The AcropolisMareMagnum
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1978Series : The Greek Museums. Large format illustrated guide to Delphi. English translation by Peter Sheldon. 64p.plates (col.) plus Book
1978Illustrated guide to Delphi. Pbk.64. plates (col.) Condition : Good Book
19860689115148 Book
1976Illustrated guide to Delphi. 64. plates (col.) Book
1977Collection of lovely photographs of Greek works of art in the National Museum, Athens. 23p. text + 88p. of plates. Book
1977Large format softcover book with the major highlights of the National Museum in Athens 173p. plates (col.) Book
1984Well illustrated locally produced tourist guide to Corinth and the Isthmus.115p. illus. bibliography.large fold-out plan . Book
1978Translated by Helen Zigada and Brian de Jongh. 254p. plates (some col) diagrs. maps on endpapers Book
1978Illustrated "complete guide to the museums and archaeological sites of the Argolid" 160p. illus (col) bibliography. large fold out map Book
2007Marketplace Cultural property and its stewardship have long been concerns of museums, archaeologists, art historians, and nations, but recently the legal and political consequences of collecting antiquities have also attracted broad media attention. This has been the result, in part, of several high-profile trials, as well as demands by various governments for the return of antiquities to their countries of origin.These circumstances call out for public discussion that moves beyond the rather clear-cut moral response to looting, to consider the implications of buying, selling, and exhibiting antiquities. To whom should they belong? What constitutes legal ownership of antiquities? What laws govern their importation into the United States, for instance? What circumstances, if any, demand the return of those antiquities to their countries of origin? Is there a consensus among archaeologists and museum directors about these issues? These and other pertinent issues are addressed in the essays and responses collected in this volume. Delivered at a 2007 symposium by eminent museum directors and curators, legal scholars, archaeologists, and historians and practitioners of art and architecture, these papers comprise a rich and nuanced reference work. 175p. illus. Book
1997The Magnificent Art Collection of Dr Lillian Malcove Consists of 513 pieces: paintings, drawings, furniture, icons, manuscripts, and textiles, as well as works in terracotta, glass, bronze, stone, enamel, ivory, silver, and gold. They represent a vast range of art history, from prehistory to the twentieth century, including Greek, Roman, Byzantine, and western medieval works, and even a few pieces from the Far East. Dr Malcove, a psychoanalyst in New York, bequeathed the collection to the University of Toronto so that it might be used in teaching. It is housed in the University of Toronto Art Centre. This catalogue was initially produced in conjunction with the first exhibit of the collection, presented at the University of Toronto in two parts, late in 1985 and early in 1986. Each piece is illustrated in the catalogue, and this new paperback edition features eight pages of colour photographs. Extensive descriptions, identifying and evaluating the objects, have been provided by scholars who represent diverse areas of expertise in art and archaeology. Also included are five brief memoirs by friends of Dr Malcove. The catalogue stands as a permanent record of an extraordinary collection and a unique perspective on art from a variety of cultures throughout history. 422p. illus. Book
1953Tomo I: "TEXTE", con 34 dibujos a plumilla intercalados. Tomo II: "ILLUSTRATIONS", 60 bellísimas láminas a plumilla en b/n sobre cartulina sepia en carpetilla. Estas representan motivos de la vida diaria, costumbres, viviendas, aperos y mobiliario de la zona Pirenaica. Los dos volúmenes se presentan en estuche.
1944En portadilla retrato del General Franco como fundador del Museo de América.
1967Sexto edición.
1986Fotografías a color intercaladas.
1999Fotografias.
2007Profusamente ilustrado.
1996Softcover, 4to, 251 pages, illustrations (some color) , 29 cm. Contents: Court Jews before the Hofjuden. Yosef Kaplan -- Court Jews in economics and politics. Michael Graetz -- Riches and dangers: Glickl bas Judah Leib on court Jews. Natalie Zemon Davis -- The case of Alexander David of Braunschweig. Ralf Busch -- The despised queen of Berlin Jewry, or, the life and times of Esther Liebmann. Deborah Hertz -- The last of the court Jews: Mayer Amschel Rothschild and his sons. Fritz Backhaus -- Melding worlds: court Jews and the arts of the baroque. Richard I. Cohen and Vivian B. Mann SUBJECT(S) : Descriptor: Court Jews -- Germany -- History. Jews -- Germany -- History -- 1096-1800. Art patronage -- Germany. Jewish art and symbolism -- Exhibitions. Jews -- Germany -- Portraits -- Exhibitions. Patronage. Joden. Beeldende kunsten. Vorstenhoven. Juifs de cour -- Expositions. Mecenat -- Europe -- Expositions. Juifs -- Europe -- Biographies -- Expositions. Juifs -- Europe -- Biographies. Mecenat -- Europe -- Histoire. This book has been published in conjunction with the exhibition From Court Jews to the Rothschilds: Art, Patronage, and Power, 1600-1800, held at the Jewish Museum, New York, 8 September 1996-17 January 1997Title page. Verso. Excellent condition. (Art-3-8/9) xx
1993Softcover, 4to, 128 pages, illustrations (some color) , 28 cm. SUBJECT(S) : Descriptor: Jewish art -- Catalogs. Art -- New York (State) -- New York -- Catalogs. Beeldende kunsten. Joden. The Jewish Museum. Includes index. Lightly bumped corners. Excellent condition. (Art-3-13)