Bigiaretti LiberoMareMagnum
428 resultados
1945n. 3 in 24°, bross. edit. ill. con bandelle
In 8o, pp. 230, t.tela con sovraccoperta, ottimo (7369/ SANTUCCI - ORFEO - MILANO)
1968Milano, Edizioni d'Arte Ghelfi, 1968, 24to (cm. 13 x 8) brossura con sovraccoperta illustrata a colori, pp. 14 con 4 illustrazioni nel testo + 35 tavole in nero e a colori fuori testo (edizione di 1100 copie numerata, la ns. non numerata) . In eccellenti condizioni.
1950Lorsqu ' il descend aux Enfers pour ramener sa femme Eurydice , dans le monde des vivants , guidant ses pas au son de la lyre , Orphéè a pris devant les dieux l ' engagement de ne pas se retourner .
Litografia originale a 2 col. (verde chiaro e marrone) mm. 205x135 c.ca, tratta dalla rivista "Paesaggio" diretta da Mino Rosi n°1 Aprile\Maggio 1946
1979192 p.illus Book
1996Seducing both gods and mortals with his musical gifts, Orpheus is overcome by the bewitching Eurydice, a feared sorceress who is seeking sanctuary in Argo from a powerful enemy. Book
1985Minor wear; 238 pages; The Myth of Orpheus, shaman and teacher, musician and lover, is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ (Eleanor Irwin) ; Sparagmos: Orpheus among the Chrisitians (Patricia Vicari) ; Orpheus and Ficino (Warden) ; Myth of Orpheus in Italian Renaissance Art, 1400-1600 (Scavizzi) ; Orfeo and Euridice, the first two operas (Timothy J. McGee) ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 (Pedro Leon) ; Triumph of Art, of Death: Orpheus in Spenser and Milton (Vicari).
1988Very minor shelfwear to DJ at heel of spine else Fine. DJ has minor discoloration to spine and front panel. ; Surveys the literary treatment of the Orpheus myth as the myth of the essence of poetry, its ability to encounter the fullest possible intensity of beauty and sorrow and to transform they into song. The first half concentrates on the ancient literary tradiiton. Later chapters focus on the continuities of the myth in modern literature. ; 256 pages
1982Very Minor Shelfwear. Else fine. ; 272 pages; The Myth of Orpheus, shaman and teacher, musician and lover, is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ (Eleanor Irwin) ; Sparagmos: Orpheus among the Chrisitians (Patricia Vicari) ; Orpheus and Ficino (Warden) ; Myth of Orpheus in Italian Renaissance Art, 1400-1600 (Scavizzi) ; Orfeo and Euridice, the first two operas (Timothy J. McGee) ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 (Pedro Leon) ; Triumph of Art, of Death: Orpheus in Spenser and Milton (Vicari).
1982Minor Shelfwear. Faint foxing to top of textblock. Else fine. ; 272 pages; The Myth of Orpheus, shaman and teacher, musician and lover, is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ (Eleanor Irwin) ; Sparagmos: Orpheus among the Chrisitians (Patricia Vicari) ; Orpheus and Ficino (Warden) ; Myth of Orpheus in Italian Renaissance Art, 1400-1600 (Scavizzi) ; Orfeo and Euridice, the first two operas (Timothy J. McGee) ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 (Pedro Leon) ; Triumph of Art, of Death: Orpheus in Spenser and Milton (Vicari).
1998Dustjacket has minor shelfwear and rubbing. ; A large number of Greek religious poems in hexameter were attributed to Orpheus, as they were to similar miracle-man figures like Bakis, Musaeus, Abaris, Aristeas, Epimenides, and the Sybil. Of this vast literature, only two examples survive whole: a set of hymns composed at some point in the 2nd or 3rd century AD, and an Orphic Argonautica composed somewhere between the 4th and 6th centuries AD. Earlier Orphic literature, which may date back as far as the 6th century BC, survives only in papyrus scraps or in quotations by later authors. ; 296 pages; Sandpiper reprint of 1983 Edition.
1930Former owner's name on ffep. Slight edgewear to corners and heel of spine. A couple of small tears to head of spine. Inner hinges have been repaired/ reinforced with brown binding tape. ; Summarizes the history, background, and development of each of the world's great religions from Egyptian religion to Christianity. ; 387 pages
1983Foxing to top of textblock. Scholar's bookplate to inner cover (G. P. Goold). DJ spine a bit sunned. ; A large number of Greek religious poems in hexameter were attributed to Orpheus, as they were to similar miracle-man figures like Bakis, Musaeus, Abaris, Aristeas, Epimenides, and the Sybil. Of this vast literature, only two examples survive whole: a set of hymns composed at some point in the 2nd or 3rd century AD, and an Orphic Argonautica composed somewhere between the 4th and 6th centuries AD. Earlier Orphic literature, which may date back as far as the 6th century BC, survives only in papyrus scraps or in quotations by later authors. ; 296 pages
1985Textblock cracked between pp 144-145. Foxing/dustsoiling to top of textblock. ; 238 pages; The Myth of Orpheus, shaman and teacher, musician and lover, is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ (Eleanor Irwin) ; Sparagmos: Orpheus among the Chrisitians (Patricia Vicari) ; Orpheus and Ficino (Warden) ; Myth of Orpheus in Italian Renaissance Art, 1400-1600 (Scavizzi) ; Orfeo and Euridice, the first two operas (Timothy J. McGee) ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 (Pedro Leon) ; Triumph of Art, of Death: Orpheus in Spenser and Milton (Vicari).
1993Foxing to textblock. ; Surveys the literary treatment of the Orpheus myth as the myth of the essence of poetry, its ability to encounter the fullest possible intensity of beauty and sorrow and to transform they into song. The first half concentrates on the ancient literary tradiiton. Later chapters focus on the continuities of the myth in modern literature. ; 256 pages
1997A bit of waviness to some plate pages. Else minor shelfwear. ; British Archaeological Reports (B. A. R. ) International Series 671; 11.7 X 8.3 X 0.8 inches; 276 pages
47. Druck der Edition Tiessen, eines von 45 Exemplaren der Vorzugsausgabe mit 4 zusätzlichen signierten Orig.-Radierungen von Wong Moo Chew. Die Radierungen wurden im Atelier Lacourière et Frélaut, Paris, gedruckt. Das Impressum vom Künstler signiert. Tadellos erhalten. - Spindler 41,47.
182417x10,5 cm; 230 pp. e una c. di tav. in antiporta con ritratto di Poliziano. Legatura coeva in cartoncino molle nero e giallo. All'inizio la Vita di Poliziano. Uscito nella collana "Bibliologia Classica Italiana ossia opere scelte de' classici". Buono stato di conservazione di questa raccolta di opere del grande poeta umanista originario di Montepulciano.
1990Br. ed. in-4, in cop. partic. di lavoro dell'A., pp. 40 non num., 44 riproduz. a col. di opere di Cocteau. Catalogo pubblic. in occas. dell'omaggio a Cocteau organizz. al Centre Cult. Français di Torino nel marzo 1990. Perfetto.
2015br. Al suono della sua lira si immobilizzano le Simplegadi, le isole mobili che rischiano di far naufragare la nave Argo. La sua voce impedisce a quella malefica delle Sirene di ammaliare gli Argonauti. Nell'Ade, ascoltando il suo canto, le anime dei defunti piangono, le Erinni conoscono per la prima volta la dolcezza delle lacrime, Tantalo dimentica la fame e la sete eterne che lo tormentano. La sua storia con Euridice è la celebrazione più alta del supremo potere di incantamento della musica. Orfeo è il poeta.
Taccuini romani 1938 - 1944 dell'artista. Avvertenza di Leonardo Sinisgalli all'inizio. Copia della tiratura ordinaria (215/1500). 8vo (cm 21,5 x 15 ca); brossura, sovraccoperta illustrata in b/n; p. 224 (6), con illustrazioni in b/n nel testo (disegni e schizzi dell'artista). Sovraccoperta con usure, tracce d'uso, ampio strappo della piegatura del risvolto anteriore. Copia discreta.
1988Comes with letter from the author. Pages cocked.
in-12, 125 pp., front., illustrations, broche, couv. Rousseurs sinon bel exemplaire. [BL-8]
Hardcover in-8°, 510 pages, illustrations en noir, reliure plein simili havane de l'éditeur. Bel exemplaire. [NV-38] Esquisse de l'histoire secrete des religions.
