1,209 results
1833359p. + Plus wood engraved half title, full page engravings and a folding map, on light paper. an old repair. Foxed. 16mo. 160 mm. Original Harper's printed cloth binding (with the date 1834 on the front cover), stained and worn, with old spine repairs. Good. AFRICA/6.
ref. 1633439895.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2012ref. x-8847022657Springer 2012. Paperback. New. reprint edition. 480 pages. 9.25x6.10x1.10 inches. Springer paperback
1972Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. [x], 511 p. Turkish - Turkic peoples and states in the North of the Black Sea and Caucasus between 4th and 18th centuries. Rare. IV.-XVIII. yüzyillarda Karadeniz kuzeyindeki Türk kavimleri ve devletleri.
2001Fine English Paperback. Pbo. Demy 8vo. (21 x 15 cm). In Turkish. 109 p. Uyanik. Siirler. Prep. by Aledin Amet, Aihan Osman. First and Only Edition. Extremely rare.
1995Fine English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In English. 4 volumes set: ([vi], 542 p.; [xiv], 219 p.; [vi], 259 p.; [ix], 517 p.). Black Sea Economic Cooperation (BSEC) handbook of documents. 4 volumes set.
2015New English Original bdg. HC. 4to. (31 x 22 cm). In Turkish. 504 p., Ottoman documents. Safranbolu. 1831 nüfus kayitlari. 1831 demographic registers of Safranbolu district of Kastamonu sandjak in the Ottoman Empire.
ref. 064249Dal Negro Book. Near Fine. Tarot Deck. Boxed set of oblong tarot cards and little folding booklet. Corner crease to booklet. Dal Negro unknown
ref. Baseb33Negro Leagues Baseball Museum 2000. Pbk 4to stapled 94pp profusely illustr throughout bw photos bibliography index and blank pages for autographs an unread copy excellent clean tight and unmarked as new becoming harder to find Negro Leagues Baseball Museum, 2000 paperback
1969ref. 057257New York: Negro Universities Press 1969. Hardcover. Very Good. 9" x 11.5" x 1. SCARCE Burgundy hardcover with gilt title to spine. Hinges intact and binding secure. Like new. Facsimile edition 12 issues of The Half Century Magazine: A Colored Magazine for the Home and Homemaker 1921-1923 Volumes 11-14 . Inscribed by previous owner on front endsheet. Your purchase benefits literacy and summer reading programs in Cincinnati and Hamilton County Ohio. We ship every business day. All books ship in cardboard bookfolds with delivery confirmation. Sets or unusually heavy items ship in a box. Negro Universities Press hardcover
2005ref. 1000615NEW ~ A collection of essays on the history of Jesuit haciendas throughout Ibero-America from California and Zacatecas to Venezuela Peru Paraguay and Brazil that focus primarily on slavery the economy and evangelization. Contributors: Manuel M. Marzal Iris Gareis Jean-Pierre Tardieu Francisco de Borja Medina Luis Arnal Simon Ignacio de Rio Jose del Ray Farjardo Edda O. Samudio A. Pavel Stipanek Maria Eugenai Codina David Rodriguez Miriam Salas Olivari Ana Maria Soldi Alicia Polvarini de Reyes Guillermo Bravo A. Luis Alejandro ALvero Felipe Gonzalez Mora Sandra Negro Jessica Esquivel Coronado Carmen Ruiz de Pardo Victor Hugo Limpias Ortiz Rosana Najjar Beatriz Vasconcellos Franzen. 571 pp. Illus. Maps. 500 ejemplares / edition of only 500. EN ESPANOL / IN SPANISH 2.25 lbs. Heavy weight cover. In stock. Usually ships in three days. FONDO EDITORIAL DE LA PONTIFICIA UNIVERSIDAD CATOLICA DEL PERU paperback
ref. 500383710Sans date. 1200 histoires drôles sur les juifs les ivrognes les putains les kangourous le sport les suisses les martiens la politique la bouffe les monstres les artistes les nègres les snobs l'érotisme les russes le boulot les juges les perroquets les voyages les psychiatres les cures les milliardaires etc. etc Bon état unknown
ref. 500383710Sans date. 1200 histoires drôles sur les juifs les ivrognes les putains les kangourous le sport les suisses les martiens la politique la bouffe les monstres les artistes les nègres les snobs l'érotisme les russes le boulot les juges les perroquets les voyages les psychiatres les cures les milliardaires etc... etc
1991ref. mon0004021371Fireside 1991T. hardcover. Very Good. 0.9000 9.3000 6.4000. Fireside hardcover
ref. 10801476like new. unknown
2021ref. SONG1440872082Bloomsbury 2021-06-24. 5. paperback. Used: Good. 6.20x1.00x9.25. Buy with confidence. Excellent Customer Service & Return policy. Bloomsbury paperback
1831359p. + Plus engraved half title, full page engravings and a folding map, torn with an old repair. XLib. Damp stained. Age stained. 12mo. Original half leather marbled boards. Joints tender. Black library tape on lower spine. First American Edition. AFRICA/2
1976ref. alyssa099Ottawa: The National Gallery of Canada 1976. 1976. 4to. French & English text. pp. 261. profusely illus. in b/w. biblio. index. wrs. scuffed. Exhibition Catalogue. Soft cover. Fine. Ottawa: The National Gallery of Canada, [1976]. Paperback
1998ref. 59121Artioli. Near Fine in Fine dust jacket. Hardcover. Oversized coth. Text in Italian. Slight spine lean points gently bumped.; Italian Edition; 270 X 47 X 306 millimeters; 352 pages . 1998. Artioli hardcover
1982ref. 49157Panama: Impresora de La Nacion 1982. Very Good. Panama: Impresora de La Nacion 1982. First Edition. Octavo; illustrated wraps; 173 3pp.; black and white photographs. Light wear and soiling to wraps; binding sound; gift inscription to preliminaries; pages else unmarked; a Very Good copy. Text entirely in Spanish. Uncommon record of the First Congress of the Black Panamanian which was followed by the Second and Third in 1983 and 1988. As Alberto Barrow put it in a follow-up two decades later the congress came from "sustained struggles by different organized sectors of the Afro-Panamanian population who in one way or another tried to provide some kind of response to the varied expressions of the ethnic and racial question in the country with the understanding that in effect this was and undoubtedly still is a transcendent issue for men and women whose full citizenship historically has had to overcome a sea of difficulties because of their African genealogy" our translation. No copies in retail at time of this writing. Alberto S. Barrow "Así fue el 1er. Congreso del Negro Panameño." Opinion page of Panama America September 15 2016. Retrieved online. [Impresora de La Nacion] unknown
1982ref. 49157Panama: Impresora de La Nacion 1982. Very Good. Panama: Impresora de La Nacion 1982. First Edition. Octavo; illustrated wraps; 173 3pp.; black and white photographs. Light wear and soiling to wraps; binding sound; gift inscription to preliminaries; pages else unmarked; a Very Good copy. Text entirely in Spanish. Uncommon record of the First Congress of the Black Panamanian which was followed by the Second and Third in 1983 and 1988. As Alberto Barrow put it in a follow-up two decades later the congress came from "sustained struggles by different organized sectors of the Afro-Panamanian population who in one way or another tried to provide some kind of response to the varied expressions of the ethnic and racial question in the country with the understanding that in effect this was and undoubtedly still is a transcendent issue for men and women whose full citizenship historically has had to overcome a sea of difficulties because of their African genealogy" our translation. No copies in retail at time of this writing. Alberto S. Barrow "Así fue el 1er. Congreso del Negro Panameño." Opinion page of Panama America September 15 2016. Retrieved online. [Impresora de La Nacion] unknown books
ref. 63-4078Berkeley CA: Lasartemay Family 1933-1938. Four Cards. 4" x 2.5" from the East Bay Negro Historical Society Very Good. Two B&W Photographs 4.5" x 2.75" of African American families in the Bay Area in the 1930s One Good with creasing and minor stains the other Fair with losses tears staining. Two envelopes one addressed to Eugene Pasqual Lasartemay the other to the East Bay Negro Historical Society. Post Card 5.25" x 3.5" MS Signed from Eugene Pasqual Lasartemay Sept 26 1933 Good with staining.Provenance: Eugene Pasqual & Ruth Hackett Lasartemay Berkeley.Eugene Pasqual Lasartemay 1903-1993. In 1937 he earned a First Assistant Engineer’s license becoming the first licensed black marine engineer to sail from the Port of San Francisco. He was also active in a number of civic religious and historical organizations in Berkeley and Oakland. He was a co-founder of many black organizations in the East Bay including the East Bay Negro Historical Society Berkeley Branch of the East Bay Lodge #44 Men of Tomorrow Inc. Colonel Allensworth State Historical Park Berkeley Branch of the NAACP. He was an active member of the boy scouts serving as a Neighborhood Commissioner and Scoutmaster of Boy Scout Troop #43 and was awarded the scout’s highest honor - the Silver Beaver Award. He served as president of the United Consumers and Producers East Bay Negro Historical Society vice president of the East Bay Pensioner’s Club of the International Longshoremen’s and Warehousemen’s Union and the Berkeley Branch of the NAACP and treasurer of the Fannie Wall Children’s Home of Oakland.Ruth Hackett Lasartemay 1902-1991She worked for 17 years with the Golden State Mutual Life Insurance Company between 1928-1944. She was active in many civic and women’s clubs in Oakland and Berkeley including the California State Association of Colored Women’s Club Inc. National Association of Negro Musicians Inc. League of Women Voters South Gate Chapter of the Order of the Eastern Star and was a co-founder and the first curator of the East Bay Negro Historical Society.Scope and Content of Collection Berkeley, CA: Lasartemay Family, 1933-1938. unknown
1994ref. 201688Italy: Artoli Editore in Modena 1994. Hardcover. VG/VG: Ownership stamp on the back free end page. Inner front hinge is reenforced with clear tape; spine looks fine on the outside. A maroon hardback with gilted gold text on the spine and a glossy dust jacket. Both the front and back free end pages are illustrated. 6 7-352 pp. 442 mostly color images. Written in Italian. The first of of three volumes detailing the lives and works of over 65 painters. From the editor: "I concetti informatori che hanno presieduto alla realizzazione del primo volume dedicato alla scuola di Guido Reni ed espressi in quella presentazione non sono venuti meno anche nella facitura di questo lavoro. Il progetto che ci impegna assieme ai giovani e brillanti studiosi come sempre validamente coordinati da Emilio Negro e Massimo Pirondini coadiuvati dall'insostituibile Nicosetta Roio prevede di presentare il più ampio repertorio possibile d'immagini della pittura emiliana del Seicento questa seconda opera testimonia riteniamo con la dovixia di quanto raccolto e proposto la veridicità dell'assunto programmatico. Pubblicando "La scuola dei Carracci dall' Accademia alla bottega di Ludovico" si è provveduto a dividere in due ciò che probabilmente deve essere considerato un solo argomento ma ragioni di opportunità grafico-editoriali un libro di dimensioni sovrabbondanti data la vastità del materiale hanno fatto sì che si dovesse percorrere questa strada. Prima parte dedicata agli artisti legati alle vicende iniziali dell'Accademia: dai Desiderosi agli Incamminati quando i tre Carracci partecipavano congiuntamente alla conduzione dell' impresa e ai non pochi che rimasero a Bologna sotto la guida del solo Ludovico. Precisando che per quanto attiene al più celebrato degli artisti allievi dell'Accademia: Guido Reni si fa riferimento al solo periodo di alunnato. Stesso criterio verrà utilizzato per quei tanti famosi di cui esistono già importanti monografie da enumerarsi nella seconda parte dedicata al gruppo che al seguito di Annibale opererà e si evolverà principalmente a Roma: "La scuola dei Carracci: i seguaci di Annibale a Roma" volume questo di prossima pubblicazione. L'Editore" ""The guiding concepts that presided over the creation of the first volume dedicated to the school of Guido Reni and expressed in that presentation have not failed in the making of this work. The project that engages us together with the young and brilliant scholars as always validly coordinated by Emilio Negro and Massimo Pirondini assisted by the irreplaceable Nicosetta Roio plans to present the widest possible repertoire of images of Emilian painting of the seventeenth century this second work testifies we believe with the abundance of what has been collected and proposed the truthfulness of the programmatic assumption. By publishing "The school of the Carracci from the Academy to Ludovico's workshop" we have proceeded to divide into two what should probably be considered a single topic but for reasons of graphic-editorial opportunity a book of overabundant dimensions given the vastness of the material have meant that this path had to be taken. First part dedicated to the artists linked to the initial events of the Academy: from the Desiderosi to the Incamminati when the three Carraccis jointly participated in the management of the enterprise and to the many who remained in Bologna under the guidance of Ludovico alone. Specifying that as regards the most celebrated of the artists who were students of the Academy: Guido Reni reference is made only to the period of his apprenticeship. The same criterion will be used for those many famous ones of whom important monographs already exist to be listed in the second part dedicated to the group that following Annibale will operate and evolve mainly in Rome: "The school of the Carracci: the followers of Annibale in Rome" a volume this to be published soon. -Editor". Artoli Editore in Modena hardcover
1994ref. 201688Italy: Artoli Editore in Modena 1994. Hardcover. VG/VG: Ownership stamp on the back free end page. Inner front hinge is reenforced with clear tape; spine looks fine on the outside. A maroon hardback with gilted gold text on the spine and a glossy dust jacket. Both the front and back free end pages are illustrated. 6 7-352 pp. 442 mostly color images. Written in Italian. The first of of three volumes detailing the lives and works of over 65 painters. From the editor: "I concetti informatori che hanno presieduto alla realizzazione del primo volume dedicato alla scuola di Guido Reni ed espressi in quella presentazione non sono venuti meno anche nella facitura di questo lavoro. Il progetto che ci impegna assieme ai giovani e brillanti studiosi come sempre validamente coordinati da Emilio Negro e Massimo Pirondini coadiuvati dall'insostituibile Nicosetta Roio prevede di presentare il più ampio repertorio possibile d'immagini della pittura emiliana del Seicento questa seconda opera testimonia riteniamo con la dovixia di quanto raccolto e proposto la veridicità dell'assunto programmatico. Pubblicando "La scuola dei Carracci dall' Accademia alla bottega di Ludovico" si è provveduto a dividere in due ciò che probabilmente deve essere considerato un solo argomento ma ragioni di opportunità grafico-editoriali un libro di dimensioni sovrabbondanti data la vastità del materiale hanno fatto sì che si dovesse percorrere questa strada. Prima parte dedicata agli artisti legati alle vicende iniziali dell'Accademia: dai Desiderosi agli Incamminati quando i tre Carracci partecipavano congiuntamente alla conduzione dell' impresa e ai non pochi che rimasero a Bologna sotto la guida del solo Ludovico. Precisando che per quanto attiene al più celebrato degli artisti allievi dell'Accademia: Guido Reni si fa riferimento al solo periodo di alunnato. Stesso criterio verrà utilizzato per quei tanti famosi di cui esistono già importanti monografie da enumerarsi nella seconda parte dedicata al gruppo che al seguito di Annibale opererà e si evolverà principalmente a Roma: "La scuola dei Carracci: i seguaci di Annibale a Roma" volume questo di prossima pubblicazione. L'Editore" ""The guiding concepts that presided over the creation of the first volume dedicated to the school of Guido Reni and expressed in that presentation have not failed in the making of this work. The project that engages us together with the young and brilliant scholars as always validly coordinated by Emilio Negro and Massimo Pirondini assisted by the irreplaceable Nicosetta Roio plans to present the widest possible repertoire of images of Emilian painting of the seventeenth century this second work testifies we believe with the abundance of what has been collected and proposed the truthfulness of the programmatic assumption. By publishing "The school of the Carracci from the Academy to Ludovico's workshop" we have proceeded to divide into two what should probably be considered a single topic but for reasons of graphic-editorial opportunity a book of overabundant dimensions given the vastness of the material have meant that this path had to be taken. First part dedicated to the artists linked to the initial events of the Academy: from the Desiderosi to the Incamminati when the three Carraccis jointly participated in the management of the enterprise and to the many who remained in Bologna under the guidance of Ludovico alone. Specifying that as regards the most celebrated of the artists who were students of the Academy: Guido Reni reference is made only to the period of his apprenticeship. The same criterion will be used for those many famous ones of whom important monographs already exist to be listed in the second part dedicated to the group that following Annibale will operate and evolve mainly in Rome: "The school of the Carracci: the followers of Annibale in Rome" a volume this to be published soon. -Editor". Artoli Editore in Modena hardcover books
1935ref. 82273Charleston 1935. Paperback. Very Good. 4-pages of photos 8p. text. Softcover in original stapled wrapper. 29 cm. Minor cover soiling. paperback
