2 444 résultats
réf. elala2067New York: Printed For Jones & Co. of Montreal 1836. 12mo. pp. 11 131. original patterned cloth some chipping to extremities & spine label some foxing. First Edition. Pointing out the manifest absurdities contradictions and falsehoods of the Awful Disclosures of Maria Monk 1836 including sworn documentary evidence and a biographical sketch of Maria Monk. Maria Monks narrative is one of the most famous examples of nineteenth century American anti-Catholic propaganda. The mysterious Maria Monk found ready help and encouragement in the publication of her charges by men associated with the American nativist movement the Rev. George Bourne and the Rev. W.C.Brownlee. Within a few years of the appearance of her slanderous and scandalous disclosures of the wicked activities engaged in at the Hotel Dieu nunnery in Montreal from where she claimed to have just escaped Maria Monk had slipped back into obscurity. She died on Welfare Island where she was imprisoned on charges of petty thievery and immorality. For an interesting account of the Maria Monk controversy see Ralph Thompsons article The Maria Monk Affair in The Colophon Part Seventeen. TPL 7395. Lande 1992. Gagnon II 86. Sabin 49994. 1st Edition. Hardcover. New York: Printed For Jones & Co. of Montreal, 1836. Hardcover
240 p. 12mo. Original white printed wraps, stained and slightly torn. Picture of nun on front wrap. The most popular of all American anti-Catholic works. Maria Monk (1816-1839) was a Canadian woman who claimed to have been a nun who had been sexually exploited in her convent. She, or ghost writers who used her as their puppet, wrote a sensational book (first published in January 1836) about these allegations. The original book later grew into a large series of related books and tracts. Monk claimed that nuns of the Sisters of Charity of a Montreal convent of the Hotel-Dieu were forced to have sex with the priests in the seminary next door. The priests supposedly entered the convent through a secret tunnel. If the sexual union produced a baby, it was baptized and then strangled and dumped into a lime pit in the basement. Uncooperative nuns disappeared. This sensational and salacious tale fanned the flames of Nativist, Anti-Catholic, and Know-Nothing passions into the next century. It was extremely popular and widely circulated. This late paperback edition is quite scarce. POPERY BOX 1
1986réf. 1553334893203HASP-510, Editions Saint-Paul 1986
réf. R320086655WILLIAM CLOWES AND SONS. NON DATE. In-12. Relié. Etat d'usage, Couv. défraîchie, Dos fané, Intérieur frais. XII + 371 pages -Nombreuses phrases musicales - Ex dono sur la page de garde.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
réf. 3896(P.), Guillaume junior, (1790). In 4° de 24 pp. + planche (importantes mouillures et champignonnage).
1966réf. 95298Nouvelles Editions Méridian 1966
1910réf. 22258Partitions sur le Prénom Lacroix 1910 approx.
réf. 1314257366.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2000réf. D10NS1045Adam Gallery London & Bath 2000. 1st Edition. SOFTCOVER. Landscape Quarto size 4to in colour printed stiff card covers. Unpaginated approx. 36pp 35 colour reproductions etc __CONDITION : An almost AS NEW unmarked copy mild crease to rear cover adjacent to spine. . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Adam Gallery, London & Bath paperback
réf. 68-7802Zurich Switzerland: 20th Century European Publisher ca. 1900. Color print. 10.5 x 16 cm. image size. Very Good. Auf Deutsch. Scarce. [Zurich, Switzerland: 20th Century European Publisher, ca. 1900]. unknown
1940réf. LFA-126721072Une revue de 85 pages, format 165 x 250 mm, brochée, Académie Florimontane (Annecy) paraissant depuis 1860, rare
1928réf. 358Imprimerie de l'Evêché, Fréjus: 1928. contient La mission de Lérins et les In-8 ( 15,5 X 25,8 cm), broché. 22 pp.
1910réf. 26066CLISSON 1910 une PHOTO originale albuminée en noir, CLISSON (44) - VIADUC SUR LA MOINE ET LA TRINITÉ (PETITE ANIMATION) (1910), format : 12 x 16,4 cm, photographe inconnu,
1930réf. 26067Nantes 1930 une PHOTO originale albuminée en noir, CLISSON (44) - L'ARTILLERIE EN MANOEUVRE AU PIED DU VIADUC SUR LA MOINE (GROSSE ANIMATION) (1910), format : 12 x 16,5 cm, photographe inconnu,
réf. 200603091, Grund, 1994 ; in-8, 127 pp., cartonnage de l'éditeur.
réf. 200603317, Grund, 1994 ; in-8, 125 pp., cartonnage d'éditeur avec jaquette.
réf. 200503084, Edition grund, 1994 ; in-8, 125 pp., cartonnage de l'éditeur avec jaquette .
réf. 3548515 "leçons" en un volume in-4, en feuilles (débroché), 4 p., 4 p., 4 p., 4 p., 4 p., 4 p., 4 p., 4 p., 4 p., (2) p., (2) p., 4 p., 2 p., 2 p., (2) p. (pagination séparée par leçon). S.l.n.d. [Paris, Imprimerie du Comité de salut public, février-mars 1794].
réf. 22728Signatures given at the Birmingham Conference of the Incorporated Society of Musicians 1912-1913. For a detailed report of the Incorporated Society of Musicians conference at which these autographs were given and which took place in Birmingham over the five days between 30 December 1912 and 3 January 1913 see Musical Times 1 February 1913 pp.113-114. Thirteen signatures of British pre-war musical figures on ten pieces of paper ranging from 16 x 19 cm to 7 x 13 cm nine of them on parts leaves of various colours cut from an album. In good condition lightly aged. In only two cases are the signatures on both sides of the paper on the other eight the reverse is blank. The ten pieces of paper are as follows. ONE: Edgar Leslie Bainton 1880-1956 British and latterly Australian composer: 'Edgar L. Bainton Birmingham. January. 1913.' With bar from 'The Cap & Bells'. On the reverse are the signatures of the violinists Albert Sammons 1908-1917 and Thomas W. Petre of the London String Quartet: 'The London String Quartet Albert Sammons. Thomas Petre'. TWO: Edward Bennett: 'Edward Bennett I. S. M. Conference Birmingham January 1st - 1913 -' With five bars from 'My soul doth magnify the Lord and my spirit hath rejoiced'. THREE: Havergal Brian born William Brian 1876-1972 composer: 'Birmingham Friday Jany 3 - 1913 Havergal Brian'. With two bars from 'Doctor Merryheart'. FOUR: John David Davis 1869-1942 composer: 'J. D. Davis . Birmingham Jan . 2. 1913 .' FIVE: Henry Balfour Gardiner 1877-1950: 'H. Balfour Gardiner'. With two bars from 'Cargoes'. SIX: Allen Gill conductor a protege of Barnby: 'Allen Gill Birmingham Conference Jan. 1. 1913'. SEVEN: Monk Gould William Monk Gould 1856-1923 British composer of light music: 'Monk Gould. Birm: Conf: 1913.' With two bars from his most famous composition 'The curfew'. EIGHT: Julius Harrison Julius Allan Greenway Harrison 1885-1963 composer and operatic conductor: 'Julius Harrison Birmingham Conference I. S. M. Jany. 1913'. With three bars from 'Down among the Dead Men'. NINE: William Wallace 1860-1940 Scottish composer and Dean of the Faculty of Music in the University of London: 'William Wallace : Birmingham : January 1 : 1913.' With two bars of unidentified music. TEN: Charles Warwick Evans 1885-1974: 'C. Warwick-Evans Birmingham Conference 1913'. On the reverse is signature of the composer Harry Assur Keyser 1871-1962: 'Harry. A. Keyser. Birmingham' with cropped bars from 'Othello Act .'. Signatures given at the Birmingham Conference of the Incorporated Society of Musicians, 1912-1913. unknown
réf. 201501233Morlaix, Editions " AU BORD DES CONTINENTS…", 2004 ; grand in-4, cartonnage de l'éditeur. EN SUPERBE ÉTAT.
réf. 201005332Paris, Dargaud, 1995 ; in-4, 48 pp., cartonnage de l'éditeur. Reed.
réf. 200809066Paris, Dargaud, 1984 ; in-4, 48 pp., cartonnage de l'éditeur. Eo éraflure sur les coinet bas de coiffe coter 25 / vendu 20.
1989réf. _202100812Nancy, Metz, P.U.N., Editions Serpenoise, 1989 ; in-8, 564 pp., broché, couverture imprimée. Les maitres de forges en Lorraine du milieu du 19ème siècle au années trente. Histoire sociale d'un patronat sidérurgique.
1970réf. 39414NY: Whitney Museum of American Art 1970. Single 11 by 8.5 inch sheet printed on tan stock. Faint vertical crease else very good. Original flyer for this event featuring an opening excerpt from a piece by Bach with the remainder consisting of music from Monk's Juice. Whitney Museum of American Art unknown
réf. 17728Paris, Bachelier, 1819. In-8, VIII-200 pp. 5 pl., basane blonde de l'époque, dos lisse orné de filets dorés, pièces de titre rouge et verte, tranches mouchetées (épidermures, quelques petites rousseurs ou taches, petit manque marginal à la dernière planche sans atteinte à l'image).