salomon ( louis )Livre Rare Book
rif. 4151ministere de l éducation nationale institut national des industries et arts graphiques paris 1950 In 8 broché 304 pages - croquis et photogaphies dans le texte
rif. FR40565XCartonné bon état . 1985. PHOTOS SUR DEMANDE
rif. 8282P., Gauthier-Villars, 1939, un volume in 8, broché, couverture imprimée (petit manque de papier sans gravité à la partie inférieure de la page de couverture), 13pp., 228pp.
rif. 30594Paris, Grasset, 1965, in-12, broché, couverture illustrée à rabats, 264 pp.
rif. 1334PARIS, Sagittaire - 1950 - In-8 - broché - Précédé d'une étude de Jean-Paul SARTRE -290 pages - très propre.
Paris, Grasset, 1965, in-12, broché, couverture illustrée à rabats, 264 pp. Première édition (il n'a été tiré de cet ouvrage que 26 exemplaires sur Alfa). Bel exemplaire.
PARIS, Sagittaire - 1950 - In-8 - broché - Précédé d'une étude de Jean-Paul SARTRE -290 pages - très propre.
1930239p. + Plus portrait frontis and photographs. 8vo. Original full blue cloth binding, very slightly worn. First printing. The story of an ill-fated 1897 attempt to find the North Pole by means of balloon travel. POLAR 3
1964rif. 393855New York: Clarke & Way 1964. Hardcover. Near Fine/Very Good. First edition. Translated by I.L. Salomon. Spine and edges lightly toned else near fine in a very good dustwrapper with top edges chipped. Inscribed by Salomon on front fly. Clarke & Way hardcover books
1959rif. 462952New York: Basic Books 1959. Hardcover. Fine/Very Good. Reprint publisher's M-M code. Owner's name else fine in very good or better dustwrapper with a small stain and a little toning both on the spine. Basic Books hardcover books
rif. 182694London: Heinemann. Hardcover. Very Good/Very Good. Very good in very good dustwrapper. Corners rubbed and bent. Dustwrapper spine browned. Shelf rubbing to dustwrapper Minor tears on edges of dustwrapper. Heinemann hardcover books
1920rif. 182696London: Heinemann 1920. Hardcover. Very Good/Very Good. Very good in very good dustwrapper. Slight foxing on title page. Pages slightly brown. Corners bent. Edges of spine bumped. Dustwrapper spine browned. Shelf rubbing to dustwrapper Minor little tears on edges of dustwrapper. Heinemann hardcover books
rif. 182700London: Hodder. Hardcover. Very Good/Very Good. Very good in very good dustwrapper. Corners rubbed and bumped. Edges of spine bumped. Dustwrapper spine browned. Minor tears on edges of dustwrapper Shelf rubbing to dustwrapper. Hodder hardcover books
1886rif. 345669New York: Harper and Brothers 1886. Hardcover. 267 4p. illus. corners bumped free front endpaper torn out top corner of front blank clipped else very good condition. No dj. Harper and Brothers hardcover books
1943rif. 290632New York: Ambijan Committee for Emergency Aid to the Soviet Union 1943. Pamphlet. 16p. staplebound booklet very good. Two of the authors - Skippy the child actor George Vincent Homeier and Roddy - are children writing about their efforts to support the Stalingrad Silver Ponds Club of America a war relief group founded under the umbrella of Ambijan the American Committee for the Settlement of Jews in Birobidjan. Includes a trivia quiz about Soviet facts. Mikhoels was appointed chair of the Soviet Jewish Anti-Fascist Committee in 1941 but killed by agents of the Ministry of State Security in 1948. Kisselev was the Soviet Consul General in New York. Ambijan Committee for Emergency Aid to the Soviet Union unknown books
2022rif. 209148Washington DC / Princeton NJ: The National Gallery of Art / Princeton University Press 2022. Hardcover. As new. Quarto. Hardcover. Black/blue cloth spine with matte photo illustrated boards. 287 pages : illustrations chiefly colour portraits photographs ; 28 cm. "The Double: Identity and Difference in Art Since 1900 is the first major exhibition to consider how and why artists have employed doubled formats to explore perceptual conceptual and psychological themes. Presenting more than 120 works made between the beginning of the 20th century and today this expansive show is organized in four parts: seeing double; reversal; dilemma structures; and the doubled and divided self. Among major themes artists in the exhibition explore questions of identity and difference--the difference between the original work and a copy the identity of the art with the artist and especially self-identity as defined by our own unconscious by society as well as by race gender sexuality and other forms of differentiation. Spanning the East Building's Atrium and Concourse galleries the exhibition assembles a range of remarkable sculptures paintings videos photographs and works on paper by some 90 artists including Janine Antoni Diane Arbus Alighiero Boetti Mel Bochner Marcel Duchamp Gilbert and George Félix González-Torres Arshile Gorky Renée Green Eva Hesse Roni Horn Graciela Iturbide Joan Jonas Kerry James Marshall Jasper Johns Rashid Johnson Seydou Keïta Sherrie Levine Glenn Ligon Henri Matisse Josiah McElheny Nam June Paik Howardena Pindell Adrian Piper Robert Rauschenberg Frank Stella and Andy Warhol. Related programming performances and a fully illustrated companion book will expand upon the exhibition's themes. The publication is made possible by the generous support of the Roy Lichtenstein Foundation Helen Frankenthaler Foundation John F. Wieland Jr. and anonymous donors."-- "From ancient mythology to today's cinema the motif of the double--which repeats duplicates mirrors inverts splits and reenacts--has captured our imaginations. The Double examines this intriguing concept from four perspectives: Seeing Double Reversal Dilemma and the Divided and Doubled Self. Authors James Meyer Julia Bryan-Wilson Tom Gunning W.J.T. Mitchell Hillel Schwartz Shawn Michelle Smith and Andrew Solomon consider the double in terms of ethics psychoanalysis double consciousness the queer double and the doppelgänger in silent cinema."--. The National Gallery of Art / Princeton University Press hardcover books
rif. B35616-3New York 1972. 116pp. 80 plates 4 color 11 text illus. Lrg. sq. 8vo. Wraps. New York, 1972. paperback books
2020rif. 195575New York: Pace Gallery 2020. Hardcover. VG light wear to boards edges & corners. may have light bump & crease to upper spine edge. appears to be a lightly handled/read copy. reflective silver cloth boards w/ brown & white stamped printing. 251 pgs w/ color illustrations plates. This volume brings together more than a dozen of New York–based artist Arlene Shechet’s born 1951 most recent sculptures colorful engrossing assemblages in wood clay and bronze include large-scale works and a monumental outdoor piece. Though her works appear effortless and forgiving of imperfections they are the products of an intuitive and technically fastidious approach involving casting painting firing carving stacking undoing and redoing with no predetermined endpoint. This exhibition catalog illustrates each work in the show in detail and includes installation images that walk the reader through the exhibition. Utilizing a word that is both verb and a noun Shechet reclaims misogynist slang. As if to counter this term’s reduction of women to passive things Shechet’s unruly polymorphous sculptures suggest that objects themselves are active and subversive. This volume features a new essay by scholar Rachel Silveri and interviews with the artist.--Amazon. Pace Gallery hardcover books
2021rif. 411227New York: The Frick Collection 2021. First edition. New in shrinkwrap. 10 x 8.5 inches. 156 pages. Profusely illustrated in color. Original cloth; pictorial dust jacket. "The Old Master paintings and European sculpture and decorative arts at the renowned Frick Collection might be thought to be all but inextricable from the domestic setting of the Gilded Age mansion in which they reside. For a couple of years however while the Frick is undergoing renovation highlights from the collection have been relocated to a radically different unlikely home: Marcel Breuer's Brutalist building five blocks away which the architect designed for the Whitney Museum of American Art. The result is a stunning reconstruction and re-presentation of a beloved collection with the museum's treasures comfortably and elegantly adapting to their temporary modernist abode. This handsome volume documents this altogether singular moment in the Frick's history with stunning photographs by Joseph Coscia Jr. and a reflective foreword by Roxane Gay" the publisher. The Frick Collection unknown books
2021rif. 411226New York: The Frick Collection 2021. First edition. As-new. 10 x 8.5 inches. 156 pages. Profusely illustrated in color. Original cloth; pictorial dust jacket. "The Old Master paintings and European sculpture and decorative arts at the renowned Frick Collection might be thought to be all but inextricable from the domestic setting of the Gilded Age mansion in which they reside. For a couple of years however while the Frick is undergoing renovation highlights from the collection have been relocated to a radically different unlikely home: Marcel Breuer's Brutalist building five blocks away which the architect designed for the Whitney Museum of American Art. The result is a stunning reconstruction and re-presentation of a beloved collection with the museum's treasures comfortably and elegantly adapting to their temporary modernist abode. This handsome volume documents this altogether singular moment in the Frick's history with stunning photographs by Joseph Coscia Jr. and a reflective foreword by Roxane Gay" the publisher. The Frick Collection unknown books
1967rif. 468506Goleta Calif: Psychonomic Press 1967. Hardcover. Near Fine. First edition. Quarto. Ownership stamp and signature of a noted American psychologist on the front fly a little spotting on the endpapers else near fine. Psychonomic Press hardcover books
1994rif. 583002London: Faber and Faber 1994. Hardcover. Near Fine/Near Fine. First edition. Pages lightly toned in the margins near fine in a near fine dust jacket with light rubbing and mild edgewear. Signed by the author. Publisher's printed invitation to a book reading at Tower Books in New York City laid in. Faber and Faber hardcover books
1984rif. 3335New York: Vantage 1984. Hardcover. Fine/Near Fine. First edition. 35pp. Fine in very near fine dustwrapper with a little fading to the thin spine. Presumably illustrated by the author. Vanity press children's book by a Honduras native. Vantage hardcover books
1997rif. 46131New York and Oxford England: Oxford University Press. Near Fine in Near Fine dust jacket. 1997. First Edition; First Printing. 1/4 Cloth. 0195097475 . A bright first edition/first printing in Near Fine condition with bumped upper corners and address label to front flyleaf in alike dust-jacket with light edgewear; A critical evaluation of the virtual money phenomenon ; 8vo; 286 pages . Oxford University Press hardcover books
1972rif. 54876Princeton NJ: Princeton University Press. Fine in Fine dust jacket. 1972. Hardcover. 069105200x . A Fine edition with little edgewear in a price-clipped alike dust-jacket; Public Welfare Science and Propoganda in Seventeenth Century France: the Innovations of Theophraste Renaudot traces the efforts of Renaudot a physician and advocate for public welfare to promote science and improve public education. Solomon provides an overview of Renaudot's life and work highlighting his innovations in public welfare science and propaganda. Solomon illustrates Renaudot's efforts to improve scientific understanding and to promote public understanding of science and its role in society.; 8vo; 290 pages; 54860: two volume set . Princeton University Press hardcover books
