Monk, DevonBiblio.com
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Best.-Nr. 1452653046.Gmp3_cd. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
2018Best.-Nr. 2-1732338418LifePondering Press 2018. Paperback. New. 202 pages. 8.50x5.50x0.51 inches. LifePondering Press paperback
Best.-Nr. 1326876465.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 9838Black & white illus. throughout & color illus. on inside of wrappers. Unpaginated. Large 4to semi-stiff printed wrappers with flaps title on spine. Muttenz Switzerland: Kunsthaus Baselland 2016. Scarce Jonathan Monk exhibition catalogue; this show was held at the Kunsthaus Baselland. Consists of exhaustive photography documenting the exhibition space an interview with the curator Ines Goldbach in German & English and a list of the artist’s solo exhibitions. In fine condition. unknown
Best.-Nr. 9839Color illus. 138 pp. Three vols. 4to yellow printed softcover staple-bound. London: Book Works 2004. All three versions of this scarce artist’s book containing photographs of books by Lawrence Weiner Ed Ruscha and Sol Lewitt in Monk’s personal collection and an interview with Seth Siegelaub that Monk conducted in October 2003. From the publisher’s description: “Jonathan Monk is an artist who loves other artists. His work draws on oblique autobiographical references and personal anecdotes together with art historical strategies and legacies to express a critical camaraderie in his subject. Cover Version features a selection of seminal publications from Monk’s extensive collection of artists’ books. Sol LeWitt Lawrence Weiner and Ed Ruscha are represented side by side to form a cogent series which presents a contemporary investigation into materiality and the problems of signification in conceptual art publishing. An integral section of Cover Version is a transcribed telephone conversation between Jonathan Monk and Seth Siegelaub which unfolds and discusses their mutual obsession with book making and collecting whilst speculating on the nature of the object. This ‘collectable’ book also has three different covers designed with its monetary value in euros dollars and pounds a direct reference to Lawrence Weiner’s 1968 publication Statements.” All three books are in fine condition. Designed by Jérôme Saint Loubert Bié and printed in an edition of 1000 copies total by Impressions du Sagittaire. unknown
Best.-Nr. 9966Silkscreened illus. throughout. 124 pp. Large 4to yellow printed softcover with flaps. Berlin: einBuch.haus 2023. One of 40 copies 5 A.P. signed and numbered by the artist on the inside of the lower cover. Monk’s pastiche of Martin Kippenberger’s Old Vienna Posters Grazer Kunstverein: 1992. As new. Collation and design by Jae Kyung Kim. unknown
Best.-Nr. 9552Many illus. 48 pp. Small 8vo pictorial semi-stiff wrappers title on spine. Glasgow: Tramway Visual Arts; FRAC des Pays de la Loire: Nantes 1996. Scarce and early publication on the artist Jonathan Monk b. 1969. With contributions in English and French by Judith Findlay and David Perreau and an entertaining interview between Douglas Gordon and Monk. As new. unknown
Best.-Nr. 9553Unpaginated. 8vo printed softcover title on spine. Paris: onestar press 2011. One of 250 numbered copies. Fine. unknown
Best.-Nr. 9554Black & white illus. throughout. Unpaginated. 8vo pictorial softcover title on spine. Paris: onestar press 2014. One of 250 numbered copies a scarce artist’s book in which Jonathan Monk b. 1969 represents his life through pennies minted from 1969 to 1999. In fine condition. unknown
Best.-Nr. 9560Many illus. Unpaginated. 4to pictorial softcover title on spine. Dornbirn: Kunstraum Dornbirn 2013. Scarce Jonathan Monk b. 1969 exhibition catalogue. In fine condition. unknown
Best.-Nr. 7772Rich color illus. throughout. 90 pp. Oblong 4to red printed wrappers & orig. pictorial dust-jacket title on spine. Berlin: KINDL - Zentrum für zeitgenössische Kunst 2019. The fourth installment of the artist Jonathan Monk’s “Exhibit Model” this iteration was curated by Andreas Fiedler at the KINDL - Zentrum für zeitgenössische Kunst 10 March-21 July 2019. The catalogue is lavishly illustrated with installation shots and close-up photographs with diagrams of the exhibition space. With essays and an interview in German and English. As new. unknown
Best.-Nr. 3847362666.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 3847362313.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 3845484853.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 3844382003.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 3659054658.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 216224 Sandycove Road Sandycove Co. Dublin 26 May 1954. Poet. Two pages 8vo good condition. He gotr the impression from a letter George sent that he and another approved of Monk Gibbon's book. He quotes Flaubert on the idea that an author works hard but cannot expect profit "but to fail to see it even in print would stick in my gizzard." He asks for advice - does he know anybody at Heinemann he knows someone. "Has Verschoyle money behind him". He is finding delay and "subsequent disappointments too wearing. And with each one the typescript gets a little more woebegone". He discussses his and George's movements refers to "the Dublin transcripts" see below tells of plans to review George's new book for the "Irish Times". Since George is reading the typescript he will not ask Storm Jameson to do so. Poss. referring to his "Western Germany" 1955. This letter is enclosed in a pamphlet XXVth International Congress of the P.E.N. "The Literature of Peoples whose Language restricts wide Recognition" In Irish also Dublin-Belfast 8-13 June 1953 good condition to which Gibbon contributed "On the status of poetry today". George has scrawled a reference to Gibbon's article/speech on the front cover. 24 Sandycove Road, Sandycove, Co. Dublin, 26 May 1954. unknown
Best.-Nr. A9781162616100New. unknown
Best.-Nr. A9781166058746New. unknown
Best.-Nr. A9781165946341New. unknown
Best.-Nr. A9781165501519New. unknown
Best.-Nr. A9781164699057New. unknown
2013Best.-Nr. 20883Presses De L'universite De Laval. New with No dust jacket as issued. 2013. First Edition. Paperback. 276371563X . A clean tight copy in new condition showing only light shelf and edge wear and appearing unread! New Old Stock. ; 8.98 X 5.98 X 1.02 inches . Presses De L'universite De Laval paperback
Best.-Nr. 22728Signatures given at the Birmingham Conference of the Incorporated Society of Musicians 1912-1913. For a detailed report of the Incorporated Society of Musicians conference at which these autographs were given and which took place in Birmingham over the five days between 30 December 1912 and 3 January 1913 see Musical Times 1 February 1913 pp.113-114. Thirteen signatures of British pre-war musical figures on ten pieces of paper ranging from 16 x 19 cm to 7 x 13 cm nine of them on parts leaves of various colours cut from an album. In good condition lightly aged. In only two cases are the signatures on both sides of the paper on the other eight the reverse is blank. The ten pieces of paper are as follows. ONE: Edgar Leslie Bainton 1880-1956 British and latterly Australian composer: 'Edgar L. Bainton Birmingham. January. 1913.' With bar from 'The Cap & Bells'. On the reverse are the signatures of the violinists Albert Sammons 1908-1917 and Thomas W. Petre of the London String Quartet: 'The London String Quartet Albert Sammons. Thomas Petre'. TWO: Edward Bennett: 'Edward Bennett I. S. M. Conference Birmingham January 1st - 1913 -' With five bars from 'My soul doth magnify the Lord and my spirit hath rejoiced'. THREE: Havergal Brian born William Brian 1876-1972 composer: 'Birmingham Friday Jany 3 - 1913 Havergal Brian'. With two bars from 'Doctor Merryheart'. FOUR: John David Davis 1869-1942 composer: 'J. D. Davis . Birmingham Jan . 2. 1913 .' FIVE: Henry Balfour Gardiner 1877-1950: 'H. Balfour Gardiner'. With two bars from 'Cargoes'. SIX: Allen Gill conductor a protege of Barnby: 'Allen Gill Birmingham Conference Jan. 1. 1913'. SEVEN: Monk Gould William Monk Gould 1856-1923 British composer of light music: 'Monk Gould. Birm: Conf: 1913.' With two bars from his most famous composition 'The curfew'. EIGHT: Julius Harrison Julius Allan Greenway Harrison 1885-1963 composer and operatic conductor: 'Julius Harrison Birmingham Conference I. S. M. Jany. 1913'. With three bars from 'Down among the Dead Men'. NINE: William Wallace 1860-1940 Scottish composer and Dean of the Faculty of Music in the University of London: 'William Wallace : Birmingham : January 1 : 1913.' With two bars of unidentified music. TEN: Charles Warwick Evans 1885-1974: 'C. Warwick-Evans Birmingham Conference 1913'. On the reverse is signature of the composer Harry Assur Keyser 1871-1962: 'Harry. A. Keyser. Birmingham' with cropped bars from 'Othello Act .'. Signatures given at the Birmingham Conference of the Incorporated Society of Musicians, 1912-1913. unknown
Best.-Nr. 2204124 Sandycove Road Sandycove Co. Dublin. 10 November 1970. 1p 12mo. In good condition on lightly-creased grey paper. Addressed to 'Dear Prof Brunbaugh'. He explains that Brunbaugh's letter of 19 September 'went into a large collective envelope marked “For attention”' adding 'You can guess what that means. It is lucky ever to have come out.' He has 'made a copy of a short poem' for Brunbaugh and hopes that he will go and see him when he next comes to Ireland. 24 Sandycove Road, Sandycove, Co. Dublin. 10 November 1970. unknown
