Sully, SusanBiblio.com
1 690 résultats
réf. 0762415959.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1999réf. 46552NY: Rizzoli 1999. Hardcover. Very good. Hardcover. 196pp. Very good hardback in a very good dustjacket. Rizzoli hardcover books
1999réf. 45831NY: Rizzoli 1999. Hardcover. Very good. Hardcover. 196pp. Slight spine lean else a very good hardback in a very good dustjacket. Rizzoli hardcover books
réf. 58222NLWRelié sous jaquette très bon état.Contenu propre .204 pages . 2004.PHOTOS SUR DEMANDE
2001réf. 300408New York: Rizzoli 2001. hardcover. fine/fine. Many color photographic illustrations by Steven Brooke. Square 4to black cloth d.w. New York: Rizzoli 2001. First Edition. Fine. Rizzoli unknown books
réf. 73-4130New York: 19th Century American Publisher circa 1800s. 27x18 cm. Black and white engraving. Very Good. Foxing around eddges.Provenance: From the collection of the late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [New York?: 19th Century American Publisher, circa 1800s] unknown
1848réf. 45243Philadelphia. June 19 1848. English-American Portraitist Sends Shipment Letter written by American artist Thomas Sully to one John Zellay asking that he receive two cases on Sully's behalf until such time as he could claim them hopefully by the end of the month. Thomas Sully 1783-1872 emigrated from England at the age of nine and grew up in Charleston. He learned painting from his brother Lawrence whose widow he subsequently married and from his brother-in-law Jean Belzons. He later studied with Benjamin West in London. He moved to various locations settling in Philadelphia in 1808 where he quickly became its leading portrait painter a position he held until his death. Quarto on a folded folio sheet. Old fold lines. Minor soiling. Very good. unknown
1861réf. 25926Philadelphia 1861. Half page. 1 vols. 8vo. Lined paper. Fine. Half page. 1 vols. 8vo. Thomas Sully 1783-1872 emigrated from England at the age of 9 and grew up in Charleston. He learned painting from his brother Lawrence whose widow he subsequently married and from his brother-in-law Jean Belzons; he later studied with Benjamin West in London. He moved to various locations settling in Philadelphia in 1808 where he quickly became its leading portrait painter a position he held until his death. This letter to the famous historian Benson Lossing is in response to Lossing's request for the character and appearance of "the late Commodore Decatur.he demeaned himself as a perfect gentleman. His form was perfect. I painted him for the City of New York 12 of July 1814." It is one of his most famous portraits now in City Hall New York. It is a full figure portrait with Decatur leaning on the hilt of his sword and with Castle William and New York Bay in the background. Edward Biddle & Mantle Fielding "The Life and Works of Thomas Sully 1783-1872 #450 Portrait of Decatur referred to here unknown
1846réf. 43653Charleston 1846. One page. 1 vols. 4to. Old folds else fine. One page. 1 vols. 4to. Interesting association between the American painter and one of the most popular of America's women authors of the 19th century Caroline Gilman 1794-1888 author of the immensely popular Southern novel Recollections of a Southern Matron 1838. " . I have been delighted and profited by reading your 'Southern Matron.' The interesting story and episodes are the means of giving a full display of Southern manners and customs . / Sincerely your friend / and obedient servant / Thos Sully. unknown
réf. 137219nd. Very good. 9 cm b&w illustration on 10 cm card. Photograph of an original painting. Small creases in rear. unknown
réf. 101381679X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1965réf. 488463New York : Reinhold Publishing Corporation 1965. First Edition. Hardcover. Near fine copy in cloth boards with a very good if somewhat dust-toned dust-wrapper slightly edgeworn and now mylar-sleeved. Contemporary gift inscription 1965 on flyleaf. Remains well-preserved overall; tight bright and clean. “Printed in a Limited Edition.” -- title page. Physical description; xxiii 46 pages : illustrations facsimile 21 cm. Subjects; Portrait painting technique. Painting technique early works to 1900. Artists United States 19th century. New York : Reinhold Publishing Corporation hardcover
réf. 1162110945.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1498147178.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1015556833.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1168731712.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1873réf. 806Philadelphia: J.M Stoddart & Co 1873. Hardbound. VG- light soiling. Azure blue vellum. 55 pp. Color plate of a painter's pallete which is colored by hand and also the folding chart at p. 14 which is frequently missing. Karpel I-1351 states ".Describes materials and procedures for portrait painting. Sully's handbook reveals many of the techniques used by himself and his contemporaries including Allston West Leslie and Trumbull in the preparation of varnishes canvases and flesh-tones." Slight separation of vellum from board on front cover still a very desirable book in solid condition. Extremely scarce. The book was reprinted by Faber Birren and Reinhold in 1965. J.M Stoddart & Co hardcover
réf. 3541Philadelphia: Childs and Inman Lith. 1833. Lithograph 10.5" x 8.5" plus margins. A scarce and very fine lithographic portrait of Fanny Kemble as Julia in James Sheridan Knowles' play The Hunchback after a painting by Thomas Sully. Kemble and her father toured the United States in 1832-1833 immediately following her much acclaimed performance as Julia in London. Both Sully's painting and this lithograph reproducing it were executed in 1833. The painting is owned today by the Rosenbach Museum and Library. Philadelphia: Childs and Inman, Lith., 1833 unknown
1870réf. 001641no place: Not published 1870. Autograph. Very good condition. Unbound. Signed by Authors. No edition stated. Octavo 8vo. A note written and signed by Thomas Sully. Addressed to Henry S. Randall Esq. it reads "Dear Sir. It will give me great pleasure to recieve sic the "History of New York" published by the Legislature of the State which you have kindly proffered me. Please send by Adams' Express to my address -- No. 11 South 5th St. or to W. Pennington Book seller No. 10 South 5th. Very Respectfully Your Obedient Servany signed Tho Sully." The folded into approximate sixths note measures 5 and 3/8 inches tall by 8 inches wide. Three small old archival mount remnants on the reverse of the document. In very good plus condition without any stains or smudging. Thomas Sully lived 1783 to 1872. He was born in England and moved to the United States as a boy. Studied with his brother Lawrence died 1803 opened a studio in New York 1806 and Philadelphia 1808. Known to have painted more than 2600 works. Among his best known are "Washington Crossing the Delaware" "Marquis de Lafayette" and "Jefferson Madison Jackson.". No date listed; circa 1870. Not published Paperback
réf. 76-0744U.S.: American Publisher circa 1837. Engraving. 24.5 x 15.5 cm sheet. Facsimile signature. Good sheet aged light specks of foxing throughout. [U.S.: American Publisher, circa 1837]. unknown
réf. 71-8849Philadelphia Pa.: Herring’s - The National Portrait Gallery of Distinguished Americans circa 1834. Stipple and steel engraving. 28 x 19 cm sheet. With the blindstamp of Teachers College Bryson Library New York in upper right sheet corner. With facsimile signature. Very Good sheet lightly toned. [Philadelphia, Pa.: Herring’s - The National Portrait Gallery of Distinguished Americans, circa 1834]. unknown
réf. 71-8842Philadelphia Pa.: Herring’s - The National Portrait Gallery of Distinguished Americans circa 1834. Stipple and steel engraving. 28 x 19 cm sheet. With the blindstamp of Teachers College Bryson Library New York in upper right sheet corner. With facsimile signature. Very Good sheet lightly toned. [Philadelphia, Pa.: Herring’s - The National Portrait Gallery of Distinguished Americans, circa 1834]. unknown
réf. 71-8831Philadelphia Pa.: Herring’s - The National Portrait Gallery of Distinguished Americans circa 1834. Stipple and steel engraving. 28 x 19 cm sheet. With the blindstamp of Teachers College Bryson Library New York in upper right sheet corner. With facsimile signature. Very Good sheet lightly toned. [Philadelphia, Pa.: Herring’s - The National Portrait Gallery of Distinguished Americans, circa 1834]. unknown
réf. 71-8813Philadelphia Pa.: Herring’s - The National Portrait Gallery of Distinguished Americans circa 1834. Stipple and steel engraving. 28 x 19 cm sheet. With the blindstamp of Teachers College Bryson Library New York in upper right sheet corner. With facsimile signature. Very Good sheet lightly toned short tears along top sheet edge. [Philadelphia, Pa.: Herring’s - The National Portrait Gallery of Distinguished Americans, circa 1834]. unknown
réf. 71-8821Philadelphia Pa.: Herring’s - The National Portrait Gallery of Distinguished Americans circa 1834. Stipple and steel engraving. 28 x 19 cm sheet. With the blindstamp of Teachers College Bryson Library New York in upper right sheet corner. With facsimile signature. Very Good sheet lightly toned. [Philadelphia, Pa.: Herring’s - The National Portrait Gallery of Distinguished Americans, circa 1834]. unknown
