13.386 risultati
1980rif. 32003University of Toronto Press. Very Good with no dust jacket. First Edition. Hardcover. Scholar's bookplate to inner cover G. P. Goold.; 8vo 8" - 9" tall; 198 pages; Provides a throrough analysis of the literary and non-literary aspects of Aeschylus' Prometheus Bound essential for an understanding of the play. . 1980. 0802023916 . University of Toronto Press hardcover
1969rif. 31567Cambridge University Press. Very Good in Very Good dust jacket. Hardcover. Scholar's bookplate to inner cover G. P. Goold. Foxing to top of textblock. Light edgewear to DJ.; Cambridge Classical Texts and Commentaries 11; 262 pages; An exhaustive study of Claudian's unfinished mythological epic with a text apparatus criticus and commentary. The long introduction begins with a catalogue of manuscripts; and this leads to an investigation into the manuscript tradition and the history of the poem's transmission. Dr Hall then surveys the most important printed editions of the poem. He examines various theories of dating and discusses the sources of the story. He concludes the introduction with a brief critical assessment of the form and style of the poem. Dr Hall establishes his text after an examination of all the extant manuscripts. The apparatus though very full is selective in that it records readings of younger manuscripts only when they offer something new. It also ignores trifling corruptions. The commentary is similarly selective. In general it discusses everything relevant to the establishing of the text and ignores points of purely mythological and literary interest. . 1969. 0521074428 . Cambridge University Press hardcover
1993rif. 29701Cambridge University Press. Very Good in Very Good dust jacket. Hardcover. Minor Foxing/dustsoiling to top of textblock. Scholar's bookplate to inner cover G. P. Goold. Minor edgewear along lower edge of DJ.; 216 pages; In recent years the subtlety and complexity of Apollonius' Argonautica have been better appreciated but in Dr Hunter's view the purposes and aesthetic of the epic are still not readily understood and much basic analysis remains to be done. The present book seeks to offer some of that analysis and to place the Argonautica within its social and intellectual context. A series of studies deal with notions of heroism; with eros and the suffering of Medea; the role of the divine; poetic voice and literary self-consciousness; and the Ptolemaic context of the poem. A pervasive theme of the book is Apollonius' creative engagement with Homer and a final chapter sketches out an approach to Virgil's use of Apollonius in the Aeneid. The Argonautica emerges as a brilliant and original experiment. This book is the only advanced study of the Argonautica currently available. All Greek is translated. . 1993. 0521413729 . Cambridge University Press hardcover
1964rif. 29074Weidmannsche Buchhandlung. Very Good with no dust jacket. First Edition. Hardcover. Very minor shelfwear to all volumes except vol. 1 which has bumped corners and bumping to lower edge of front board.; V1: 1964 964 pp; vol. 2.1 1966 : xii 419 pp; vol. 2.2 1967 : viii 421-756 pp; Vol. 2.3: 1967 VI 757-1532; 1-2.3; 2496 pages . 1964. Weidmannsche Buchhandlung hardcover
1994rif. 27436Princeton University Press. Near Fine in Near Fine dust jacket. Hardcover. Light shelfwear to book and DJ.; 280 pages; Covering material as diverse as curse tablets coins tattoos and legal decrees Deborah Steiner explores the reception of writing in archaic and classical Greece. She moves beyond questions concerning ancient literacy and the origins of the Greek alphabet to examine representations of writing in the myths and imaginative literature of the period. Maintaining that the Greek alphabet was not seen purely as a means of transcribing and preserving the spoken word the author investigates parallels between writing and other signifiers such as omens tokens and talismans; the role of inscription in religious rites including cursing oath-taking and dedication; and perceptions of how writing functioned both in autocracies and democracies. Particularly innovative is the suggestion that fifth-century Greek historians and dramatists portrayed writing as an essential tool of tyrants who not only issue written decrees but also "inscribe" human bodies with brands and cut up land with compasses and rules. The despotic overtones associated with writing inform discussion of its function in democracies. Although writing could promote equal justice ancient sources also linked this activity with historical and mythical figures who opposed the populist regime. By examining this highly nuanced portrayal of writing Steiner offers a new perspective on ancient views of written law and its role in 5th-century Athenian democracy. . 1994. 0691032386 . Princeton University Press hardcover
1998rif. 27601Cambridge University Press. Very Good with no dust jacket. Hardcover. Very minor shelfwear.; This is a study of the works of art from early Greece that have long been presented as "illustrations to Homer " but that are argued here to be nothing of the kind. Early Greek artists showed no preference for Homeric subjects and when their interests did coincide with Homer's treated his account as at best one of the possible variants. Close descriptive analysis of texts and pictures and of the artists' aims together with statistical evidence provide the basis for the argument.; 0.43 x 8.29 x 5.91 Inches; 200 pages . 1998. 0521620228 . Cambridge University Press hardcover
1987rif. 27103Cambridge University Press. Very Good in Very Good dust jacket. First Edition. Hardcover. Pages tanned. Scholar's bookplate to inner cover G. P. Goold. DJ a bit sunned.; Cambridge Classical Studies; 200 pages; Although Ovid is currently enjoying a new wave of popularity most critics withhold from his poetry the close word-by-word readings that are necessary for a thorough understanding of it. Ovid twice treated the myth of Persephone and Hinds's book is at first a historical inquiry--the most extensive yet done--into the double transformation in Metamorphosis 5 and Fasti 4 of the rape of Persephone one of the great Graeco-Roman myths. The study continues as a critical exploration of Ovid's self-conscious delight in language and in writing manifested in these twin narratives providing a feast for students of both Latin poetry and narratives in general. . 1987. 052133506X . Cambridge University Press hardcover
1964rif. 27166Latomus. Very Good. Softcover. Signed by author to ffep "with best wishes Bernie". Wraps a bit browned. Faint creasing. Scholar's bookplate to inner cover G. P. Goold.; Collection Latomus Volume 73; 63 pages; Signed by Author . 1964. Latomus paperback
1987rif. 26350Cambridge University Press. Very Good in Good dust jacket. First Edition. Hardcover. Pages tanned. Scholar's name to ffep R. E. Fantham. Large tear to DJ repaired with cellotape with a few tears with some loss.; Cambridge Classical Studies; 200 pages; Although Ovid is currently enjoying a new wave of popularity most critics withhold from his poetry the close word-by-word readings that are necessary for a thorough understanding of it. Ovid twice treated the myth of Persephone and Hinds's book is at first a historical inquiry--the most extensive yet done--into the double transformation in Metamorphosis 5 and Fasti 4 of the rape of Persephone one of the great Graeco-Roman myths. The study continues as a critical exploration of Ovid's self-conscious delight in language and in writing manifested in these twin narratives providing a feast for students of both Latin poetry and narratives in general. . 1987. 052133506X . Cambridge University Press hardcover
1998rif. 26360Cambridge University Press. Very Good in Very Good dust jacket. Hardcover. Light bumping to 2 corners. Scholar's name to ffep Elaine Fantham. Minor shelfwear to DJ.; Cambridge Greek and Latin Classics; 304 pages; Book IV of Ovid's celebration of the calendar and the associated legends of the Roman year treats the month of April a particularly happy phase of the Augustan ceremonial year. Around the festival of Venus and the anniversary of the foundation of Rome Ovid retells the legends of Rome's royal founder Romulus and the Trojan hero Aeneas. The introduction and commentary pay special attention to Ovid's art as a poet but aim to provide both the general background and specific explanations of his historical and religious material.; Signed by Editor . 1998. 0521445388 . Cambridge University Press hardcover
1993rif. 26384Cambridge University Press. Very Good in Very Good dust jacket. Hardcover. Light bumping to lower edge. Pencil marginalia to a couple of pages. Creasing and 1 chip along top edge of DJ.; 216 pages; In recent years the subtlety and complexity of Apollonius' Argonautica have been better appreciated but in Dr Hunter's view the purposes and aesthetic of the epic are still not readily understood and much basic analysis remains to be done. The present book seeks to offer some of that analysis and to place the Argonautica within its social and intellectual context. A series of studies deal with notions of heroism; with eros and the suffering of Medea; the role of the divine; poetic voice and literary self-consciousness; and the Ptolemaic context of the poem. A pervasive theme of the book is Apollonius' creative engagement with Homer and a final chapter sketches out an approach to Virgil's use of Apollonius in the Aeneid. The Argonautica emerges as a brilliant and original experiment. This book is the only advanced study of the Argonautica currently available. All Greek is translated. . 1993. 0521413729 . Cambridge University Press hardcover
2003rif. 18729Oxford University Press. Near Fine in Fine dust jacket. Hardcover. Very faint spotting to top of textblock. Else book is fine. Dustjacket is protected in plastic sleeve.; In this book Andrew Erskine examines the role and meaning of Troy in the changing relationship between Greeks and Romans as Rome is transformed from a minor Italian city into a Mediterranean superpower. The book seeks to understand the significance of Rome's Trojan origins for the Greeks by considering the place of Troy and Trojans in Greek culture. It moves beyond the more familiar spheres of art and literature to explore the countless overlapping local traditions the stories that cities told about themselves a world often neglected by scholars.; 336 pages . 2003. 0199240337 . Oxford University Press hardcover
1987rif. 18409Oxford University Committee of Archaeology. Very Good. Softcover. Former owner's name to half-title. Laminate lifting to 1 corner. Else very minor shelfwear.; Oxford University Committee for Archaeology. Monograph No. 12; 140 pages; A comprehensive study of the mythological scenes and isolated mythical figures which appear in Laconian art chiefly on black-figure vases from about 580 BC until the end of the sixth century . 1987. 0947816127 . Oxford University Committee of Archaeology paperback
1992rif. 18535L'Erma di Bretschneider. Near Fine in Very Good dust jacket. Hardcover. Gift inscription from author on ffep. Else Book is fine. DJ has very light edgewear.; Studia Archaeologica 59; 158 pages; Signed by Author . 1992. 8870627306 . L'Erma di Bretschneider hardcover
1995rif. 18694E. J. Brill. Very Good with no dust jacket. Hardcover. Front upper corner bumped and a bit creased. Else light shelfwear.; Religions in the Graeco-Roman World; 473 pages; The Early Amazons offers a new understanding of the ancient Amazon myth situating mythical representations in the realm of cultural history. The first section examines how the Amazons have presented a challenge to views on history myth and gender in classical mythology from the late eighteenth century up to the impact of structuralism. Topics included are nineteenth-century historiography and the interest in linguistics. The second section sheds new light on the culture of archaic Greece offering a coherent assessment of literary and visual representations. Taking mythical narrative as a form of oral storytelling it shows the emergence of the Amazon motif and its meaning in the world of epic. Iconographical analysis reveals how the visual arts have made a contribution of their own to the imaginary presence of the Amazons. . 1995. 9004100776 . E. J. Brill hardcover
1974rif. 18692E. J. Brill. Very Good. Softcover. Faint bump to top of spine. Faint dampstaining to spine.; Contents: introduction. Aphrodite's Origin in an Indo-European Tradition; Names and Epithets of Aphrodite; Aphrodite and the Chorós; Aphrodite and her Mortal Lover; Mnemosyne Bibliotheca Classica Batava : Supplementum 32; 97 pages . 1974. 9004039465 . E. J. Brill paperback
1994rif. 18030I. B. Tauris. Very Good in Very Good dust jacket. Hardcover. Former owner's name in pencil and blindstamp to ffep. Else very minor shelfwear to book and DJ.; This study in comparative mythology interprets the Greek myths in the light of the mythologies of other Indo-European cultures - Indian Celtic Scandinavian Roman Greek Iranian and Ossetian. The author uses a modified version of the schema proposed by the French theorist Dumezil to consider the profound connections between such works as the "Iliad" the "Odyssey" the Indian epics - the "Ramayana" and the "Mahabharata" - the Iranian "Book of Kings" and the Scandinavian "Yaglingasaga". The book includes a long critical exposition of the discipline of comparative mythology from its 18th-century origins to the revival of the discipline by Dumezil and his followers from 1938 to the present. It also reassesses the profound critique of Dumezil which linked him with Nazi ideology.; 256 pages . 1994. 1850438315 . I. B. Tauris hardcover
1982rif. 17099University of Toronto Press. Very Good with no dust jacket. Hardcover. Minor Shelfwear. Faint foxing to top of textblock. Else fine.; 272 pages; The Myth of Orpheus shaman and teacher musician and lover is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ Eleanor Irwin ; Sparagmos: Orpheus among the Chrisitians Patricia Vicari ; Orpheus and Ficino Warden ; Myth of Orpheus in Italian Renaissance Art 1400-1600 Scavizzi ; Orfeo and Euridice the first two operas Timothy J. McGee ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 Pedro Leon ; Triumph of Art of Death: Orpheus in Spenser and Milton Vicari. . 1982. 0802055184 . University of Toronto Press hardcover
1989rif. 22071University of Wisconsin Press. Near Fine in Good dust jacket. Hardcover. 1 corner very lightly bumped. Else book is fine. DJ has a few tears and creasing.; Xxi 418pp nicely illustrated.; 8vo - over 7¾" - 9¾" tall; 418 pages . 1989. 0299115305 . University of Wisconsin Press hardcover
1962rif. 16820C. H. Beck. Very Good in Good dust jacket. Hardcover. Scholar's name to ffep in pencil R. G. M. Nisbet. Small faint stain to textblock. Light shelfwear. Light pencil markings to margins of a few pages. DJ has a few tears chipping and rubbing.; 347 pages . 1962. C. H. Beck hardcover
1967rif. 16427Carl Winter - Universitätsverlag. Very Good. Hardcover. Small bump to lower front corners. Minor shelfwear.; 166 pages . 1967. Carl Winter - Universitätsverlag hardcover
2012rif. 15142Georg Olms Verlag. Fine with no dust jacket. Paperback. Book is fine.; Classici sono quei testi capaci di originare riscritture e riconoscibili come modelli di altre espressioni letterarie o artistiche. Questo fenomeno di geminazione è particolarmente vistoso per l’Edipo re di Sofocle e l’Edipo di Seneca la cui ricezione è un labirinto fitto e mutevole ricco di contaminazioni e di reticoli intertestuali in cui lo stesso esercizio critico entra a far parte del processo di riscrittura. Il volume comprende 19 contributi: un ampio saggio introduttivo su alcuni particolari temi e morfemi del mito lungo tutta la sua tradizione; 6 contributi dedicati ai due testi antichi fondativi della tradizione edipica; ed infine 12 capitoli incentrati sull'analisi - senza pretese di esaustività - delle diverse tradizioni letterarie teatrali visive e cinematografiche della fortuna di Edipo lungo una dimensione cronologica e geografica che muove dalle prime riprese nella cultura europea dei secoli XVI e XVII fino alla contemporaneità. In chiusura la testimonianza di Edoardo Sanguineti straordinario interprete del teatro classico e dei classici più in generale che ha tradotto a suo modo un Edipo tiranno messo in scena nel 1980 da Benno Besson.; Spudasmata Band 149; 450 pages . 2012. 3487148722 . Georg Olms Verlag paperback
2012rif. 15566Latomus. Fine. Softcover. Among the stories surrounding the legendary foundation of the city of Rome by the twins Romulus and Remus previous scholarly attention has focused primarily on one scene – the depiction of the she-wolf nursing the twins following their miraculous salvation from the floodwaters of the Tiber. This book examines another event in the cycle the conception of the twins in which the Vestal Virgin Rhea Silvia is visited in her sleep and raped by the god Mars. Some fifty-one examples of the encounter of Mars and Rhea Silvia are analyzed drawn from coins relief sculpture gems wall painting mosaics and pottery covering a time frame from the motif’s origin in the early 1st century B. C. To its disappearance in the late 4th century A. D. An analysis of the scene's iconographical evolution and its documented periods of popularity both in the public and private sphere are associated with contemporary trends in Roman literature religion and art. This monograph on the representation of Mars and Rhea Silvia is not simply a self-contained study of a single motif over a specific time frame. Within the realm of Roman art the book discusses larger issues concerning the relationship between art myth and religion and political propaganda drawing from methodologies of appropriation Kopienkritik word and image semiotics and memory culture. As such the book constitutes a case study whose conclusions may serve as guidelines for the study of Roman art in general.; Collection Latomus Volume 336; 241 pages . 2012. 2870312776 . Latomus paperback
2012rif. 15567Éditions Latomus. Fine. Softcover. Mythos generell und der Troja-Mythos im besonderen der sich vor allem um die Gestalten von Paris und Helena rankt war immer schon offen für unterschiedliche Deutungen konnte daher auch für die Vermittlung politischer oder ideologischer Botschaften „maniuliert“ werden. In diesem Buch werden zwei unterschiedliche und doch vergleichbarte Beispiele präsentiert: Ovid läßt in Heroides 16 und 17 bzw. Heroides 5 Paris und Helena bzw. Die von Paris verlassene Nymphe Oenone den Mythos von Urteil des Paris und dessen Liebe zu Helena jeweils anders erzählen. Es handelt sich dabei nicht bloß um literarisches Spiel sondern Ovid reflektiert auf einer Metaebene allgemein über das Problem der Manipulierbarkeit des Mythos im speziellen des Mythos über Troja und Aeneas durch Vergil zum Zweck panegyrischer Aussagen. Am Ende des 11. Jh. Dichtet Baudri von Bourgueil ebenfalls ein Versepistelpaar in dem er zeigt wie Paris und Helena ihren eigenen Mythos bzw. Dessen allegorische Aussage mißverstehen und derart ins Unglück stürzen. Dasselbe Problem der richtigen d. H. Nicht manipulierenden Deutung von Mythos und der Dichtung die von solchen Mythen handelt liegt auch dem poetischen Brief Baudris an die Nonne Constantia und deren vom Dichter fingierten Antwort zugrunde – ein Problem das Baudri persönlich betraf da er wegen seiner Dichtungen in ovidischem Stil Kritik ausgesetzt war.; Collection Latomus Volume 334; 105 pages . 2012. 287031275X . Éditions Latomus paperback
1964rif. 15595Latomus. Near Fine. Softcover. Pages unopened. Very light shelfwear else fine.; Collection Latomus Volume 69; 62 pages . 1964. Latomus paperback