1.687 resultados
2000ref. Q-379132456XPrestel Pub 2000-11-30. Hardcover. New. In shrink wrap. Looks like an interesting title! Prestel Pub hardcover
2000ref. 20070new oversize hc expedited & international shipping not available Prestel hardcover
2000ref. 15491new oversize hc expedited & international shipping not available- Prestel hardcover
1903ref. 10960Paris, Société d'Editions Littéraires et Artistiques, Paul Ollendorff, 1902 ; in-12, broché ; XVI, 387 pp., couverture kaki imprimée en bleu-pétrole.
ref. RO50026691J. Hamelle. début XXème. In-4. En feuillets. Etat d'usage, Couv. convenable, Dos satisfaisant, Déchirures. 3 pages. Ornements en couverture. Plats détachés. Quelques traces de crayon de couleur.. . . . Classification Dewey : 780.26-Partitions
ref. 458231Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 1th century undated. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 458229Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 1th century undated. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 458230Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 1th century undated. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 458228Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 1th century undated. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1848ref. 45243Philadelphia. June 19 1848. English-American Portraitist Sends Shipment Letter written by American artist Thomas Sully to one John Zellay asking that he receive two cases on Sully's behalf until such time as he could claim them hopefully by the end of the month. Thomas Sully 1783-1872 emigrated from England at the age of nine and grew up in Charleston. He learned painting from his brother Lawrence whose widow he subsequently married and from his brother-in-law Jean Belzons. He later studied with Benjamin West in London. He moved to various locations settling in Philadelphia in 1808 where he quickly became its leading portrait painter a position he held until his death. Quarto on a folded folio sheet. Old fold lines. Minor soiling. Very good. unknown
1861ref. 25926Philadelphia 1861. Half page. 1 vols. 8vo. Lined paper. Fine. Half page. 1 vols. 8vo. Thomas Sully 1783-1872 emigrated from England at the age of 9 and grew up in Charleston. He learned painting from his brother Lawrence whose widow he subsequently married and from his brother-in-law Jean Belzons; he later studied with Benjamin West in London. He moved to various locations settling in Philadelphia in 1808 where he quickly became its leading portrait painter a position he held until his death. This letter to the famous historian Benson Lossing is in response to Lossing's request for the character and appearance of "the late Commodore Decatur.he demeaned himself as a perfect gentleman. His form was perfect. I painted him for the City of New York 12 of July 1814." It is one of his most famous portraits now in City Hall New York. It is a full figure portrait with Decatur leaning on the hilt of his sword and with Castle William and New York Bay in the background. Edward Biddle & Mantle Fielding "The Life and Works of Thomas Sully 1783-1872 #450 Portrait of Decatur referred to here unknown
1846ref. 43653Charleston 1846. One page. 1 vols. 4to. Old folds else fine. One page. 1 vols. 4to. Interesting association between the American painter and one of the most popular of America's women authors of the 19th century Caroline Gilman 1794-1888 author of the immensely popular Southern novel Recollections of a Southern Matron 1838. " . I have been delighted and profited by reading your 'Southern Matron.' The interesting story and episodes are the means of giving a full display of Southern manners and customs . / Sincerely your friend / and obedient servant / Thos Sully. unknown
1846ref. 43653Charleston 1846. One page. 1 vols. 4to. Old folds else fine. One page. 1 vols. 4to. To Caroline Howard Gilman on Reading "Southern Matron" Interesting association between the American painter and one of the most popular of America's women authors of the 19th century Caroline Gilman 1794-1888 author of the immensely popular Southern novel Recollections of a Southern Matron 1838. " . I have been delighted and profited by reading your 'Southern Matron.' The interesting story and episodes are the means of giving a full display of Southern manners and customs . / Sincerely your friend / and obedient servant / Thos Sully. unknown books
1848ref. WRCAM45243Philadelphia 1848. 1p. plus integral blank leaf. Quarto on a folded folio sheet. Old fold lines. Minor soiling. Very good. Letter written by American artist Thomas Sully to one John Zellay asking that he receive two cases on Sully's behalf until such time as he could claim them hopefully by the end of the month. Thomas Sully 1783- 1872 emigrated from England at the age of nine and grew up in Charleston. He learned painting from his brother Lawrence whose widow he subsequently married and from his brother-in-law Jean Belzons. He later studied with Benjamin West in London. He moved to various locations settling in Philadelphia in 1808 where he quickly became its leading portrait painter a position he held until his death. unknown books
ref. 606To Miss Blake. "You have made the old man proud of the excellent Valentine you have sent him. It is the only one I have received during a long life - judge then how precious it is!" Sully then asks his correspondent "Why do you not cultivate the excellent talent for drawing." Signed "Thos. Sully." Tape repair on verso along center margin. unknown books
1904ref. 75294Edouard Pelletan | Paris 1904 | 25.50 x 33 cm | relié
1904ref. 75294Paris: Edouard Pelletan 1904. Fine. Edouard Pelletan Paris 1904 25.50 x 33 cm relié First edition one of the copies on Japon. Texts by Jules Renard Anatole France Sully-Prudhomme Gustave Geffroy Louis Tynaire Gabriel Séailles René Binet Georges Renard. Lithographed or wood-engraved illustrations in red and black by Eugène Carrière Félix Régamey Carlos Schwabe Georges Rochegrosse Alfred Lenoir Auguste and Georges Leroux Daniel Vierge Charles Fouqueray Théophile-Alexandre Steinlen Lucien Vogel Charles Léandre Henri Fantin-Latour Eugène Grasset Alexandre Lunois Georges Scott. Bradel binding in full paper palladium title on smooth spine marbled endpapers and pastedowns covers and spine preserved top edge palladium. Handsome copy attractively bound. Edouard Pelletan unknown
ref. 1514476835.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 1407515578.Gboard_book. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
2012ref. Q-0801478294ILR Press 2012-12-15. Paperback. New. In shrink wrap. Looks like an interesting title! ILR Press paperback
1958ref. mon0000159026Peter Davies 1958-01-01. Hardcover. Good. in x in x in. Ex library book usual markings. Clean copy sound binding. DIFFERENT COVER. Peter Davies hardcover
2016ref. G1626865647I4N00Printers Row Publishing Group 2016. Hardcover. Very Good. Disclaimer:A copy that has been read but remains in excellent condition. Pages are intact and are not marred by notes or highlighting but may contain a neat previous owner name. The spine remains undamaged. At ThriftBooks our motto is: Read More Spend Less.Dust jacket quality is not guaranteed. Printers Row Publishing Group hardcover
ref. SONG1626865647Silver Dolphin Books 2016-12-20. Box Toy/Pa. toy. Used: Good. 7.25x2.25x10.00. Buy with confidence. Excellent Customer Service & Return policy. Silver Dolphin Books unknown
ref. 20407-Ashgate 2005-. Nineteenth Century Series. First edition. xxi343 pages with index. Illustrated in black and white and color. Cloth. Fine in dustjacket. Since the early nineteenth century Byron the man and his image have captured the hearts and minds of untold legions of people of all political and social stripes in Britain Europe America and around the world. This book focuses on the history and cultural significance for Federal America of the only portrait of Byron known to have been painted by a major artist. In private hands from 1826 until this day Thomas Sully's Byron has never before been the subject of scholarly study. Beginning with his discovery of the portrait in 1999 and a 200-year narrative of the portrait's provenance and its relation to other well-known Byron portraits the author discusses the work within the broad context of British and American portraiture of the late eighteenth and early nineteenth centuries. Receiving most attention are Thomas Lawrence and Sully his American counterpart. The author gives the fullest account to date of Sully's career and his relation to English influences and to figures prominent in the early-nineteenth-century American imagination among them Washington Fanny Kemble Lafayette Joseph Bonaparte and Nicholas Biddle. Byron is discussed as an icon of the young American Republic whose Jubilee year coincided with Sully's initial work on the poet's portrait. Later chapters offer a close reading of the portrait arguing that Sully has given a visual interpretation truly worthy of his celebrated controversial and famously handsome subject. Byron Sully and the Power of Portraiture: Thomas Sully and His Byron Nineteenth Century Series American artist 0754638146 -Ashgate, 2005- hardcover
ref. 018369Sully Prudhomme (1839-1907), poète, premier prix Nobel de littérature. C.A.S., sd [dimanche], 5 lignes. A l'écrivain Paul Hervieu (1857-1915). Sully Prudhomme « se hâte de réparer une omission bien involontaire qu'il se rappelle subitement avoir commise hier dans les lettres qu'il a précipitamment adressées à son cher confrère et ami Paul Hervieu, et le prie de lui pardonner. S.P. ». [427]
