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Best.-Nr. 0331406470.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 0267889879.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 0259085065.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 0259096539.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 4077059like new. unknown
Best.-Nr. 47203138like new. unknown
2003Best.-Nr. 190673Cambridge MA: MIT 2003. Hardcover. Near Fine light shelf-wear scuffs to lower board edges; light wear to dustjacket. white flower decorated boards w/ quarter silken cream cloth spine grey printing. 438 pgs w/ bw illustrations. grey pictorial dustjacket w/ black printing. In Couture Culture Nancy Troy offers a new model of how art and fashion were linked in the early twentieth century. Focusing on a leader of the French fashion industry Paul Poiret Troy uncovers a logic of fashion based on the tension between originality and reproduction that bears directly on art historical issues of the period. This tension lies at the heart of haute couture which although designed for the wealthy was also intended to be adapted for sale in department stores and other clothing outlets that catered to a broader consumer market. Troy examines the relationships between elite and popular culture the professional theater and the fashion show as well as the presumed polarity between Orientalist and classical sensibilities. She shows how Poiret and other designers patronized the arts and presented themselves as artists not only to sell their individual dresses to wealthy clients but also to promote the mass production of their designs. The contradictions she uncovers suggest surprising parallels with the readymades and fashion-related work of Marcel Duchamp who explored the questions of originality and authenticity raised by couture culture during the 1910s and 1920s.--Amazon. MIT hardcover
1996Best.-Nr. 176621Cuenca Ecuador: Fundacion Paul Rivet 1996. Hardcover. Near Fine. light scratching to covers. pgs clean & unmarked. oblong glossy copper illustrated boards w/ white printing. 64 pgs w/ color illustrations. Text In Spanish. An vibrantly illustrated work on the renowned Ecuadorian ceramist and artist Eduardo Vega. Uncommon. Fundacion Paul Rivet hardcover
2003Best.-Nr. 139769Cambridge MA: MIT 2003. Softcover. VG but with small gallery ex-lib. sticker on spine. Fuschia and orange wraps with white spine lettering and cover illustration; 438 pp. with bw images throughout. In Couture Culture Nancy Troy offers a new model of how art and fashion were linked in the early twentieth century. Focusing on a leader of the French fashion industry Paul Poiret Troy uncovers a logic of fashion based on the tension between originality and reproduction that bears directly on art historical issues of the period. This tension lies at the heart of haute couture which although designed for the wealthy was also intended to be adapted for sale in department stores and other clothing outlets that catered to a broader consumer market. Troy examines the relationships between elite and popular culture the professional theater and the fashion show as well as the presumed polarity between Orientalist and classical sensibilities. She shows how Poiret and other designers patronized the arts and presented themselves as artists not only to sell their individual dresses to wealthy clients but also to promote the mass production of their designs. The contradictions she uncovers suggest surprising parallels with the readymades and fashion-related work of Marcel Duchamp who explored the questions of originality and authenticity raised by couture culture during the 1910s and 1920s.--Amazon. MIT paperback
1997Best.-Nr. OVC17960Golden Meadows La: REM Corporation. Very Good with no dust jacket. 1997. First Edition. Hardcover. 0965589706 . First edition. Hard cover published by REM Corp. in 1997. No dust jacket. Leatherette covers with gilt lettering. Spine is slightly cocked and covers have slight scuffing. Front endpaper has a small hole near top edge. Book is in very good condition. 11-13 inches 280 pages 3.5 lb.; 4to 11" - 13" tall; 280 pages . REM Corporation hardcover
Best.-Nr. 009954279X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 0243177429.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1496851684.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2019Best.-Nr. 408791Gallery Books 2019. FIRST EDITION. Hardcover. Like New/Like New. First Edition First Printing. Not price-clipped. Published by Gallery Books 2019. Octavo. Hardcover. Book is like new. Dust jacket is like new. An excellent copy of this novelization of the bestselling video game. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor New York. Gallery Books hardcover
Best.-Nr. 19309994like new. unknown
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Best.-Nr. 149506428X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1430125969.GaudioCD. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
Best.-Nr. 6908998Edition: Reprint . Good Condition. No Hassle 30 Day Returns Ships Daily Underlining/Highlighting: NONE Writing: NONE Publisher: Pearson Custom Publishing Pub Date: 1/1/2007 Binding: Paperback Pages: 675 paperback
Best.-Nr. 1540299902.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1023277018.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1024806022.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
