RETURN TO TROY -Biblio.com
3858 resultados
ref. 23756307-nnew. unknown
1995ref. 1-013309832XPrentice Hall 1995. Hardcover. New. 3rd sub edition. 704 pages. 10.00x7.75x1.25 inches. Prentice Hall hardcover
ref. Q-0415961564Routledge. Hardcover. New. In shrink wrap. Looks like an interesting title! Routledge hardcover
ref. ria9780471385455_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Expert coverage of the physics and mathematics of diffusion-reactions in solids and melts This book presents a unified treatment of diffusion and reaction in a wide variety of oxides-with a special emphasis on the reactive molecules of hardcover
ref. 6514240like new. unknown
ref. mon0000105353McGraw-Hill 2017-05-09. Hardcover. New. 0.1181 in x 8.5039 in x 5.9843 in. 4TH 18 McGraw-Hill hardcover
2016ref. x-1785602152Emerald Group Pub Ltd 2016. Hardcover. New. 256 pages. 9.00x6.25x1.00 inches. Emerald Group Pub Ltd hardcover
ref. 9781628084818NOVA SCIENCE PUBLISHERS INC
ref. 4368932like new. unknown
2023ref. x-3031414314Palgrave Macmillan 2023. Hardcover. New. 248 pages. 8.75x6.25x0.75 inches. Palgrave Macmillan hardcover
2023ref. SKU0648483McGraw Hill 2023-03-29. hardcover. New. 8x1x11. New Textbook Ships with Tracking McGraw Hill hardcover
2013ref. 2-1624179126Nova Science Pub Inc 2013. Hardcover. New. 314 pages. 10.00x7.00x1.00 inches. Nova Science Pub Inc hardcover
ref. 38638538-nnew. unknown
2017ref. __9086863132Wageningen Academic Publishers 2017. Paperback. New. 1016 pages. Wageningen Academic Publishers paperback
ref. 0840212496New. hardcover. New. Satisfaction Guaranteed or your money back. hardcover
1924ref. List3678New York City: Clarence Williams 1924. Folio measuring 12 x 9 inches 5 pp. With an attractive period style illustration by Sydney Leff with his printed signature in the lower right corner. Fine condition. A very scarce surviving example of the sheet music for "Cakewalking Babies from Home" a cornerstone early jazz-blues composition issued through Clarence Williams’s publishing enterprise at the moment when New Orleans–derived ensemble practice was reshaping American popular music. Written by Williams with Chris Smith and Henry Troy the piece bridges late ragtime syncopation and emerging small-group jazz textures. Though widely disseminated through performance and recording it appears to have circulated only sparingly as domestic sheet music. The song achieved lasting fame through the celebrated 1924 New York recording sessions by the Clarence Williams Blue Five Okeh 8256 featuring Eva Taylor vocal Louis Armstrong cornet Sidney Bechet soprano saxophone Clarence Williams piano and Buddy Christian banjo; a landmark early small-ensemble performance often cited for its dynamic Armstrong–Bechet interplay and its role in defining early jazz ensemble language.12 Circulating widely among classic blues singers vaudeville performers and musicians within Williams’s publishing network and the TOBA circuit the composition reflects the porous boundary between theatrical blues dance music and emerging jazz repertory in mid-1920s Harlem and Chicago. As noted in Smithsonian jazz educational materials “the roots of jazz are heard clearly… in ‘Cake Walking Babies from Home’”.3 Despite its well-documented performance and recording history institutional holdings of the sheet music itself appear extremely limited. We locate a single copy at the Stanley King Jazz Collection at Oberlin with none presently recorded in OCLC. 1 Brian Rust Jazz records 1897–1942 Arlington House Publishers 1978. 2 Tom Lord Jazz Discography Lord Music Reference Inc. 1992. 3 “Act 3. New York Introduction: 1924–1925” Smithsonian Louis Armstrong Education Kit https://amhistory.si.edu/jazz/education/Act3.pdf. Clarence Williams unknown
1924ref. List3678New York City: Clarence Williams 1924. Folio measuring 12 x 9 inches 5 pp. With an attractive period style illustration by Sydney Leff with his printed signature in the lower right corner. Fine condition. A very scarce surviving example of the sheet music for "Cakewalking Babies from Home" a cornerstone early jazz-blues composition issued through Clarence Williams’s publishing enterprise at the moment when New Orleans–derived ensemble practice was reshaping American popular music. Written by Williams with Chris Smith and Henry Troy the piece bridges late ragtime syncopation and emerging small-group jazz textures. Though widely disseminated through performance and recording it appears to have circulated only sparingly as domestic sheet music. The song achieved lasting fame through the celebrated 1924 New York recording sessions by the Clarence Williams Blue Five Okeh 8256 featuring Eva Taylor vocal Louis Armstrong cornet Sidney Bechet soprano saxophone Clarence Williams piano and Buddy Christian banjo; a landmark early small-ensemble performance often cited for its dynamic Armstrong–Bechet interplay and its role in defining early jazz ensemble language.12 Circulating widely among classic blues singers vaudeville performers and musicians within Williams’s publishing network and the TOBA circuit the composition reflects the porous boundary between theatrical blues dance music and emerging jazz repertory in mid-1920s Harlem and Chicago. As noted in Smithsonian jazz educational materials “the roots of jazz are heard clearly… in ‘Cake Walking Babies from Home’”.3 Despite its well-documented performance and recording history institutional holdings of the sheet music itself appear extremely limited. We locate a single copy at the Stanley King Jazz Collection at Oberlin with none presently recorded in OCLC. 1 Brian Rust Jazz records 1897–1942 Arlington House Publishers 1978. 2 Tom Lord Jazz Discography Lord Music Reference Inc. 1992. 3 “Act 3. New York Introduction: 1924–1925” Smithsonian Louis Armstrong Education Kit https://amhistory.si.edu/jazz/education/Act3.pdf. Clarence Williams unknown books
1977ref. 205243New York: Artists Space / Committee for the Visual Arts 1977. First edition. Softcover. Exhibition catalog for a group show that ran September 24 through October 29 1977. Features acknowledgements Helene Winer and an essay by Douglas Crimp. Includes black and white illustrations of works by Troy Brauntuch Jack Goldstein Sherrie Levine Robert Longo and Philip Smith. A clean near fine copy in stapled wrappers. A relatively uncommon and early look at some of the work of these important artists. Artists Space / Committee for the Visual Arts unknown
1977ref. 205243New York: Artists Space / Committee for the Visual Arts 1977. First edition. Softcover. Exhibition catalog for a group show that ran September 24 through October 29 1977. Features acknowledgements Helene Winer and an essay by Douglas Crimp. Includes black and white illustrations of works by Troy Brauntuch Jack Goldstein Sherrie Levine Robert Longo and Philip Smith. A clean near fine copy in stapled wrappers. A relatively uncommon and early look at some of the work of these important artists. Artists Space / Committee for the Visual Arts unknown books
1929ref. 22812Garden City: Doubleday Doran and Co 1929. First edition. Hardcover. Orig. thick white boards leather spine label printed in gilt. Fine in near fine plain dust wrapper in near fine black board slipcase. 80 pages. 30.5 x 23.5 cm. Limited edition one of 990 signed by Troy Kinney.This is a Catalogue Raisonne of the etchings and drypoints of Kinney a total of 50 are described in detail. Kinney was noted for his portrayal of dancers and classic nudes. He also maintained a long friendship with the American poet and collector Louis V. Ledoux. The latter was a noted authority on Japanese prints. Laid-in are two hand written letters to Ledoux two and three paged dated 1926 and 1930 respectively and include the envelopes. Also enclosed are nine New Year's cards from "Margaret & Troy Kinney" hand-drawn by him three are inscribed to Ledoux. The dates are 1928 1930 1932 - 1936. 1938 one undated. All the cards present dancers in various costumes and positions. Kinney died in January 1938. Doubleday, Doran and Co hardcover
1929ref. 22812Garden City: Doubleday Doran and Co 1929. First edition. Hardcover. Orig. thick white boards leather spine label printed in gilt. Fine in near fine plain dust wrapper in near fine black board slipcase. 80 pages. 30.5 x 23.5 cm. Limited edition one of 990 signed by Troy Kinney.This is a Catalogue Raisonne of the etchings and drypoints of Kinney a total of 50 are described in detail. Kinney was noted for his portrayal of dancers and classic nudes. He also maintained a long friendship with the American poet and collector Louis V. Ledoux. The latter was a noted authority on Japanese prints. Laid-in are two hand written letters to Ledoux two and three paged dated 1926 and 1930 respectively and include the envelopes. Also enclosed are nine New Year's cards from "Margaret & Troy Kinney" hand-drawn by him three are inscribed to Ledoux. The dates are 1928 1930 1932 - 1936. 1938 one undated. All the cards present dancers in various costumes and positions. Kinney died in January 1938. Doubleday, Doran and Co hardcover books
2012ref. 52677Jack Troy 2012. First Edition. Wraps. fine. 50p 16mo. A fine copy in blue wraps warmly inscribed to potter Paulus Berensohn by fellow potter and author Jack Troy. Additionally laid in is a postcard invitation celebrating Jack Troy. Scarce. Jack Troy paperback
2003ref. SONG1843396696Brand: WERF 2003-07-01. 1. paperback. Used: Good. 8.25x0.50x10.75. Buy with confidence. Excellent Customer Service & Return policy. Brand: WERF paperback
2011ref. SONG9400711581Springer 2011-05-13. 2011. hardcover. Used: Good. 6.00x1.00x9.25. Buy with confidence. Excellent Customer Service & Return policy. Springer hardcover
2002ref. DADAX0367225123Routledge 2020-02-21. 1. hardcover. New. 6.25x0.75x10.00. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
