VAUDOYER J.-L.MareMagnum
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La revue de l'Art Ancien et Moderne. 1920. In-4 Carré. Broché. Etat d'usage. Plats abîmés. Coiffe en tête abîmée. Non coupé. Plaquette de 28 pages illustrée de photo-gravures en noir et blanc dans et hors texte. Tapis à scènes de chasse. Salle des tapisseries. Boiserie française du XVe siècle...
1920réf. RO40206897La revue de l'Art Ancien et Moderne. 1920. In-4. Broché. Etat d'usage, Plats abîmés, Coiffe en tête abîmée, Non coupé. Plaquette de 28 pages illustrée de photo-gravures en noir et blanc dans et hors texte.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
1981réf. RO30351608Chez l'auteur. 1981. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 58 pages augmentées de nombreuses photos en noir et blanc dans texte.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
1970réf. R200140111Guy Le Prat. 1970. In-8. Relié toilé. Etat d'usage, Coins frottés, Dos satisfaisant, Papier jauni. 174 pages, rhodoïde et signet conservés, nombreuses illustrations en noir et blanc hors texte, nombreuses planches de photos en noir et blanc.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
1979réf. R320142778Guy Le Prat. 1979. In-8. Relié. Etat d'usage, Tâchée, Dos satisfaisant, Intérieur frais. 174 pages.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
2008réf. 553822Bremen: Hachmanned. 2008. 79 S. : zahlr. Ill. 26 cm. Zustand: Sehr Gut (Innen); Einband Außen hat keine Gebrauchsspuren; Broschiert
1792réf. 3602Rome: Presso Lazzarini 1792. FIRST EDITION. Hardcover. Fine. Printed on blue paper. In contemporary mottled calf the spine and boards tooled in gold. A very fine copy of the very rare first catalogue of the Museo Pio-Clementino - founded by Pope Clement XIV in 1771 and greatly expanded his successor by Pius VI- written for the use of visitors by the keeper of the museum Pasquale Massi of Cesena. Rare. The Museo Pio-Clementino was the first major curatorial museum within what are known today collectively as the Vatican Museums. In 1771 Pope Clement XIV had Michelangelo Simonetti adapt the Belvedere Pavilion to accommodate the papal collection of ancient art. When Clement's successor the avid art collector Pius VI was elevated to the pontificate in 1775 the pace of acquisition increased dramatically and very soon the collections outgrew the rooms arranged for them by Simonetti. In 1776 Pius VI called for a radical restructuring of the existing museum and the construction of new grand spaces to house the ever-expanding collection. Massi's catalogue a room-by-room guide of the museum with descriptions of all of the artifacts and artworks housed therein is an invaluable record of how the greatly expanded museum of antiquities looked in the late 18th century with its newly constructed series of rooms and the recently installed masterpieces of ancient sculpture -the fruits of some of the most important excavations in Italy including the excavation of Hadrian's villa at Tivoli. In addition to providing a record of the arrangement of the exhibits Massi's catalogue in which he provides details of provenance acquisition and attribution of each artwork described serves as a history of the museum's formation and preserves valuable information about the art trade and the function of archaeology in the late 18th century. Massi has used a system of numbers and letters to indicate which works were added to the museums by Julius II and his various successors above all Clement XIV and the then-current pope Pius VI. In his introduction Massi tells us that he has designed his guide for portability and easy reference by tourists by arranging the descriptions of the objects in each room in the form of a walking itinerary. Since it is necessary at two points to retrace one's steps Massi's guide leads us along one side of each room as we proceed through the galleries. When it is time to reverse our course he leads us along the opposite side of the rooms already traversed thus keeping us engaged and entertained as we retrace our steps through the vast complex. Our tour begins at the new entrance to the museum in the corridor of Cleopatra also known as the corridor of the inscriptions just within the new entrance to the museum. We then pass through two vestibules. The first one is square with frescoes by Giovanni da Udine in the vault. In it we encounter the tomb of the Scipios and the Belvedere Torso. The second vestibule is round and in its center is a large bowl made of pavonazzetto. From here we proceed through a corridor into the porticoed octagonal courtyard of the Belvedere the site of Julius II's first installation of ancient sculpture transformed by Simonetti in the 1770's. Massi then leads us through the hall of the animals the gallery of statues the gallery of busts and the "loggia scoperta" the room of masks. We make our way back through these galleries to arrive at the series of rooms created by Simonetti in the 1780's. The first of these is the hall of the muses. We then enter the breathtaking Sala Rotonda with its immense newly installed ancient porphyry basin from the Domus Aurea through which we make our way to the Sala of the Greek Cross where we find the newly installed ancient porphyry sarcophagus of Constantine's daughter Constantia. From here Massi takes us via Simonetti's new staircase up past the unfinished hall of the biga to Bramante's vast gallery of the candelabra which is itself divided into numerous rooms with vases statuary and jewelry. Exiting by the stairs we visit the library and trace our way back through the new wing and via the Belvedere courtyard where we marvel at the Laocoön and the Belvedere Apollo to the cortile the great open court of he complex where our tour ends. Presso Lazzarini hardcover books
réf. 1391882946.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1792réf. 3602Rome: Presso Lazzarini 1792. FIRST EDITION. Hardcover. Fine. Printed on blue paper. In contemporary mottled calf the spine and boards tooled in gold. A very fine copy of the very rare first catalogue of the Museo Pio-Clementino - founded by Pope Clement XIV in 1771 and greatly expanded his successor by Pius VI- written for the use of visitors by the keeper of the museum Pasquale Massi of Cesena. Rare. The Museo Pio-Clementino was the first major curatorial museum within what are known today collectively as the Vatican Museums. In 1771 Pope Clement XIV had Michelangelo Simonetti adapt the Belvedere Pavilion to accommodate the papal collection of ancient art. When Clement's successor the avid art collector Pius VI was elevated to the pontificate in 1775 the pace of acquisition increased dramatically and very soon the collections outgrew the rooms arranged for them by Simonetti. In 1776 Pius VI called for a radical restructuring of the existing museum and the construction of new grand spaces to house the ever-expanding collection. Massi's catalogue a room-by-room guide of the museum with descriptions of all of the artifacts and artworks housed therein is an invaluable record of how the greatly expanded museum of antiquities looked in the late 18th century with its newly constructed series of rooms and the recently installed masterpieces of ancient sculpture -the fruits of some of the most important excavations in Italy including the excavation of Hadrian's villa at Tivoli. In addition to providing a record of the arrangement of the exhibits Massi's catalogue in which he provides details of provenance acquisition and attribution of each artwork described serves as a history of the museum's formation and preserves valuable information about the art trade and the function of archaeology in the late 18th century. Massi has used a system of numbers and letters to indicate which works were added to the museums by Julius II and his various successors above all Clement XIV and the then-current pope Pius VI. In his introduction Massi tells us that he has designed his guide for portability and easy reference by tourists by arranging the descriptions of the objects in each room in the form of a walking itinerary. Since it is necessary at two points to retrace one's steps Massi's guide leads us along one side of each room as we proceed through the galleries. When it is time to reverse our course he leads us along the opposite side of the rooms already traversed thus keeping us engaged and entertained as we retrace our steps through the vast complex. Our tour begins at the new entrance to the museum in the corridor of Cleopatra also known as the corridor of the inscriptions just within the new entrance to the museum. We then pass through two vestibules. The first one is square with frescoes by Giovanni da Udine in the vault. In it we encounter the tomb of the Scipios and the Belvedere Torso. The second vestibule is round and in its center is a large bowl made of pavonazzetto. From here we proceed through a corridor into the porticoed octagonal courtyard of the Belvedere the site of Julius II's first installation of ancient sculpture transformed by Simonetti in the 1770's. Massi then leads us through the hall of the animals the gallery of statues the gallery of busts and the "loggia scoperta" the room of masks. We make our way back through these galleries to arrive at the series of rooms created by Simonetti in the 1780's. The first of these is the hall of the muses. We then enter the breathtaking Sala Rotonda with its immense newly installed ancient porphyry basin from the Domus Aurea through which we make our way to the Sala of the Greek Cross where we find the newly installed ancient porphyry sarcophagus of Constantine's daughter Constantia. From here Massi takes us via Simonetti's new staircase up past the unfinished hall of the biga to Bramante's vast gallery of the candelabra which is itself divided into numerous rooms with vases statuary and jewelry. Exiting by the stairs we visit the library and trace our way back through the new wing and via the Belvedere courtyard where we marvel at the Laocoön and the Belvedere Apollo to the cortile the great open court of he complex where our tour ends. Presso Lazzarini hardcover
1999réf. 29080New York: Rizzoli 1999. Hardcovers in Slipcase. As New with no dust jacket. Maroon cloth gilt lettering plates on front and rear of slipcase with pull-ribbon; a large heavy set. Vol. I The Restoration 359 pages shows and describes historical and technical considerations of the restoration of Michelangelo's "Last Judgement"; Vol. II The Plates shows by section and zone the figures themselves.; 2 Volume Set; 10 x 12 1/2 Rizzoli hardcover
2000réf. 36807New York Ny U. S. A.: Rizzoli International Publications Incorporated. Fine with no dust jacket. 2000. 1st Edition. hardcover. 2 vols boxed one corner of slipcase bumped else as new from publisher. ; Always Delivery Confirmation. 35 Years Fast Excellent Service. We Know How To Pack Books. . Rizzoli International Publications, Incorporated hardcover
1999réf. 42082New York: Rizzoli 1999. First edition. Two volumes. 4to. viii 358 2 pp. Publisher's plum cloth gilt lettered to the spines and upper boards matching slipcase with colour illustrations to the sides. Numerous illustrations and diagrams to the first volume full page colour plates throughout the second. An excellent set. New York: Rizzoli unknown
1999réf. BOOKS019726INew York: Rizzoli. Fine copies in slipcase. 1999. 1st Am. ed. hardcover. 4to ca. 700 pp. . Rizzoli hardcover
2002réf. 580029Moskau: Chudoshnik i Kniga. 2002. 215 Seiten. 29x24cm. Zustand: Sehr Gut; 2., verb. und erg. Ausg. Broschiert
1991209 pages. An intimate chronicle of the people and events that have shaped the university for some 150 years. Ten prominent Canadian writers, many of them graduates or teachers from McGill, capture the spirit of the university in delightful anecdote and insightful overview, recreating the exploits and accoumplishments of its historic figures and revealing its role in the modern world. More than one hundred beautiful colour photographs, commissioned from four noted Montreal photographers, portray the McGill campus, its students, and the treasures of its libraries and museums. Historic pictures from the McGill Archives, splendid Notman photographs from the original class negatives, and charming vignettes from Old McGill create a pictorial history of the university. Gift greetings upon title page else clean, bright and unmarked. Negligible wear overall. Lovely copy. Book
réf. R300260321Paris, Société Française d'Editions d'Art May. Non daté. In-Folio. Broché. Etat d'usage, Couv. défraîchie, Dos abîmé, Intérieur frais. x, s.d. (vers 1900), album in 4 oblong réunissant les 10 livraisons,broché, 160 pp. environ et 200 reproductions d'estampes illustrant les procès, attentats, exécutions, bûchers, tortures et supplices d'autrefois, accrocs à la couverture sans gêne.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
1989Traduction du russe d'un ouvrage collectif sur Petrus Paulus Rubens (1577-1640), catalogue de ses "41 tableaux et esquisses [...] conservés au Musée Pouchkine de Moscou et au Musée de l'Ermitage à Leningrad qui abrite un des meilleurs ensembles de Rubens au monde" (rabat de jaquette); introductions par les historiennes de l'art Mariâ Akovlevna VARSAVSKAA et Kseniâ Sergeevna EGOROVA sur l'artiste et la collection russe de ses oeuvres; notices sur les tableaux du Musée de l'Ermitage par Mariâ Akovlevna VARSAVSKAA, notices sur ceux du Musée Pouchkine par Kseniâ Sergeevna EGOROVA, notice sur l'esquisse du Musée de l'Art Occidental et Oriental d'Elena Nikolaevna ROSLAVETS; nombreuses reproductions dont 96 en couleurs; chronologie; index des oeuvres; expositions; bibliographie. Français
réf. 19184Paris, Editions Cercle d'art, 1989 1 volume 26,1 x 33,7cm Reliure éditeur pleine toile sous jaquette illustrée couleurs; gardes illustrées couleurs. 206p., 1feuillet; très nombreuses illustrations in texte: vignettes en noir et 96 illustrations couleurs, vignettes, pleines et doubles pages. Très bon état.
1970réf. R200045651DES MUSEES NATIONAUX. 1970. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 133 pages. . . . Classification Dewey : 708-Galeries, musées, collections d'art
1971réf. RO20271431MUSEES NATIONAUX. 1971. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. 133 PAGES - nombreuses planches en noir/blanc. . . . Classification Dewey : 708-Galeries, musées, collections d'art
1952réf. RO30329741Des Musées nationaux. 1952. In-8. Broché. Etat d'usage, Coins frottés, Dos satisfaisant, Intérieur acceptable. 100 pages. Nombreuses notes au crayon. Quelque illustrations en noir et blanc hors texte. Quelques rousseurs.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
réf. 799Emile Raoust, Libraire-Editeur, Lille, 1943. In-8, broché, 50 pp. Avant-propos - I. La Genèse du musée de Lille (1792-1801). - Tableaux des églises. - Salon des Arts - II. Les Premières années du musée (1803-1815) - Sources consultées - Bibliographie - Table des matières.
réf. 51892Vancouver BC : Vancouver Museums and Planetarium Association and Rothmans of Pall Mall Canada Limited 1974. ""We gratefully acknowledge the co-operation of the Aboriginal Arts Board of the Australian Council for the Arts and the Peter Stuyvesant Trust for making this exhibition possible"" p.1. Quarto pictorial stiff wrappers edges slightly rubbed 64 pp 130 exhibition items photographically illustrated in colour and black-and-white Hermannsburg watercolours Arnhem Land bark paintings Western Desert paintings Tiwi Islands sculptures Bathurst Island pukumani poles etc. map; numerous short contextual essays foreword by E.G. Whitlam Prime Minister of Australia and introduction by Dick Roughsey Goobalathaldin. Superb catalogue produced to accompany the major international touring exhibition which visited numerous Canadian centres between June 1974 and May 1976. Provenance : Australian artist Leslie Van der Sluys 1939 - 2010 his ownership inscription dated 1978. unknown
réf. RO20212063Editions de la Réunion des Musées Nationaux. Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 181 pages augmentées de nombreuses photos et illustrations en noir et blanc et couleurs dans et hors texte. Ex-dono sur la page de faux titre.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
1990réf. RO20172514ARNOLDO MONDADORI ART - LUCA EDIZIONI D'ARTE. 1990. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 2 TOMES: 292 + 336 pages - texte en 2 colonnes - nombreuses illustrations en noir et blanc et en couleurs - couverture contre-plié - 1er plat illustré en couleur. . . . Classification Dewey : 708-Galeries, musées, collections d'art
