2.930 Ergebnisse
1870- circa 1870-1900, 14,3x23,5cm, en feuillets. - Unpublished set of Egyptian epigraphic works: Rosetta Stone, Decree of Alexandria, Decree of Canopus, Decree of Memphis, Tell el-Amarna tablets, Book of the Dead circa 1870-1900, 14,3x23,5cm, loose leaves. Autograph manuscripts and epigraphic studies with several drawn maps (108 sheets and 86 half-sheets, as well as 28 pages with numerous glued sheets) in paper folders and a notebook with a cloth cover titled "Decrees of Alexandria". Numerous tears to the margins and paper folders, stained cloth cover. Important unpublished set of epigraphy manuscripts by Egyptologist Auguste Baillet (1834-1923), colleague and friend of Gaston Maspero, the leader of French Egyptology. Precious notebooks gathering the remarkable philological work of Auguste Baillet, who carried out from the 1860s until his death in 1923 meticulous transcriptions and translations of hieroglyphic, Greek and demotic inscriptions on Egyptian temples, steles, statues, papyrii, and vases. He contributed to the titanic project of a catalog raisonné of Egyptian monuments started by Gaston Maspero. The countless pieces of paper covered with hieroglyphs transcribe the inscriptions of Egyptian monuments deposited in Paris and London museums or in the private collections Auguste Baillet had the opportunity to study. Maps of the Nile delta, ancient Palestine and Syria are included in this prolific scientific work, as well as copies and personal translations of the founding texts of hieroglyphic epigraphy, notably those used by Champollion (Rosetta Stone, Turin Papyrus, Decree of Canopus, Book of the Dead...). The notebooks bring together notes on the latest archaeological finds, as well as surveys and translations covering many periods of Egyptian history: Amarna, Ramesside, Ptolemaic... Baillet makes his own hypotheses and compares the scientific sources of his contemporaries and predecessors, in particular the founding works of Champollion, Maspero, his German colleagues Winckler, Lapsius, Brugsch or the British Flinders Petrie. One of the notebooks contains an unpublished article comparing the versions of the decree of Memphis of Prolemaeus V on the Rosetta stone and the temple of Philae, following one of his published studies (Le Décret de Memphis et les inscriptions de Rosette et de Damanhour, 1888). He writes dozens of pages on the inscriptions from the monuments of Saïs and Philae, in spite of very incomplete epigraphic material, and draws on several pages very precise maps of Syria and Palestine under Akhenaten. Among many other studies and bibliographical references, he records on tiny, pasted papers an exhaustive epigraphic index of dignitaries appearing in the famous archives of Tell el Amarna discovered in 1891. The importance of such handwritten documents is primordial for the young science of Egyptology at the end of the 19th century. At the time, knowledge was developing more through handwritten records and epistolary exchanges between scholars than through printed works. It was still very difficult to obtain hieroglyphic typeface in French provinces or even abroad. Manuscript collections of Egyptian texts such as this one therefore proved to be even more precious for research. Archivist Auguste Baillet found his vocation as an Egyptologist after reading the famous Lettre à Dacier by Jean-François Champollion, unveiling for the first time the secret of hieroglyphs. Abandoning his position in the Empire's archives, he signed his first essays in the 1860s. He took part in the work of a burgeoning French school of Egyptology and studied namely the hieroglyphic numbering system in collaboration with the great scholar Théodule Devéria, as well as ancient Egyptian administrative organization and dialects. He also compared the still divergent methods of transcription of hieroglyphic characters, in a context of great international competition between British, German, and French scholars. His son Jules Baillet inher
1934- Denoël & Steele , Paris 1934, 14,5x19,5cm, relié. - Héliogabale ou l'Anarchiste couronné [with] Original menu signed by Artaud, Kisling, Raimu,... etc. [Heliogabalus or, the Crowned Anarchist] Denoël & Steele | Paris 1934 | 14,5 x 19,5 cm | bound in half green morocco First edition, one of 100 numbered copies on alfa, the only grands papiers (deluxe copies) after 5 pur-fil paper. Bound in half green morocco, paste paper boards, marbled paper endpapers, wrappers and spine preserved, top edge gilt, contemporary binding signed Lucie Weill. Skilful and discreet repair to the top of a joint. Illustrated with 6 vignettes by André Derain. Handsome inscription signed by Antonin Artaud: "à Alice & à Carlo Rim que j'aime beaucoup parce que j'aime dans la vie tout ce qui est nature, franc et sans fard et la vie d'Héliogabale aussi est franche et sans fard et dans la ligne de la grande Nature. Antonin Artaud leur ami." ("To Alice & Carlo Rim whom I love very much because I love in life all that is nature, frank and unvarnished and the life of Elagabalus is also frank and unvarnished and in line with the great Nature. Antonin Artaud their friend.") Carlo Rim, one of Antonin Artaud's oldest friends, was a companion of poetic beginnings and a brother of Marseille blood, the "French Chicago" that nourished their works and their imaginations. Although we do not know exactly how the complicity between Antonin and Pagnol's young protégé, Jean Marius Richard, alias Carlo Rim, was born, we do know the melting pot in which their unbreakable friendship was formed: Marseille. Even more precisely, "between five avenues and the Vieux-Port", in the heart of what was the city of Artaud's childhood and literary beginnings. It was in the magazine Fortunio, founded by two young baccalaureate graduates, Marcel Pagnol and Marcel Palnas, Antonin's cousin, that Artaud published some of his first poems alongside the very young cartoonist, Carlo Rim. Shortly afterwards he titled his own magazine - of which only two issues were published - after the bilboquet that presided in the Fortunio offices and which had, already, sealed Rim and Pagnol's friendship, during an epic baccalaureate review. When published the same day and with the same publisher Denoël, Héliogabale and Carlo Rim's first work, Ma belle Marseille, the two accomplices went out to celebrate this simultaneous release together, with the "Literary Tout-Marseille": Kisling, Lhote, Raimu, Dabit, Dyssord... In Le Grenier d'Arlequin, Carlo Rim will talk of this memorable evening "at Titin's", during which "Artaud, overexcited by four mominettes [little glass of absinthe], enthuses to his neighbouring table, about the cult of the phallus and the Sperm Festival introduced by Elagabalus the Sodomite, the empaffed Caesar". It was probably during this evening that the two friends respectively offered each other one of the rare luxury copies of their latrine volumes in the literary pool. The two works share more than their contingent publication. The Baudelairian ode to "debauchery without thirst and love without soul" of Ma belle Marseille agrees as a sister with "the background of our wild literature" which is, according to Le Clézio, Héliogabale. Rim's work will have a considerable impact on Artaud who, in a famous letter to Jean Paulhan, will make it one of the three books to consecrate the legend of his double mystic, Saint-Artaud. It is especially at the reading of this unvarnished portrait of the aristocracy and the Phocaean underworld, that Artaud will decide the future of Carlo Rim by persuading him to make his first film, Justin de Marseille, as the filmmaker will recount in his Mémoires d'une vieille vague: " I want to play a crackpot ["fada"] in your film, a crackpot who would be, like a real madman, a puzzle solver, a proxy of fate, an Elagabalus in a hat and sandals! Do you know Etienne, the crackpot of the Vieux-Port? He is my double, and I will show this resemblance again b
1863- Michel Lévy, Paris 1863, 15x23cm, relié. - Édition originale sur papier courant. Reliure en demi chagrin sapin, dos à cinq nerfs, plats de papier marbré, gardes et contreplats de papier à la cuve, ex-libris encollé sur une garde, reliure de l'époque. Quelques légères rousseurs sans gravité. Rare envoi autographe signé de Gustave Flaubert à (Louis) de Carné, journaliste et historien dont Flaubert possédait plusieurs ouvrages référencés dans l'inventaire de sa bibliothèque. L'intérêt que portait Flaubert à l'uvre de Carné n'était toutefois pas toujours bienveillant. On retrouve en effet des notes critiques sur ses articles dans les dossiers de Bouvard et Pécuchet. D'autre part, la parution de Salammbô coïncide avec l'élection controversée de Louis de Carné à l'Académie Française, qualifiée de coup d'état clérical par une partie de l'opinion publique. Elle était en effet le résultat de la fronde organisée par Mgr Dupanloup contre l'autre candidat, Emile Littré, auteur d'une définition matérialiste de l'homme qui déchaîna la fureur des partis religieux et Orléanistes. Flaubert évoque le scandale de cette élection dans une lettre aux Goncourt du 6 mai 1863 : « Avez-vous suffisamment vitupéré Sainte-Beuve et engueulé l'Académie à propos de la nomination Carné ? » Bien qu'il précède sans doute légèrement cette élection, cet envoi de Flaubert à Carné est un curieux hommage d'un écrivain accusé naguère « d'offense à la morale publique et à la religion » à un futur représentant du pouvoir religieux au sein même de la prestigieuse Académie. Précieux exemplaire comportant un envoi autographe et agréablement établi en reliure de l'époque. [ENGLISH DESCRIPTION ON DEMAND]
1994Best.-Nr. CERAM10MEdité par Musée de Valence, 1994. In-4 broché, 56pp. Illustré en n&b et en couleurs. Bon état.
RENNES, Imp. Simon - 1946 - In-8 - Reliure à la Bradel - Couverture conservée - 6 figures et 4 planches hors-texte - 68 pages - légères traces de mouillures -Bo Exemplaire