5 540 résultats
1987This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean inside and out. First edition, first printing. 665 illustrations in black & white, including a color plate section with 12 plates. Bibliography. 12" high X 9" wide, 268 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1982This is a fine hardcover copy in a very good dust jacket. Repaired tear to back of jacket and two tiny nicks at the top of the jacket spine. Completely clean inside and out. White silk page-mark present. This is the most comprehensive and complete catalogue of Serov's work available. The author has worked from Grabar and Vlasov's list of 1965, and supplemented it with new material. 426 illustrations, including 133 color plates. Biographical outline illustrated with many vintage photographs. Bibliography. 14" high X 11" wide, 377 pages. Large heavy book foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1993This is a near fine softcover copy with virtually no wear. Completely clean. Spine is not creased. Feels unread. This catalog was prepared to accompany the exhibition sponsored jointly by the Tate Museum in London and the Museum of Modern Art in New York in 1993. Essay by Robert Storr. Chronology. Bibliography. Exhibition history. 81 works illustrated with color plates. 12" high X 9" wide, 236 pages. Heavy book, foreign postage will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1966This is a fine hardcover copy with a fine dust jacket with virtually no wear. Completely clean. Text in English. This is the second printing of 1966, Vasarely made 5 black & white transparencies, printed on mylar in the special packet in the center of the book. Mise en Page by Vasarely. Illustrated in both color and black & white. 12" high X 9" wide, 194 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1961This is an almost very good hardcover copy in a good only dust jacket. The dust jacket is chipped around the edges, and the book itself is cocked. It is also signed by the artist, Raymond Legueult, and briefly inscribed on one of the front endpapers, dated 1963. The book otherwise is completely clean inside and out. Text in French. Illustrated in color and black & white. 13" high X 10" wide, 257 pages. Color plates printed by Draeger Freres. This book will be securely wrapped and packed in a sturdy box and sent with tracking.
2014Fine English Original bdg. Dust wrapper. Oblong 4to. (24 x 29 cm). Bilingual in English and Russian, with Georgian. 320 p., color and b/w ills. Rezo Chkheidze: The story from the first person, life, movies, friends, children.= Rezo Chkheidze: Rasskaz ot prevogo litcha, jizn', fil'mi, druz'iya, deti.= Cemi cxovreba p?ilmebi, megobrebi, svilebi. Printed to 2000 copies. Its CD is missing. A comprehensive study on Revaz "Rezo" Chkheidze, (1926-2015), who was a Georgian film director, People's Artist of the USSR, best known for his Soviet-era drama films, including his 1964 World War II-themed Father of a Soldier.
2010The Exploitation of Plant Resources in Ancient Africa Edizione Inglese di Marijke Van Der Veen (a cura di) Editore: Springer US EAN: 9781441933164 ISBN: 1441933166 Pagine: 300 Formato: Paperback This volume presents a completely new and very substantial body of information about the origin of agriculture and plant use in Africa. All the evidence is very recent and for the first time all this archaeobotanical evidence is brought together in one volume (at present the information is unpublished or published in many disparate journals, confer ence reports, monographs, site reports, etc. ). Early publications concerned with the origins of African plant domestication relied almost exclusively on inferences made from the modem distribution of the wild progenitors of African cultivars; there existed virtually no archaeobotanical data at that time. Even as recently as the early 1990s direct evidence for the transition to farming and the relative roles of indigenous versus Near Eastern crops was lacking for most of Africa. This volume changes that and presents a wide range of ex citing new evidence, including case studies from Nigeria, Burkina Faso, Ethiopia, Uganda, Egypt, and Sudan, which range in date from 8000 BP to the present day. The volume ad dresses topics such as the role of wild plant resources in hunter-gatherer and farming com munities, the origins of agriculture, the agricultural foundation of complex societies, long-distance trade, the exchange of foods and crops, and the human impact on local vege tation-all key issues of current research in archaeology, anthropology, agronomy, ecol ogy, and economic history.
réf. 16684,Bar-le-Duc, Imprimerie Contant-Laguerre 1928, 454 pp., 1 vol. in 8 br. Edition originale. Un des 300 exemplaires numérotés
1948First edition. Original stiff wrappers. 8vo. 67, [3] pages. 23 cm. A collection of 52 paintings and illustrations by the artist Benn; illustrated reproductions of his still lifes and portraitures printed in color and black and white; with an essay on the artist written by the film critic Joseph Marie Lo Duca (one of the cofounders of the French Nouvelle Vague journal Cahiers du Cinema) , printed with historiated initials. Benn (Benzion Rabinovich; 19051989) , painter and graphic artist. Benn was born in Bialystok, Poland, and finished the Hebrew gymnasium there, where he later started his education in art at the private studios of local artists. He also studied at the Academy of Arts in Warsaw. He made his debut in 1927 with his first solo exhibition, shown first in Bialystok and then in Warsaw. During this period, he designed the typography for collections of Yiddish poetry. In Bialystok, his native town, he became a leading figure in local cultural life. He was among the founders of the modernist group 3F (Forma-Farba-Faktura) , where most of the members were Jewish artists. In 1928, he organized the first Autumn Salon for Bialystok and Vilna artists. In 192629, he designed the scenery for the performances of several Yiddish theater companies in Bialystok. In 1929, the Bialystok municipality awarded him a scholarship for a trip to Paris. On the eve of his departure, Benn arranged a farewell solo exhibition that was later shown in Warsaw with the assistance of the Jewish Society for Encouragement of Artists. In Paris, he studied with Fernand Leger. From 1932, Benn regularly exhibited in Paris art salons. His works were highly praised by critics and won public recognition. Six one-man shows in the 1930s at private art galleries in Paris are yet another indication of his success. During this period, he was also active in book design. During the German occupation of France, Benn went into hiding. However, not long before the end of the occupation, he was finally seized by the Gestapo and deported to the Drancy concentration camp. By sheer luck, he not only survived but also escaped further deportation to Auschwitz. In 1945, Benn returned to Paris. In the post-war years, having rejected the cubist and expressionistic techniques that had so strongly attracted him in the 1920s and 1930s, Benn crystallized his individual manner based on an organic combination of metaphysical painting techniques and surrealism. From the 1950s through the 1970s, while mainly active in painting, he also engaged in book design and, among other works in this field, executed a series of illustrations for The Song of Songs (1950, 1974) and other books of the Bible (1948, 1954, 1971) , as well as for an edition of Chad Gadya (1956) . In these years, he had numerous oneman shows in France and other West European countries as well as in Canada and Israel. (EJ 2007) Subjects: Artists - France. Bildband. OCLC lists 19 copies worldwide. Backstrip repaired and covers browning. Internally Very Good. Good condition. (ART-18-11A)
1887réf. 12379Lyon, Imprimerie Pitrat Ainé, 1887 ; in-8, demi-chagrin maroquiné vert sapin, dos à nerfs soulignés de filets à froid, fleurons décoratifs dorés, titre doré, tête mouchetée (reliure de l’époque) ; (4), XLVI, 346 pp., 3 planches hors-texte dépliantes, nombreuses illustrations in-texte, certaines dépliantes.
1954Six parts in seven, bound in one volume. Crown quarto. Pp. 49-101; 43-84; 85-136; 329-400; 401-449; 447-470; 471-533. Plus 2 colour frontispieces and with 233 text illustrations, many of which are full page. Original illustrated stiff wrappers. In fine condition. Excellent copy. ~ First edition thus. Extraits du Bulletin de l'Institut d'Égypte, 1950-1954. Originally issued in 6 separate offprints over a period of four years, the work has been reissued in its completeness in one volume as a monograph. AEB 1874 &tc., listing separate issues only. ~[Librarium of The Hague offers the largest and finest collection of Egyptological offprint monographs in the rare book market. With the acquisition in recent years of multiple Egyptological libraries (those of Prof. Herman te Velde; Prof. Mathieu Heerma van Voss, Prof. Baudouin van de Walle; Prof. Michel Malaise; Prof. Herman De Meulenaere; Egyptologist Jacobus Visser, and former Trustee of the Egypt Exploration Society, Stewart Dale White), we now hold several thousands of rare offprint monographs which were collected over many years by these scholars. Very limited in number when originally issued and fragile by nature, most are by now practically extinct and the scarce survivors are much sought after. We took upon ourselves to collate, catalogue, and identify each item in accordance with Beinlich-Seeber or Annual Egyptological Bibliography, in the hope that this collection will prove useful for scholars and collectors alike. Your queries are most welcome]
réf. 13077,Reims, Librairie L. Michaud 1912, 190 pp., 1 vol. in 4 br. Un des 500 exemplaires numérotés sur papier couché, couverture rempliée (petit manque de papier au dos de la couverture), 83 figures dont 10 hors-texte sous serpentes. Bibliographie.
1922Crown quarto. Pp. 197-242. Plus a plate in the form of autographed hieroglyphic table. Original printed wrappers. In a very good condition. ~ First edition thus. First printed in Nachrichten von der K. Gesellschaft der Wissenschaften zu Göttingen, 1922. Very rare monograph. Kurt Heinrich Sethe (1869-1934). From the library of Egyptologist Prof. Dr. Joris Frans Borghouts (1939-2018).
réf. 17645,Reims, Henri Matot, imprimeur-éditeur 1892, XXXI-505 pp., 1 vol. in 8 br. couverture imprimé, ouvrage en bon état, sans rousseur, Ouvrage rare imprimé à seulement 425 exemplaires numérotés sur papier spécial des Manufactures du Marais (exemplaire N°48). Planches hors texte dont le frontispice ainsi que des figures in texte. Edition originale
2000This is a fine hardcover copy with a very good dust jacket, light sunning to top edge of jacket. Completely clean. Illustrated in color throughout. 13" high X 10" wide, 74 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1998This is an about very good hardcover copy in a like dust jacket. One short closed tear to the top of the spine of the jacket and the book. Both restored by a professional conservator. Completely clean inside and out. Signed in ink by the artist, Rollin Pickford, on the title-page under the printed title and names. Briefly inscribed to a friend: "For... Love Rollin". Rollin Alphonse Pickford Jr. (1912-2010) was born in Fresno, CA. During his career he worked as a commercial illustrator and taught art at Fresno State College during 1948-62. He developed a distinctive style and his work is in many major American museum collections. Illustrated throughout in color. Also a number of black & white vintage photographs of the artist at work. 10" high X 12" wide, 287 pages. Signed by the artist. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1982This is a fine hardcover copy in a fine dust jacket with no wear at all. Completely clean inside and out. Jacket is not sunned. Second edition revised. Still the most complete reference on Robert Motherwell. 332 illustrations including 116 color plates. Interview with Motherwell by Barbaralee Diamonstein. Introduction by Dore Ashton. Chronology. Exhibition history. Bibliography. 11" high X 12" wide, 250 pages. A beautiful copy. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
2015This is a fine hardcover copy in a fine dust jacket with no wear at all. Signed in ink, by the artist, Kay WalkingStick, on the half title-page, just below her printed name. Not inscribed to anyone, just signed and dated 2015. This monograph was prepared to accompany the exhibition at the National Museum of the American Indian in Washington, D.C. from November 2015 to September 2016. This book will probably become the major reference for Kay WalkingStick. Edited by two specialists in this area, Kathleen Ash-Milby and Davis W. Penney. With essays by both editors, and Kate Morris, Robert Houle, Margaret Archuleta, Miles R. Miller, Lisa Roberts Seppi, Jessica L. Horton, Lucy Lippard, and Judith Ostrowitz. Statements by Kay WalkingStick. Biographical timeline. Exhibition history. Bibliography. Exhibition checklist. 154 illustrations, almost all color plates. 11" high X 10" wide, 207 pages. A fine signed copy. Scarce signed. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
2010This is a fine hardcover copy without dust jacket as issued. Signed in ink, on one of the white endpapers, by the artist, Mauro Staccioli, dated 2010, and with a drawing of the large circular sculpture that is also on the cover of the book. Otherwise completely clean inside and out. Text in English and Italian. Illustrated throughout in color. Essays by Marco Bazzini, Massimo Bignardi, Maria Laura Gelmini, Enrico Crispolti and Gillo Dorfles. Biographical sketch. Bibliography. Exhibition history. 12" high X 10" wide, 175 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1980This is a near fine hardcover copy in a near fine dust jacket and slipcase. Completely clean inside and out. Text in Portuguese only. Still one of the best references for Candido Portinari. Not quite the catalogue raisonne, but it has his best work. About 390 pages with 212 illustrations including over 100 color plates + the catalog with all the works reproduced in smaller black & white illustrations, complete with dates, media, provenance. Foreword by Afonso Arinos de Melo Franco. Prefaceby Jayme de Barros. Lovely pale blue illustrated endpapers designed by Portinari. 12" high X 9" wide. A large heavy book. Foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1969This is a very good hardcover copy in a very good dust jacket. The jacket spine is sunned, otherwise fine. Completely clean inside and out. Text in Italian. Chronology. Biographical sketches of the painters. Bibliography. Indices. Undated but 1969. 255 illustrations in black & white, some color. 11" high X 10" wide, 325 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1993This is a fine copy still in the publisher's shrinkwrap. It has not been opened. The metal box for this work is often seen in less than fine condition, as the box tends to warp. Our copy has not been opened, but the top looks a little depressed on one side, under the shrinkwrap, possibly once opened it would just pop back up. 10" high X 12" wide. A fine unopened copy. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1960This is a good only hardcover reference copy without the dust jacket. This copy of Volume 1 in the series of Chagall lithograph books lacks all the lithos. All the lithos have been neatly razored out. All other illustrations in color and black & white are very good. The cloth covers are soiled. Clean inside. 13" high X 10" wide, 220 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1974This is a very good hardcover copy with a very good dust jacket with almost no wear. The double-page color lithograph is present and fine. Completely clean inside and out. Text in English. Illustrated throughout in color and black & white. Bibliography. 11" square, 213 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1925This is a very good set of 3 volumes:the basic 2 volume set plus 1(of the 2) Complements volumes. The 2 volume basic set is bound in red cloth with spine titles and cover devices of print racks, printed in white. The brown cloth spines have titles in white. The Complement 1 volume is softcover. All volumes are very clean inside and with just light soil to the covers. Text in French. The 2 volume set is 634 text pages illustrated with 158 monochrome plates. The Complements volume has 352 plates, (no text). All volumes are 4tos, 10" high X 7" wide. A very nice set in the original bindings. These books will be securely wrapped and packed in a sturdy box and shipped with tracking.
