- José Henri -Livre Rare Book
460 résultats
1899réf. 27323Partitions anciennes : Légendes et dieux de la mythologie Bosc 1899 approx.
1912réf. 27324Partitions sur la Mythologie Bosc 1912
1920réf. 28772Partitions sur Paris Paname Salabert 1920
1921réf. 1793Éditions de La Sirène, Paris 1921. 1 volume in-12 (18 x 11,5 cm) broché, 128 pages, couverture illustrée imprimée. Édition originale de ce merveilleux petit ouvrage qui "en l'expliquant, grandira le plaisir de vos soirs de cinéma". Maquette et illustrations avant-gardistes de Claude Dalbanne dont 5 hors-texte de photo-montages, dessins, inventions typographiques ainsi que la célèbre couverture. Rare exemplaire enrichi d'un superbe envoi de Jean Epstein : "À Marcel Requien / La plus belle distraction / Le Cinéma chez Soi / son ami Jean Epstein / 3 Novembre 1921". L'ouvrage tout juste sorti des presses de M. Audin pour la Sirène le 20 Octobre 1921.
réf. R130004944SOCADISC. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs.. . . . Classification : 410-33 Tours
réf. CCC-104025. edition la renaissance du livre bruxelles , non date , introduction de maurice wilmotte, preface de gustave charlier, illustrations de romeo Dumoulin, illustration ( gravure sur bois) pleine page, 74 pages, photos possible
réf. 3000La Chaux de Cossonay, Parisod, 1979; in-16, oblong en feuilles, couverture. Tirage à 330 exemplaires, celui-ci un des 300 sur vélin anglais moutarde.
1921réf. 1775Paris, Editions de la Galerie Simon, [D.H. Kahnweiler], 1921. Petit in-4 (235 x 165 mm mm), non paginé, broché sous couverture de papier ivoire imprimée sur le premier plat. Édition en partie originale, illustrée de 8 bois gravés par Manolo, dont quatre à pleine page. Tirage limité à 112 exemplaires, celui-ci un des 90 exemplaires sur Hollande (n°76) signés à l'encre par le poète et l'artiste. Le seul livre illustré par Manuel Martinez Hugué, dit Manolo. Manolo (1872-1945), sculpteur et peintre catalan né à Barcelone, vint à Paris dès 1892, puis de 1901 à 1910. Juan Gris, Braque et Picasso vinrent le rejoindre, pour d'assez longs séjours, lorsqu'il se fixa à Céret dans les Pyrénées. « Il était un des rares aînés de Picasso à le traiter comme un jeune homme » (Pierre Daix). À partir de 1910, grâce au soutien de D.-H. Kahnweiler, son marchand et l'éditeur de l'ouvrage présenté ici, il obtient du succès : il expose à l’Armory Show de 1913 à New York puis en Allemagne et à Paris. Par la suite, il présente régulièrement ses œuvres aux Etats-Unis, en Espagne et en France. En 1932, la France le célèbre en lui consacrant une importante exposition au Grand Palais. Comme pour les toreros ou les gitanes, la maternité constitue l’un des sujets récurrents de l’œuvre de Manolo : Mère et fils (1929), Maternité au baiser (1929), Maternité (1938), Maternité à la grappe de raisin (1940). Manolo utilise chaque occurrence du thème pour explorer une solution plastique nouvelle.
1920réf. 1783Paris, Imprimerie Bernouard (avec étiquette de relais contrecollée sur la couverture : Éditions de la Galerie Simon, Paris), 1920. Une plaquette in-4 (288 x 190 mm) brochée, 16 feuillets, non coupé. 2 GRAVURES ORIGINALES DE ANDRÉ DERAIN EN HORS-TEXTE. Edition originale tirée à 155 exemplaires numérotés. Celui-ci un des 1/125 sur vergé d'Arches, signé par l'artiste. ENGLISH : Originally published by Bernouard the book was taken over by D.-H. Kahnweiler after he started the Galerie Simon with his label affixed to the front cover. François Bernouard was an inspiration as editor for Kahnweileir for both typography and aesthetic of modern book conception he will do for 2 decades. One of 125 copies signed by Derain.
réf. 11381Blainville-Crevou, La Sirène, 2001-2003. 7 bulletins (n° 1 à 7) in-4 brochés sous couvertures bleues, 16 + 16 + 16 + 24 + 24 + 24 + 24 pp. Illustrations en noir.
1919réf. 784Aux Éditions de la Sirène, Paris 1919. In-12 (165 X 127 mm) broché, couverture imprimée en noir et rouge illustrée d'une vignette (La Sirène). Édition originale de ces 16 poèmes composés de décembre 1918 à fin janvier 1919. Tirage : 25 vergé de Rives + 750 papier anglais, celui-ci numéroté à la main sur papier anglais.
1934réf. 1026H35Paris: Les Editions dArt et dHistoire 1934-1935. Leather. Near Fine. 13.5" by 9.5". Various. The first French edition of Osvald Siren"s history of Chinese painting illustrated with 228 plates spanning its development from antiquity to the Yuan dynasty. Uniformly rebound in modern half calf with marbled paper boards. The first French edition following Siren"s English-language A History of Early Chinese Painting published in London in 1933. illustrated with 228 plates in heliotypie reproducing Chinese paintings held in public and private collections. Collated complete. Published as part of the Annales du Musee Guimet Bibliotheque d"Art Nouvelle Serie IV. Complete in two volumes. Compromising: 1934 Volume I: Des origines a l"epoque Song. 1935 Volume II: L"epoque Song et l"epoque Yuan. An impressive scholarly history of Chinese painting from its earliest surviving traditions through the Yuan dynasty tracing its development across the Han Six Dynasties Tang Five Dynasties Song and Yuan periods. Osvald Siren 1879-1966 was a Finnish-born Swedish art historian and one of the pioneering Western scholars of Chinese art. Formerly Professor of Art History at Stockholm University and later curator and head of the painting and sculpture department at the Nationalmuseum Stockholm. A richly illustrated survey by one of the foundational European scholars of Chinese art. Uniformly rebound in modern half calf with marbled paper boards. Externally very smart with only very slight rubbing to the extremities. Internally firmly bound. Pages generally bright and clean with the odd light spot. A few pencil annotations to margins of plates. Leaves uncut leaves to volume II frequently unopened. Near Fine Les Editions dArt et dHistoire hardcover
2013réf. x-0123972043Academic Pr 2013. Hardcover. New. 1st edition. 494 pages. 9.00x6.00x1.00 inches. Academic Pr hardcover
2017réf. BN644363Scoventa 2017. 2017. Softcover. Finnlands Dirigenten Von Sibelius und Schneevoigt bis Saraste und Salonen Mit Abb. Aus dem Finnischen von Ritva Katajainen u.a. Finnlands Dirigenten Von Sibelius und Schneevoigt bis Saraste und Salonen Mit Abb. Aus dem Finnischen von Ritva Katajainen u.a. Vesa Siren Scoventa paperback
1961réf. 101455New York: New York Chappel 1961. 1961. Fine. - Octavo 8-7/8 inches high by 6 inches wide. Unbound. Printed cream cover sheet illustrated with a device & 12 calendar pages plus the colophon printed on one side only of various stocks in variously colored inks each leaf by a different private press. Illustrations & vignettes in black & white & color. There is some minor offsetting else fine. The Presses are: Wild Cherry Press cover Private Press of the Haywoods The Glad Hand Press Powers Private Press Banter University Press The Hellbox Grimalkin Press The Ron Press The Private Press of Travis Cliett The Mermaid Press Morgan Press The Ogham Press Press of the Iron Horse and the Colophon by The Herity Press. New York: New York Chappel, 1961.
2019réf. x-0367366975Routledge 2019. Hardcover. New. 201 pages. 9.00x6.00x0.75 inches. Routledge hardcover
1942réf. 66497Stockholm 1942-43. Liten folio. Originale skinnryggbind med opphøyde ryggbånd og marmorerte dekler. Topp gullsnitt. 464 ; 696 s. Illustrert i teksten. Med plansjer utenom pagineringen. Natur og Kultur Svensk. unknown
réf. 54703Stkh. 1942-43. Leks8vo. Originale helshirtingbind med tittelfelter i rødt skinn og vignetter på fordeklene. 464 ; 696 s. Rikt illustrert. Natur og Kultur Norsk. unknown
réf. 5i2394Aktienbolaget Svensk Litteratur Stockholm 1948/1950. 152 S./254 S. mit je einem Frontispiz zahlreichen Abbildungen und einigen teils ausklappbaren Tafeln original Halbleinen-Einbände mit goldgeprägtem Rückentitel quart. - wohl erhaltene Exemplare / very good condition / Text schwedisch - unknown
2021réf. x-103223993XRoutledge 2021. Paperback. New. 201 pages. 8.75x6.00x0.50 inches. Routledge paperback
1938réf. 145347London: The Chiswick Press 1938. Inscribed by the collector Limited edition number 294 of 750 copies inscribed by A. W. Bahr on the limitation page: "the 18th September 1958. To Marjorie Phelps Starr every good wishes for your gifted appreciation and understanding of the great Chinese pictorial art. With great hopes for your own personal expressions. Sincerely your well wishing friend O. W. Bahr Ridgefield Conn.". Born to a German civil servant in China the coal merchant Abel William Bahr 1877-1959 began to develop his interest in Chinese art in 1905 and started to build his collection which in breadth and scope came to have few equals among westerners. In 1908 he promoted the first exhibition of Chinese art in Shanghai. He moved to England in 1910 but continued to make trips to China and further developed his collection. Much of the Chinese artwork was purchased by the New York Metropolitan Museum of Art in 1947 with other Bahr material now in museums and galleries across the world. This catalogue of Bahr's early Chinese Paintings is introduced by the Finnish-born Swedish art historian Osvald Sirén 1879-1966 one of the pioneers of Chinese art scholarship in the West. This volume accompanies his larger works including Chinese Sculpture from the Fifth to the Fourteenth Centuries 1925 The Imperial Palaces of Peking 1926 and the monumental seven-volume Chinese Painting 1956-58. The recipient of this copy Marjorie Phelps Starr was a native of Bahr's adopted Ridgefield home and though little is forthcoming about her life she made a large bequest to the Metropolitan Museum of Art in New York which the museum cites as contributing to the acquisition of many artworks. This copy is from the Garden collection of Haven O'More with his black morocco monogram book label to the front pastedown. One of the greatest book collectors of the latter part of the 20th century O'More's collection focused both on the finest specimens of printing and the great moments in the development of literature and thought. Folio. With 25 mounted colour plates. Original black cloth spine and front cover lettered in gilt. With the grey card slipcase. A fine copy. Slipcase somewhat worn with tape repair but all holding. hardcover
1978réf. 016056New York: Hacker Art Books 1978. This is a fine hardcover two volume set still in the publisher's shrinkwrap with no wear at all. As new. 12" high X 9" wide IX328 text pages 242 black & white plates. Large heavy books foreign shipping will be extra. This set will be securely wrapped and packed in a sturdy box and shipped with tracking. . Hard Cover. As New. Hacker Art Books Hardcover
1927réf. 88494Paris: G. Vanoest 1927. Cloth binding 44 cm. Ills.: black and white illustrations. 109 pp text en originally 200 plates. In this copy the following plates are missing: 13 19 22 23 24 125 141. Cond.: goed / good. The pages are not bound as published. . G. Vanoest hardcover
1924réf. 27086New York: Orientalia 1924. First edition of this work limited to 800 copies. Quarto original half cloth over papered boards. brown morocco label to the spine. Title page printed in red and black folding map 128 photogravures on 109 plates 53 plans and elevations. In excellent condition with some rubbing to the bottom cloth. and light rubbing to the extremities. Rare. Osvald Sirén was a Finnish-born art historian whose interests included the art of 18th century Sweden Renaissance Italy and China. In the area of Chinese art his major work was The Walls and Gates of Peking. Sirén was an early member of the theosophist movement. In 1956 he was awarded the Charles Lang Freer Medal. In The Walls and Gates of Peking provides historical records of the walls and gates of Beijing and has 109 photos taken by Osvald Siren and 50 architectural drawings made by Chinese artists. “Superb historical description of the substantial stone monuments in the Peking area probably the most important work and the only photographic monograph on the subject from this period by one of the greatest authorities on Chinese art history and architecture" Western Travellers in China. Orientalia hardcover
