3 036 résultats
1968réf. 59124Ottawa Canada: National Gallery of Canada. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Italian French and English. 24 pp. With 15 ills. 2 col. . 21 x 27 cm. -- with a bonus offer-- . 1968. National Gallery of Canada paperback
2009réf. 87768Pediment Publishing; Museum. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 120 pages; 164 illus. -- with a bonus offer--; Masterpieces of Art Pottery 1880-1930 the highly anticipated encore production to Great Pots: Contemporary Ceramics is a visual feast of art pottery from the 1880s to the end of the Roaring Twenties. Superb examples of American European Asian and Native American art pottery are drawn from the Newark Museum's world-renowned ceramics collection many of them published here for the first time. 120 pages . 2009. 159725228X . Pediment Publishing; Museum paperback
2008réf. 78237University Press of Mississippi. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 120 pp. With 134 ills. 131 col. . 30 x 21 cm. -- with a bonus offer--; In the early 1950s Ulysses Davis 19141990 opened a barbershop he built behind his home in Savannah Georgia. A whittler since boyhood he soon began carving figures from wood in his spare time. He decorated the outside of his barbershop and filled the inside with his reliefs and freestanding carvings. During his lifetime Davis created more than three hundred works producing a varied but unified body of wood sculpture that reflects his faith humor and dignity. Daviss sculptures range in height from six to more than forty inches and can be divided into several major categories: religious images patriotism works influenced by African forms abstract decorative objects and portraits of African and American leaders. The latter includes what many regard as Daviss masterworka series of forty carved busts of all the U.S. presidents through George H. W. Bush. Because the artist rarely sold his sculptures his carvings have had limited exposure outside of Georgia. Davis wanted his work to stay together after he died and most of his sculpture is now held by the King-Tisdell Cottage Foundation in Savannah. The Treasure of Ulysses Davis accompanies an exhibition organized by the High Museum of Art Atlanta. The definitive introduction to Daviss work the book features full-color reproductions of 120 sculptures. . 2008. 1932543279 . University Press of Mississippi hardcover
1997réf. 76257Museum. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- - Corresponds to ISBN: 0932828353. Text in English. 192 pp. With 259 ills. 71 col. . 30 x 26 cm. -- with a bonus offer-- . 1997. 0932828353 . Museum hardcover
2001réf. 83037The MIT Press. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 130 pages. -- with a bonus offer--; October Books; Many critics have explored the homoerotic message in the early portraits of the baroque painter Michelangelo Caravaggio 1573-1610. In Caravaggio's Secrets Leo Bersani and Ulysse Dutoit emphasize instead the impenetrability of these portraits. The tension between erotic invitation and self-concealing retreat leads Bersani and Dutoit to conclude that the interest of these works is in their representation of an enigmatic address that solicits intimacy in order to block it with a secret. Bersani and Dutoit offer a psychoanalytic reading of the enigmatic address as initiating relations grounded in paranoid fascination. They study Caravaggio's attempts to move beyond such relations his experiments with a space no longer circumscribed by the mutual and paranoid if erotically stimulating fascination with imaginary secrets. In his most original work Caravaggio proposes a radically new mode of connectedness a nonerotic sensuality relevant to the most exciting attempts in our own time to rethink perhaps even to reinvent community. . 2001. 0262523132 . The MIT Press paperback
1998réf. 83036The MIT Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 140 pages 26 illus. 8 in color 8vo. -- with a bonus offer--; October Books; Many critics have explored the homoerotic message in the early portraits of the baroque painter Michelangelo Caravaggio 1573-1610. In Caravaggio's Secrets Leo Bersani and Ulysse Dutoit emphasize instead the impenetrability of these portraits. The tension between erotic invitation and self-concealing retreat leads Bersani and Dutoit to conclude that the interest of these works is in their representation of an enigmatic address that solicits intimacy in order to block it with a secret. Bersani and Dutoit offer a psychoanalytic reading of the enigmatic address as initiating relations grounded in paranoid fascination. They study Caravaggio's attempts to move beyond such relations his experiments with a space no longer circumscribed by the mutual and paranoid if erotically stimulating fascination with imaginary secrets. In his most original work Caravaggio proposes a radically new mode of connectedness a nonerotic sensuality relevant to the most exciting attempts in our own time to rethink perhaps even to reinvent community. . 1998. 0262024497 . The MIT Press hardcover
2011réf. 92796Scala Publishers. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 104 pages; 70 color illustrations. Description: " 'History in the Making: 2011 Renwick Craft Invitational' features works by four extraordinary artists who explore the deep roots of contemporary American craft and decorative arts. Ubaldo Vitali a fourth-generation silversmith and master conservator of historic silver uses classical techniques learned in the guilds of Rome to create luminous works for popes kings and presidents. Cliff Lee a neurosurgeon by training creates elegant porcelain vessels with the exactitude of a doctor often using his knowledge of chemistry to recreate medieval Chinese glazes long thought lost to history. Judith Schaechter brings a wealth of knowledge about traditional stained-glass practice to her moody innovative windows which reflect diverse influences from gothic art to punk rock. Matthias Pliessnig combines traditional boat-building techniques and 3-D design technology to create seating furniture out of steam-bent oak strips that may have up to 7000 points of contact without aid of hardware." -- with a bonus offer--; History in the Making: 2011 Renwick Craft Invitational features works by four extraordinary artists who explore the deep roots of contemporary American craft and decorative arts. Ubaldo Vitali a fourth-generation silversmith and master conservator of historic silver uses classical techniques learned in the guilds of Rome to create luminous works for popes kings and presidents. Cliff Lee a neurosurgeon by training creates elegant porcelain vessels with the exactitude of a doctor often using his knowledge of chemistry to recreate medieval Chinese glazes long thought lost to history. Judith Schaechter brings a wealth of knowledge about traditional stained-glass practice to her moody innovative windows which reflect diverse influences from gothic art to punk rock. Matthias Pliessnig combines traditional boat-building techniques and 3-D design technology to create seating furniture out of steam-bent oak strips that may have up to 7000 points of contact without aid of hardware. The Renwick Craft Invitational is a biennial exhibition series established in 2000 to honor the creativity and talent of craft artists working today. History in the Making is the fifth presentation in the series. Nicholas R. Bell Ulysses Grant Dietz and Andrew Wagner examine how each artist mines and transcends tradition in silver porcelain glass and wood to create highly original works of consummate craftsmanship. . 2011. 1857597036 . Scala Publishers paperback
1994réf. 60662Museum. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 80 pp. With 73 ills. 30 col. . 30 x 23 cm. Description: "Showcases the newly restored Victorian mansion constructed for Newark brewer John H. Ballantine in 1885 presenting numerous recent and historical photographs of the interior of the house now part of the Museum complex along with an extensive text discussing the history of the Ballantine family the construction and restoration of their home and the original and present decor of its principal rooms. " -- with a bonus offer-- . 1994. 0932828302 . Museum paperback
1983réf. 66203Museum; Et Al. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 140 pp. With 134 ills. 8 col. . 28 x 22 cm. -- with a bonus offer-- . 1983. Museum; Et Al paperback
1994réf. 18.246EngMatanzas: Ediciones Vigía Colección Aforos 1994. 1st ed. 17x22.5. Ediciones Vigía, Colección Aforos unknown
réf. 3563754632.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0259448680.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0267495757.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1141019 pp. Square 4to printed wrappers staple-bound. Geneva: Boabooks 2016. From the colophon: "rrr reproduces nine pages typewritten by Ulises Carrión in 1972." Printed and bound by Che Huber and Alexis Dos Santos and designed by Izet Sheshivari. As new unknown edition size. unknown
réf. 1141115 leaves printed on rectos only. 12mo lime green printed semi-stiff covers stitched. Geneva: Boabooks May 2016. From the colophon: "a b c presents a linguistic exercise handwritten in green ink on fifteen pages by Ulises Carrión in 1972." Printed and bound by Che Huber and Alexis Dos Santos and designed by Izet Sheshivari. As new. unknown
réf. 1141212mo magenta printed semi-stiff covers stitched. Geneva: Boabooks May 2016. From the colophon: "the drum presents a linguistic exercise handwritten in black ink by Ulises Carrión in 1972." Printed and bound by Che Huber and Alexis Dos Santos and designed by Izet Sheshivari. As new. unknown
réf. 11413Black & white illus. throughout. 24 leaves printed on rectos only. Small 4to 210 x 152 mm. orig. pictorial wrappers. Amsterdam: Cres Publications & Agora Studio July 1978 but 1979. First edition of this scarce bookwork. Conceived by Ulises Carrión 1941-89 it was the "July-Special" edition of Cres a bi-monthly publication and produced in an edition of 400 copies. Although it is dated "July 1978" on the upper wrapper a correction slip in this copy states that it is correctly dated July 1979. "In Alphabetical Order consisted of a set of twenty-four black-and-white photographs of a small wooden index card holder with a label saying 'a-z.' In each photograph some of the cards are placed vertically so that they stand out from the others. They are clearly different each time. The type and size of the card holder suggests that the index cards record personal details. It could be the file of Ulises Carrión's friends although all the friendships are obviously not considered equal nor do they all belong to the same social group or cultural scene. The series showed the wide range of possible categories of a single human group that has been sorted in alphabetical order."-Javier Maderuelo "An Archive Is an Archive Is an Archive Is an Archive" in Guy Schraenen ed. Dear reader. Don't read. 2016 p. 58. Near fine copy; some minor creasing to the spine internally pristine. Photographs by John Liggins; layout by Thomas Gravemaker. unknown
réf. B9781998667673Hardback. New. hardcover
réf. B9781778783272Hardback. New. hardcover
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réf. 0366610260.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover