rif. R240137550NON PRECISE. NON DATE. In-12. Broché. Etat d'usage, Tâchée, Dos satisfaisant, Intérieur frais. 72 pages - couverture à 3 rabats - envoi de l'auteur sur la page de garde - quelques tâches brunes sur les plats - 2 photos disponibles.. . . . Classification Dewey : 97.2-Dédicace, envoi
2015rif. RO60142131Viking. 2015. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 413 pages. Illustré de nombreuses photos en noir et blanc hors texte.. Avec Jaquette. . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1965rif. R320108995PRESSES DE LA CITE. 1965. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 249 pages - Jaquette satisfaisante.. Avec Jaquette. . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
1965rif. R150233713Gallimard. 1965. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 186 pages. . . . Classification Dewey : 843.0872-Le roman policier
1970rif. R150234141Gallimard. 1970. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 249 pages. . . . Classification Dewey : 843.0872-Le roman policier
1992rif. RO30333884Kimé. 1992. In-8. Broché. Bon état, Coins frottés, Dos satisfaisant, Intérieur frais. 306 pages.. . . . Classification Dewey : 300-SCIENCES SOCIALES
rif. IXY-140Edition du service mécanographique de la Ville de Brest, 1969, non paginé (32 p.). Brochure agrafée, 15,8 x 21 cm.
1995rif. LFA-126723491Un ouvrage de 176 pages, format 170 x 240 mm, illustré, broché couverture couleurs, publié en 1995, Editions Toubi's, bon état
2009rif. LFA-126721440Un ouvrage de 319 pages, format 155 x 235 mm, illustré, broché, publié en 2009, City Editions, bon état, peu courant
2010rif. LFA-126716695Numéro 30 (Avril-Mai 2010) : 66 pages, format 210 x 295 mm, broché couverture couleurs, illustré, bon état
rif. 5593nouvelle édition,reveuë & augmentée,première et deuxième partie en un volume in 4 plein cuir fauve raciné à nerfs, d’époque,fers dorés,pièce de titre manquante.Beau portrait de l’auteur,gravé par P.DREVET d’après F de TROY.Titre en noir et rouge,XXVIII,772 pages.2 pages de privilège. Discours au roi, une vignette gravée en tête, par GILLOT, une lettre gravée,Satire 1 à XI,épistre:titre,épistre 1 à XII,l’Art poétique en vers:titre,chant premier à chant quatrième.Le Lutrin poëme héroï-comique:titre,pages 235 chant premier à chant sixième 6 belles gravures hors texte par GILLOT et SCOTIN,odes,épigrammes et autre poésies, épigrammes nouvelles,arrest burlesque,lettre.Deuxième aprtie:Arrest burlesque,lettre,les héros de roman, réflexions,traité du Sublime ou du Merveilleux dans le discours traduit du grec et de Longin.Titre pages 595 à 692.Remarques sur Longin,titre pages 695 à 572.Tranches rouges.Paris Chez Esprit BILLIOT ruë de la Harpe au coin de la Ruë Sarafin à la ville de Paris 1712 Intérieur en très bon état(à signaler une tache d’encre page 373) Raccommodages à la reliure,coiffes,coins,charnière.Dans l’état
rif. 5306Traduit par Nadine Coune, éd. Marabout, 1962 – in-12, 191pp – broché, couv. illustrée, photos et ill. n. et b. et couleurs.
2000rif. LFA01215Une plaquette de 16 pages, format 210 x 50 mm, illustrée, brochée, extrait de La Lettre n° 16 (Juillet 2000)
1993rif. LFA00b5dUn ouvrage de 160 pages, format 300 x 235 mm, 200 illustrations, relié toile sous jaquette couleurs, publié en 1993, bon état
1626rif. 4177Venice: Giovanni Antonio Giuliani 1626. 16mo 142 x 99 mm. Collation: A-G16 G16 blank removed. 222 pages. Double column small roman types. Large woodcut on title 20 small woodcuts in the text printed from four blocks two used once each the others repeated. Printing flaw A9v. A couple of tiny marginal tears slight creasing to leaves at end. 20th-century tree-marbled glazed paper over flexible pasteboards. Provenance: “Bagio” inscription on front pastedown; Ex fondatione Giorgii --- illegible ownership inscription on title. Unrecorded edition of a popular verse account of the fall of Troy. Part of the “prehistory of the Italian romance epic” Everson the Trojan tale circulated in several versions during the late medieval period. Like the other Italian versions this anonymous poem in 20 cantos in ottava rima may have been loosely based on the 13th-century Latin prose narrative Historia Troiana by Guido delle Colonne. Both poems emphasize Rome’s Trojan lineage. The earliest recorded edition of this version dates to 1483 GW 12519 1 extant copy an inconvenient fact for a later attribution to the poet Jacopo di Carlo who was in fact the printer of the 1491 edition. In the sixteenth century the educated classes enjoyed the tale which was sometimes even read in schools. The spread of literacy stimulated the production of cheaper chapbook editions like this one thriftily printed in very small types with repeated impressions of the woodblocks of battle scenes. The larger title cut printed from a worn block which is missing part of the border shows a small skirmish of soldiers in medieval armor. Editions appeared throughout the 17th century mainly in Venice but also in Padua and Verona. Together ICCU and OCLC list thirteen 16th and 17th century editions from 1562 to 1671 NOT including this one. All are rare. This edition not in ICCU OCLC USTC etc. See Brunet 5: 964-5; Melzi Anonime e pseudonime 3: 177; J. E. Everson The Italian Romance Epic in the Age of Humanism 2001 pp. 43 ff; Grendler Schooling in Renaissance Italy 1989. Giovanni Antonio Giuliani unknown books
1977rif. 205243New York: Artists Space / Committee for the Visual Arts 1977. First edition. Softcover. Exhibition catalog for a group show that ran September 24 through October 29 1977. Features acknowledgements Helene Winer and an essay by Douglas Crimp. Includes black and white illustrations of works by Troy Brauntuch Jack Goldstein Sherrie Levine Robert Longo and Philip Smith. A clean near fine copy in stapled wrappers. A relatively uncommon and early look at some of the work of these important artists. Artists Space / Committee for the Visual Arts unknown books
1979rif. 37011Ann Arbor: UMI 1979. Hardcover. Very Good. Octavo. Boards. xvi 242 pp. With numerous musical examples. UMI hardcover books
2011rif. 172599Chicago IL: The Art Institute of Chicago 2011. First edition. Hardcover. 160 pages. Exhibition catalog for a show that ran June 11 through October 9 2011. Features essays by Jared Ash Maria Gough Jindrich Toman Nancy J. Troy Andres Mario Zervigon and Matthew Witkovsky. A look at the work of John Heartfield El Lissitzky Gustav Klutsis Ladislav Sutnar Karel Teige and Piet Zwart. A fine copy in a fine wraparound partial dust jacket as issued. The Art Institute of Chicago unknown books
1921rif. 296871921. Image size 168 x 198 mm. sheet size 232 x 266 mm. Signed by the artist in full just below platemark at lower left. Printed on laid paper. Small stain to upper corners of verso from early mounting with some show-through to recto otherwise in very good condition. One of an edition of 170 copies. Reproduced in The Print Collector's Quarterly 25 1938 280. American Etchers Vol. IX 33. "Troy Kinney was most notable for his works portraying dance performers fanciful subjects and classically styled nudes. He worked with dancers including Ruth St. Denis Anna Pavlova and Sophie Pflanz among others. His artistic works are part of the collections of the Art Institute of Chicago the Cleveland Museum of Art the New York Public Library the Library of Congress and many others. Perhaps Troy Kinney's greatest legacy is in his contributions in the area of dance. He co-authored with his wife the books "Social Dancing of Today" and "The Dance: Its Place in Art and Life" for which he traveled throughout the world to study various dance styles. It remains to this day one of the most comprehensive works on the subject." Wikipedia. unknown books
rif. 29689Image size 200 x 185 m. sheet size 347 x 292 mm. Signed in full by the artist in pencil just below platemark at lower left. Printed on laid paper. Slightly worn and browned; remnants of mounting tape to upper corners of recto and outer edge of verso; 6 mm. paper loss to upper left margin. Limited to 200 copies the present copy unnumbered. American Etchers Vol. IX 35. NYPL b12151447. The most celebrated dancer of her time "Pavlova's technique was so perfect that it concealed technique. her arabesque and pas de bourrée have rarely been equaled and. her line was always impeccable. As an interpretive artist Pavlova probably even today remains unsurpassed. She was supreme in roles requiring feminine coquetry and light comedy; she excelled in lyrical and poetic roles in which her fluid expressive arms and hands were remarkable; and she could be deeply moving in dramatic and tragic roles such as Nikia and Giselle. What made her performances unique however was not so much her technical mastery or even her talent at characterization; it was the emotion she poured into her performances her incomparable stage presence - in short the power of her personality." The International Encyclopedia of Dance Vol. 5 pp. 125-126. The Gavotte Pavlova was choreographed to music from Paul Lincke's operetta Lysistrata arranged by Ivan Clustine. "Troy Kinney was most notable for his works portraying dance performers fanciful subjects and classically styled nudes. He worked with dancers including Ruth St. Denis Anna Pavlova and Sophie Pflanz among others. His artistic works are part of the collections of the Art Institute of Chicago the Cleveland Museum of Art the New York Public Library the Library of Congress and many others. Perhaps Troy Kinney's greatest legacy is in his contributions in the area of dance. He co-authored with his wife the books "Social Dancing of Today" and "The Dance: Its Place in Art and Life" for which he traveled throughout the world to study various dance styles. It remains to this day one of the most comprehensive works on the subject." Wikipedia. unknown books
1988rif. 167941Culver City CA: Tri-Star TriStar Pictures 1988. Vintage studio still photograph from the 1988 film showing actress Gina Gershon. A Soviet policeman is sent to America to retrieve a Georgian drug lord and is forced to work with a cocky Chicago police detective on the case. Set and shot on location in Chicago and Moscow. 10 x 8 inches. Near Fine. Tri-Star [TriStar] Pictures unknown books
1983rif. 149789N.p.: N.p. 1983. Treatment script and synopsis for an unproduced film based on the life of African American aviator Eugene Jacques Bullard. Illustrated throughout with xerographically duplicated pages of newspaper clippings and images of Bullard. Laid in with the script is a two-page typed letter dated April 14 1983 from screenwriter Eric Troy Nicolaisen to casting agent Paul Kohner introducing the film. Bullard was born in Columbus Georgia in 1895 but stowed away on a freighter headed to Europe in 1912 in hopes of escaping the racial discrimination he faced in the south. Eventually settling in France he worked as a boxer and occasional music hall performer until the outbreak of World War I. He enlisted and soon gained renown as a pilot flying with the Aeronautique Militaire as an air gunner and taking part in over 20 combat missions before being discharged in 1919. Bullard is now considered one of the first African American military pilots along with William Robinson Clarke in the Royal Flying Corps and was awarded several medals by the French government for his service including the Croix de guerre and the Medaille de Verdun. Clear mylar front wrapper brown rear wrapper. Title page present with credits for screenwriters John V. LaBarbera and Eric Troy Nicolaisen and biography credits to P.J. Carisella and James W. Ryan. 39 leaves with last page of text numbered 20. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a black Velo binding. N.p. unknown books
1970rif. 167477Hollywood: Aaron Spelling Productions 1970. Final Draft script for Season 1 Episode 1 of the 1970-1971 television series. Copy belonging to actor Jack Naughton with his name in manuscript ink on the front wrapper. Laid in with the script is a xerographically duplicated shooting location map. The short-lived series followed three independent criminologists-George Maharis Yvette Mimieux and Ralph Bellamy-who took on especially dangerous high-profile cases. In this debut episode the trio attempt to solve a murder of a man found with a hole in his head that did not come from a bullet. Originally aired on October 10 1970 on ABC. Red titled wrappers noted as story No. 261 on the front wrapper. Title page present dated June 30 1970 noted as FINAL DRAFT with credit for screenwriter Burton Wohl. 70 leaves with last page of text numbered 62. Mimeograph duplication rectos only with rainbow revision pages throughout dated variously between August 7 and 18 1970. Pages Near Fine wrapper about Near Fine bound with two gold brads. Aaron Spelling Productions unknown books
1988rif. 167210Hollywood: Austin Enterprises 1988. Draft script for the 1989 film. Copy belonging to an unidentified crew member with their annotations throughout in manuscript ink denoting props. A policeman who has been suspended due to his unnecessary use of violence agrees to help rescue the kidnapped daughter of a mob witness. Shot on location in Santa Clarita. Blue titled pictorial wrappers. Title page present dated 1988 with credits for screenwriter Ernest Farino and director Fred Olen Ray. 97 leaves with last page of text numbered 90. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Austin Enterprises unknown books
1990rif. 160931Los Angeles: NOMA Productions 1990. Final Draft script for the 1991 film here under the working title "Angel of Death." Copy belonging to actor Aldo Ray with his name in manuscript ink on the front wrapper and annotations on eleven pages in the script relating to his character Tony. A remake of the Robert Johnson meeting the devil at the crossroads tale in the wake of hair metal wherein a loser enlists the help of a voodoo priestess in selling his soul to the devil for rock star immortality. Featuring Traci Lords in one of her first post-adult film roles. Set and shot on location in Los Angeles California. Titled yellow wrappers noted as FINAL DRAFT on the front wrapper with credits for screenwriters Mark Freed Dave Tedder and Andrew Cross. 91 leaves with last page of text numbered 91. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. Carlson Destroy All Movies. McPadden Heavy Metal Movies. Olive Films. NOMA Productions unknown books
