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1924ref. List3678New York City: Clarence Williams 1924. Folio measuring 12 x 9 inches 5 pp. With an attractive period style illustration by Sydney Leff with his printed signature in the lower right corner. Fine condition. A very scarce surviving example of the sheet music for "Cakewalking Babies from Home" a cornerstone early jazz-blues composition issued through Clarence Williams’s publishing enterprise at the moment when New Orleans–derived ensemble practice was reshaping American popular music. Written by Williams with Chris Smith and Henry Troy the piece bridges late ragtime syncopation and emerging small-group jazz textures. Though widely disseminated through performance and recording it appears to have circulated only sparingly as domestic sheet music. The song achieved lasting fame through the celebrated 1924 New York recording sessions by the Clarence Williams Blue Five Okeh 8256 featuring Eva Taylor vocal Louis Armstrong cornet Sidney Bechet soprano saxophone Clarence Williams piano and Buddy Christian banjo; a landmark early small-ensemble performance often cited for its dynamic Armstrong–Bechet interplay and its role in defining early jazz ensemble language.12 Circulating widely among classic blues singers vaudeville performers and musicians within Williams’s publishing network and the TOBA circuit the composition reflects the porous boundary between theatrical blues dance music and emerging jazz repertory in mid-1920s Harlem and Chicago. As noted in Smithsonian jazz educational materials “the roots of jazz are heard clearly… in ‘Cake Walking Babies from Home’”.3 Despite its well-documented performance and recording history institutional holdings of the sheet music itself appear extremely limited. We locate a single copy at the Stanley King Jazz Collection at Oberlin with none presently recorded in OCLC. 1 Brian Rust Jazz records 1897–1942 Arlington House Publishers 1978. 2 Tom Lord Jazz Discography Lord Music Reference Inc. 1992. 3 “Act 3. New York Introduction: 1924–1925” Smithsonian Louis Armstrong Education Kit https://amhistory.si.edu/jazz/education/Act3.pdf. Clarence Williams unknown
1924ref. List3678New York City: Clarence Williams 1924. Folio measuring 12 x 9 inches 5 pp. With an attractive period style illustration by Sydney Leff with his printed signature in the lower right corner. Fine condition. A very scarce surviving example of the sheet music for "Cakewalking Babies from Home" a cornerstone early jazz-blues composition issued through Clarence Williams’s publishing enterprise at the moment when New Orleans–derived ensemble practice was reshaping American popular music. Written by Williams with Chris Smith and Henry Troy the piece bridges late ragtime syncopation and emerging small-group jazz textures. Though widely disseminated through performance and recording it appears to have circulated only sparingly as domestic sheet music. The song achieved lasting fame through the celebrated 1924 New York recording sessions by the Clarence Williams Blue Five Okeh 8256 featuring Eva Taylor vocal Louis Armstrong cornet Sidney Bechet soprano saxophone Clarence Williams piano and Buddy Christian banjo; a landmark early small-ensemble performance often cited for its dynamic Armstrong–Bechet interplay and its role in defining early jazz ensemble language.12 Circulating widely among classic blues singers vaudeville performers and musicians within Williams’s publishing network and the TOBA circuit the composition reflects the porous boundary between theatrical blues dance music and emerging jazz repertory in mid-1920s Harlem and Chicago. As noted in Smithsonian jazz educational materials “the roots of jazz are heard clearly… in ‘Cake Walking Babies from Home’”.3 Despite its well-documented performance and recording history institutional holdings of the sheet music itself appear extremely limited. We locate a single copy at the Stanley King Jazz Collection at Oberlin with none presently recorded in OCLC. 1 Brian Rust Jazz records 1897–1942 Arlington House Publishers 1978. 2 Tom Lord Jazz Discography Lord Music Reference Inc. 1992. 3 “Act 3. New York Introduction: 1924–1925” Smithsonian Louis Armstrong Education Kit https://amhistory.si.edu/jazz/education/Act3.pdf. Clarence Williams unknown books
1977ref. 205243New York: Artists Space / Committee for the Visual Arts 1977. First edition. Softcover. Exhibition catalog for a group show that ran September 24 through October 29 1977. Features acknowledgements Helene Winer and an essay by Douglas Crimp. Includes black and white illustrations of works by Troy Brauntuch Jack Goldstein Sherrie Levine Robert Longo and Philip Smith. A clean near fine copy in stapled wrappers. A relatively uncommon and early look at some of the work of these important artists. Artists Space / Committee for the Visual Arts unknown
1977ref. 205243New York: Artists Space / Committee for the Visual Arts 1977. First edition. Softcover. Exhibition catalog for a group show that ran September 24 through October 29 1977. Features acknowledgements Helene Winer and an essay by Douglas Crimp. Includes black and white illustrations of works by Troy Brauntuch Jack Goldstein Sherrie Levine Robert Longo and Philip Smith. A clean near fine copy in stapled wrappers. A relatively uncommon and early look at some of the work of these important artists. Artists Space / Committee for the Visual Arts unknown books
1930ref. 000049One of seventy-five copies of the limited edition of this collection of etchings by Kinney with an original etching of Ruth St. Denis. Book is as new but the box in which it is contained is missing a small portion of the edge visible in the picture. Included with the volume are three extra unsigned engravings by Kinney: his New Year cards for 1934 1935 and 1938. All are whimsical fantasy scenes of dancer-like elves. Many engravers of the period produced such cards and they are significantly less frequently offered than their major works. This is copy 55 of 75 copies with uncut pages and the original glassine wrapper. The original etching is laid into a folding paper case that is bound into the book. The limited edition is scarce and the extra cards are scarcer. The Crafton Collection
1929ref. 22812Garden City: Doubleday Doran and Co 1929. First edition. Hardcover. Orig. thick white boards leather spine label printed in gilt. Fine in near fine plain dust wrapper in near fine black board slipcase. 80 pages. 30.5 x 23.5 cm. Limited edition one of 990 signed by Troy Kinney.This is a Catalogue Raisonne of the etchings and drypoints of Kinney a total of 50 are described in detail. Kinney was noted for his portrayal of dancers and classic nudes. He also maintained a long friendship with the American poet and collector Louis V. Ledoux. The latter was a noted authority on Japanese prints. Laid-in are two hand written letters to Ledoux two and three paged dated 1926 and 1930 respectively and include the envelopes. Also enclosed are nine New Year's cards from "Margaret & Troy Kinney" hand-drawn by him three are inscribed to Ledoux. The dates are 1928 1930 1932 - 1936. 1938 one undated. All the cards present dancers in various costumes and positions. Kinney died in January 1938. Doubleday, Doran and Co hardcover
1929ref. 22812Garden City: Doubleday Doran and Co 1929. First edition. Hardcover. Orig. thick white boards leather spine label printed in gilt. Fine in near fine plain dust wrapper in near fine black board slipcase. 80 pages. 30.5 x 23.5 cm. Limited edition one of 990 signed by Troy Kinney.This is a Catalogue Raisonne of the etchings and drypoints of Kinney a total of 50 are described in detail. Kinney was noted for his portrayal of dancers and classic nudes. He also maintained a long friendship with the American poet and collector Louis V. Ledoux. The latter was a noted authority on Japanese prints. Laid-in are two hand written letters to Ledoux two and three paged dated 1926 and 1930 respectively and include the envelopes. Also enclosed are nine New Year's cards from "Margaret & Troy Kinney" hand-drawn by him three are inscribed to Ledoux. The dates are 1928 1930 1932 - 1936. 1938 one undated. All the cards present dancers in various costumes and positions. Kinney died in January 1938. Doubleday, Doran and Co hardcover books
2012ref. 52677Jack Troy 2012. First Edition. Wraps. fine. 50p 16mo. A fine copy in blue wraps warmly inscribed to potter Paulus Berensohn by fellow potter and author Jack Troy. Additionally laid in is a postcard invitation celebrating Jack Troy. Scarce. Jack Troy paperback
2017ref. __9086863132Wageningen Academic Publishers 2017. Paperback. New. 1016 pages. Wageningen Academic Publishers paperback
2003ref. SONG1843396696Brand: WERF 2003-07-01. 1. paperback. Used: Good. 8.25x0.50x10.75. Buy with confidence. Excellent Customer Service & Return policy. Brand: WERF paperback
2011ref. SONG9400711581Springer 2011-05-13. 2011. hardcover. Used: Good. 6.00x1.00x9.25. Buy with confidence. Excellent Customer Service & Return policy. Springer hardcover
ref. Bloomsbury-9780313270147Praeger. Hardback. New. 280 pages Praeger hardcover
ref. Bloomsbury-9780313270147Praeger. Hardback. New. 280 pages Praeger hardcover
ref. SONG1608875121Insight Editions 2017-10-24. hardcover. Used: Good. 8.26x0.80x10.62. Buy with confidence. Excellent Customer Service & Return policy. Insight Editions hardcover
2003ref. DADAX1843396696Brand: WERF 2003-07-01. 1. paperback. New. 8.25x0.50x10.75. Buy with confidence. Excellent Customer Service & Return policy. Brand: WERF paperback
2007ref. x-0080453279Emerald Group Pub Ltd 2007. Hardcover. New. 253 pages. 9.00x6.25x1.00 inches. Emerald Group Pub Ltd hardcover
ref. DADAX0415520460Routledge 2014-09-15. 1. hardcover. New. 6.14x0.63x9.21. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
ref. ria9780367225124_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Discover how to effectively incorporate literacy instruction with creative inquiry-based tools to show you what it means to teach science with and through writing and strategies to help your students become young scientists who can us hardcover
ref. 25624121like new. unknown
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1921ref. 296871921. Image size 168 x 198 mm. sheet size 232 x 266 mm. Signed by the artist in full just below platemark at lower left. Printed on laid paper. Small stain to upper corners of verso from early mounting with some show-through to recto otherwise in very good condition. One of an edition of 170 copies. Reproduced in The Print Collector's Quarterly 25 1938 280. American Etchers Vol. IX 33. "Troy Kinney was most notable for his works portraying dance performers fanciful subjects and classically styled nudes. He worked with dancers including Ruth St. Denis Anna Pavlova and Sophie Pflanz among others. His artistic works are part of the collections of the Art Institute of Chicago the Cleveland Museum of Art the New York Public Library the Library of Congress and many others. Perhaps Troy Kinney's greatest legacy is in his contributions in the area of dance. He co-authored with his wife the books "Social Dancing of Today" and "The Dance: Its Place in Art and Life" for which he traveled throughout the world to study various dance styles. It remains to this day one of the most comprehensive works on the subject." Wikipedia. unknown
