2978 risultati
rif. 11039Printed on one side with ms. date: “1976.” Single leaf 208 x 150 mm. London: 1975. Invitation/announcement for the artist’s fourth solo show held at art meeting place in London. The show occurred in 1975 but on this copy the year has been written in as “1976.” The rest of the show’s details have been printed in breaks in the text from page 133 of H.G. Wells’s You Can’t Be Too Careful. In fine condition. â§ Guy Schraenen ed. Dear reader. Don’t read. 2016 pp. 174 & 178 pictured. unknown books
rif. 8086Card 150 x 106 mm. with text added by rubber stamp in red blue green and yellow ink. Amsterdam: 1976. One of the rarest pieces of ephemera created by Ulises Carrión’s bookstore and exhibition space Other Books and So. In 1975 the year of its founding the space had hosted shows for the Beau Geste Press Jiri Valoch Opal L. Nations and Eric van der Wal. For the present exhibition Carrión invited 200 artists who employed stamps in their work and displayed their pieces on the walls of Other Books and So when it was located at 227 Herengracht. In fine condition; nice impressions. From the collection of Guy Schraenen 1941-2018. â§ Juan J. Agius ed. Ulises Carrión & The Big Monster 2014 pp. 38-39 pictured on p. 38 with a photograph of the exhibition. unknown books
1981rif. 469525New York: Anvil Press Poetry 1981. Hardcover. Fine/Fine. First edition. Chosen and introduced by Edmund Keeley and Philip Sherrard. Translated by Edmund Keeley George Savidis Philip Sherrard John Stathatos and Nanos Valaoritis. Fine in fine dust jacket. Signed by Elytis on the title page and with both a flyer for a reading and a publisher's order form laid in. A lovely copy. Elytis won the 1979 Nobel Prize for Literature. Anvil Press Poetry hardcover books
1868rif. 32549Missouri: The Radical State Committee 1868. Very Good. Missouri: The Radical State Committee 1868. Printed broadside 30.5x10cm with illustrated eagle vignette to top; blue backing. Grant's campaign slogan "Let Us Have Peace" to top followed by the Radical Republicans ballot choices from President on down to the County Officers. Creasing and smudging; nicks and short tears to edges; overall Very Good and sound. The Radical Republicans pushed for the complete and permanent eradication of slavery and supported Grant in '68 and here are supporting Missouri Congressional Candidate G.A. Finkelnburg as well. Noteworthy is also the push "For Constitutional Amendment - Yes" presumably referring to the 15th Amendment the 14th was already ratified and adopted that July prohibiting states and the federal government from denying a citizen's right to vote based on race color or previous condition of servitude. A rare survival of Grant campaign ephemera and an illuminating record of the Reconstruction era's battling factions and ideals. More broadly the piece has a certain congruity given the import of the Missouri Compromise of 1820 of which Thomas Jefferson said "I considered it at once as the knell of the Union. It is hushed indeed for the moment. But this is a reprieve only not a final sentence." Not separately cataloged in OCLC. The Radical State Committee unknown books
1885rif. 1395498New York: Charles L. Webster & Company 1885. Hardcover. Octavo Two volumes: 584 pages ; 647 pages. In Good condition but for front hinge tear of second volume. Spines are brown with gold print on red and black banners raised bands. Boards in brown leather. Wear to spine caps and corners light scuffing and age toning toning to spines second volume front hinge is torn its length with a tear to the spine head. Text blocks have marbled edges and endpapers. Bookplate on front pastedown. Illustrated: b&w frontispiece portrait in each volume b&w plates including maps. Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. NOTE: Shelved in Locked Annex Area ND-HV Section. 1395498. FP New Rockville Stock. Charles L. Webster & Company hardcover books
1977rif. 88832Carbondale:: Southern Illinois University Press. Very Good in Very Good dust jacket. 1977. Hardcover. 0809306948 . Edited by John Y. Simon. First edition. Light foxing on fore edge else very good in a very good price clipped dust jacket. . Southern Illinois University Press, hardcover books
1907rif. 141279Paris: Alphonse Picard et Fils 1907. later cloth. Small 4to. later cloth. iv22941; viii2298-4832 columns two per page. 2 volumes. New edition corrected and augmented printed in conjunction with the Académie des inscriptions et belles-lettres Besterman 2885-2886. A near fine set. Printed in an edition limited to 2200 copies. Biography and bibliography of sources and personages of the middle ages. Although published in France this is a source book for all of European medieval history. Alphonse Picard et Fils unknown books
rif. 10228Diagrams in the text. 207 pp. & colophon. 8vo printed softcover title on spine. Geneva: Héros-Limite 1997. First edition of this important Ulises Carrión 1941-89 sourcebook. The artist’s most influential texts are presented in French and English edited by Juan J. Agius. These are paired with essays by the great scholars of artists’ books Anne Moeglin-Delcroix b. 1948 and Clive Phillpot b. 1938. Near fine. unknown books
rif. 10307Single paper sheet 348 x 224 mm. mounted on black craft paper letterpress-printed signed. Amsterdam: 1975. A very rare signed language work print by Ulises Carrión. Fine; a trifle sunned. Inscribed in the lower left corner: “U. Carrión ‘75.” From the collection of Guy Schraenen 1941-2018. unknown books
rif. 10308Single paper sheet 350 x 222 mm. mounted on black craft paper letterpress-printed signed in lower left corner. Amsterdam: 1975. A signed Ulises Carrión print adapted from a 1972 typewritten work. Near fine; minuscule tear on the left side inoffensive sunning. Inscribed in the lower left corner: “U. Carrión ‘75.” From the collection of Guy Schraenen 1941-2018. unknown books
rif. 10309Single purple paper sheet 298 x 209 mm. mounted on beige paper collaged yellow pieces of paper with ms. text. signed. Amsterdam: 1977. Manuscript collage language work by Mexican artist Ulises Carrión. He contributed a version of the piece to the magazine Kontexts it appears in issue 5 1974. Near fine; adhesive in corners bleeding through. Signed in the lower left corner: “Ulises Carrión ‘77.” From the collection of Guy Schraenen 1941-2018. With thanks to Rich Dana Sackner Archive Project Coordinator Librarian at the University of Iowa Special Collections who confirmed the appearance of this work in Kontexts issue 5. The Sackner Archive holds the editorial files for Kontexts including original contributions like Edgardo Antonio Vigo JH Kocman Carrión Felipe Ehrenberg Bob Cobbing Clemente Padin Jiri Valoch etc. â§ G. Schraenen Dear reader. Don’t read. 2015 pp. 110 & 114 pictured. unknown books
rif. 10310Single purple paper sheet 295 x 210 mm. mounted on beige paper collaged yellow pieces of paper with ms. text in ink & graphite signed. Amsterdam: 1977. A Ulises Carrión language work with manuscript text on the collaged strips of paper. In fine condition; adhesive in corners bleeding through the paper. Inscribed in the lower left corner: “Ulises Carrión ‘77.” From the collection of Guy Schraenen 1941-2018. â§ G. Schraenen Dear reader. Don’t read. 2015 pp. 110 & 115 pictured. unknown books
rif. 10311Two torn pieces of watermarked paper typewritten text mounted on black craft paper signed. Amsterdam: n.d. A signed “structure work” by Ulises Carrión. Fine; adhesive bleeding through the corners. Initialed in the bottom left corner of the left sheet. â§ G. Schraenen Dear reader. Don’t read. 2015 pp. 110 & 116 pictured. unknown books
rif. 10312Two torn pieces of watermarked paper typewritten text mounted on black craft paper signed. Amsterdam: n.d. A signed “structure work” by Ulises Carrión. Fine; adhesive bleeding through the corners. The artist has initialed the bottom left corner of the left sheet. â§ G. Schraenen Dear reader. Don’t read. 2015 pp. 110 & 117 pictured. unknown books
rif. 10313Two torn pieces of watermarked paper typewritten text mounted on black craft paper signed. Amsterdam: n.d. A signed “structure work” by Ulises Carrión. Fine; adhesive bleeding through the corners. The artist has initialed the bottom left corner of the left sheet. â§ G. Schraenen Dear reader. Don’t read. 2015 pp. 110 & 117 pictured. unknown books
rif. 10315Single paper sheet 290 x 160 mm. adhered to beige paper sheet Letraset lettering affixed signed & dated. Amsterdam: 1974. Heretofore undocumented language work by Ulises Carrión employing Letraset lettering with which he has created five vowel-consonant pairs. In fine condition. With the work’s title written in the bottom left in Carrión’s characteristic hand and signed on the right: “U. Carrión / 74.” â§ Not in Dear reader. Don’t read. 2015. unknown books
rif. 10316Black & white photographic print 169 x 169 mm. matted with beige paper captioned and initialed. Amsterdam: 1979. A rare signed photographic print; the same image depicting the artist’s “address archive” adorns the lower cover of Ulises Carrión’s artist’s book In Alphabetical Order 1979. In fine condition. Captioned on the bottom left and signed and dated to the right. From the collection of Guy Schraenen 1941-2018. unknown books
rif. 10317Single sheet mounted on black craft paper printed in red & green perforated. Amsterdam: late 1970s. A compelling specimen of Ulises Carrión’s avid involvement with the Eternal Network: a complete sheet of his “Here & Now” stamps. In excellent condition. unknown books
rif. 9935Black & white illus. throughout. 16 pp. incl. wrappers. 4to printed wrappers staple-bound. Warsaw: Galeria Remont 1976. An extremely scarce exhibition catalogue published for Carrión’s first exhibition at Henryk Gajewski’s Galeria Remont. Gajewski b. 1948 the Polish artist and filmmaker founded this contemporary art space in a dormitory student club at the Warsaw University of Technology. The gallery operated from April 1972 to November 1979 hosting performance art exhibitions of photography stamp art and bookworks and many other events. This catalogue contains the artist’s celebrated manifesto “The New Art of Making Books” which had been published for the first time the previous year in Plural no. 41 in Spanish and Michael Gibbs’s Kontexts nos. 6-7 in English. Galeria Remont became one of Carrión’s most important international connections in the vast network of collaborators he formed. Following this show he curated another exhibition at the Warsaw space — Inne Ksiazki 8-30 May 1977 — and gave lectures and performances there related to mail and stamp art. Most of the text in the catalogue reproduces Carrión’s characteristic bold script. In a very frank artist’s statement he elucidates his pivot from Mexican literary wünderkind to avant-garde language artist: “After extensively publishing short stories and theater plays in Mexico U. C. began using language outside the mould of what is usually called literature. Since then rather than writing poems ‘in the form of’ an advertisement or a dictionary old literature under new masks he situates dictionaries phone-books ads or any other manifestations of language as autonomous structures. His aim is to reveal the beauty and richness of these structures regardless of their referential content. U. C. is still a writer — and he insists on calling himself such — who writes very little or doesn’t even write at all. This is a radical shift in attitude which enables U. C. to concern himself not only with verbal languages but also with any system of symbols he may come across. He presents such systems either in the form of a book or as a display on a wall.” A fine copy but for faint browning to the wrappers. â§ Juan J. Agius & Ricardo Ocampo eds. Ulises Carrión: Books & More Catalogue Raisonné 2013 p. 116. unknown books
rif. 9983Photocopied illus. printed on one side. Flyer. Porto Alegre: espaco no 1980. Flyer for a Ulises Carrión exhibition in Porto Alegre. In fine condition. unknown books
rif. 9984One illus. & ads. Two folded sheets 8 pp. Amsterdam: Vereniging van Videokunstenaars 1983. Rare program for the first screening of Carrión’s best-known video work. The viewing was hosted by the Association of Videoartists whose mission and membership benefits are included at the end of the program. Near fine. unknown books
rif. 9985Black & white illus. Illustrated flyer horizontal & vertical folds. Amsterdam: 1979. Promotional flyer for the artist’s forthcoming bookwork offered for 12.50 guilders or $6 per copy. In fine condition. unknown books
rif. 10113159 pp. & one leaf with index & colophon. Small 8vo 180 x 115 mm. orig. printed pictorial softcover spine worn author portrait on lower cover. Guaymas Mexico: Joaquín Mortiz August 1970. First and only edition of Carrión’s second book a collection of six short stories printed in a numbered edition of 3000 copies. In the 1960s Carrión 1941-89 was one of Mexico’s emerging literary talents; a number of his short stories had been published in leading journals and his first play El Gran Espectáculo was performed at the Casa de la Cultura de Tlacotalpan Veracruz to rave reviews. Following his studies in philosophy and letters at the Universidad Nacional Autónoma de México he spent time in France and Germany 1964-65 with the aid of scholarships learning both languages. Dissatisfaction with the Mexican literary world and local hostility toward the gay community drove Carrión to emigrate to Amsterdam in 1970 where he found a progressive and free-spirited milieu. From then on he conscientiously abandoned literature and fully dedicated his life and work to the visual arts in the form of books films social experiments performances mail art etc. This book represents the artist’s final moment as a traditional/conventional author preceding his conversion to experimental and avant-garde methods of communication. “In 1970 he published a second six-story collection De Alemania considered a more mature work. Here he has perfected the interior monologue which is the primary manner in which his characters disclose themselves. In some stories the salient characteristic is alienation but in others Carrión employs humor as a catalyst. Since such characteristics are not always mutually exclusive he does achieve a delicate balance between the two.”–Dictionary of Mexican Literature 1992 ed. Eladio Cortés p. 147. Very good copy internally fine; spine a little creased as with most copies. Housed in a cloth clamshell box. unknown books
rif. 10210Many black & white illus. 267 pp. Thick 4to printed softcover title on spine illustrated endpapers. Madrid: Museo Nacional Centro de Arte Reina Sofia 2015. The Spanish edition of this exhibition catalogue now very scarce. The exhibition took place at the Reina Sofia 16 March-10 October 2016 and Mexico City’s Museo Jumex 9 February-7 May 2017. Profusely illustrated the catalogue contains essays and remembrances by Guy Schraenen Felipe Ehrenberg Jan Voss Joao Fernandes Heriberto Yepez Javier Maderuelo and Maike Aden. An invaluable reference on Ulises Carrión’s life and works. Near fine minimal edgewear. With the inserted DVD present as issued. unknown books
rif. 10209Many black & white illus. 267 pp. Thick 4to printed softcover title on spine illustrated endpapers. Madrid: Museo Nacional Centro de Arte Reina Sofia 2015. The English edition of this exhibition catalogue now very scarce. The exhibition took place at the Reina Sofia 16 March-10 October 2016 and Mexico City’s Museo Jumex 9 February-7 May 2017. Profusely illustrated the catalogue contains essays and remembrances by Guy Schraenen Felipe Ehrenberg Jan Voss Joao Fernandes Heriberto Yepez Javier Maderuelo and Maike Aden. An invaluable reference on Ulises Carrión’s life and works. As new. With the inserted DVD present as issued. unknown books