Arena, BrittneyBiblio.com
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2025rif. 1416295London: Bloomsbury; FairyLoot 2025. First Edition Thus. Hardcover. Octavo 442 pages. In Very Good condition with a Very Good dust jacket. Spine is green and floral with gilt lettering. Dust jacket is protected with a mylar covering. Minor bumping to head and tail of spine. Mild bumping to edges of dust jacket. Text block digitally sprayed. Shelved in Hardcover Science Fiction/Fantasy. 1416295. Shelved Dupont Bookstore. Bloomsbury; FairyLoot hardcover
rif. 1039013546.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2025rif. BBS-2023783Bloomsbury Publishing 2025. First Edition. Hardcover. Very Good/Near Fine. 6x1x9. First printing with number line to 1. The special edition from Fairy Loot: with DJ cover art by Jason Chuang in an exclusive colorway and redesign on a reversible dust jacket with character artwork at the reverse side by Gabriella Bujdoso the hardcover book itself in an illustrated design by Ali Al Amine sprayed page edges with green at top and bottom and a floral design at fore-edge and character art at endpapers also by Bujdoso. The special edition also includes a bonus chapter from Anton's perspective. Boards fine with no visible wear in near fine dust jacket with only minor edgewear. Spine square. Binding sound. The pink ribbon placemarker has become detached from where it connects at spine head but is still present. Pages bright text unmarked. Bloomsbury Publishing hardcover
rif. 0593973224.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1039010393.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1330990919.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1670rif. 2332Stampatus in Stampatura Stampatorum" i.e. Paris 1670. 12mo 142 x 80 mm. 191 pp. Two parts separately titled but continuously paginated. Woodcut peacock device on title. A pretty copy; occasional light foxing to upper margins. Eighteenth-century French red morocco sides with triple gilt fillet smooth spine gold-tooled with green morocco lettering-piece edges gilt over marbling marbled endpapers edges slightly scuffed. Provenance: Marquis de Rognes engraved armorial bookplate signed and dated Nicolas de Mire 1777; coded purchase note "ca" in pencil on recto of final free endleaf probably from Jean-Jacques Debure ca. 1800 thanks to Erick Aguirre for this information. Most complete edition of one of the earliest collections of French macaronic poetry an often burlesque admixture of the vernacular and Latin celebrated for its valuable descriptions of and notations of early Provençal dance. The preface from the supposed publisher "Librarius" is addressed to the "bragardissimis" dancers of France: bragare in Arena's personal brand of Latin means to "have fun" but Arena's work addressed to students was intended to meet a semi- serious need: To attract students to the University of Aix less popular than the faculties of Avignon and Montpellier the rector had decided to authorize a ball at the time of graduation for the graduates and their families but "for certain students dancing in public was a much more forbidding test than all of those that they had undergone during their studies" Louisson-Lassablière p. 268 our translation. Thus Arena's goal was to familiarize students with the many different "basses danses" currently in fashion. Following a prose introduction to the subject the poem in 1896 lines is in two parts the first being an autobiography in which the author successively a law student soldier and lawyer of whom little else is known recalls his horrific experiences in the Italian campaigns including an eye-witness account of the Sack of Rome in 1527. Following his final return from Italy in 1528 he had given his first dance lessons and thus the work segues into a largely tongue-in-cheek introduction to dance and to proper comportment. Of greatest interest for dance historians are the technical descriptions of dances found in a four-page section pp. 86-90 in French in which the author uses a stenographic notation system in which each step is designated by the initial of its name repeated to indicate a repetition of the step. Thus in the description "R c ss d ss d d d ss r c ss a ss r c" "c" signifies "congé" "ss" signifies "deux simples" "d d d" signifies "trois doubles" and so on. Such detailed choreographic records are rare for this period. Each dance description occupying no more than one line is prefaced by the title or titles of popular songs or melodies to which it should be danced. The earliest known edition of the work was printed anonymously probably in Lyons in 1528; at least 40 more editions followed the last from 1758 a full census including untraced and "ghost" editions is provided by R. Mullally. The present edition includes other previously published macaronic verse including Rémy Belleau's "Poema macaronicum de bello huguenotico" and separately titled a collection of Italian macaronic poetry by Bartolomeo Bolla first printed in 1604 with satirical poems such as one addressed to the "culinary Muse" p. 147 humourous lists of attributes including types of women associated with various Italian towns pp. 121-129 and poems in the patois of Bergamo. On textual grounds Mullally revised the attribution of this edition to Paris; it was traditionally assigned to Lyon. Brunet I 393 "Edition la plus complète que l'on ait de ce recueil" ; Fletcher Bibliographical Descriptions of Forty Dance Books 3a ; Clarke Four Hundred Years of Dance Notation 1987 no. 6; Robert Mullally "The editions of Antonius Arena's Ad suos compagnones studiante" Gutenberg-Jahrbuch 1979:146-57 edition P12. Cf. Marie-Joëlle Louisson-Lassablière "Antonius Arena ou le Latin macaronique" in E. Bury Tous vos gens à Latin 2005. Stampatus in Stampatura Stampatorum," [i.e., Paris] unknown books
1670rif. 2332Stampatus in Stampatura Stampatorum" i.e. Paris 1670. 12mo 142 x 80 mm. 191 pp. Two parts separately titled but continuously paginated. Woodcut peacock device on title. A pretty copy; occasional light foxing to upper margins. Eighteenth-century French red morocco sides with triple gilt fillet smooth spine gold-tooled with green morocco lettering-piece edges gilt over marbling marbled endpapers edges slightly scuffed. Provenance: Marquis de Rognes engraved armorial bookplate signed and dated Nicolas de Mire 1777; coded purchase note "ca" in pencil on recto of final free endleaf probably from Jean-Jacques Debure ca. 1800 thanks to Erick Aguirre for this information. Most complete edition of one of the earliest collections of French macaronic poetry an often burlesque admixture of the vernacular and Latin celebrated for its valuable descriptions of and notations of early Provençal dance. The preface from the supposed publisher "Librarius" is addressed to the "bragardissimis" dancers of France: bragare in Arena's personal brand of Latin means to "have fun" but Arena's work addressed to students was intended to meet a semi- serious need: To attract students to the University of Aix less popular than the faculties of Avignon and Montpellier the rector had decided to authorize a ball at the time of graduation for the graduates and their families but "for certain students dancing in public was a much more forbidding test than all of those that they had undergone during their studies" Louisson-Lassablière p. 268 our translation. Thus Arena's goal was to familiarize students with the many different "basses danses" currently in fashion. Following a prose introduction to the subject the poem in 1896 lines is in two parts the first being an autobiography in which the author successively a law student soldier and lawyer of whom little else is known recalls his horrific experiences in the Italian campaigns including an eye-witness account of the Sack of Rome in 1527. Following his final return from Italy in 1528 he had given his first dance lessons and thus the work segues into a largely tongue-in-cheek introduction to dance and to proper comportment. Of greatest interest for dance historians are the technical descriptions of dances found in a four-page section pp. 86-90 in French in which the author uses a stenographic notation system in which each step is designated by the initial of its name repeated to indicate a repetition of the step. Thus in the description "R c ss d ss d d d ss r c ss a ss r c" "c" signifies "congé" "ss" signifies "deux simples" "d d d" signifies "trois doubles" and so on. Such detailed choreographic records are rare for this period. Each dance description occupying no more than one line is prefaced by the title or titles of popular songs or melodies to which it should be danced. The earliest known edition of the work was printed anonymously probably in Lyons in 1528; at least 40 more editions followed the last from 1758 a full census including untraced and "ghost" editions is provided by R. Mullally. The present edition includes other previously published macaronic verse including Rémy Belleau's "Poema macaronicum de bello huguenotico" and separately titled a collection of Italian macaronic poetry by Bartolomeo Bolla first printed in 1604 with satirical poems such as one addressed to the "culinary Muse" p. 147 humourous lists of attributes including types of women associated with various Italian towns pp. 121-129 and poems in the patois of Bergamo. On textual grounds Mullally revised the attribution of this edition to Paris; it was traditionally assigned to Lyon. Brunet I 393 "Edition la plus complète que l'on ait de ce recueil" ; Fletcher Bibliographical Descriptions of Forty Dance Books 3a ; Clarke Four Hundred Years of Dance Notation 1987 no. 6; Robert Mullally "The editions of Antonius Arena's Ad suos compagnones studiante" Gutenberg-Jahrbuch 1979:146-57 edition P12. Cf. Marie-Joëlle Louisson-Lassablière "Antonius Arena ou le Latin macaronique" in E. Bury Tous vos gens à Latin 2005. Stampatus in Stampatura Stampatorum," [i.e., Paris] unknown
rif. 41889Brüssel J. van Ulander 1748. . Weller Fing. Druckorte II S. 297; Palau 15868 8 abweich. Druckort. - Brunet I 394. - Dritte Ausgabe des seltenen Hauptwerks der frühen französ. makkaronischen Dichtung. Schildert in einer Mischung aus Latein Französisch und Provenzalisch den Zug Kaiser Karls V. in die Provence. - Der Titelholzschnitt gekrönter Hahn nach der Erstausgabe Avignon 1537 ebenso der Katalog der provenzalischen Orte am Schluß des Buches. - "Antonius de Arena oder de la Sable Antoine ArÄne war von Soliers aus der Dioeces von Toulon in Provence bürtig lebte im 16. Seculo und war anfangs ein berühmter Rechts-Gelehrter daher er auch einige Juristische Bücher wiewol obscur verfertiget hat; legte sich hernach auf die Poesie machte sich durch seine Macaronische Verse bekannt und starb 1544" Jöcher Comp. Gelehrten-Lex. I Sp. 205. - Letzte Lage schwach gebräunt wenige Bll. mit Randläs. 3 Bll. bibliograph. u. Auktionsdaten auf hint. Spiegel montiert Brüssel, J. van Ulander, 1748. unknown
1540rif. 09792Lyon: T. Payen for Dominique de Portonariis at Aix 1540. 20th-century vellum over thin flexible boards spine title lettered in black. First Edition. From printed and manuscript sources jurist and poet Antoine Arena compiled the privileges duties and wages of every court office in Provence and the fees levied by them for services including the preparation and execution of documents. in provençal the final five pages list the towns and fortified castles in Provence under the French crown's authority. Lyonese printer Payen struggled to cast off copy or made a stop-press correction. To fit the text he began one medial quire with 45 lines per page jumped to 49 lines in the middle and settled back to 45 at the end. In good condition small portion of the first blank margin neatly supplied. ¶Davies Catalogue of.Early French Books.Fairfax Murray 4112; Bechtel Catalogue des gothiques T-26; Cioranesco 2608; Dollieule Antoine Arena 70-71; Répertoire bibliographique des livres imprimés en France au XVIe siècle I: 211; Gültlingen Bibliographie des livres imprimés à Lyon au 16e siècle VII: 1661 = VII: 17736; USTC 55894 = 24264 =79997 and Pettegree et al. French Vernacular Books.before 1601 1663-66 the usual messes. [T. Payen for Dominique de Portonariis at Aix] unknown
2020rif. 2-6202092157Edizioni Accademiche Italiane 2020. Paperback. New. 116 pages. Italian language. 8.66x5.91x0.28 inches. Edizioni Accademiche Italiane paperback
1982rif. 006138Ciudad De Mexico Mexico: Departamento Del Distrito Federal 1982. 1st . Hardcover. Very Good/No Jacket. Elephant Folio - over 15" - 23" tall. 225pp.info; HB maroon w/gilt no title on spine; apprx. 20"x20"; leather covers w/beveled edges; some rub&sml.chips; sml.tear ft. endpaper; beige pic.endpapers w/cleantight pgs. Trans: "Atlas of the City of Mexico: Program of Scientific Interchange & Technical Qualification of the Department of the Federal District". Maps & text concerning the physical characteristics history population urban systems infrastucture & service networks economic structure & development government & political organization & future of the City of Mexico. in Spanish. Departamento Del Distrito Federal hardcover
1908rif. R110038038FELIX JUVEN. 1908. In-12. Broché. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur frais. Paginé de 333 à 334. Quelques photos en noir et blanc dans le texte.. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues
1988rif. nf998Economica Economie Broché 1988 In-8 (15.5x24 cm), broché, 965 pages, sous la direction de Richard Arena, Laurent Benzoni, Jacques De Bandt et Paul-Marie Romani ; une pliure au dos, coiffes et coins à peine frottés, très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
rif. 3-79330Alessandria Edizioni dell'Orso 1997 due volumi in-8vo brossura originale pp. XIX-886. Ottime condizioni. unknown
rif. 19044Rome, 1992 34 p., 14 planches N/B hors texte, broché. 12 x 22
2013rif. DADAX1614385181Brand: American Bar Association 2013-12-07. Second. paperback. New. 5.95x1.38x8.92. Buy with confidence. Excellent Customer Service & Return policy. Brand: American Bar Association paperback
2013rif. SONG1614385181Brand: American Bar Association 2013-12-07. Second. paperback. Used: Good. 5.95x1.38x8.92. Buy with confidence. Excellent Customer Service & Return policy. Brand: American Bar Association paperback
2014rif. SBBI-mon0000022535Top Fashion 2014. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Top Fashion paperback
2014rif. SBBIH-366KODFPSL4STop Fashion 2014. paperback. Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Top Fashion paperback
1952rif. RO30335279Le soleil noir. 1952. In-12. Broché. Etat d'usage, Couv. défraîchie, Coiffe en tête abîmée, Non coupé. 112 pages. Coins frottés. Couverture partiellement désolidarisée. Quelques rousseurs. Papier jauni.. . . . Classification Dewey : 792-Théâtre
2000rif. BN7345232000. 2000. Hardcover. Peek. Photographs from the Kinsey Institute. Peek. Photographs from the Kinsey Institute. Arena Editions hardcover
rif. SLIVCN-9782717870312ECONOMICA
1992rif. RO80213840Arena Di Verona. 1992. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 124 pages. Nombreuses illustrations et photographies en noir et blanc dans et hors texte. Texte sur 3 colonnes.. . . . Classification Dewey : 790.2-Arts du spectacle (Généralités)
1976rif. RO80213841Arena Di Verona. 1976. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 100 pages. quelques photographies et illustrations en noir et blanc et en couleurs dans le texte. Texte sur 3 colonnes.. . . . Classification Dewey : 790.2-Arts du spectacle (Généralités)
