CARRION, UlisesBiblio.com
2 961 résultats
réf. 10308Single paper sheet 350 x 222 mm. mounted on black craft paper letterpress-printed signed in lower left corner. Amsterdam: 1975. A signed Ulises Carrión print adapted from a 1972 typewritten work. Near fine; minuscule tear on the left side inoffensive sunning. Inscribed in the lower left corner: “U. Carrión ‘75.” From the collection of Guy Schraenen 1941-2018. unknown
réf. 10307Single paper sheet 348 x 224 mm. mounted on black craft paper letterpress-printed signed. Amsterdam: 1975. A very rare signed language work print by Ulises Carrión. Fine; a trifle sunned. Inscribed in the lower left corner: “U. Carrión ‘75.” From the collection of Guy Schraenen 1941-2018. unknown
réf. 10308Single paper sheet 350 x 222 mm. mounted on black craft paper letterpress-printed signed in lower left corner. Amsterdam: 1975. A signed Ulises Carrión print adapted from a 1972 typewritten work. Near fine; minuscule tear on the left side inoffensive sunning. Inscribed in the lower left corner: “U. Carrión ‘75.” From the collection of Guy Schraenen 1941-2018. unknown books
réf. 10307Single paper sheet 348 x 224 mm. mounted on black craft paper letterpress-printed signed. Amsterdam: 1975. A very rare signed language work print by Ulises Carrión. Fine; a trifle sunned. Inscribed in the lower left corner: “U. Carrión ‘75.” From the collection of Guy Schraenen 1941-2018. unknown books
1885réf. 741761885. GRANT Ulysses S. Personal Memoirs of U.S. Grant. New York: Charles L. Webster & Company 1885. 1st ed. 2 Vols. 584;6471 erratapp. Portrait frontises. plates some folding maps. Orig. 3/4 gilt-ruled black morocco gilt-pictorial cloth raised spine bands compartments marbled endpapers all edges marbled. Very good. The "shoulder strap edition" with four stars on spine." Seldom seen in such fine condition and considerably rarer than the cloth should strap edition. "Bruce Catton places Grant's memoirs on the top of his list of Civil War classics"--The Union Bookshelf 35. "Written frantically while in a race with death these recollections rank with the best of the Civil War period"--Nevins II p.59. unknown
1970réf. 047938New York: Arno/the New York Times 1970. Clean and tight. No creases to the spine. Appears unread. Light shelfwear. . Paperback. Very Good. 8vo - over 7¾" - 9¾" tall. Black Literature. Arno/the New York Times Paperback
réf. 9562New York: Charles L. Webster & Company 1885. Hardcover. 2 vols. 8vo original full sheep raised bands gilt rules red and blue morocco title and volume number labels at spine. CONDITION: Very good spines and some edges speckled minimal wear darkening to top edge of one spine. First edition of Grant's classic memoir recalling his service in both the Mexican War and the Civil War. Scarce in the publisher's full sheep binding. New York: Charles L. Webster & Company, 1885 unknown
réf. 9562New York: Charles L. Webster & Company 1885. Hardcover. 2 vols. 8vo original full sheep raised bands gilt rules red and blue morocco title and volume number labels at spine. CONDITION: Very good spines and some edges speckled minimal wear darkening to top edge of one spine. First edition of Grant's classic memoir recalling his service in both the Mexican War and the Civil War. Scarce in the publisher's full sheep binding. New York: Charles L. Webster & Company, 1885 unknown books
réf. 77398o. O. o. Vlg. 1792. Kl.8° Titelbl. m. gestochener Vignette XXII S. Vorrede u. Verz. S. 1 - 134 Titelbl. m. gest. Vignette S. 137 - 371; Titelbl. m. gest. Vignette 187 S. Titelbl. m. gest. Vignette 258 S. 1 Bl. Errata Neueres Priv.-HLdr. m. jeweils 3 goldgepr. Rückenschildern Ldr. tlw. etw. fleckig Vs. etw. leimschattig ebenso die äussersten Bl. letzte Bl. von Bd. 4 etw. stockfl. innen sonst nur sehr vereinzelte Stockfl. allg. sehr gutes Ex. Jeweils EA. Der 3. Bd. «die historischen und rechtlichen Beweise enthaltend» der 4. Bd. «die Urkunden enthaltend». - «Ulysses von Salis Marschlins geboren 25.8.1728 Schloss Marschlins Gemeinde Landquart gestorben 6.10.1800 Wien ref. von Igis und Zürich. Die Jugend verbrachte S. v.a. in Chiavenna und Soglio. Nach Privatunterricht und Bildungsreisen studierte er 1745-46 in Basel Recht. 1755 begann er mit der Publikation von hist. polit. und ökonom. Schriften die auf aristokrat.-patriot. Gedankengut basierten. Die jurist. Arbeiten waren häufig Rechtsgutachten zu Auseinandersetzungen in den Drei Bünden sowie deren Souveränitätsrechten in den Untertanenlanden. Nach 1759 förderte S. die Einführung der Baumwollspinnerei im Verlagssystem; diese Initiative scheiterte ebenso wie die Seidenraupenzucht in Marschlins. Er war Mitglied sowie 1770-71 Präs. der Helvet. Gesellschaft und stand in engem Kontakt mit Isaak Iselin und Hans Caspar Hirzel. S. engagierte sich für eine Ertragssteigerung der Landwirtschaft und war 1778 Mitgründer der Gesellschaft landwirtschaftl. Freunde. Ende der 1770er Jahre betrieb er die Entsumpfung bei Castione im Veltlin. Im Sinne von Franz Urs Balthasar - dieser hatte die Einrichtung einer "Pflanzschule" für angehende Politiker beider Konfessionen gefordert - unterstützte er ab 1763 das von Martin von Planta 1761 gegr. Seminar in Haldenstein das 1771 nach Marschlins verlegt wurde. Nach dem Tod Plantas übernahm er vorübergehend die pädagog. Leitung und wandelte die Schule 1775 in ein Philanthropinum nach Basedow'schem Muster um. 1777 musste er das Institut aus finanziellen Gründen schliessen. 1749 besetzte S. erstmals eine Amtsstelle im Gericht der Vier Dörfer wo er später auch Landammann war. 1757-59 amtierte er als Podestà in Tirano. 1761-62 führte er die Gesandtschaft zur Erneuerung des Mailänder Kapitulats. Das Abkommen begünstigte die österr. Verkehrspolitik und die im Veltlin begüterten S. führte aber zu verstärkter Opposition gegen deren Hausmachtpolitik. Die Interessen der Fam. liessen sich im Tomilserhandel 1766 durchsetzen. 1768 erreichte S. zur Irritation der etablierten franz. Parteigänger seine Ernennung zum franz. Geschäftsträger meist "Minister" genannt bei den Drei Bünden. 1771-75 hintertrieb er gegen die österr. Interessen das Strassenprojekt Chiavenna-Nauders seines Hauptgegners Peter Conradin Constantin von Planta. Wohl auf Betreiben der Bündner Oppositionspartei der reformer. Patrioten verlor er 1792 den Geschäftsträgerposten und auch die Kompanie deren Inhaber er war. 1794 wurde er vor die Standesversammlung zitiert und nach seiner Flucht vom "Unparteiischen Gericht" als Vogelfreier verbannt. Der Anschluss des Veltlins an die Cisalpin. Republik 1797 brachte ihm grosse Verluste. Von seinem Landgut Eckbühl bei Höngg aus agitierte er gegen die Patrioten und den Anschluss Bündens an die Helvet. Republik. Im Sept. 1799 floh er nach St. Gallen und weiter nach Wien. S. war der einflussreichste Bündner in der 2. Hälfte des 18. Jh. Als Aufklärer im Sinne des aristokrat. Patriotismus leistete er Reformarbeit in Publizistik Ökonomie und Erziehung. Neben dem hochfliegenden Idealismus stand seine Tätigkeit als Realpolitiker. Der virtuose Diplomat führte das 3. Mailänder Kapitulat mit Österreich herbei um kurz darauf dessen Einfluss mit der Hinwendung zu Frankreich einzudämmen. Gleichwertig daneben stand für ihn die Stärkung des Hauses S. Die in den 1760er Jahren entstehende Opposition gegen die "Familienherrschaft" konnte sich erst im Gefolge der revolutionären Ereignisse durchsetzen die S. ins österr. Lager trieben» HLS. 010 o. O., o. Vlg., 1792 unknown
1828réf. 003190Paris, Froment et Lequien, libraires, 1828
2011réf. 92796Scala Publishers. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 104 pages; 70 color illustrations. Description: " 'History in the Making: 2011 Renwick Craft Invitational' features works by four extraordinary artists who explore the deep roots of contemporary American craft and decorative arts. Ubaldo Vitali a fourth-generation silversmith and master conservator of historic silver uses classical techniques learned in the guilds of Rome to create luminous works for popes kings and presidents. Cliff Lee a neurosurgeon by training creates elegant porcelain vessels with the exactitude of a doctor often using his knowledge of chemistry to recreate medieval Chinese glazes long thought lost to history. Judith Schaechter brings a wealth of knowledge about traditional stained-glass practice to her moody innovative windows which reflect diverse influences from gothic art to punk rock. Matthias Pliessnig combines traditional boat-building techniques and 3-D design technology to create seating furniture out of steam-bent oak strips that may have up to 7000 points of contact without aid of hardware." -- with a bonus offer--; History in the Making: 2011 Renwick Craft Invitational features works by four extraordinary artists who explore the deep roots of contemporary American craft and decorative arts. Ubaldo Vitali a fourth-generation silversmith and master conservator of historic silver uses classical techniques learned in the guilds of Rome to create luminous works for popes kings and presidents. Cliff Lee a neurosurgeon by training creates elegant porcelain vessels with the exactitude of a doctor often using his knowledge of chemistry to recreate medieval Chinese glazes long thought lost to history. Judith Schaechter brings a wealth of knowledge about traditional stained-glass practice to her moody innovative windows which reflect diverse influences from gothic art to punk rock. Matthias Pliessnig combines traditional boat-building techniques and 3-D design technology to create seating furniture out of steam-bent oak strips that may have up to 7000 points of contact without aid of hardware. The Renwick Craft Invitational is a biennial exhibition series established in 2000 to honor the creativity and talent of craft artists working today. History in the Making is the fifth presentation in the series. Nicholas R. Bell Ulysses Grant Dietz and Andrew Wagner examine how each artist mines and transcends tradition in silver porcelain glass and wood to create highly original works of consummate craftsmanship. . 2011. 1857597036 . Scala Publishers paperback
2001réf. 83037The MIT Press. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 130 pages. -- with a bonus offer--; October Books; Many critics have explored the homoerotic message in the early portraits of the baroque painter Michelangelo Caravaggio 1573-1610. In Caravaggio's Secrets Leo Bersani and Ulysse Dutoit emphasize instead the impenetrability of these portraits. The tension between erotic invitation and self-concealing retreat leads Bersani and Dutoit to conclude that the interest of these works is in their representation of an enigmatic address that solicits intimacy in order to block it with a secret. Bersani and Dutoit offer a psychoanalytic reading of the enigmatic address as initiating relations grounded in paranoid fascination. They study Caravaggio's attempts to move beyond such relations his experiments with a space no longer circumscribed by the mutual and paranoid if erotically stimulating fascination with imaginary secrets. In his most original work Caravaggio proposes a radically new mode of connectedness a nonerotic sensuality relevant to the most exciting attempts in our own time to rethink perhaps even to reinvent community. . 2001. 0262523132 . The MIT Press paperback
1998réf. 83036The MIT Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 140 pages 26 illus. 8 in color 8vo. -- with a bonus offer--; October Books; Many critics have explored the homoerotic message in the early portraits of the baroque painter Michelangelo Caravaggio 1573-1610. In Caravaggio's Secrets Leo Bersani and Ulysse Dutoit emphasize instead the impenetrability of these portraits. The tension between erotic invitation and self-concealing retreat leads Bersani and Dutoit to conclude that the interest of these works is in their representation of an enigmatic address that solicits intimacy in order to block it with a secret. Bersani and Dutoit offer a psychoanalytic reading of the enigmatic address as initiating relations grounded in paranoid fascination. They study Caravaggio's attempts to move beyond such relations his experiments with a space no longer circumscribed by the mutual and paranoid if erotically stimulating fascination with imaginary secrets. In his most original work Caravaggio proposes a radically new mode of connectedness a nonerotic sensuality relevant to the most exciting attempts in our own time to rethink perhaps even to reinvent community. . 1998. 0262024497 . The MIT Press hardcover
2016réf. 116656Walther König Köln. New. Paperback. IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer; 4 X 1 X 6 inches; 506 pages . 2016. 3863358198 . Walther König, Köln paperback
1968réf. 59124Ottawa Canada: National Gallery of Canada. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Italian French and English. 24 pp. With 15 ills. 2 col. . 21 x 27 cm. -- with a bonus offer-- . 1968. National Gallery of Canada paperback
1983réf. 66203Museum; Et Al. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 140 pp. With 134 ills. 8 col. . 28 x 22 cm. -- with a bonus offer-- . 1983. Museum; Et Al paperback
2008réf. 78237University Press of Mississippi. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 120 pp. With 134 ills. 131 col. . 30 x 21 cm. -- with a bonus offer--; In the early 1950s Ulysses Davis 19141990 opened a barbershop he built behind his home in Savannah Georgia. A whittler since boyhood he soon began carving figures from wood in his spare time. He decorated the outside of his barbershop and filled the inside with his reliefs and freestanding carvings. During his lifetime Davis created more than three hundred works producing a varied but unified body of wood sculpture that reflects his faith humor and dignity. Daviss sculptures range in height from six to more than forty inches and can be divided into several major categories: religious images patriotism works influenced by African forms abstract decorative objects and portraits of African and American leaders. The latter includes what many regard as Daviss masterworka series of forty carved busts of all the U.S. presidents through George H. W. Bush. Because the artist rarely sold his sculptures his carvings have had limited exposure outside of Georgia. Davis wanted his work to stay together after he died and most of his sculpture is now held by the King-Tisdell Cottage Foundation in Savannah. The Treasure of Ulysses Davis accompanies an exhibition organized by the High Museum of Art Atlanta. The definitive introduction to Daviss work the book features full-color reproductions of 120 sculptures. . 2008. 1932543279 . University Press of Mississippi hardcover
2009réf. 87768Pediment Publishing; Museum. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 120 pages; 164 illus. -- with a bonus offer--; Masterpieces of Art Pottery 1880-1930 the highly anticipated encore production to Great Pots: Contemporary Ceramics is a visual feast of art pottery from the 1880s to the end of the Roaring Twenties. Superb examples of American European Asian and Native American art pottery are drawn from the Newark Museum's world-renowned ceramics collection many of them published here for the first time. 120 pages . 2009. 159725228X . Pediment Publishing; Museum paperback
1994réf. 60662Museum. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 80 pp. With 73 ills. 30 col. . 30 x 23 cm. Description: "Showcases the newly restored Victorian mansion constructed for Newark brewer John H. Ballantine in 1885 presenting numerous recent and historical photographs of the interior of the house now part of the Museum complex along with an extensive text discussing the history of the Ballantine family the construction and restoration of their home and the original and present decor of its principal rooms. " -- with a bonus offer-- . 1994. 0932828302 . Museum paperback
1997réf. 76257Museum. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- - Corresponds to ISBN: 0932828353. Text in English. 192 pp. With 259 ills. 71 col. . 30 x 26 cm. -- with a bonus offer-- . 1997. 0932828353 . Museum hardcover
réf. 10311Two torn pieces of watermarked paper typewritten text mounted on black craft paper signed. Amsterdam: n.d. A signed “structure work” by Ulises Carrión. Fine; adhesive bleeding through the corners. Initialed in the bottom left corner of the left sheet. ⧠G. Schraenen Dear reader. Don’t read. 2015 pp. 110 & 116 pictured. unknown
réf. 10312Two torn pieces of watermarked paper typewritten text mounted on black craft paper signed. Amsterdam: n.d. A signed “structure work” by Ulises Carrión. Fine; adhesive bleeding through the corners. The artist has initialed the bottom left corner of the left sheet. ⧠G. Schraenen Dear reader. Don’t read. 2015 pp. 110 & 117 pictured. unknown
réf. 10313Two torn pieces of watermarked paper typewritten text mounted on black craft paper signed. Amsterdam: n.d. A signed “structure work” by Ulises Carrión. Fine; adhesive bleeding through the corners. The artist has initialed the bottom left corner of the left sheet. ⧠G. Schraenen Dear reader. Don’t read. 2015 pp. 110 & 117 pictured. unknown
réf. 10311Two torn pieces of watermarked paper typewritten text mounted on black craft paper signed. Amsterdam: n.d. A signed “structure work” by Ulises Carrión. Fine; adhesive bleeding through the corners. Initialed in the bottom left corner of the left sheet. ⧠G. Schraenen Dear reader. Don’t read. 2015 pp. 110 & 116 pictured. unknown books
réf. 10312Two torn pieces of watermarked paper typewritten text mounted on black craft paper signed. Amsterdam: n.d. A signed “structure work” by Ulises Carrión. Fine; adhesive bleeding through the corners. The artist has initialed the bottom left corner of the left sheet. ⧠G. Schraenen Dear reader. Don’t read. 2015 pp. 110 & 117 pictured. unknown books
