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ref. 9552Many illus. 48 pp. Small 8vo pictorial semi-stiff wrappers title on spine. Glasgow: Tramway Visual Arts; FRAC des Pays de la Loire: Nantes 1996. Scarce and early publication on the artist Jonathan Monk b. 1969. With contributions in English and French by Judith Findlay and David Perreau and an entertaining interview between Douglas Gordon and Monk. As new. unknown
ref. 9553Unpaginated. 8vo printed softcover title on spine. Paris: onestar press 2011. One of 250 numbered copies. Fine. unknown
ref. 9554Black & white illus. throughout. Unpaginated. 8vo pictorial softcover title on spine. Paris: onestar press 2014. One of 250 numbered copies a scarce artist’s book in which Jonathan Monk b. 1969 represents his life through pennies minted from 1969 to 1999. In fine condition. unknown
ref. 9560Many illus. Unpaginated. 4to pictorial softcover title on spine. Dornbirn: Kunstraum Dornbirn 2013. Scarce Jonathan Monk b. 1969 exhibition catalogue. In fine condition. unknown
ref. 7772Rich color illus. throughout. 90 pp. Oblong 4to red printed wrappers & orig. pictorial dust-jacket title on spine. Berlin: KINDL - Zentrum für zeitgenössische Kunst 2019. The fourth installment of the artist Jonathan Monk’s “Exhibit Model” this iteration was curated by Andreas Fiedler at the KINDL - Zentrum für zeitgenössische Kunst 10 March-21 July 2019. The catalogue is lavishly illustrated with installation shots and close-up photographs with diagrams of the exhibition space. With essays and an interview in German and English. As new. unknown
ref. 3847362666.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 3847362313.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 3845484853.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 3844382003.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 3659054658.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 216224 Sandycove Road Sandycove Co. Dublin 26 May 1954. Poet. Two pages 8vo good condition. He gotr the impression from a letter George sent that he and another approved of Monk Gibbon's book. He quotes Flaubert on the idea that an author works hard but cannot expect profit "but to fail to see it even in print would stick in my gizzard." He asks for advice - does he know anybody at Heinemann he knows someone. "Has Verschoyle money behind him". He is finding delay and "subsequent disappointments too wearing. And with each one the typescript gets a little more woebegone". He discussses his and George's movements refers to "the Dublin transcripts" see below tells of plans to review George's new book for the "Irish Times". Since George is reading the typescript he will not ask Storm Jameson to do so. Poss. referring to his "Western Germany" 1955. This letter is enclosed in a pamphlet XXVth International Congress of the P.E.N. "The Literature of Peoples whose Language restricts wide Recognition" In Irish also Dublin-Belfast 8-13 June 1953 good condition to which Gibbon contributed "On the status of poetry today". George has scrawled a reference to Gibbon's article/speech on the front cover. 24 Sandycove Road, Sandycove, Co. Dublin, 26 May 1954. unknown
ref. A9781162616100New. unknown
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ref. A9781164699057New. unknown
2013ref. 20883Presses De L'universite De Laval. New with No dust jacket as issued. 2013. First Edition. Paperback. 276371563X . A clean tight copy in new condition showing only light shelf and edge wear and appearing unread! New Old Stock. ; 8.98 X 5.98 X 1.02 inches . Presses De L'universite De Laval paperback
ref. 22728Signatures given at the Birmingham Conference of the Incorporated Society of Musicians 1912-1913. For a detailed report of the Incorporated Society of Musicians conference at which these autographs were given and which took place in Birmingham over the five days between 30 December 1912 and 3 January 1913 see Musical Times 1 February 1913 pp.113-114. Thirteen signatures of British pre-war musical figures on ten pieces of paper ranging from 16 x 19 cm to 7 x 13 cm nine of them on parts leaves of various colours cut from an album. In good condition lightly aged. In only two cases are the signatures on both sides of the paper on the other eight the reverse is blank. The ten pieces of paper are as follows. ONE: Edgar Leslie Bainton 1880-1956 British and latterly Australian composer: 'Edgar L. Bainton Birmingham. January. 1913.' With bar from 'The Cap & Bells'. On the reverse are the signatures of the violinists Albert Sammons 1908-1917 and Thomas W. Petre of the London String Quartet: 'The London String Quartet Albert Sammons. Thomas Petre'. TWO: Edward Bennett: 'Edward Bennett I. S. M. Conference Birmingham January 1st - 1913 -' With five bars from 'My soul doth magnify the Lord and my spirit hath rejoiced'. THREE: Havergal Brian born William Brian 1876-1972 composer: 'Birmingham Friday Jany 3 - 1913 Havergal Brian'. With two bars from 'Doctor Merryheart'. FOUR: John David Davis 1869-1942 composer: 'J. D. Davis . Birmingham Jan . 2. 1913 .' FIVE: Henry Balfour Gardiner 1877-1950: 'H. Balfour Gardiner'. With two bars from 'Cargoes'. SIX: Allen Gill conductor a protege of Barnby: 'Allen Gill Birmingham Conference Jan. 1. 1913'. SEVEN: Monk Gould William Monk Gould 1856-1923 British composer of light music: 'Monk Gould. Birm: Conf: 1913.' With two bars from his most famous composition 'The curfew'. EIGHT: Julius Harrison Julius Allan Greenway Harrison 1885-1963 composer and operatic conductor: 'Julius Harrison Birmingham Conference I. S. M. Jany. 1913'. With three bars from 'Down among the Dead Men'. NINE: William Wallace 1860-1940 Scottish composer and Dean of the Faculty of Music in the University of London: 'William Wallace : Birmingham : January 1 : 1913.' With two bars of unidentified music. TEN: Charles Warwick Evans 1885-1974: 'C. Warwick-Evans Birmingham Conference 1913'. On the reverse is signature of the composer Harry Assur Keyser 1871-1962: 'Harry. A. Keyser. Birmingham' with cropped bars from 'Othello Act .'. Signatures given at the Birmingham Conference of the Incorporated Society of Musicians, 1912-1913. unknown
ref. 2204124 Sandycove Road Sandycove Co. Dublin. 10 November 1970. 1p 12mo. In good condition on lightly-creased grey paper. Addressed to 'Dear Prof Brunbaugh'. He explains that Brunbaugh's letter of 19 September 'went into a large collective envelope marked “For attention”' adding 'You can guess what that means. It is lucky ever to have come out.' He has 'made a copy of a short poem' for Brunbaugh and hopes that he will go and see him when he next comes to Ireland. 24 Sandycove Road, Sandycove, Co. Dublin. 10 November 1970. unknown
ref. 14062'J. M. B. St Laurence's Ampleforth'. 21 July 1854. 2pp. 4to. Bifolium. Very good on lightly-aged paper. Docketted by Wiseman on reverse of second leaf: 'Benedictine Chapter 1854'. The letter begins: 'My Lord Cardinal The First General Chapter of the English Benedictine Congregation since the Restoration of the Hierarchy having arrived at the conclusion of its deliberations we have thought it incumbent upon us not to separate without forwarding to Your Eminence the assurance of our profound and sincere respect.' Hodgson reports that the Benedictines praise 'the earnest and unceasing efforts which Your Eminence has displayed in forwarding the glorious work of the advancement of Religion in this island so dear from the history of the past to the Children of St Benedict. From its earliest conversion under our Saxon ancestors through the prosperous and brilliant days of its religious influence in the midst too of its sorrows and struggles and its persecutions even unto death we have formed a portion of the Curch adn have considered ourselves identified with its existence. And now that more hopeful days have dawned upon her and she has been successful in extending her conquests and enlarging her boundaries and gaining a greater freedom in her sphere of action we cannot but rejoice at these glorious results'. He continues in the same vein before congratulating Wiseman adding that 'we must not withhold our sympathy that any abandonment of duty on the part of those who ought to be cooperating with Your Eminence should be to you a source of anxiety or affliction'. Hodgson concludes by stating that they will increase their prayers and 'Begging your Eminence's blessing upon the English Benedictine Congregation'. From the Wiseman papers. 'J. M. B. | St Laurence's, Ampleforth'. 21 July 1854. unknown
ref. feb56921Used. For more details please contact me unknown
ref. 3659023760.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2006ref. 90208Kunstverein Hannover / Kunstmuseum St. Gallen / Kunsthalle Nrnberg / Revolver 2006. First Edition. Hardcover. Like New. First Edition First Printing. Not price-clipped $19.95 price intact. Published by Kunstverein Hannover 2006. Quarto. White pictorial boards. Book is like new with no writing. Sharp corners and spine straight. Light smudging on front and back cover. 156 pages. ISBN: 3865882331. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ships with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton New York. Kunstverein Hannover / Kunstmuseum St. Gallen / Kunsthalle N?rnberg / Revolver hardcover
2001ref. 054452Venture Graphics Inc. Fine. 2001. Spiral bound Paperback. 0971061408 . No remarkable flaws to this clean attractive copy 407 pages color photos throughout end-paper drawings of Flower Forms and Leaf Forms nice gift copy of this exhaustive work . Venture Graphics Inc. paperback
1970ref. 39414NY: Whitney Museum of American Art 1970. Single 11 by 8.5 inch sheet printed on tan stock. Faint vertical crease else very good. Original flyer for this event featuring an opening excerpt from a piece by Bach with the remainder consisting of music from Monk's Juice. Whitney Museum of American Art unknown