anthonie Waterloo 1610-1690. Um 1660 auf Reisen gezeichnet. Ansichten aus Hamburg, Altona, Blankenese, Holstein, Bergedorf, Lüneburg und Danzig-Oliva. Hamburg: Christians, 1983. 232pp with 60 monochrome illustrations, good condition. Hardback. 29.5 x 23.5cms. Drawings of landscapes and townscapes during his travels, c.1660. With bibliography; index of people, landscapes, places and buildings. Text in German. Drawings of landscapes and townscapes during his travels, c.1660. With bibliography; index of people, landscapes, places and buildings. Text in German
1983ref. 15664Hamburg, Christians, 1983. 230 S. überwiegend Ill. 30 x 24 cm, Leinen mit Schutzumschlag
ref. 0331756501.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 0483234540.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 1331743079.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1815In folio (mm. 465x320), bella legatura in mz. pelle coeva a grandi ang. con fregi dorati, dorso a cordoni con decorazioni e titolo oro, pp. 76,(28), magnificamente illustrato fuori testo da: 1 tavola con 10 piccoli ritratti in medaglione, 1 mappa “exhibiting the retreat of the French Army from Moscow to Paris”, 1 tavola con facsimili, tutte inc. in rame e 19 splendide acquetinte colorate a mano (di cui 4 a doppia pagina) che raffigurano per lo più vedute di: “Mosca (2) / Danzica / Berlino / Francoforte / Dresda / Amburgo / L’Aja / Lipsia (4) / l’Isola d’Elba, ritratto di Napoleone, Porto Ferrajo / Amsterdam / Rosiere / Smolensko / Hanau / Paris / Ceremony of Te Deum by the Allied Armies on the Square of Louis XV, at Paris, the 10th April 1814”, tutte ampiamente descritte. Sempre dello stesso A., è unita la seguente opera: - "The Campaign of Waterloo", illustrated with engravings of “Les quatre bras. La belle alliance. Hougoumont. La Haye Sainte”, and other principal scenes of action. Including a correct military plan, together with a Grand View of the Battle on a large scale. To which is prefixed a history of the campaign, compiled from official documents and other authentic sources. London, 1816, di pp. (2),34,10 (“Biographical notices of the sovereigns, warriors and statesmen who have eminently signalised themselves in the campaigns of Moscow, Leipsic, France and Waterloo”), arricchita da: una bella veduta dell’Isola di S. Elena, inc. su legno nel t., 2 tavole con numerosi picc. ritratti in medaglione “of the British and their allied - The royal family of France, The family of Buonaparte, French generals, statesmen, etc.; 1 piano della battaglia, inc. in rame f.t. e 4 splendide acquetinte colorate a mano (di cui 1 a doppia pagina): “View from Mont St. Jean of the Battle of Waterloo.. the Evening of the 18th June 1815”. Entrambe le opere sono in "prima edizione". Cfr. Benezit,II, p. 701: “Robert Bowyer (1758-1834), britannique. Acquarelliste, miniaturiste. Il fut très apprécié à la cour de George III et exposa à la Royal Academy, entre 1782 et 1828 et à la Free Society en 1828” - Tooley “English Books with coloured plates..”, nn. 97 e 98. Testo con qualche lieve uniforme ingiallitura; una tav. con piccolo alone al margine super., altrimenti bell’esemplare ben conservato.
1981Hand-numbered copy #123 of 200. vii, 162 pages. Several fold-out tables at back. No dust jacket, apparently as issued. A facsimile reprint of the second edition, published in 1820. Light foxing to top edge, otherwise clean, bright and unmarked with very light wear. A high-quality copy. Book
20118vo., First Edition, with plates; cloth, a near fine copy in unclipped dustwrapper. The first memoir of this campaign from this famous regiment to appear in print, Crowe's journal of Wellington's final campaign was written up on a daily basis, and subsequently refined by the author in the years 1842-3. A minor milestone among contemporary account of the Peninsular War
1894ref. 89629St. Louis: C.O. Tice & Co. Publishers 1894. Quarto 34.5cm; pebbled leather boards with titling and decorations stamped in gilt on front cover and decorations blind embossed to covers; black-and-white photographic halftone illustrations; 256pp. Gift inscription to front flyleaf: "Christmas gift to Frank from Dudley / Dec 25th 1901". Modest shelf-wear with dampstain to upper front cover and rubbing to board edges; Very Good. Series published in sixteen parts with portrait photographs and biographies of leading men and women of the era. 89629. C.O. Tice & Co. Publishers unknown books
1894ref. 89629St. Louis: C.O. Tice & Co. Publishers 1894. Quarto 34.5cm; pebbled leather boards with titling and decorations stamped in gilt on front cover and decorations blind embossed to covers; black-and-white photographic halftone illustrations; 256pp. Gift inscription to front flyleaf: "Christmas gift to Frank from Dudley / Dec 25th 1901". Modest shelf-wear with dampstain to upper front cover and rubbing to board edges; Very Good. Series published in sixteen parts with portrait photographs and biographies of leading men and women of the era. 89629. C.O. Tice & Co. Publishers unknown
ref. 1711585Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1630. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 1711586Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1630. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 1711584Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1630. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
