1924réf. List3678New York City: Clarence Williams 1924. Folio measuring 12 x 9 inches 5 pp. With an attractive period style illustration by Sydney Leff with his printed signature in the lower right corner. Fine condition. A very scarce surviving example of the sheet music for "Cakewalking Babies from Home" a cornerstone early jazz-blues composition issued through Clarence Williams’s publishing enterprise at the moment when New Orleans–derived ensemble practice was reshaping American popular music. Written by Williams with Chris Smith and Henry Troy the piece bridges late ragtime syncopation and emerging small-group jazz textures. Though widely disseminated through performance and recording it appears to have circulated only sparingly as domestic sheet music. The song achieved lasting fame through the celebrated 1924 New York recording sessions by the Clarence Williams Blue Five Okeh 8256 featuring Eva Taylor vocal Louis Armstrong cornet Sidney Bechet soprano saxophone Clarence Williams piano and Buddy Christian banjo; a landmark early small-ensemble performance often cited for its dynamic Armstrong–Bechet interplay and its role in defining early jazz ensemble language.12 Circulating widely among classic blues singers vaudeville performers and musicians within Williams’s publishing network and the TOBA circuit the composition reflects the porous boundary between theatrical blues dance music and emerging jazz repertory in mid-1920s Harlem and Chicago. As noted in Smithsonian jazz educational materials “the roots of jazz are heard clearly… in ‘Cake Walking Babies from Home’”.3 Despite its well-documented performance and recording history institutional holdings of the sheet music itself appear extremely limited. We locate a single copy at the Stanley King Jazz Collection at Oberlin with none presently recorded in OCLC. 1 Brian Rust Jazz records 1897–1942 Arlington House Publishers 1978. 2 Tom Lord Jazz Discography Lord Music Reference Inc. 1992. 3 “Act 3. New York Introduction: 1924–1925” Smithsonian Louis Armstrong Education Kit https://amhistory.si.edu/jazz/education/Act3.pdf. Clarence Williams unknown books
1924réf. List3678New York City: Clarence Williams 1924. Folio measuring 12 x 9 inches 5 pp. With an attractive period style illustration by Sydney Leff with his printed signature in the lower right corner. Fine condition. A very scarce surviving example of the sheet music for "Cakewalking Babies from Home" a cornerstone early jazz-blues composition issued through Clarence Williams’s publishing enterprise at the moment when New Orleans–derived ensemble practice was reshaping American popular music. Written by Williams with Chris Smith and Henry Troy the piece bridges late ragtime syncopation and emerging small-group jazz textures. Though widely disseminated through performance and recording it appears to have circulated only sparingly as domestic sheet music. The song achieved lasting fame through the celebrated 1924 New York recording sessions by the Clarence Williams Blue Five Okeh 8256 featuring Eva Taylor vocal Louis Armstrong cornet Sidney Bechet soprano saxophone Clarence Williams piano and Buddy Christian banjo; a landmark early small-ensemble performance often cited for its dynamic Armstrong–Bechet interplay and its role in defining early jazz ensemble language.12 Circulating widely among classic blues singers vaudeville performers and musicians within Williams’s publishing network and the TOBA circuit the composition reflects the porous boundary between theatrical blues dance music and emerging jazz repertory in mid-1920s Harlem and Chicago. As noted in Smithsonian jazz educational materials “the roots of jazz are heard clearly… in ‘Cake Walking Babies from Home’”.3 Despite its well-documented performance and recording history institutional holdings of the sheet music itself appear extremely limited. We locate a single copy at the Stanley King Jazz Collection at Oberlin with none presently recorded in OCLC. 1 Brian Rust Jazz records 1897–1942 Arlington House Publishers 1978. 2 Tom Lord Jazz Discography Lord Music Reference Inc. 1992. 3 “Act 3. New York Introduction: 1924–1925” Smithsonian Louis Armstrong Education Kit https://amhistory.si.edu/jazz/education/Act3.pdf. Clarence Williams unknown
1993réf. 71211993 Bordeaux, Le Cheval de Troie, 1993. Un volume in-8 broché, couverture crème, 108 pages. Bon état.
2000réf. LFA01215Une plaquette de 16 pages, format 210 x 50 mm, illustrée, brochée, extrait de La Lettre n° 16 (Juillet 2000)
1994réf. 71241994 Bordeaux, Le Cheval de Troie, 1994. Un volume in-8 broché, couverture crème, 126 pages. Bon état.
réf. 201409048, Soleil, 2008 ; in-4, cartonnage de l'éditeur. Première édition.
réf. 200802099TOULON, SOLEIL, 1996 ; in-4, 54 pp., cartonnage de l'éditeur. TOME 3 - MAI 96.
réf. 200802096TOULON, SOLEIL, 1998 ; in-4, 48 pp., cartonnage de l'éditeur. TOME 6 - bon état.
réf. 200810198Toulon, Soleil, 1996 ; in-4, 192 pp., cartonnage de l'éditeur. Coffrets de 4 livres: reed des 3 premier et eo du 4 , coffret avec sa nouvelle couverture aux titres frappé aux fer d'or ( petite usure du coffret , mais les livres en trés bon état ).
réf. 200802101TOULON, SOLEIL, 1996 ; in-4, 46 pp., cartonnage de l'éditeur. TOME 1 -;OCTOBRE 96 - 4E EDITION.
réf. 200802098TOULON, SOLEIL, 1996 ; in-4, 48 pp., cartonnage de l'éditeur. TOME 4 - NOV 96.
réf. 200802097TOULON, SOLEIL, 1997 ; in-4, 48 pp., cartonnage de l'éditeur. TOME 5 - OCT 97.
réf. 200912245Paris , France loisirs, 2005 ; in-4, 118 pp., cartonnage de l'éditeur. Reed des tomes pour france loisir tome 7/8 : petite éraflure sur le haut et bas du dos.
2004réf. LFA-126747274Revue de 98 pages, format 205 x 280 mm, illustrée, brochée couverture couleurs, bon état
1702réf. 104931Amstelaedami , apud Georgium Gallet 1702 3 volumes en 1 tome. In-8 20,5 x 11,5 cm. Reliure de l’époque veau havane, dos à nerfs encadrés de fers dorés, pièce de titre maroquin grenat, frontispice gravé, [124]-316-88-[60]-246-[8] pp., notes en bas de page, index. Reliure frottée, mors fendillés, coins émoussés et frottés, quelques mouillures marginales, intérieur frais.
réf. 201325043, Soleil, 2000 ; in-4, 47 pp., cartonnage de l'éditeur.
réf. 201215588Toulon, Soleil, 2007 ; in-4, 60 pp., cartonnage de l'éditeur. REED 1A avec nouvelle couverture . + 11 gags inédits ( DL novembre 2007) ( petite pliure sur le coin ).
1986réf. 323835San Francisco: Bill Graham Presents/Madonna/University Art Center 1986. 20p includes covers 8.5x11 inches photos memorials cast. crew song lyrics personal inscription signed but difficult to make out very good souvenir program in stapled pictorial wraps. Program for the memorial for the stand-up comic and rock singer/songwriter who co-wrote "Don't Touch Me There" for The Tubes and performed with them. She died in October 1986 in a helicopter crash while working as a traffic reporter for WNBC in New York. Attendees ranged from Tom Ammiano to Jerry Garcia Robin Williams and Todd Rundgren. Bill Graham Presents/Madonna/University Art Center unknown books
1986réf. 323835San Francisco: Bill Graham Presents/Madonna/University Art Center 1986. 20p includes covers 8.5x11 inches photos memorials cast. crew song lyrics personal inscription signed but difficult to make out very good souvenir program in stapled pictorial wraps. Program for the memorial for the stand-up comic and rock singer/songwriter who co-wrote "Don't Touch Me There" for The Tubes and performed with them. She died in October 1986 in a helicopter crash while working as a traffic reporter for WNBC in New York. Attendees ranged from Tom Ammiano to Jerry Garcia Robin Williams and Todd Rundgren. Bill Graham Presents/Madonna/University Art Center unknown
1921réf. 296871921. Image size 168 x 198 mm. sheet size 232 x 266 mm. Signed by the artist in full just below platemark at lower left. Printed on laid paper. Small stain to upper corners of verso from early mounting with some show-through to recto otherwise in very good condition. One of an edition of 170 copies. Reproduced in The Print Collector's Quarterly 25 1938 280. American Etchers Vol. IX 33. "Troy Kinney was most notable for his works portraying dance performers fanciful subjects and classically styled nudes. He worked with dancers including Ruth St. Denis Anna Pavlova and Sophie Pflanz among others. His artistic works are part of the collections of the Art Institute of Chicago the Cleveland Museum of Art the New York Public Library the Library of Congress and many others. Perhaps Troy Kinney's greatest legacy is in his contributions in the area of dance. He co-authored with his wife the books "Social Dancing of Today" and "The Dance: Its Place in Art and Life" for which he traveled throughout the world to study various dance styles. It remains to this day one of the most comprehensive works on the subject." Wikipedia. unknown books
1921réf. 296871921. Image size 168 x 198 mm. sheet size 232 x 266 mm. Signed by the artist in full just below platemark at lower left. Printed on laid paper. Small stain to upper corners of verso from early mounting with some show-through to recto otherwise in very good condition. One of an edition of 170 copies. Reproduced in The Print Collector's Quarterly 25 1938 280. American Etchers Vol. IX 33. "Troy Kinney was most notable for his works portraying dance performers fanciful subjects and classically styled nudes. He worked with dancers including Ruth St. Denis Anna Pavlova and Sophie Pflanz among others. His artistic works are part of the collections of the Art Institute of Chicago the Cleveland Museum of Art the New York Public Library the Library of Congress and many others. Perhaps Troy Kinney's greatest legacy is in his contributions in the area of dance. He co-authored with his wife the books "Social Dancing of Today" and "The Dance: Its Place in Art and Life" for which he traveled throughout the world to study various dance styles. It remains to this day one of the most comprehensive works on the subject." Wikipedia. unknown
1989réf. 214551989 TOULON, 1989, presses de la SNIP,3 volumes in-4 brochés de 450 +53+67 pages, couvertures rempliées, nombreuses illustrations noir et blanc et couleurs, préface du Dr François Trucy et du Dr Pierre Perruchio. Musée de Toulon 21 décembre 1988 - 6 juin 1989. Au sommaire : le musée de Toulon, la collection du musée en 1888, la peinture en France dans les années 1880-1888, section documentaire et remerciements. Bon état général,T2 : Aspects de la peinture en france dans les années 1980-1988. T3:peintres et sculpteurs toulonnais en 1988
1991réf. LFA-126740208N° 267 (Avril 1991) : 78 pages, format 215 x 285 mm, illustré, broché couverture couleurs, bon état
1987réf. LFA-126746897N° 220 (Janvier 1987) : 86 pages, format 215 x 285 mm, illustré, broché couverture couleurs, bon état
1996réf. LFA-126746930N° 322 (Avril 1996) : revue de 78 pages, format 215 x 285 mm, illustrée, brochée couverture couleurs, bon état
