Tessmann, Günter (Hrsg.)Antiquariat.de
Anderson, Walter FAntiquariat.de
Look away. 56 Negro Folk songs.
1963rif. 80086Delaware (Ohio): Cooperative Recreation Service Inc 1963. 48 Seiten , 17cm Broschur 0
Antiquariat Biebusch · Germania10,00 €
1277 risultati
1921rif. 3085Berlin, Pantheon, 1921. 10 Tafeln, Buchschmuck nach Originalmotiven d. Fangneger. 3 Bl., 207 S., Halblederband mit aufgeklebtem Rückenschild, dreiseitigem Farbschnitt. Zustand 2, Kanten berieben, Rücken leicht fleckig.
1963rif. 80086Delaware (Ohio): Cooperative Recreation Service Inc 1963. 48 Seiten , 17cm Broschur 0
1988rif. 69530München : Schirmer-Mosel 1988. 230 S. : überwiegend Ill. ; 30 cm Gewebe 0
2014rif. 52905Batbeliever, 2014dar. BAT 099 2 CD CD
1907rif. 78291Madrid, 1907. Original-Broschur, 4°, ca.25 Blatt. Mit zahlreichen Illustrationen. Text auf Spanisch.
1988rif. 56211München, Schirmer/Mosel Verlag, 1988. origi.Leinenband mit Schutzumschlag, kl.4°, 230 Seiten.
2014rif. 1088513Frankfurt, M. : Lang-Ed., 2014. VIII, 222 S. : Ill. ; 22 cm Pp.
1979rif. 1062615Office du livre / Harvard, 1979. / - 1989. 281 S.; Abb. / 350 S.; Abb. / 325 S.; Abb. / 281 S.; Abb. / 379 S.; Abb. und 306 S. mit Abb.; ca. 25 cm. Originalleinenbände mit Schutzumschlag.
1989rif. 150043Paris: Librairie Académique Perrin 1989. 327 Seiten. 8° (17,5-22,5 cm). Orig.-Broschur. [Softcover / Paperback].
1950rif. 203417Haiti Visite S.A., Haiti, 1950. /160 S., Hardcover
1959rif. 5504Blandford Press Ltd., London 1959. 125 Seiten, Noten und Texte. Gr.-8°, 19 cm x 25 cm, f gebundene Ausgabe, Hardcover/Pappeinband, Einband etwas angestaubt und gebräunt, sonst guter Zustand
1930rif. HC10-703Lapa Parana, Wiedmer, 1930. original Broschur, 8?, 4 Seiten und 16 Seiten und 3 Seiten,
1977rif. 4104284Tugurini (Zürich): Selbstverlag 1977. 132 Seiten. Als Typoskript gedruckt. 8° (20,5 x 14,5 cm). Orig.-Broschur mit verstärktem Rücken. [Softcover / Paperback].
1940rif. 028892Bonanza Books, New York 1940. Leinen Ordentlich
1980rif. 002059Bremen, Verlag Roter Funke, 1980. Broschiert 8° 77
1959rif. 1802621959. In der Form signiert. 59,5 x 84 cm.
1988rif. 102516München, Schirmer/Mosel 1988. 1988. 4°, 230 S. mit zahlreichen s/w und farbigen Abbildungen und Tafeln. Orig.-Leinen im Orig.-Umschlag.
1975rif. 34851Minerva Press, New York, 1975. XV, 464 Seiten / pp., mit einigen Abbildungen / with some illustrations; Gr.-8°, 23 x 15,5 cm, kartoniert / Paperback
1915rif. 23996Madrid: Caza á cabello, 1915. (56) Seiten , 29 cm, kart.
rif. 44575München, Verlag Kösel - Pustet, ohne Angaben. 6,-10, Tausend 373 Seiten , 20 cm, Leinen
1969rif. 12513Berlin: Alfred Holz Verlag, 1969. 5. Auflage 285 Seiten , 21 cm, Pappeinband
1974rif. 19631Berlin, Weimar: Aufbau-Verlag, 1974. 1. und 2. Auflage 389 , 387 Seiten , 20 cm Gewebeeinband
1929rif. 25973Praha, Odeon, 1929. Kl. 8°. 15 S. Text, 34 Fototafeln. 1 Bl., Typographie von Karel Teige. Halb-Pergamentband. - Burian (1904 in Pilsen - 1959 in Prag), Komponist, Dichter und Dramaturg. Seine Werke sind von Dadaismus, Futurismus und Poetismus beeinflusst. Er war Mitglied der tschechischen Künstlergruppe "Devetsil" und Begründer eines Dada-Theaters und des avantgardistischen Theaters "D 34". Zwischen 1940 und 1945 war er in den Konzentrationslagern Theresienstadt, Dachau und Neuengamme inhaftiert. 1945 konnte er sich unter dramatischen Umständen nach dem Luftangriff der Royal Air Force aus dem Schiff Cap Arcona retten. Einband etwas berieben. Tafeln im weißen Rand schwach wellig.
1967rif. 235281967. Woodson Carter Godwin. The Journal of Negro History traces Black historical scholarship from the civil rights movement of the late 1960s to the constitutional battles over affirmative action in the early 1980s. Kenneth B. Clark a psychologist whose work with Mamie Phipps Clark on children and racial segregation was cited in Brown v. Board of Education opens the January 1968 issue with "The Present Dilemma of the Negro" while other issues examine racial thought in colonial America Black sailors in the Navy and merchant service discipline under industrial slavery in the Old South antislavery agents working with free Black communities from 1833 to 1838 and the Bakke Weber and Fullilove affirmative-action cases. William M. Brewer and Alton Hornsby Jr. eds. The Journal of Negro History. Washington D.C.: The Association for the Study of Negro Life and History Inc. 1967-1982. Nine quarterly issues. Vol. LIII Nos. 3 and 4 July and October 1967; Vol. LIII Nos. 1 and 2 January and April 1968; Vol. LIV Nos. 1 2 3 and 4 January April July and October 1969; Vol. LV No. 1 January 1970; and Vol. LXVII No. 3 Fall 1982. Including writings "The Emergence of DuBois As An African Nationalist"; Max Welborn "Racial Massacre In Atlanta September 22 1906"; Valeria W. Weaver "The Failure Of Civil Rights 1875-1883 And Its Repercussions"; and "The Ethel Johns Report: Black Women In The Nursing Profession 1925." These issues show Woodson's program in the decades after civil rights activism brought Black historical scholarship into debates over school desegregation voting rights enforcement affirmative action and the recovery of African origins in Atlantic slavery. January 1969 number includes the annual report "The Mis-Education of The Negro" tying the Association's current work to Woodson's critique of American schooling while the 1982 number places King's memory Central African slavery Black women's nursing labor affirmative action and Civil War freedom claims in the same scholarly forum. A compact run of The Journal of Negro History that connects ASALH's Woodson-era mission to late twentieth-century scholarship on enslavement civil rights enforcement African Diaspora origins Black labor and affirmative action law. Wrappers show toning some scattered stains with some issues showing binding weakness; interiors remain readable. Overall very good condition. unknown books
1960rif. 236661960. Cedric Dover's survey of African American visual art from early portraiture through the postwar period published in 1960 while the work of Black artists remained marginal within standard American art histories. Dover connects artistic production to slavery emancipation migration industrial labor the Harlem Renaissance federal arts programs and the growth of Black cultural institutions. Reproductions of works by Aaron Douglas Charles White Richmond Barthé Jacob Lawrence William H. Johnson Hale Woodruff Selma Burke and others establish a lineage across painting sculpture drawing printmaking and mural art. Dover Cedric. American Negro Art. New York: New York Graphic Society 1960. First edition. 186 pages. 8vo. Hardcover in original brown cloth with silver spine lettering extensively illustrated in black and white and color no dust jacket. The volume opens with Charles White's 1958 ink drawing based on the spiritual "One of a series of ink drawings based on the spirituals" and includes Aaron Douglas's The Negro Looks Ahead Richmond Barthé's sculpted head Hubert Howard's Show Girl Jacob Lawrence's Ambulance Call and a color reproduction of Aaron Douglas's A Harlem Matron. Dover's text addresses the circumstances under which Black artists studied exhibited and found patronage with sections including "Mulattoes and Atelier Art" "For Aaron Douglas" and "The Artists." One illustrated spread reproduces Charles White's mural sketch for the Harlem Hospital beside Douglas's The Continuation of Life while another places a photograph of industrial workers beside Hale Woodruff's printmaking and William H. Johnson's Aunt Alice. Dover an Anglo Indian writer and scholar who published extensively on race anthropology and modern art presents African American art as a continuous field shaped by both formal experimentation and the political conditions governing Black life. His discussion of Harlem Renaissance circles historically Black colleges museum access commercial galleries and federal patronage records the institutional structures through which artists built careers despite segregation and restricted exhibition opportunities. The book's period terminology including its title and chapter language records the vocabulary through which African American art was categorized by publishers and scholars at midcentury. Light shelf wear to binding; permanent marker block on title page else clean and firmly bound. Overall very good condition. A substantial midcentury attempt to place African American artists within the history of American modernism through named works institutions movements and individual careers. unknown books
