16.256 Ergebnisse
Best.-Nr. 1233London. K.G. Saur. 1993. 4to. Edition 1993/94 I. Volume/Band 1. Museums Public Galleries Associations. In good condtion. unknown
19204to., First Edition, with a frontispiece and 64 fine plates (the majority depicting two or more items); original printed wrappers, upper wrapper detached but present else a very good, clean copy. Department of Metalwork. Publication 132M.
19842 vols., 8vo., with very numerous reproductions throughout; original printed wrappers, a near fine set.
19798vo., First Edition, with photographs in the text; green cloth, gilt back, a near fine copy in unclipped dustwrapper.
1987Mm 270 350 Volume rilegato di pp. 360, piena tela, sovraccoperta editoriale a colori, colored dust jacket, con illustrazioni a colori. In buono stato- SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
2012Mm 175x240 Mostra di Roma, Aprile - Settembre 2012. Brossura originale con bandelle, 128 pagine con 107 illustazioni a colori nel testo. English text. Copia in condizioni di nuovo - brand new in original shrink-wrap. Spedizione in 24 ore dalla conferma dell'ordine. "The book documents and extraordinary period between the two revolutions of 1905 and 1917 when formidable artistic and intellectual resources were mobilized in every cultural field in an attempt to blend the repertoires of the Slavic tradition with the languages of the new century, paving the way for the development of the artistic currents of the 20th century. The essays in this book describe the historical context, including the relationship and influences between the Russian art world and that of the West"
19208vo. Pp. 160. Orig. wrs. Scarce.
Staple-Bound Wraps.4to - over 9¾" - 12" tall. 48 Pages. Oversized format, lots of color photos, informative text.
Paris, Morancé, sd. Une brochure de format petit in 8° de 48 pp.; illustrations en noir ou en couleurs. Couverture illustrée. Quelques traits au crayon rouge, sinon bon état.
1998Paris, Trois continents, SDP 1998. In-12 cartonnage illustré éditeur de 127 pages. Photos. Très bon état.
1998Paris, trois continents SDP 1998. In-12 cartonnage illustré éditeur de 127 pages. Photos. Très bon état.
1976PUF / Que Sais Je ? 1976 In-12 broché, 127 pages. Bon état.
1949Compagnie des Arts Photomécaniques, 1949. In-folio broché, 84 pages + 80 planches. Rennes, Nantes, Saintes, La Rochelle, Bordeaux, Bayonne, Pau, TOulouse, Agen, Rodez, Montauban, Castres, Albi. Tome 1. Bon état.
1987Paris, Electa Moniteur, 1987. In-4 carré broché de 119 pages. Nombreuses photos. Parfait état
198996 p., 115 fig. coul. Inv. 17427
1932128pp.avec ills., br., bon état
1961116pp. + 139 plates out of text, 29cm., hardcover (editor's cloth), illustrated dustwrapper, text in English, very good condition, in the series "Les Primitifs Flamands. I: Corpus de la peinture des anciens Pays-Bas méridionaux au quinzième siècle" volume 4, S84593
London, Chapman and Hall, 1883, 20 x 13'5 cm., tela, retrato - VIII - 160 págs. incluso 53 figuras intercaladas, muchas a plena página.
2010New English Paperback. Cr. 8vo. (20 x 14 cm). In English and Turkish. 50, 76, [2] p., b/w and color ills. Handbook on emergency procedures [for museums].= Müzeler için acil durum prosedürleri el kitabi. Contents: Risk analysis.; Vandalism.; Theft.; Fire.; Floods.; Chemical spills.; Earthquake.; Terrorism.; Museums under threat of bomb and rocket attacks and war.; Building facility risks.
2006New English Original bdg. HC. 4to. (30 x 24 cm). In English and Turkish. 319 p., color ills. IMOGA: Istanbul Museum of Graphic Arts.= Istanbul Grafik Sanatlari Müzesi. Prep. by Ali Konyali. "IMOGA, owns one of the world's rare collection of prints, with more than 5000 prints made by owner 100 Turkish and foreign artists and with another 200 prints which were either donated or bought and included in the collection. By means of its vast collection and its impressive system, IMOGA has proven to be one of Turkey's leading art foundations and has acquired an important place in the art world. Süleyman Saim Tekcan started off as a young and idealist educator, fascinated with the potentials of printmaking. From the 1960s on, printmaking played a major part throughout his expedition in art. Tekcan's innovative and inquisitive character reflected on to his prints. As he mastered in the technique, he spread his excitement and enthusiasm not only by forcing the limits of printmaking but also by continuing his mission as an educator throughout the country. Süleyman Saim Tekcan believed that in order for Turkey to reach a civilized and modern standard, education could not be limited to schools and had to be given socially in an extensive manner. The most important criterion for a civilized community is the level attained in arts and culture. In order for art to reach a wide spectrum of people, accessibility in every sense is a must. With this in mind, Tekcan generously shared his facilities and accorded priority to printmaking since it enabled reproduction of a more affordable artwork, allowing it to reach a wider span of people. Tekcan not only played a role in the establishment of printmaking studios in universities but also founded the first professional private printmaking studio in 1974. He provided an important example for printmaking in Turkey, by building his own print machines with the help of the drawings he brought back from Germany. The studio which he initially intended for his own use soon became a center for many other artists. This not only enabled varied ranges and sizes of artworks to open up to the demand of a broader audience, but also made possible for other artists to learn and execute printmaking. In 1984, the studio was relocated to Çamlica with increased facilities, gaining its internationally recognized name: Artess Printmaking Studio... The artists, instead of paying a fee in return for using the facilities of the studio, left a portion of their prints to the studio, a system common in print foundations in the U.S. Tekcan's devotion to printmaking was based not only on the joy he had from the process, but also on his commitment to help develop his country economically, politically and practically. His studio soon evolved into a center in which artists came to exchange and discuss ideas, as well as to produce. Since 2004, Artess Printmaking Studio now has a new home.". (Source: IMOGA, History).
2008New Turkish Paperback. 4to. (30 x 24 cm). In Turkish. 196 p., color ills. Ali Avni Çelebi. [Exhibition catalogue]. 13 Ocak - 20 Mart 2008, Besiktas Çagdas Sanat Galerisi. Prep. by Kiymet Giray.
2011New New English Original bdg. Dust wrapper. Folio. (33 x 24 cm). In English and Turkish. 336 p., color ills. Süleyman Saim Tekcan. 50th year of arts retrospective.= 50. sanat yili retrospektifi. Text by Ekrem Kahraman. This catalogue has [sic] published by Besiktas Municipality for the exhibition of Su?leyman Saim Tekcan's 50th Years of Arts Retrospective which takes place in Mustafa Kemal Centrum - Besiktas Contemporary Exhibition Hall between the dates October 13 and November 25, 2011. A very heavy volume.
1993New English Paperback. 4to. (29 x 21 cm). In English and Turkish. [ix], 148 p. Color and b/w ills. Military Museum.= Askeri Müze. History of the Turkish Military Museum in Harbiye district of Istanbul with exhibits in the museum like weapons, clothings, medals, swords, etc. from the Imperial Ottoman.
2006New English Paperback. 4to. (30 x 24 cm). In English and Turkish. 303 p., color ills. Saim: Süleyman Saim Tekcan. 45 years of arts.= 45. sanat yili. Text by Semra Germaner.
2021New Turkish Paperback. 4to. (30 x 22 cm). In Turkish. 255 p., color ills. Türkiye müzelerindeki Islami dönem seramik kandiller. Ceramic oil lamps from the Islamic period in the Turkish museums.
