162 Ergebnisse
1980Ex-library copy with usual stamps, call numbers and pocket. Faint foxing to textblock. Corners rounded and a little bumped with small bump along upper edge. ; A historical monograph on Servius Tullius who was the sixth legendary king of ancient Rome, and the second king of the Etruscan dynasty. The traditional dates of his reign are 578-535 BC. Contents: The Evidence; Chronology; Origin; Tribes; Centuries; The city of Rome; Secular and Sacred Initiatives; Foreign Relations. ; Humanitas; 347 pages
1986Small closed tear (1 cm) to rear endpaper. Slight wear to corners of wraps. ; The author addresses the question of how Etruscans and Romans themselves, guided by the skill of the sculptor or painter, would have approached a work of art. With over 70 illustrations, including original analytic drawings and schematic tables; 200 pages
1988Underlining and marginalia in greek and black ink to some pages. Light creasing to wraps. ; Looks at the history of Greek, Etruscan and Roman architecture from the earliest period to the foundation of Constantinople. ; 407 pages
1964Reprint of the 1945 2nd ed . Former owner's name to front pastedown, some pages have pencil marginalia with small pencil mark on foredge. ; Looks at the history of Greek, Etruscan and Roman architecture from the earliest period to the foundation of Constantinople. Xxvi, 407pp 135 text ill. , + 24pp of b+w plates. ; 407 pages
1981Some pencil notes to half-title. Gift inscription from one of the editors to half-title. Pencil underlining and marginalia to a few pages. Chipping to foot of spine. Small tear to head of spine. ; Schriften Des Deutschen Archäologen-Verbandes V; 197 pages
1979Spine sunned and creased with a bit of chipping. Minor creasing to wraps. Minor bumping to upper corner. Scholar's blindstamp and name to ffep (Robert Brown). ; Pelican History of Art; 512 pages
1974Former owner's name on ffep. Wraps are a bit browned. Light shelfwear. ; Looks at the history of Greek, Etruscan and Roman architecture from the earliest period to the foundation of Constantinople. ; 407 pages
1959Book has a bumped corner and bumped bottom back board. Dustjacket has tears and chipping. DJ has some browning. DJ is price-clipped. Former classics professor's stamp on fly-page. ; Looks at the history of Greek, Etruscan and Roman architecture from the earliest period to the foundation of Constantinople. ; 407 pages
1983Light shelfwear; 0.84 x 9.68 x 6.38 Inches; This well-illustrated volume provides the best collection of Etruscan inscriptions and texts currently in print. A substantial archeological introduction sets language and inscriptions in their historical, geographical, and cultural context. Overview of Etruscan grammar, the glossary, and chapters on mythological figures
1955Slight creasing to front board. Pages slightly tanned. ; Biblioteca Moderna Mondadori; 190 pages
1983Scholar's bookplate to inner cover (G. P. Goold). Foxing/dustsoiling to top of textblock. Light shelfwear to DJ. ; 0.84 x 9.68 x 6.38 Inches; 174 pages; This well-illustrated volume provides the best collection of Etruscan inscriptions and texts currently in print. A substantial archeological introduction sets language and inscriptions in their historical, geographical, and cultural context. Overview of Etruscan grammar, the glossary, and chapters on mythological figures
1990Very faint shelfwear else fine. ; 263pp, illustrated.; Studies in Mediterranean Archaeology Vol. XCI; 4to - over 9¾" - 12" tall; 263 pages
1979Spine rubbed with some colour loss. Minor creasing to wraps. ; Pelican History of Art; 512 pages
2012Gift inscription in ink to ffep from author to Jenifer Neils. Minor edgewear and faint creasing to wraps. ; Important scientific catalogue, Italian only, showing the 53 vases and fragments of the Greek not Attic black-figure pottery originally forming part of the valuable collection that Mario Astarita donated to Pope Paul VI in 1967. The classification, resulted from a complex historical and archival research, although concerning the less conspicuous part of the collection, has experienced considerable difficulties both for the heterogeneity of the finds that compose it, and for the lack of data on their origins. The finds, in prevalence of Corinthian production, are divided by class and analyzed for type and shape, even including factories that are not identifiable. Much of the volume is dedicated to the vessel that takes the name of the collection, the "Astarita Crater", highlighting not only the archaeological and scientific prestige but also the literary and artistic value. The critical cards offer meticulous descriptions of the iconographic themes and decorations, analysis of the material and of the state of conservation, unpublished reconstructions and hypotheses of attribution, as well as a thorough bibliographical apparatus. Following the cards, there is the scheme of concordances between the various classification of vessels and fragments. Particularly valuable are the tables closing the volume that show the 53 artifacts in detail. ; Vasi Antichi Dipinti Del Vaticano; 144 pages; Signed by Author
2002Minor edgewear and faint creasing to wraps. ; Vasi Antichi Dipinti Del Vaticano; 247 pages
1877Scholar's stamp to vol. 1: Gilbert Bagnani. Bound in half-vellum. Boards a bit rubbed. Spine label of vol 2 is detached. Books very solid. Still very attractive. ; Vol. 1: (1877) xvi, 512 pp; Vol. 2: (1877) viii, 560 pp ; 4 Books Bound in 2 Volumes; Vol. 1/2/2022; 1072 pages
2016Minor edgewear and faint shelfwear to wraps. ; Vasi Antichi Dipinti Del Vaticano; 247 pages
1986Very minor shelfwear to book. Scholar's name to ffep (Jenifer Neils). Tiny tear to DJ. Minor shelfwear to DJ. ; The author addresses the question of how Etruscans and Romans themselves, guided by the skill of the sculptor or painter, would have approached a work of art. With over 70 illustrations, including original analytic drawings and schematic tables; 200 pages
1994Very minor shelfwear to book and DJ. Very minor creasing to DJ. Very light bump to 1 corner. ; Wisconsin Studies In Classics; 11.3 X 8.7 X 1.0 inches; 288 pages
1640In-4°, (4cc), 203pp, (5cc), vignetta calcografica al frontespizio, fregio e iniziale xilografica, legatura in piena pergamena rigida. Nel 1637 Inghirami pubblicò gli Etruscarum antiquitatum fragmenta, in cui annunciava la scoperta di importanti documenti, contenenti quasi tutta la storia del popolo etrusco e della sua civiltà, nel suo possedimento di Scornello, vicino a Volterra. L'opera suscitò un vastissimo scalpore in tutta Europa. Si trattava in realtà di un falso clamoroso, come venne quasi subito dimostrato. Inghirami difese la genuinità delle sue scoperte in un ampio Discorso (1645), ma il prefetto della Biblioteca apostolica vaticana Leone Allacci dimostrò in modo inconfutabile la falsità dei documenti nell'opuscolo polemico Animadversiones in antiquitatum etruscarum fragmenta. La scrittura nei testi etruschi andava nella direzione sbagliata, da sinistra a destra. Più importante - e più significativo - era il fatto che i testi latini erano scritti in minuscolo. Attingendo a umanisti precedenti, molti dei quali avevano discusso brevemente o di sfuggita l'argomento, Allacci insisteva sul fatto che i romani avevano sempre redatto i loro testi letterari in maiuscolo. Il breve schizzo della storia dell'antica scrittura latina redatto da Allacci fornì il modello per Mabillon, che lo citò nel suo De re diplomatica (1681). In-4°, (4cc), 203pp, (5cc), the title page with copper engraved vignette, wood engraved frieze and initial, full contemporary vellum binding. In 1637 Curzio Inghirami published the Etruscarum antiquitatum fragmenta, in which he announced the discovery of important documents, containing almost the entire history of the Etruscan people and their civilization, in his possession of Scornello, near Volterra. The work caused a huge turmoil throughout Europe. It was actually a sensational fake, as was almost immediately demonstrated. Inghirami defended the genuineness of his discoveries in an extensive Discorso (1645), but the prefect of the Vatican Apostolic Library Leone Allacci irrefutably demonstrated the falsity of the documents in the polemical pamphlet Animadversiones in antiquitatum etruscarum fragmenta. Writing in Etruscan texts went the wrong way, from left to right. More important - and more significant - was the fact that the Latin texts were written in lower case. Drawing on earlier humanists, many of whom had discussed the subject briefly or in passing, Allacci insisted that Romans had always written their literary texts in capital letters. Allacci's short sketch of the history of ancient Latin writing provided the model for Mabillon, who quoted it in his De re diplomatica (1681).
1965Volume in 4° legatura editoriale con sopracoperta. Legatura salda,pagine bianche. COMPLETO PAGG. 421 con centinaia di ill. a colori e in b.n.
1960Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows edgewear, a small open tear, 498 pages.
1976Boriosi Nino Boriosi Nino, Alfabeto etrusco. Alfabeto e ortografia della lingua etrusca. Editrice Gaggi. 1976. Varese. , Editrice Gaggi. 1976 italiano, in ottavo pp.144 32952 Boriosi Nino, Alfabeto etrusco. Alfabeto e ortografia della lingua etrusca. Editrice Gaggi. 1976 iN-8. PP. 144 Molto buono. come da foto. presenta strappi alla sovraccoperta. ill. n.t in b/n. Cartonato con sovraccoperta.
1984in 8° br. pp.262, ben tenuto
